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Perseus and Andromeda , by Titian, 1554- 1556
(Patron: King Philip 2nd of Spain)

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Madonna and Child With Saints by Piero Della Francesca, 1472 (Patron, Church of the Osservanti)

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The Last Supper, Mural by Leonardo Da Vinci, 1495- 1498 (patron Duke Ludovico Sforza)

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The School of Athens, by Raphael, 1509-1511 (patron: Pope Julius II, for the Vatican)

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This painting illustrates classicism because: 1) its title references the Greek city-state of Athens, 2) there are Roman arches and Greek statues in the painting, and 3) it is filled with the images of many Ancient Greek philosophers.

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This painting shows the feature of naturalism because all of the figures and features are drawn to resemble what we would normally see, and they are in common, ordinary poses.  No distortion is evident anywhere in the work.

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This work demonstrates geometric perspective by having all of the lines in the floor, the ceiling, and the hallway converge at a single vanishing point, thus creating the illusion of depth.

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This reflects the importance and value placed upon education, as it takes place in a school and everyone is a scholar.

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The Marriage of the Virgin, by Raphael, 1504 (Patron: Filippo degli Albezzini).

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1) This painting is showing classicism by using Roman and Greek architecture such as domes, arches, and columns/pillars. 2) The painting also shows figures that are in motion. They don’t look stiff and they seem as if they are moving which was a common artistic style of the Roman’s and Greeks.

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1) This painting demonstrates naturalism when it shows the communing in the background between groups of people. Whether they were sharing knowledge or trading,  it’s something you’d see on a daily basis back in the renaissance so it’s very natural. 2) As stated before, the motion of the characters makes it look very natural and real. They also use a technique called sfumato which gives the painting an extra hint of depth using gradients and blending. The figures in the painting are also more rounded which adds to the naturalistic look.

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The painting demonstrates geometric perspective with the use of one point perspective. There are lines that all lead to a vanishing point. This allows for the painting to have more depth.

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The Money Changer and his Wife, Quentin Matsys, 1514.

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If you look very closely at the reflection on the mirror that shows the building through a window, you can see arched windows which was inspired by the Romans and Greeks and demonstrates classicism. (You can also see the artist of the painting in the reflection)

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This painting is quite naturalistic. 1) First of all, the figures in this painting have a more rounded appearance. 2) Also the figures are also doing an activity that would happen on the daily basis. It’s very natural and practical.

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1) This painting demonstrates geometric perspective by using a technique called sfumato which is a kind of gradient that blends the colors together to make it look more realistic. 2) There is also a vanish point (although not the most noticeable).

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This painting demonstrates humanism by showing how tasks such as trading and learning were more important than religion at this time. You can see this by looking at where the figures in the painting are looking. They are drawn to the things they find more important and interesting.

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Medusa, by Caravaggio Merisi, 1595-1598 (patron: Cardinal Francesco Maria del Monte)

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This work of art shows classism as it depicts mythology from ancient greece.

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The head is rounded, giving it depth. The artist also uses sfumato to blend colors

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Although this image doesn't have a vanishing point, it does depict a 3 dimensional image in a 2 dimensional place

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This painting indirectly shows the greatness of man as it depicts perseus, a man, killing something feared. This also shows individualism as it depict a single being rather than a group accomplishing a goal

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Calumny of Apelles, by Sandro Botticelli, 1494-1495 (no patron)

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This artwork slows classicism as it depicts the story of Andromeda being saved by the ancient roman hero perseus.

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The artwork shows natralism as its subjects are rounded for depth and it shows the use of  sfumato blending softly between colors it also show charecers in moition

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The painting does not use geometric perspective but infact still shows depth and perspective not letting the painting apear flat by plaseing andromeda in the front and showing the serpent farther in the distance.

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c. 1508-1512. Patron: Pope Julius II.

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This painting represents classicism through it’s use of a dome often found in Ancient Greek architecture. As well as the frieze, a highly decorated part of ceiling just below the dome.

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These characters are depicted naturally because of the fact that they have rounded faces, appear to be blended with the sfumato technique, and are all standing in their own unique natural poses.

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There are a couple of different things that imitate classic works. For example, Adam is nude in the painting, which was common in ancient Roman works.

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This painting has lines and a character that stands out in the center, creating a vanishing point, and forming the illusion of depth in the painting.

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This represents humanism by showing many people surrounding a single individual, showing greatness in this individual. It also shows classic religious elements in the architecture of the church they are in.

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The Birth of Venus, Sandro Botticelli (1485-1486)

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This painting shows classicism by showing the birth of a Roman goddess, Venus, the goddess of love, beauty, and fertility.

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Although there is no one point perspective, this painting shows geometric perspective through showing different dimensions, (foreground, middle ground, background) in a flat painting. For example, it is obvious that Venus is in the shell and that the shell is behind her.

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This painting shows naturalism, even though it is depicting, a goddess, it shows her in a very humanlike and non-exaggerated way.

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The aspect of humanism that this painting shows is secularism. It is shown through the subject of the painting being a “pagan” goddess. Going against a monotheistic and Christian belief system.

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This painting illustrates classicism in the following ways:
1) The artist's theme was inspired by the Greek artist Apelles (hence the name of the painting).
2) Greek statues are present in the background.
3) Roman arches are also present in the background.

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Naturalism is evident in this painting in the following ways:
1) This painting resembles the world as we would see it. No distortion is used. All of the figures are in natural poses and are not stiff.
2) The figures present in this painting are all rounded, not flat.
3) Sfumato is evident in the blended & toned body structures of the two figures showing skin.

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Secularism:
This painting is secular because their is no sign of religious figures, ideologies, or art present.

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The designs of all the characters in this painting are drawn very naturalistically, with accurate shading and lifelike poses (which make it look like they’re moving).

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Geometric Perspective is shown in this painting because all of the lines on the ceiling and bottom-half of the painting lead to a clear vanishing point. This makes a sense of depth evident in the painting.

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Vision of a Knight, by Raphael, 1504-1505 (no patron found)

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Michelangelo Buonarroti, The Last Judgement

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Michelangelo Buonarroti, The Last Judgement

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Last Miracle and the Death of St. Zenobius, by Sandro Botticelli, 1500

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1. This painting represents classicism because of the architecture in the background. It includes arches in multiple places of Roman and Greek styles.
2. The characters portrayed are all in motion. It was common for Roman and Greek statues to be depicted in movement.

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This painting depicts classicism because: 1) It has pillars and Roman arches painted into the scenery. 2) It depicts the second upcoming of Christ.

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1. In the painting sfumato is used which makes it look much more natural, this is evident in the shading and color tones of the painting.
2. The body shapes are rounded to make them look more natural. They are also all in poses and are in motion.

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In this painting all the lines in the painting end up at a vanishing point in the middle where the boy is standing. This causes an allusion of dept.

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This painting depicts naturalism by the way natural positions of some of the characters, and the blended tones.

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This represents the humanistic terms of “Individualism” and “Greatness of Man” because it is about a boy who got ran over by a cart who was thus revived by St Zenobius.

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The Last Judgment shows geometric perspective by the vanishing point, and the stairs that lead up to some of the smaller buildings.

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This painting represents the humans and even the imaginary people as human form. There is no clear distortion to their bodies or faces. They also have very natural tones that makes the painting more cohesive. The man dreaming was also in a very relaxed and natural sleeping pose.

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This piece of art shows perspective because the paths and buildings in the back are smaller, and that represents they are farther. It also has a vanishing point at the middle of the painting that helps us perceive the depth.

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This painting shows individualism because he is dreaming about things concerning himself, virtue and pleasure. He is also by himself and the women on the ends are just in his dreams, so I can tell he is only thinking about how this effects him.

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I could not find a Humanistic trait in this painting.

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Sistine Chapel Ceiling, by Michelangelo, 1508-1512 (patron: Pope Julius II)

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Although barely noticeable, the painting was painted in the Roman’s Fresco art style. There are also marble statues of babies.

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The many uses of Sfumato really blends in the shading. It is seen in the shadows of the book, just under the center, and the shadow of the hunched over people.

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In this painting by Michelangelo, there are many 3D shapes. An example of one would be the Abacuses.

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Greatness of man is shown here. There are many different types of great bodies, for both the men and the women. Such as the ‘creation of Adam’ and the groups of four men flaunting their physiques in different poses. It also could represent Michelangelo’s ability to paint many detailed works of art with precise coloring and Sfumato for each and every section of the painting.

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There isn’t much, since the layout of the painting is relatively flat. The hill behind Adam is the only example of a 3D effect achieved by anything other than shading.

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Holy Trinity, by Masaccio, 1427-1428(no patron found).

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The Last Supper depicts classism because in the background you can see predominant pillars and an arch in the middle, Also it is showing Jesus and his apostles as they were all figures living during the ancient Roman times, lastly the clothing they are wearing are a roman style.

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1) the painting has a arch near the top

2) there are pillars that are the Greek style of ionic

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A characteristic of humanism in this painting is secularism as it has no depiction of Christianity. it also depicts greatness of man because despite the fact he is a demigod Perseus is a man and is show as taking on the great task of slaying a serpent.

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This painting shows naturalism because first there is sfumato to blende the colors better. Also there are rounded figures in the painting. Also the figures do look more normal as what we would see.

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In this painting you can see that it points to the center where Jesus is. Furthermore when you first look at the painting your eyes would be drawn to the center where Jesus is

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The Last Judgment, by Michelangelo, 1536 - 1541 (Patron: Pope Paul III)

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This art piece by Michelangelo, shows classicism 1.) when the painting is in Roman Fresco style. 2.) The painting also has archs on the top.

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The Last Supper depicts naturalism as it shows the people as you whoud see them in real life, with human like bodies, shading and blending, and posed like humans.

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This painting shows geometric perspective because all of the lines of the painting point at Jesus and your eyes are immediately drawn to him

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Michelangelo has toned the color of skin of all the people in a way to make the painting more natural. The painting also uses blending for the terrain and sky.

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This painting has a vanishing point set at where Christ is shown as he is the key piece to the whole painting. Everyone is watching Christ as he acends to heaven.

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Greatness of Man is shown, as we see Christ, who was a normal human before, acend to heaven to prove how mankind is the link to gods and angels and animals.

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This painting depicts humanism and Greatness of Man, as it shows the Apostles gathering around Jesus showing his importance

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The topic of this photo is very classicist because it depicts the visual representation of the mythical gods of virtue and pleasure, to show what is going on in the mans dreams.

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It shows how much they valued knowledge and learning, due to the fact that God and all the angels are placed inside the shape of a human brain.

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This painting depicts the trait of secularism because although you may see Jesus and two holy figures next to him you also will see two people next to the two holy and these two figures are regular people said to be patrons. This depicts the secular side because it shows how the painting was not pointed to religion because otherwise there wouldn’t be people who aren’t connected to christianity in the painting

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The Virgin and Child with Saints, by Lorenzo Costa (1498-1500)

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This shows classicism by depicting the Virgin Mary holding Christ in her arms. The men on the side are St. John and St. Peter. There is also an arched hallway in the background.

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They are in natural positions and it doesn’t look forced. He used sfumato and blended the colors and rounded the faces

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There is a vanishing point comes through the arched hallway and leads down to the Virgin Mary sitting in a marble throne.

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It shows humanism by depict Christ and Christianity as something that is great, as the Virgin Mary and Christ are sitting on a marble throne and are being flanked by two saints.