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Group 4 Supported by Yu meet.google.com/dti-dmas-udo

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Real-time meetings by Google. Using your browser, share your video, desktop, and presentations with teammates and customers.

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Group 3 Supported by Alejandro meet.google.com/kry-xkdh-xbf

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Meet doesn't work on your browser

To join the video meeting

Visit meet.google.com in Google Chrome, Mozilla Firefox, or Microsoft Edge

To install and use Meet on a mobile device, go to

or the

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Real-time meetings by Google. Using your browser, share your video, desktop, and presentations with teammates and customers.

# data[].attributes.body
Group 2 Supported by Sara meet.google.com/pcf-ayib-cky

# data[].attributes.attachment_link.readable_text
Meet doesn't work on your browser

To join the video meeting

Visit meet.google.com in Google Chrome, Mozilla Firefox, or Microsoft Edge

To install and use Meet on a mobile device, go to

or the

# data[].attributes.attachment_link.description
Real-time meetings by Google. Using your browser, share your video, desktop, and presentations with teammates and customers.

# data[].attributes.body
Group 1 Supported by Zuliana meet.google.com/pkm-vwbi-cqi

# data[].attributes.attachment_link.readable_text
Meet doesn't work on your browser

To join the video meeting

Visit meet.google.com in Google Chrome, Mozilla Firefox, or Microsoft Edge

To install and use Meet on a mobile device, go to

or the

# data[].attributes.attachment_link.description
Real-time meetings by Google. Using your browser, share your video, desktop, and presentations with teammates and customers.

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Tools

Info

Intro Talk

Padlet

Groups

Detailed Schedule (this document)

Meeting rooms

Main Team Meeting

Meeting ID: 384 764 924 581

Passcode: qKXR5L

Group video room

1. Group 1 Supported by Zuliana meet.google.com/pkm-vwbi-cqi

2. Group 2 Supported by Sara meet.google.com/pcf-ayib-cky

3. Group 3 Supported by Alejandro meet.google.com/kry-xkdh-xbf

4. Group 4 Supported by Yu meet.google.com/dti-dmas-udo

Platforms

Artivive only for final artwork: student should make and test on their own personal account first
https://bridge.artivive.com  maanimationlcc@gmail.com londoncollegecommunication

Vimeo
https://vimeopro.com/maalcc/anicodex2023 maanimationlcc@gmail.com londoncollegecommunication

Storage

Google Drive

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Toggle the table of contents

From Wikipedia, the free encyclopedia

An exquisite corpse drawing

Exquisite corpse (from the original French term cadavre exquis , literally exquisite cadaver), is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule (e.g. "The adjective noun adverb verb the adjective noun." as in "The green duck sweetly sang the dreadful dirge.") or by being allowed to see only the end of what the previous person contributed.

This technique was invented by surrealists and is similar to an old parlour game called consequences in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. Breton said the diversion started about 1925, but Pierre Reverdy wrote that it started much earlier, at least as early as 1918.[1]

The name is derived from a phrase that resulted when Surrealists first played the game, " Le cadavre exquis boira le vin nouveau." ("The exquisite corpse shall drink the new wine.")[1][2] André Breton writes that the game developed at the residence of friends at an old house in Montparnasse, 54 rue du Château (no longer existing). Besides himself he mentions Marcel Duhamel, Jacques Prévert, Yves Tanguy and Benjamin Péret as original participants.[1][3]

Henry Miller often played the game to pass time in French cafés during the 1930s.

An exquisite corpse drawing produced in four sections

Later the game was adapted to drawing and collage, in a version called picture consequences, with portions of a person replacing the written sentence fragments of the original.[4] The person is traditionally drawn in four steps: The head, the torso, the legs and the feet with the paper folded after each portion so that later participants cannot see earlier portions.[5][6] The finished product is similar to children's books in which the pages were cut into thirds, the top third pages showing the head of a person or animal, the middle third the torso, and the bottom third the legs, with children having the ability to "mix and match" by turning pages.

Another variation of the exquisite corpse also called "picture consequences" is Telephone Pictionary, a game in which players alternate writing descriptions and matching illustrations based on the previous step.[7]

Exquisite Corpse is a novel by gothic horror writer Poppy Z. Brite.

Space and Time magazine builds a community exquisite corpse monthly on their website.[8]

The Book of Exquisite Corpse is a series of novels and short stories by award-winning dreampunk and speculative fantasy author, Anna Tizard. Each story is inspired by Exquisite Corpse, based on words submitted by readers on her website's "Play" page.[9]

Anna Tizard plays Exquisite Corpse "live" on her podcast, Brainstoryum,[10] to brainstorm new story ideas. Listeners can submit words for the game on her online "Play" page.[11]

The cut-up technique of William S. Burroughs and Brion Gysin was influenced by Surrealism.

Naked Came the Stranger is a 1969 erotic novel written as a literary hoax to parody American literary trends of the time. The credited author is the fictive "Penelope Ashe", though it was written by twenty-four journalists led by Mike McGrady, with each author writing a chapter without any knowledge of what the others had written.

Exquisite Corpse is a literary magazine founded in 1983 (later in online version from 1999) published by Andrei Codrescu.

Naked Came the Manatee (Putnam, 1996) is a mystery thriller parody novel. Each of its thirteen chapters was written, in sequence, by a different Florida writer, beginning with Dave Barry and ending with Carl Hiaasen.

Exquisite Fruit is a variant conceived by members of the National Puzzlers' League in which a round of trivia questions are sequentially written by players, given an answer provided by each player at the start, and the resulting question posed to another player at the end.[12]

Folio of 28 Exquisite corpse drawings collected from Queensland Art Gallery's First Asia Pacific Triennial of Contemporary Art (APT1) artists' retreat, Bangalow, NSW, 20-23 September 1993. Held in the QAGOMA Research Library collection.

The Narrative Corpse (Gates of Heck, 1995) is a comic book chain-story by 69 all-star cartoonists co-edited by Art Spiegelman and R. Sikoryak.

The Breaking Boredom Project in graphic design, Cairo (2008)

The Exquisite Corpse Adventure (Candlewick, 2011), commissioned by the Library of Congress, uses well-known children's authors and illustrators[13]

Jake and Dinos Chapman have produced a number of exquisite corpses. [1]

Eric Croes, Cadavre exquis, Chat Santiag (2017). Croes used his exquisite corpse drawing to make this clay sculpture.[14]

A Cheese and Tomato Spider (1998) and a number of other books by author Nick Sharratt allow children to construct crazy combinations from images on half-pages.

In the 1940s, composers John Cage, Virgil Thomson, Henry Cowell, and Lou Harrison, composed a set of pieces using this same process-writing a measure of music, with 1 or 2 additional notes (sources differ), folding it on the bar line then passing it to the next person. The pieces were later arranged by Robert Hughes and published as Party Pieces.[15]

The band Bauhaus include the track "Exquisite Corpse" on their third studio album (The Sky's Gone Out) (1982), which appears to have been created in this collaborative surrealist style. They returned to the method for 2022's "Drink the New Wine," their first new song in 14 years. [16]

The fifth track on the 1992 album Sacred City by the British rock band Shriekback is "Exquisite Corpse".

Tiemko include the track "In Memoriam" on their fourth studio album (Clone) presented as a "musical exquisite corpse" (1995).

Exquisite Corpse started in 1992 as a solo project of Robbert Heynen when he was still a member of the Psychick Warriors Ov Gaia. After Reassembling Reality, Debbie Jones (aka The Mixtress/DJ Venus) joined the project and Exquisite Corpse became eXquisite CORpsE (1993).

The musical Hedwig and the Angry Inch (1998) includes the song "Exquisite Corpse".

The musician Daedelus named their album Exquisite Corpse (2005).

The band Warpaint named their debut EP Exquisite Corpse (2008) because of their collaborative songwriting style.

George Watsky's 2016 album x Infinity features the song "Exquisite Corpse" using this technique featuring verses by several artists.

Australian sound art collective Little Songs of the Mutilated use the exquisite corpse process to create music, as well as the song and album titles, for their ongoing series of monthly collaborative releases.

In December 2019, French alternative-pop-rock band Therapie TAXI released the album Cadavre Exquis, relating to the artistic visuals and collaborative production of the opus.

Swedish composer Anders Hillborg uses the technique in his 2002 orchestral work Exquisite Corpse.

In 2018, Simon Weir began producing catenary vaults where a dozen designers collaborate blindly using the Exquisite corpse method.[17][18]

In ... and then we died, players use word fragment tarot cards to form words to tell the story of their collective deaths.[19]

monsterland.net is an online version of the Exquisite Corpse parlor game created by Ben Samworth Development Ltd.

1. ^ a Breton, André (7 October 1948). "Breton Remembers". Archived from the original on 27 January 2008. Exhibition catalogue, Le Cadavre Exquis: Son Exaltation , La Dragonne, Galerie Nina Dausset, Paris (October 7-30).b c

2. ^ Brotchie, Alastair; Mel Gooding (1991). Surrealist Games. London: Redstone Press. pp. 143-144. ISBN 1-870003-21-7.

3. ^ "The Exquisite Corpse". Poetry Plus. 2009.

4. ^ Lubbock, Tom (13 April 2007). "Cozens, Alexander: A Blot: Tigers (c. 1770-80)". The Independent. Archived from the original on 2008-09-25. about Alexander Cozens

5. ^ Budden, Jo. "Essential UK - Tattoos". British Council. Archived from the original on 14 January 2009.

6. ^ "Rainy days survival guide". The Independent. 1 June 2007.

7. ^ Newby, Peter (1995). The Giant Book of Word Games: The Bumper Book of Ingenious and Enjoyable Games for all Occasions. The Book Company. pp. 42-43. ISBN 1-86309-172-6.

8. ^ "Exquisite Corpse". Space and Time.

9. ^ "Play".

10. ^ "Brainstoryum".

11. ^ "Play".

12. ^ Exquisite Fruit

13. ^ The Exquisite Corpse Adventure, Library of Congress, undated

14. ^ Gotthardt, Alexxa (2018). "Explaining Exquisite Corpse, the Surrealist Drawing Game That Just Won't Die". Artsy.

15. Leta Miller, ″Cage's Collaborations" in ^ The Cambridge Companion to John Cage, 151-168. (Cambridge, UK: Cambridge University Press, 2002), 154.

16. ^ "Bauhaus Share "Drink the New Wine," First Song in 14 Years". Pitchfork. 23 March 2022.

17. ^ Weir, Simon; O'Connor, Dylan Wozniak; Watt, Rodney; Reinhardt, Dagmar; Fernando, Shayani; Dibbs, Jason (2018-12-01). "Design and Fabrication of a ruled surface vault with the Exquisite Corpse". Nexus Network Journal. 20 (3): 723-740. doi:10.1007/s00004-018-0385-9. ISSN 1522-4600. S2CID 126183070.

18. ^ "Exquisite Corpse: Catenary Vaults". sydneydesign.com.au.

19. ^ "To Better Know that Death | Unwinnable". 3 January 2019.

Media related to Cadavre exquis at Wikimedia Commons

Exquisite Corpse (2006-2014), a collaborative digital illustration by artists James apRoberts and Brian Christopher

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Toggle the table of contents From Wikipedia, the free encyclopedia Exquisite corpse (from the original French term cadavre exquis , literally exquisite cadaver), is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule (e.g.

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During the presentation student are encouraged to give feedback

Here you can find some questions for the films to get you started but think of your own too. it will also help prepare your own presentation

·       What choices have the filmmaker done to approach the concept of graffiti? Political, observational, emotional, comical, spiritual, historical , philosophical or something else.

·       Does the film unite or separate the different animator? Do they feel part of the same work or are they joined like a collage? Does it feel made by one person, by a group, together or separately?

·       What is the main focus of the film: a body part, a uniforming characteristic, a location, an event or time, something else altogether?

·       What visual tool of representation have the filmmakers used SPACE, DISTANCE, SIZE, MATERIAL, METAPHORS, EMOTIONS, MIMIC, MEMORY OPPOSITE, MAGIC, EXTRA REALISM, TIME, TOUCH … something else?

·       Is the focus on visuals or voices or sound, what drives the film,? Does it feel like an opinion, a story, or a documentary, and why?

·       What did the film make you feel? What is the feeling you receive from this film?

·       Do you feel you learnt something about the people portrayed? Do you feel you know them a little more? If yes why and if not why?

·       Any other question  or reflection is welcomed as this is just a starting point…

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4 Groups /4 AR /4 trailers /

1H -60 minute

·     30 Min for each group

·     5 minutes viewing the film  on Vimeo  and AR
- 10  min presentation for each group at the start one after the other

·      Group 15 minute feedback  from everyone

·       (Please have one person in each group keeping track of the time so we don’t go over time)

Present your idea and project, speaking about your inspiration, approach, research, collaboration methods, style (editing, visual, technique, colour, rhythms sound, voice, location, type of shots) and experimentation with animation You might touch a few of these elements all or just one. Or you might find a completely different approach than what I suggest.

·       Please be prepared with the film link to share and a 5 minute presentation. Look at the artist statement and the director statement examples to help you.

·       Practice your presentation

·       Download the press kit to fill it and copy it into the Vimeo description. Write the artist statement will help you present the film.

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28 June -  Get to know each other and Chose an Idea

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28 June -  Get to know each other and Chose an Idea

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Check your group and use your group video Room to  get to know each-other.

You can share your doodle, any ideas for the project and thoughts about the session.

45 Minute : Develop and idea
-Chose one idea or a combination of ideas and work in group

-create a simple 3/6 picture storyboard

- sketch and idea for trigger image

15 Minute: upload to padlet

-50 words synopsis idea

- Initial idea for graffiti/trigger image for AR

- Roles

Your personal group tutor will join you and be present for any question and help you with technical know-how

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Eight former railway arches beneath Waterloo station, adjoining London's longest legal graffiti wall, have been brought back to life to provide a community of independent restaurants, bars and entertainment spaces united by their approach to celebrating the creativity of urban culture

Incredible independent Polish cuisine from Mamushka

Visit the best dive bar in town at Passyunk's latest venue as they bring the best of Philly to the world

Leave your mark on London's largest legal graffiti wall and enjoy one of the best urban galleries in the world

Hold a one of a kind event at Aures or get 'serious' about your play with a board game at Draughts

Sign up for the latest from Leake Street Arches

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Eat, Drink, Paint and Play at Leake Street Arches; a celebration of urban art, dining and entertainment located underneath Waterloo Station.

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We are keen to support the creative community working on Leake Street and ensure that other people in the local area continue to value the contribution that tunnel activities bring to the neighbourhood.
The below rules are designed to create an enjoyable experience for everyone.

1. Graffiti and street art are permitted, and actively encouraged, on the walls of the Leake Street Tunnel.

2. Graffiti outside the authorised area will be removed.

3. Graffiti featuring sexism and misogyny, racism, homophobia or transphobia, or any other form of discrimination is not permitted and will be removed. As will graffiti with political connotations or commemorations.

4. Graffiti featuring advertising is not permitted and will be removed.

5. Please take all empty spray cans home or dispose of them responsibly

6. Leake Street Tunnel is a public space, and so antisocial, indecent or offensive behaviour will be responded to in the same way as other public areas.

7. All noise is to be kept to a minimum after 10pm to avoid disturbing local residents.

8. Drinking alcohol in the tunnel is NOT permitted, unless it's under the guidance of an approved event.

9. Taking drugs in the tunnel is NOT permitted and will be reported straight to the police.

10. Amplified music is not permitted in Leake Street Tunnel unless part of an authorised event.

11. Fire/smoke emitting devices are not permitted as excessive use sets off smoke/fire detectors in adjoining property and may cause concern or hazard to other tunnel users and neighbours. Please DO NOT use smoke grenades etc. Any such activity will be reported to the police.

12. The only motor vehicles that are welcome are authorised service and event vehicles and emergency service vehicles. The police will issue warnings and seize vehicles where necessary.

13. Visitors should take care when working at heights or on any structures in the tunnel and do so at their own risk.

14. All events (including photoshoots and filming) must be authorised by submitting a request form (see Events Section)

15. Non-for-profit events (including photoshoots and filming) will generally be approved within 24 hours (providing standard safety terms are agreed to)

16. Copyright Notice - Street artists are very welcome to participate in the LSA project by adding your art to the tunnel. However, by doing so, you agree that

Images of your art may be used by LCR, its tenants and other persons for a variety of purposes (for example use in publicity materials, social media, filming or photography, advertising and promotion) without any obligation to make any payment to you;

The art in the tunnel is by its nature live and evolving. Your work may this be painted over or modified, just as you may paint over or modify existing works by other artists.

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We are keen to support the creative community working on Leake Street and ensure that other people in the local area continue to value the contribution that tunnel activities bring to the neighbourhood. The below rules are designed to create an enjoyable experience for everyone.

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PLAY PAUSE REPLAY - MA ANIMATION GRADUATION SHOW 2022.mp4

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In an era of unparalleled opportunities for skilled visual communicators, MA Animation explores both theory and practice in experimental visual media. Pushing the boundaries of the design and screen industries, ‘Play Pause Replay’ celebrates work from our graduating cohort of future-facing designers, makers, artists and innovators by transporting you through three phases in their lives:   

Play - Life as we knew it.   
Pause - Life at pause with Covid-19   
Replay - Life in a new cycle of recovery and reconnection. 

Graduation showcase  https://vimeo.com/showcase/maalcc2022 
Short Films https://vimeopro.com/maalcc/pause2022 
Commissions https://vimeopro.com/maalcc/replay2022 
Experimental https://vimeopro.com/maalcc/play2022 
Showreels https://vimeopro.com/maalcc/maalcc-2021-22

Browse the online graduate showcase   portfolio
https://graduateshowcase.arts.ac.uk/c/london-college-of-communication-ma-animation

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"BLINK OF AN EYE" MA Animation Postgraduate Show 2021 @ London College of Communication UAL

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MA Animation Postgraduate Show 2021 @ London College of Communication UAL

Join us in exploring the work of our graduating cohort of future-facing designers, thinkers, artists and innovators as they show off the results of their postgraduate studies with us at LCC Postgraduate Showcase 2021.

“Blink of an Eye” is a multi-event celebration of the work of UAL’s MA animators, created in what has been a whirlwind year. These students are the next generation of leading creatives, exhibiting an array of work that pushes the boundaries of the always-evolving design and screen industries.

Exhibition  
Tuesday  7 December - Saturday 11 December, Upper Gallery, LCC
Please reserve your free entry here
https://www.eventbrite.co.uk/e/postgraduate-showcase-2021-design-and-screen-school-tickets-212536461277

Online Talk 
Thursday 9 December from 6-8.pm, Zoom
Please reserve your free entry here 
https://www.eventbrite.co.uk/e/blink-of-an-eye-tickets-211097557477

Films Screening
Friday 10 December from 5-8.30pm,  Lecture Theatre B, LCC
    5 pm visit the exhibition and meet the students
    6-8 pm  Screening "Blink of an Eye"
    8 pm Q&A at the exhibition space
Please reserve your free entry here
https://www.eventbrite.co.uk/e/postgraduate-showcase-2021-blink-of-an-eye-screening-tickets-213557996717

Online Showcase 
The online showcase can be browsed  here 
https://graduateshowcase.arts.ac.uk/c/london-college-of-communication-ma-animation

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An exquisitely corpse animation directed by myself, George Wheeler, Caitlin McCarthy, Matt Lloyd and Rob Wallace (Parallel Teeth).

Sound design by Zack 
http://zack.website/

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Rick and Morty Exquisite Corpse | Rick and Morty | Adult Swim

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Info https://www.skwigly.co.uk/showcase/climate-emergency-animated-exquisite-corpse/

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Exquisite Corpse of 7 parts from animators around the world. Each one was given the last 5 sec of the previous animator and 2 months to create their own animation. 
Blended in one color palette, the idea was to make a visual dialogue on the theme of climate emergency. A way to both be creative and exchange on this important subject of our time. 
 
Sounds & music was wonderfully composed by John Poon
Animation by: Dino & Teacups, Carlos Alegria, Ala Nunu, Martynas Auž, Hend & Lamia, Ilona Poliszczuk and Yves Paradis

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Sanctioned to the subversive: art in the public space.pdf

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Political Activism, Social Change, and Augmented Reality | Wassom.com copy.pdf

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Bringing a new way of seeing art, and a new way of experiencing an art exhibition, get ready to explore art beyond gallery walls, featuring works from London's leading institutions and Sky Arts Portrait Artist of the Year.
Image credit: Equestrian Portrait of Charles, by Anthony van Dyck, about 1637-8 © The National Gallery, London
This summer, get ready to experience art in a whole new way.

Art of London will be spilling art onto the streets of London's West End with an Augmented Reality Art Gallery, bringing a new way of seeing art, and a new way of experiencing an art exhibition.

From 6th May, the Augmented Gallery offers a free cutting-edge public art experience showcasing paintings from London's leading institutions through an accessible augmented reality app.

At this challenging time, galleries will be coming together to display a curation of their most beloved classic art pieces outdoors in an free and accessible environment for all, using augmented reality to present the public with the art gallery of the future.

Follow a collectable trail of digital art from Trafalgar Square to Green Park and explore a fascinating curation of masterpieces. Works from the likes of the National Gallery, National Portrait Gallery, Royal Academy of Arts and Sky Arts Portrait Artist of the Year will all be on display, offering you the chance to experience their art beyond gallery walls.

Download the app on iOS or Android and visit London's West End to get started. Simply, search "Art of London AR Gallery" to find the app in your app store.

Plus, for those looking to make a day of your visit to the Augmented Reality Art Gallery, check out our itinerary. Filled with complimentary things to do and even more art to explore, get ready to plan the ultimate trip for art addicts in London's West End.

The Augmented Gallery has been extended to include three brand new locations, including showcasing artwork from the National Gallery, National Portrait Gallery, Royal Academy of Arts and Sky Arts' Portrait Artist of the Year, from 8 th July 2021.

Additional artworks added to the trail from July include The Wilton Diptych from the National Gallery located at The May Fair Hotel, a colourful portrait interpretation of David Bowie by Stephen Finer. Located at the The Wolseley portrait of much-loved DJ and Music Producer Jazzie B Sky Arts' Portrait Artist of the Year 2019 finalist, Tom Mead.
Brought to you by Art of London, in partnership with National Gallery, National Portrait Gallery, Royal Academy of Arts and broadcast partner Sky Arts. Image credit, left to right: Sunflowers by Vincent Van Gogh from the National Gallery collection; Sir Ian McKellen by Christian Hook from Sky Arts Portrait Artist of the Year; Angelica Kauffman RA, Design, 1778-80, Oil on canvas, 126 x 148.5 cm. Photo credit: ©Royal Academy of Arts, London; photographer: John Hammond; Nile Rodgers by Christabel Blackburne from Sky Arts Portrait Artist of the Year.

Want to try the trail?

The trail is free and available at the push of a button. To get started, simply download the app on your iOS or Android device. Or, search "Art of London AR Gallery" to find the app in your app store.

Within the app, you'll find a map, highlighting the trail of contemporary plaques which you'll need to find on walls spread around the West End, from Orange Street to St. Martin's Lane, Leicester Square through to Piccadilly Circus, around St James's towards Piccadilly.

Each plaque contains a description of the trail, the specific painting and a QR code. When scanned, this opens the app and the user can tilt phone up to the easily identifiable Art of London marker located on the wall to view painting through augmented reality.
Image credit: Bathers at Asnieres by Georges Seurat from the National Gallery collection.
The makers are the key to unlocking each painting. They look just like the images below.

Want to learn more about the works on display?

Get ready to explore artworks from the three headline galleries National Gallery, National Portrait Gallery and Royal Academy of Arts, alongside contemporary works from artists from Sky Arts Portrait Artist of the Year.

From Anthony van Dyck's Equestrian Portrait of Charles I, which spans over 3.5 metres high and nearly 3 metres wide, located on the National Gallery's wall, to Sir Ian McKellen by Christian Hook from Sky Arts Portrait Artist of the Year 2014, there's something for everyone to discover in the heart of London's West End.

1. National Gallery on St Martin's Street - Equestrian Portrait of Charles, by Anthony van Dyck from the National Gallery collection.

2. National Gallery X on St Martin's Street - Self Portrait as Saint Catherine of Alexandria by Artemisia Gentileschi from the National Gallery collection

3. National Portrait Gallery on Orange Street - Malala Yousafzai by Shirin Neshat from the National Portrait Gallery collection

4. English National Opera (Coliseum), 31 St. Martin's Lane - Shakespeare: The Chandos Portrait, associated with John Taylor from the National Portrait Gallery collection

5. 114 St. Martin's Lane - Sir Tom Jones by Duncan Shoosmith from Sky Arts Portrait Artist of the Year

6. 11-13 Cecil Court - Mary Seacole by Albert Charles Challen from the National Portrait Gallery collection

7. Peter Ellis Bookshop, 18 Cecil Court - Design by Angelica Kauffman from the Royal Academy of Arts collection

8. Wyndham's Theatre, Charing Cross Road - Sir Ian McKellen by Christian Hook from Sky Arts Portrait Artist of the Year

9. Noël Coward Theatre, 85-88 St. Martin's Lane - Noël Coward by Clemence Dane from the National Portrait Gallery collection

10. 130 Jermyn Street - Bathers at Asnieres by Georges Seurat from the National Gallery collection

11. St James's Market & St Albans Street - Collective Unconscious by Eileen Agar from the Royal Academy of Arts collection

12. 1 St James's Market - We Move in Her Way: Dancers by Sonia Boyce from the Royal Academy of Arts collection

13. Agent F Florist, 3 St. James' Market - Diana and Actaeon by Titian from the National Gallery collection

14. 120 Jermyn Street - Spring by Mary Moser from the Royal Academy of Arts collection

15. Old Tower Records building, Piccadilly Circus - Trying to Find You 1 by Tracey Emin from the Royal Academy of Arts collection

16. Princes Arcade, St. James's - Willard White by Ishbel Myerscough from the National Portrait Gallery Collection

17. Duke Street & Jermyn Street - Nile Rodgers by Christabel Blackburne from Sky Arts Portrait Artist of the Year

18. 76 Jermyn Street - Imelda Staunton by Liam Dickinson from Sky Arts Portrait Artist of the Year

19. 34 Jermyn Street - Elaine Paige by Toby Michel from Sky Arts Portrait Artist of the Year

20. Fortnum & Mason, 181 Piccadilly - Sunflowers by Vincent Van Gogh from the National Gallery collection

Image credit, left to right: Noël Coward by Clemence Dane, before 1939 © National Portrait Gallery, London; Bathers at Asnieres by Georges Seurat from the National Gallery collection; Malala Yousafzai by Shirin Neshat, 2018 © National Portrait Gallery, London; Mary Moser RA, Spring, c.1780, oil on canvas, 63.5 x 53.3 cm. Photo credit: ©Royal Academy of Arts, London; photographer: John Hammond.
To learn more about each painting, discover the trail and immerse yourself in art. The full list of works on display and their locations are:

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Bringing a new way of seeing art, and a new way of experiencing an art exhibition, get ready to explore art beyond gallery walls, featuring works from London's leading institutions and Sky Arts Portrait Artist of the Year.

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Jacqueline DiBiasie-Sammons: Los mensajes ocultos de la antigua Pompeya, conservados en graffiti

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Realice un recorrido por los grafitis de la antigua Pompeya con la arqueóloga romana Jacqueline DiBiasie-Sammons y descubra lo que los grafitis de hace 2000 años de la Antigüedad pueden enseñarnos sobre la vida en los tiempos modernos. Un fascinante recuerdo de lo que dejamos atrás para las generaciones futuras.