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·      You’re invited to look at the background if you stay in the same place of the frame, tidying up the consistency in poses and placement within the frame

·      ND filter to create long exposure?

·      Ellis ‘sense of security and calmness’ can relate this to your safehaven in relationship, movement might actually make it more hectic- difference in opinion to Steven

·      Maybe take image at same time of day?

·      Time of day and context of relationship, you could feed into this more?

·      I wonder if you could look at Anthony Gormley and his sculptures in the landscape with your interest in human form/emotion and sculpture?

·      India ‘finding joy in those happy sad moments’ feels this through the work

·      Images feel fragile and light

·      Take the traditional pictures and pose with objects like the mop or something, as if that’s the other person

·      Juliana believes the two projects exist on their own

·      To find a way for both separate objects to work together experiment with yourself and objects, maybe find the banality of objects and the human form and bring them together?

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This almost 'typology' like set is the strongest for me. I like the unfeeling nature of it in contrast to the 'sweet' subject of you and Fin. I think with your subject matter, it could easily end up being 'cheesy' or too kind of vernacular looking, but through the use of a more deadpan aesthetic, you have cut through that to create something more interesting and almost humorous.

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I'd be interested to know which direction you plan on taking this work.

I personally love sculpture 1&2 but maybe that's my bias to sculpture in a somewhat natural environment. Is there any correspondence to your portraits or is it a change in direction?

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I am interested to know the decision process in choosing locations/ times of day? is there a relationship between these?
Is there a deliberate decision in the way the images are shot?

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I love the series as a whole (Portrait of fin) as it feels consistant and the settings that you use with him are just beautiful. I just wanted to know what the context is behind this work?

Who is Fin to you? and why you choose to do work of him?

Kieran.

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I think the set of self-portraits are working well, keeping a consistency in framing the subjects, from there you notice the changes in location and outfit.

Is the banality in expression intentional?

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Sculpture work #6

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Sculpture work #5

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Sculpture work #4

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Sculpture work #2

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Sculpture work #3

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Sculpture work #1

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Portrait of Fin #6

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Portrait of Fin #5

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Untitled #6

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Portrait of Fin #4

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Portrait of Fin #3

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Untitled #5

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Self-portrait by the pond

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Untitled #4

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Morning portrait in our bedroom

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Untitled #3

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Untitled #2

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Portrait of Fin #2

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Untitled #1

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Portrait of Fin #1

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Hawk Farm #2

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Blue Mountain #4

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Blue Mountain #3

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Hawk Farm #1

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Forest Rd

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Blue Mountain #2

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Ducky Pond

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Blue Mountain #1