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Green cards = case studies

Yellow cards = legends for data models

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Scroll down and click on cards under each section to access the files.

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https://doi.org/10.22215/etd/2024-16134

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This timeline captures major events and milestones in the Art Bank's history. This is a work in progress.

Interact with the most recent version of this timeline at this link: https://www.preceden.com/timelines/939760-ccab-research/ bfad4d895e138c0f.

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Log in to your Preceden account to continue working on your timelines.

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This timeline contains all documented "events" or display activities involving artworks from the Art Bank's collection. This is a work in progress.

Interact with the most recent version of this timeline at this link: https://www.preceden.com/timelines/1056135-ccab- events/50020b67ff75cf36

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Log in to your Preceden account to continue working on your timelines.

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The dataset created for this research is openly available on Borealis.

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This dataset was created and modeled for a master's thesis (ARTiculating Canadian Identities: The Canada Council Art Bank's Mycelial Presence and Influence in the Realm of Canadian Fine Art) written by Jacoba Krina (Janneke) Van Hoeve.

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Google Drive folder containing recordings from the NodeGoat model.

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Video recordings of all data models made in NodeGoat can be accessed here: https://drive.google.com/drive/folders/1GpCe0A40-4hJ9olekhRFQTQ6nDLLqiBR?usp=drive_link

Seven recordings of the NodeGoat model can be found in the Google Drive folder linked above, for:

Phases: show were artworks featured in the thirty-eight focus events travelled during that specific phase.

Individual events: show where all featured artworks were displayed prior to, during, and following the event.

The Total Run.

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Brown dots in the model represent artworks.

White lines represent paths that the artworks (brown dots) travelled.

Green dots represent cities or towns where the Art Bank’s collection was displayed, with size corresponding to the display instance (the larger the dot, the more times work was displayed there).

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Video recording of the Total Run of where all artworks featured in the thirty-eight focus events have been over time.

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Tableau Public Story for Master's Thesis data.

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Interactive data models, along with user instructions, can be accessed on Tableau Public here: https://public.tableau.com/views/CCABThesis_FinalDataModel/VanHoeve_MAThesis?:language=en-US&:sid=&:redirect=auth&:display_count=n&:origin=viz_share_link

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Dots (known as nodes or partners in DH terms for networks) represent display instances for artworks. An event name, artist name, and artwork name are all pulled together in one individual dot.

The size of each dot indicates the number of other artworks connected to it.

The colour of the dot is assigned based on event name.

White lines connect dots that have the same event name.

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Screenshot of the unfiltered Tableau dashboard.

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Screenshot of network in Tableau filtered for focus events.

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In this screenshot of the network, it is filtered for all thirty-eight focus events. By applying the same filter in the interactive dashboard, you will be able to see which events featured more overlap between the same artworks.

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This recording shows where artworks featured in the thirty-eight focus events travelled during phase one.

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Exhibition catalogue for Canadian Contemporary Painters, scanned from the Art Bank's archives.

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Canadian Contemporary Painters - Recording of Data Model.

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Circulation of Artworks Featured in Canadian Contemporary Painters

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Circulation of Artworks Featured in Canadian Contemporary Painters

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This recording shows where artworks featured in Canadian Contemporary Painters travelled before, during, and after the event.

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Screenshot of Tableau dashboard filtered for artists featured in Canadian Contemporary Painters.

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Circulation of Artists Featured in Canadian Contemporary Painters

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Circulation of Artists Featured in Canadian Contemporary Painters

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Filtering the dashboard for all artists featured in Canadian Contemporary Painters will show you where the Art Bank has circulated artworks by these artists. This filter is not limited to the artworks included in this exhibition.

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Artworks Featured in Canadian Contemporary Painters

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Artworks Featured in Canadian Contemporary Painters

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View artworks featured in this exhibition that are still in the Art Bank's collection in 2024.

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This recording shows where artworks featured in the thirty-eight focus events travelled during phase two.

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ARTWORK IMAGES_Canada Council Art Bank_Purchase of Works by Canadian Artists from Culturally Diverse Communities.

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Artworks Purchased for "Culturally Diverse Communities"

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Artworks Purchased for "Culturally Diverse Communities"

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File containing all artworks purchased for the "Culturally Diverse Communities" acquisition, scanned from the Art Bank's archives.

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Screenshot of Tableau dashboard filtered for "Culturally Diverse Communities."

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Filtering the dashboard for “Culturally Diverse Communities” under Acquisition Initiative will show you where all artworks purchased for this initiative have circulated over time. The colourful network is visually indicative of the number of promotional events that the Art Bank has featured these works in.

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Circulation of Artworks Featured in DIASPORArt

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Circulation of Artworks Featured in DIASPORArt

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Screenshot of Tableau dashboard filtered for artworks featured in DIASPORArt.

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Dashboard for Circulation of Artworks Featured in DIASPORArt

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Dashboard for Circulation of Artworks Featured in DIASPORArt

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Filtering the dashboard for all artworks featured in DIASPORArt will show you where the Art Bank has circulated these artworks.

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Screenshot of Tableau dashboard filtered for artists featured in DIASPORArt.

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Dashboard for Circulation of Artists Featured in DIASPORArt.

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Dashboard for Circulation of Artists Featured in DIASPORArt.

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Filtering the dashboard for all artists featured in DIASPORArt will show you where the Art Bank has circulated work by these artists.

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View artworks featured in DIASPORArt at this link.

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Circulation of Artworks Over Phase Three

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Circulation of Artworks Over Phase Three

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This recording shows where artworks featured in the thirty-eight focus events travelled during phase three.

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Punctured Landscape - Recording of Data Model.

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Circulation of Artworks Featured in Punctured Landscape

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Circulation of Artworks Featured in Punctured Landscape

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This recording shows where artworks featured in Punctured Landscape travelled before, during, and after the event.

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Visit the official website for Punctured Landscape here: https://canadacouncil.ca/about/ajagemo/punctured-landscape.

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May 12, 2016 to October 2, 2016

What do you remember from History class?

The year 2017 brings the notion of past, present and futures to mind as we prepare to mark our country's sesquicentennial. Punctured Landscape illustrates this milestone by transforming Âjagemô into a continuous topography. This is a curatorial gesture inspired by the federal government's recent commitment to welcome Syrian refugees to Canada in addition to the ongoing efforts at decolonizing our society. It recognizes the breadth of this land and its parallel histories. These histories include Indigenous sovereignty and asylum seekers from afar - histories that are marred by strife, but buoyed by the persistence of the land and the diverse stories that make up Canada's cultural landscape and inform who we are as a nation. This exhibition illustrates how the land, a witness to colonization and violence of various kinds, perseveres.

Punctured Landscape is a meditation on the Canadian social landscape of living memory. The artworks annotate the struggles present along the journey. Here, certain artworks stand-in for larger social inequities and moments of unrest amid the landscape. These works, and the moments in our collective, living memory that they represent, are to be understood as punctures. The 17 artworks brought together here ask the viewer to (re)consider their interpretation of history, legacy, and possible outcomes for the future.

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The year 2017 brings the notion of past, present and futures to mind as we prepare to mark our country's sesquicentennial. Punctured Landscape illustrates this milestone by transforming Âjagemô into a continuous topography. This is a curatorial gesture inspired by the federal government's recent commitment to welcome Syrian refugees to Canada in addition to the ongoing efforts at decolonizing our society.

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Screenshot of Tableau dashboard filtered for artworks featured in Punctured Landscape.

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Dashboard for Circulation of Artworks Featured in Punctured Landscape

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Dashboard for Circulation of Artworks Featured in Punctured Landscape

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Filtering the dashboard for all artworks featured in Punctured Landscape will show you where the Art Bank has circulated artworks by these artists.

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Artworks Featured in Punctured Landscape.

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Artworks Featured in Punctured Landscape.

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View artworks featured in Punctured Landscape at this link.

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The Canada Council Art Bank makes contemporary artwork available to a wide public across the country through our three programs: corporate art rental, loans to museums and outreach. With more than 17,000 artworks by over 3,000 artists, the Art Bank has the largest collection of contemporary Canadian art anywhere. It houses paintings, sculptures, drawings, photographs and prints by emerging and established artists, including a significant number of Indigenous artworks. The entire collection can be explored on our website.

The Art Bank extends its reach through loans to museums and galleries, curated exhibitions and outreach activities. ...

Read More

Three Sarindar Dhaliwal artworks from the Art Bank collection are part of the Art Gallery of Ontario's exhibition, Sarindar Dhaliwal: When I grow up I want to be a namer of paint colours....

Read More

Coming into Sight features 24 of the recent Art Bank acquisitions, displayed together for the first time in Âjagemô....

Read More

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Internet Archive for the Canada Council Art Bank

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Internet Archive for the Canada Council Art Bank

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The Wayback Machine is an initiative of the Internet Archive, a 501(c)(3) non-profit, building a digital library of Internet sites and other cultural artifacts in digital form. Other projects include Open Library & archive-it.org.

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Janneke's previous work on the Canada Council Art Bank

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Janneke's previous work on the Canada Council Art Bank

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Janneke Van Hoeve_Canada Council Art Bank Work

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Metadata related to the dataset.

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This readme file was generated on 2024-05-09 by Jacoba Krina (Janneke) Van Hoeve. 
-> Updated on 2024-08-16.


GENERAL INFORMATION

Title of Dataset: ARTiculatingCanadianIdentities_ArtBankData

Author/Principal Investigator Information
Name: Jacoba Krina (Janneke) Van Hoeve
ORCID: 0009-0004-2886-9282
Institution: Carleton University
Address: 1125 Colonel By Drive, Ottawa, Ontario, Canada K1S 5B6
Email: jannekevanhoeve@cmail.carleton.ca

Co-Supervisor Information
Name: Felicity Tayler
ORCID: 0000-0001-8865-2836
Institution: University of Ottawa
Address: 75 Laurier Avenue East, Ottawa, Ontario, Canada, K1N 6N5
Email: felicity.tayler@uottawa.ca

Co-Supervisor Information
Name: Ming Tiampo
ORCID: 0009-0005-8582-968X
Institution: Carleton University
Address: 1125 Colonel By Drive, Ottawa, Ontario, Canada K1S 5B6
Email: MingTiampo@cunet.carleton.ca

Date of data collection: Approximately 2023-09-DD to 2024-04-DD. 

Geographic location of data collection: Ottawa, Ontario, Canada.

Information about funding sources that supported the collection of the data: This research was funded by a Social Sciences and Humanities Research Council of Canada (SSHRC) Canada Graduate Student â Masterâs (CGS-M) grant.


SHARING/ACCESS INFORMATION

Licenses/restrictions placed on the data: CC0 1.0 Universal

Links to publications that cite or use the data: https://repository.library.carleton.ca/concern/etds/q811kk80w?locale=en. 

Links to other publicly accessible locations of the data: 
1. https://padlet.com/janneke_vanhoeve/articulating-canadian-identities-wqiubjho73eyge1e
2. https://public.tableau.com/app/profile/janneke.van.hoeve/viz/CCABThesis_FinalDataModel/VanHoeve_MAThesis

Data derived from the following sources: 
1. Canada Council Art Bank. (2022). Art Bank Open Data Table and Methodology [dataset]. Stats and Stories: Canada Council Art Bank Collection. https://canadacouncil.ca/research/data-tables 
2. Physical and digital archival material. These sources are indicated in the dataset itself.
3. Canada Council for the Arts, and Patrick BÃ©langer. âArca - Art Tracking Export - 20231115.â Microsoft Excel Spreadsheet. Ottawa, Ontario, Canada: ARCA, November 15, 2023. Canada Council Art Bank.

Recommended citation for this dataset: Van Hoeve, Jacoba Krina (Janneke), 2024, "ARTiculatingCanadianIdentities_ArtBankData", https://doi.org/10.5683/SP3/BNGNE1, Borealis, V1, UNF:6:RB5X0a/31TY3/kdpKvBwfg== [fileUNF].


DATA & FILE OVERVIEW

File List: 
1. VanHoeve_ARTiculatingCanadianIdentities_ArtBankData_Readme.txt (Dataset metadata and descriptions.)
2. ARTiculatingCanadianIdentities_ArtBankData_Artists.csv (Contains one line of data for each artist or collective featured in one of the 38 focus events*)
3. ARTiculatingCanadianIdentities_ArtBankData_Artworks.csv (Contains one line of data for each artwork featured in one of the 38 focus events)
4. ARTiculatingCanadianIdentities_ArtBankData_Events.csv (Contains the display history for each artwork involved in one of the 38 focus events. Each line of data corresponds to an event when an artwork was displayed. There is a separate line for each artwork displayed in each event. Essentially, each display instance is treated as a separate event)
* See the full thesis associated with this data for more details about the focus events.

Relationship between files: The three csv files are relational. 
- Person Key in ARTiculatingCanadianIdentities_ArtBankData_Artists.csv = Person Key in ARTiculatingCanadianIdentities_ArtBankData_Artworks.csv
- Artwork Key in ARTiculatingCanadianIdentities_ArtBankData_Artworks.csv = Artwork Key in ARTiculatingCanadianIdentities_ArtBankData_Events.csv 


METHODOLOGICAL INFORMATION

Description of methods used for collection/generation of data: Refer to Chapter 6 in the published thesis, ARTiculating Canadian Identities: The Canada Council Art Bankâs Mycelial Presence and Influence in the Realm of Canadian Fine Art. A link to the published thesis will be inserted here when it is available.

Methods for processing the data: Refer to Chapter 6 in the published thesis, ARTiculating Canadian Identities: The Canada Council Art Bankâs Mycelial Presence and Influence in the Realm of Canadian Fine Art. A link to the published thesis will be inserted here when it is available.

People involved with sample collection, processing, analysis and/or submission: 
- Employees at the Canada Council for the Arts: Patrick BÃ©langer (Senior Developer and Database Administrator, Canada Council for the Arts), Amy Jenkins (Head of the Art Bank), Martha Young (Operations and Marketing Coordinator, Art Bank)
- Co-supervisors: Prof. Felicity Tayler (University of Ottawa), Prof. Ming Tiampo (Carleton University)


DATA-SPECIFIC INFORMATION FOR: ARTiculatingCanadianIdentities_ArtBankData_Artists.csv

Number of cases/rows: 552

Variable List: (Variable | Type | Description and Reasoning)
- Person Key | Short Text | A unique identification code for each artist. Same field as Person Key in the Artworks table.
- Family Name | Short Text | Parsed from the original âNameâ field (which became âFull Nameâ for this research) provided in the Open Data table.
- Full Name | Short Text | âName of the artist or collective. It is important to note that some artists and collectives may be better known by an alias or alternate name, these are not recorded in this dataset.â 
- Given Name | Short Text | Parsed from the original âNameâ field (which became âFull Nameâ for this research) provided in the Open Data table.
- Name Iterations | Short Text | Other names for the same artist that were encountered during this research.


DATA-SPECIFIC INFORMATION FOR: ARTiculatingCanadianIdentities_ArtBankData_Artworks.csv 

Number of cases/rows: 1021

Variable List: (Variable | Type | Description and Reasoning)
- Acquisition Initiative | Short Text | Indicates whether the artwork was acquired as part of the âAboriginal Artistsâ or âCulturally Diverse Communitiesâ initiatives in Phase 2.
- Artwork Key (ID Number) | Short Text | âThe ID number is a unique identifier for each work in the collection of the Art Bank. You can search the Art Bank Collection to see images and find more information on these works (https://artbank.ca/).â  Same field as Artwork Key in the Events table.
- Artwork Title	| Short Text | âThe title of the work, as specified by the artist/collective on the date it was acquired.â 
- Dated-ness | Short Text | Retains any ambiguity in âYear of Creation.â Date ranges and values such as âcirca 1983â cannot be read as dates by most data visualization platforms, so the decision was made to keep the final year in each range entered, to focus on the workâs contemporaneity. Remaining data associated with Year of Creation was moved into the dated-ness column. 
- Divested? | Short Text | This measure was created from the Art Tracking Export. Because the Art Tracking Export contains the placement history of all artworks the Art Bank has ever owned, it could be compared to the open data download to identify ID Numbers of divested artworks. Artworks listed in the Art Tracking Export, but not in the open data download, were marked as divested. Details (such as medium) are missing from divested artworks because these details were drawn from the open data download that did not include divested artworks.
- Full Name | Short Text | âName of the artist or collective. It is important to note that some artists and collectives may be better known by an alias or alternate name, these are not recorded in this dataset.â  FK = Foreign Key. Same field as (links to) Artist PK under Artists. 
- Image | Hyperlink | A link to an image for each artwork currently in the collection.
- Medium | Short Text | âMedium in which the work was created, as specified by the artist/collective on the date it was acquired.â 
- Person Key | Short Text | A unique identification code for each artist. Same field as Person Key in the Artists table.
- Series Name | Short Text | Some artworks are a series of individually entered pieces. This column brings clarity to which artworks belong to a series.
- Year of Acquisition | Number | The year that the artwork was acquired by the Art Bank. âID Numberâ was used to extract the Year of Acquisition for each artwork.
- Year of Creation | Number | âDate the work was created, as specified by the artist/collective on the date it was acquired. In some instances the dates are approximate, this is indicated by "circa."; in some other cases there is no date specified, this is indicated by "n.d.".â 
- Year of Creation vs. Year of Acquisition | Number | Measures the difference between an artworkâs Year of Acquisition and their creation. 



DATA-SPECIFIC INFORMATION FOR: ARTiculatingCanadianIdentities_ArtBankData_Events.csv 

Number of cases/rows: 10968

Variable List: (Variable | Type | Description and Reasoning)
- Artwork Key (ID Number) | Short Text | âThe ID number is a unique identifier for each work in the collection of the Art Bank. You can search the Art Bank Collection to see images and find more information on these works (https://artbank.ca/).â  Same field as Artwork Key in the Artists table.
- Client | Short Text | The name of the institution involved with the event. These institutions are typically better described as partners instead of clients.
- Display Instance | Number | The # of times the artwork has been displayed, including the event attached to this line of data.
- Event Name | Short Text | The name of the display event. If the event was not one of the 38 focus events, it is named âOther."
- Installation Date | Number | The date that the artwork was installed for the event.
- Link | Hyperlink | A link associated with the event.
Location (City / Town; Province / State / Region; Country; Latitude; Longitude) | Short Text & Number | Various levels of data for the location where the event took place.
Notes | Short Text | Any notes encountered on the event during research that implicate the dataset.
Phase | Short Text | The thesis research phase that the event aligns with.
Return Date | Number | The date that the artwork was returned from the event.
Sources	| Short Text | Materials referenced in researching this event.
Status | Short Text | The type of event. Types include exhibitions, special projects, rentals, and loans.



