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As Vitus reaches the dramatic conclusion of his monologue to Mr. Alison, We cut back to a shot of the train as it pulls into a dark station and caps off the sequence

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As Werdegast delivers his monologue, we return to this medium shot. It allows us to see every expression on his face as he tells the story of his exile, while reminding us who his audience is by keeping the Alisons in frame, but not centered

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We reverse back to see Mr. Alison, who listens to Werdegast as he begins his story, with the same look of suspicion upon his face

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As the shot reverses once again, we see Werdegast has now turned his attention to Mr. Alison, who he begins speaking to in an effort to explain his previous action

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We return to the same framing as was seen in shot 5, but Mr. Alison is now awake, and reacting suspiciously to the strange behavior he has just witnessed from Werdegast

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The camera once again follows Werdegast as he pulls his hand back, but still focusing his attention on Mrs. Alison. As he returns to his previous posture, Mr. Alison comes into frame on our left. Thought barely in the shot, we see that he now sits up, awake and alert

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The camera pans to follow Werdegast's hand as he reaches out to gently stroke Mrs. Alisons hair, who remains asleep. She comes into the shot as well with a close-up of the back of her head

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Cut back to a close-up of Vitus, he turns his head slowly to his left, focusing his gaze specifically towards Mrs. Alison as he smirks slightly

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Cut to a medium shot of the Alisons napping across from Vitus, who is just barely in frame to our left. The couple, but especially Mrs. Alison, are framed in soft, idyllic lighting. This is in contrast to the doctor, who by comparison sits in gloomy shadow.

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Next, the camera pans left from the window to reveal Dr. Werdegast once more, his gaze fixed on the newlyweds who we know sit across from him. This begins a shot/reverse shot series which will serve as the primary visual style for the remainder of the sequence

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A medium close-up gives us a clear view of the wheels being driven at breakneck speed by the engine and its crew. These shots remind us that the train is made up of multiple separate parts acting together in unison

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Transition to a medium shot of the engine crew at the head of the train. Obscured by smoke and darkness, they fuel the engine that ferries our characters to their fate. The countryside can be seen over their shoulders, but is by no means a clear view

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Long shot of the train that both the Alisons and Dr. Vitus Werdegast boarded moments before. Only the engine is visible and in-focus. The trains roars powerfully on the soundtrack as it races across the landscape