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The letterpress workshop took place just as my project was becoming about watching and it was just post halloween so this song was on the mind when we where asked to find a written influence to work off

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3rd sleeper Bob Garison with sleep observation report

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Taking my table on the bus with me. As it grew eyes and became more of a character in its own right i wanted to take it out of the domestic environment and see how its faired

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This workshop was the first off site visit of the year. The task we were presented with was to pick an object and study it. I tend to struggle with object that are very detail heavy as they intimidate me a bit and i struggle to capture them fully. I noticed this lamb broach. Its coat was made of pear and had a wonderful swirling pattern.

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photo series in my kitchen. Was originally supposed to just focus on documenting my chosen place but I cut out a figure to obscure the lens. the effect is these not-quite-there figures. I quite like them as they suggest that the kitchen is being caught mid-use.

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lino before printed. Its intended to have a somewhat hidden floor plan for my kitchen. With each item or window/door being written.

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Smudged finger marks with print on top . In order to get the white space of the face I used string to create a barrier between the ink and paper

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Exercise in using found objects to print. I used a wooden H to create a chain effect and chopsticks to add some straight lines. There are also some marks made by sugar packets dotted around.

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Experiments with string and foam printing.

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I made a table by printing knives repeatedly and then chairs out of a H sign to create a 'dinner scene'

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Plate 3: 1 layer of sugar lift (pre aquatint)

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Plate 3: 1 layer of sugar lift (pre aquatint)

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Drawings from sketchbook.

recording what things a table can be witness to/ participate in.

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The line of my drawing matched up with the line of the paper. 

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The line of my drawing matched up with the line of the paper. 

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Experimenting with ghost prints and tenses 

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Experimenting with ghost prints and tenses 

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Repurposing the patterns made in letterpress to make illustrations 

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Repurposing the patterns made in letterpress to make illustrations 

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I found it tricky to try and show that in the case of the kitchen table in a kitchen its ever present. But showing life around it during the day and then awake at night seemed too melancholy.

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My intention for the animation is to show a morning but from the perspective of the place, or more specifically my chosen object of study in the space, the table.
I set my phone up on the table and started recording audio of me going about my business in the morning. Making a cup of tea and toast.
I wanted to not story board and just depict what was happening but listen to the audio and try and show how this mundane task would be perceived by the table.

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My pov, looking at table, seeing double 

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My pov, looking at table, seeing double 

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This backdrop it a combination of a relief-print of the general layout of my kitchen, photos of my kitchen and drawing.

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this project, Calle invited 29 people to sleep in her bed from April 1st to April 9th and took their photograph every hour as they slept in addition to a written record during the encounter. Through the continuous use of the bed, the series investigates the 'parameters of this space’ and explores through a voyeuristic lens an ‘inversion of the private sphere’

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Living room chest (that we use as the table)

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Living room chest (that we use as the table)

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Photographic documentation of table in use 'action'

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Eyes in the tea

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v&a lamb broach

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how different perspectives are visually demonstrated

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I felt it was important to take the task literally and just walk and draw. Not stopping to perfect details just record in a very organic way.

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I wanted to take a different approach than I usually would to doing a drawing study. I focused on the black lines connecting the glass pieces together.

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'His fascination with time and movement along with his ability to disappear behind his camera led him to reflect about how much life happens in the supposedly most insignificant places of a city. Time-Lapse are human portraits of cities around the world. They are also quotidian expressions, that combined, create a unique narrative of life on a wall, in a place in the world.'

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'Inspired by 17th-century Dutch and Flemish paintings of domestic life, Julie Blackmon photographs carefully orchestrated tableaus that feature members of her own family and are imbued with a sense of the uncanny.'

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Inspired by mundane moments and the statement that places and spaces go through moments of transformation. i conducted an interview with my table when i noticed that its use had transformed.
I would ask it:
what are you today?
and mark its current state as its answer.

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Relief print; made with 3 bits of foam drawn into and layered

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First prints using multiple pieces of foam

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1 hour study: Stain glass window.