# data[].attributes.body
https://vimeopro.com/user21775187/le-temps-extraits/

password is temps

# data[].attributes.body
Here's an introductory PPT to this year's theme

# data[].attributes.body
https://www.cinematheque.fr/cinema100ansdejeunesse/en/programme/presentation.html

# data[].attributes.body
Our first idea is to think about how the very first film-makers 'recorded time'.  Look at this short film and see if you think there's more than one type of time in the film

# data[].attributes.headline
Lots of people who watch this think that the women washing are feeling time differently to the men up above, who aren't doing much.  We could also say that the river in the foreground, follows its own 'time'.

# data[].attributes.subject
Lots of people who watch this think that the women washing are feeling time differently to the men up above, who aren't doing much.  We could also say that the river in the foreground, follows its own 'time'.

# data[].attributes.body
Children all over the world have been making Lumiere Minutes like this - you shoot for one minute, don't move the camera, and capture whatever is in front of you.  no acting.  Just find a scene that you think reveals 'time' playing out in front of us.

You might like this example:  https://vimeo.com/showcase/5092194/video/97931647

There are other examples of ones made by children here: https://www.cinematheque.fr/cinema100ansdejeunesse/en/lumiere-minutes.html

# data[].attributes.headline
Have a look at some examples of clips where we feel time passing

# data[].attributes.subject
Have a look at some examples of clips where we feel time passing

# data[].attributes.body
This is from a film called Nostalgia. it's 9 minutes long - what does it make you feel? do you want to watch the whole clip? How do you think the man feels? Why has the film-maker chosen to have this clip so long?

# data[].attributes.body
In this clip, a man is out walking with his dog on a Sunday morning. Do you think the man and the dog experience time differently?

# data[].attributes.body
Take on shot to show the 'imprint of time' in film. How can you give spmeone the experience of time passing? Your shot can be up to two minutes long, and unlike a Lumiere Minute, you can move your camera. But if it's a phone, keep it horizontal!

# data[].attributes.body
Take another one-shot film, up to two minutes, but this time see if you can capture the feeling of 'a race against time'. How can you make the viewer feel anxious, that time us running out?

# data[].attributes.body
Film is very good at showing us things changing in time. Here's a clip of a transformation that happens in a single shot.  Maybe you could make something like this!

# data[].attributes.body
Watch this clip from The Dreamers, by artist Bill Viola.  It's not a film for cinema, but is shown in art galleries.  How does he make us feel 'a race against time'?

# data[].attributes.body
Film-makers use all sorts of techniques or clever tricks to show us the time, or the passing of time. How many can you think of? Shots of clocks, or calendars, our countdowns are the most obvious, but there are many more.

# data[].attributes.body
Here's a nice example of a very simple way of showing that many years have passed, from a Spanish film called El Sur.  How many 'time markers' can you spot?

# data[].attributes.body
And here's another example.  What tricks does this film-maker use?  Think of costume, editing, lighting, framing. (NB, you'll get the idea after about 2 minutes!). What do you think is the relationship between the man and the woman?

# data[].attributes.body
Although it isn't a requirement of the project, it might be nice for you to try and make a very short 'time passing' film, which uses change of clothes, or the weather in the same place on different days, to 'summarise' time passing.

# data[].attributes.body
Film-makers sometimes like to show off their skills, and 'long takes' are when you just keep filming a shot without cutting it.  We could say there are two types: one is when you keep the camera rolling to capture what is happening, like the Week 4 example of the actor having make-up applied.  The other is when a film-maker sets up a very elaborate scene, with lots of movement and action, and keeps the camera rolling through the scene.  Here are two examples; maybe think about which type of 'long take' each one is.

# data[].attributes.body
This is a very famous example of a 'long take' by Martin Scorsese.  A long take only really works if there's a wider point being made: what does this scene tell us about the main character do you think?

# data[].attributes.body
The second main exercise of the programme is to make two versions of the same action or scene: one shot as a single take, the other as a series of shots edited together.  You can change the actors between the two versions, but the action or scenario, the location, and the movement of the actors has to be as close as you can make it.  You won't want to make your scene too complicated - maybe 4 or 5 shots (or movements or actions if you're shooting in one take).

Think of some simple actions that you could film: a character follows another character through an indoor then an outdoor location; two characters arrange a meet up; a character loses something and has to ask for help.

# data[].attributes.body
At this stage in the programme, it might be nice to watch a whole film and see how much we have learned about time on film.  We have a couple of suggestions of short films that showcase some of the techniques we've been exploring.

Le Pain et la Rue is a 9-minute film by Abbas Kiarostami, in which a small boy becomes afraid of a dog.  The film really stretches out the suspense in the film.

# data[].attributes.body
This short film by Victor Erice was used in last year's programme, but it is all about time.
https://www.dailymotion.com/video/x6fp57

# data[].attributes.headline
Namo Village. Panorama Taken from a Rickshaw

# data[].attributes.subject
Namo Village. Panorama Taken from a Rickshaw

# data[].attributes.body
This scene was filmed by Gabriel Veyre as he walked away from the village of Namo in French Indochina (now Vietnam). It is the first tracking shot backward ever done.
#Lumière​

# data[].attributes.body
Here’s a Lumiere Minute made by our colleague David, for one of his classes at the BFI