# data[].attributes.body
The birth of french and worldwide cinema is credited to two French men, Auguste and Louis Lumière, with their movie La sortie de l'usine Lumière à Lyon. It was first shown in Paris during the meeting of the Société d'encouragement pour l'industrie nationale on March 22 1895. It was shot with a Cinématographe, a device of their own making that could not only record moving images on film, but also allowed them to be projected on a screen. It was actually a camera, a projector and a film printer all in one.

# data[].attributes.body
Léon Gaumont invented the world's first and oldest film studio Gaumont Film Compagny on June 23 1895. He was lucky to have Alice Guy as a secretary, who proved to be an excellent talented filmmaker. Later she made around 400 short films in a diverse range of genres between 1896 and 1920. She is the world's first woman film director and inventor of film narrative.

# data[].attributes.body
Charles Pathé founded the Société Pathé Frères (Pathé Brothers Company) in Paris on 28 September 1896, with his three  brothers  Émile, Théophile and Jacques Pathé.
During the first part of the 20th century, Pathé became the largest film equipment and production company in the world, as well as a major producer of phonograph records.

# data[].attributes.body
Pathé today

# data[].attributes.body
The first person to recognise cinema as a new form of art is another French men called George Méliès, who had a specially constructed film studio in Paris. He used his experience as a stage magician to create some startlingly inventive fantasy films, the best known of those is Le Voyage dans la Lune in 1902.

# data[].attributes.body
In the years after the First World War, France was the dominant player in the film production industry with America lagging some way behind. The outbreak of war in 1914 was to change this forever. A shortage of film stock led the government to impose an embargo on commercial thinking in France throughout the duration of the war which allows America to steal a march on the international film market.

# data[].attributes.body
The Age of Silence rapidly restored the prestige of French cinema between 1920 and 1929. Historical dramas and literaly adaptations were the most important genres in the 1920s and films became longer partly through the need to compete with America. Henri Fescourts Les Misérables (1925) and Monte Cristo (1929) are typical of the decade's French period blockbusters.

# data[].attributes.body
Cinema took another step forward with the introduction of sound cinema in the 1930s

# data[].attributes.body
I didn't have time to finish so the conclusion of it all is that France is mega cool and a little bit fancy which makes it the one of the best countries in the world because we have Timonthée Chalamet and he's French other than being American. bye