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Jupiter 6 Cello
Jupiter 6 Clarinet
Jupiter 6 Electric Piano
Jupiter 6 Flute
Jupiter 6 Synth Brass
Jupiter 6 Trumpet
Jupiter 6 Violin

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Jupiter 6 Brass Lead

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Jupiter 6 Strings

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Jupiter 6 Muted Clavinet

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Jupiter 6 Jazz Guitar

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Jupiter 6 Ditty Flute

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Jupiter 6 Harpsichord

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Jupiter 6 Overdrive Guitar

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Jupiter 6 Percussive Organ

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Jupiter 6 Unison Glide with Resonance

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Jupiter 6 Accordion/Bagpipes

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Jupiter 6 Organ with Resonance

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Jupiter 6 Toy Piano

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Jupiter 6 Trumpet/Flute/Calliope

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Jupiter 6 Filter Mod

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Jupiter 6 Reed Organ

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Jupiter 6 Synth Brass

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Jupiter 6 Pipe Organ/Flutes

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Jupiter 6 Distorted Guitar

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Jupiter 6 Electric/Rhodes Piano

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Jupiter 6 Tremolo Strings

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Jupiter 6 Octave Sawteeth

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Jupiter 6 Release/Repeat

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Jupiter 6 Delayed Harmonic

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Jupiter 6 Echo/Repeat

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Jupiter 6 Pulse/Width Mod

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Jupiter 6 Slow Sync Sweep "Jupiter 6 Guitar Noise #1)

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Jupiter 6 Fourths with Resonance

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Jupiter 6 Sweeping Harmonics

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Jupiter 6 Slow Sync "Jupiter 6 Guitar Noise #2"

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Jupiter 6 Random Arpeggiator

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Jupiter 6 Sawtooth Arpeggiator

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Jupiter 6 Clangorous Bells

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Jupiter 6 Bass
Jupiter 6 Mandolin
Jupiter 6 Nylon Guitar

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https://musical-artifacts.com/artifacts/234

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https://sites.google.com/site/soundfonts4u/

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46/127: Harp

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80/127: Square Wave

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AM6070 MODELED REAL TIME DAC DECODING

Following the exact datasheet decode table for 8bit companded incoming DATA. The real nasty gritty sound at every pitch, like the real thing, forget resampling or tuning crappy samples packs which will always sound dull at lower pitches! Option is now provided to keep the high frequency spectrum integrity at any tuning via efficient oversampling.

HIHAT DATA LOOPING & VCA

Hihat circuitry was pretty unique, the hihat proms were read constantly in a loop while only a VCA was triggered, for closed hihat the circuitry had the ability to discharge the current through an additional way based on the decay pot setting. This basically makes the hihat sounding different on every hit.

CEM 3320 Filters

Unlike the very first produced machines, some Voices with Bass frequency content were filtered to minimize the remaining 8bit noise, using a VCF configured as a lowpass filter with no resonance. The CV frequency of the VCF was shaped by the circuitry in a way that lets the transients pass through relatively unfiltered. The VProm lets you fine tune the CV pulse or completely bypass the filter, this is useful when a voice is tuned very low or if you want to replace a "Bass" slot with another EPROM that doesn't require filtering.

SEPARATE PITCH TUNING

This wad one of the coolest features of early sample based drum machines, letting you tune any voice to a particular frequency for a wide range of sounds.

The PROMS data were read one byte at the time by a counter which speed was controlled by a relatively stable oscillator, the counters reading speed could then be affected by the external tuning pots in a limited range, + or - 1 Octave.

This tuning range can be tweaked and the VProm provides a useful wide range of pitch from 1000Hz to 44100Hz and anything in between based on a real mod. (See manual)

(Stock was 12048 - 30303Hz.)

SEPARATE OUTPUTS

The original machines featured separate outputs for every voices, so as the VPROM.

You can choose from ALL to 1 Stereo Channel or Separate Channels for each voice.

VELOCITY CONTROL

You can limit yourself to only 2 velocity levels or use the full range of MIDI velocity for convenience.

GUI & AUTOMATION

The GUI features the original trigger buttons for kick listening and controls over every aspect of the Drum Machine, most of the parameters like volume and pitch knobs can be MIDI learned and controlled by an external MIDI Hardware.

LOADING EXTERNAL EPROMS DATA

The VPROM provides the ability to replace some voices with external compatible 8bit companded EPROM data. This opens up the machine to LINNDRUM (LM-2), LINN 9000, DMX, DX, DRUMTRACKS etc... Samples or even load your own custom made. You can switch between custom loaded and stock EPROMS on the fly.

VPROM supports the following type and size EPROMS binaries (.bin)

2716(2048_Bytes) 2K

2732(4096_Bytes) 4K

2764(8192_Bytes) 8K

27128(16384_Bytes) 16K

27256(32768_Bytes) 32K

LOAD & SAVE FULL PATCH & BANKS in FXB/FXP (additional technical infos in manual.)

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ALYJAMES LAB | ALY JAMES LAB VPROM 2.0 VST --- VPROM VST EPROM BASED VINTAGE DRUM MACHINE

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AM6070 MODELED REAL TIME DAC DECODING Following the exact datasheet decode table for 8bit companded incoming DATA. The real nasty gritty sound at every pitch, like the real thing, forget resampling or tuning crappy samples packs which will always sound dull at lower pitches!

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The Jupiter 6 Flute can be heard on The Second Episode in Season One of "Thomas The Tank Engine & Friends/Thomas & Friends", which you can sample the flute at the very beginning.

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Off The Rails/Gordon Takes a Dip Sample #1

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Off The Rails/Gordon Takes a Dip Sample #1

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The Jupiter 6 Trumpet can be heard in the middle of the scene where Gordon asks Percy if it's right or decent.

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'Off The Rails aka Gordon Takes a Dip' Sample - Jupiter 6 Trumpet

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Off The Rails/Gordon Takes a Dip Sample #2

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Off The Rails/Gordon Takes a Dip Sample #2

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The Jupiter 6 Xylophone also can be heard where Gordon's Driver and Fireman went to see him when he's stuck.

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'Off The Rails aka Gordon Takes a Dip' Sample - Jupiter 6 Xylophone

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V2 Coming Soon

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Coming soon