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“I Love Lucy” is a TV show from the 1950s which was premiered on October 15, 1951.

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When premiered on October 15, 1951, no one could have predicted that it would become one of television's most beloved and enduring programs of all time. But with a combination of innovative filming techniques, the dogged perfectionism of star Lucille Ball, top-notch writing, the "can do" attitude of the production staff, and the business savvy of Desi Arnaz, topped the Nielsen ratings for four out of its six seasons and picked up a handful of Emmys along the way. And even though the show's main stars couldn't stay married to one another (Lucy and Desi divorced in 1960, after 20 years of marriage), they remained the best of friends. As Desi would proclaim until his dying day, " I Love Lucy was never just a title."

1. CBS DIDN'T THINK AMERICANS WOULD BUY THAT LUCY WAS MARRIED TO A "FOREIGN" MAN.

When CBS approached Lucille Ball with the offer of turning her popular radio show My Favorite Husband into a television show, she was agreeable with one condition: that her real-life husband, Desi Arnaz, would be cast in the role of her spouse (played on the radio by Richard Denning). The network balked-there was no way that American viewers would accept average housewife Liz Cooper (her character's name on the radio series) being married to a "foreign" man with an indecipherable accent. Never mind the fact that Lucy and Desi had been married more than a decade; such a "mixed" marriage was unbelievable.

2. LUCY AND DESI HAD TO TAKE THEIR SHOW ON THE ROAD TO CONVINCE THE NETWORK BRASS.

Arnaz had a successful career touring the country with his rhumba band, which was one of the reasons Lucille wanted him to get cast as her TV husband-to keep him off the road and close to home. In an effort to show the network (and potential sponsors) that they could work together as a comedy team, they crafted a sort of vaudevillian skit that was inserted into the middle of performances by the Desi Arnaz Orchestra during a tour in the summer of 1950. The audiences roared over Lucille's antics and her interaction with Desi as she interrupted his band's concert confusedly, cello in hand, thinking she had an audition scheduled. The "Professor" skit not only convinced the network powers that be that the couple could, in fact, be convincing as husband and wife-it also was such a hit that it was incorporated into episode six of I Love Lucy's first season.

3. THE SHOW BROKE GROUND IN SEVERAL WAYS, SIMPLY BECAUSE THE ARNAZES WOULDN'T MOVE TO NEW YORK.

Lucille and Desi wanted to work in Los Angeles, near their home and their new baby daughter Lucie. But in 1951 the majority of television shows were broadcast from New York, and that's where sponsor Philip Morris wanted their show to originate as well. In those days the U.S. wasn't wired for television from coast-to-coast; shows broadcast live could only be transmitted so far. As a result, such shows were preserved on kinescopes (a movie camera aimed at a TV monitor that recorded the show in negligible quality) and shipped to distant stations.

Philip Morris objected to I Love Lucy being performed in California and the kinescopes sent to New York; their biggest cigarette market was up and down the east coast and they wanted the best TV picture quality for that area. Desi Arnaz suggested that the show be filmed with three cameras, like a stage play, which would provide the same quality picture for every market. But multi-cameras had never been used on a situation comedy before, and there were many obstacles involved, not the least of which was accommodating a live studio audience (Desi knew that Lucille worked best when she got immediate audience feedback).

Desi hired legendary cinematographer Karl Freund to help solve the dilemma, and along with writer-producer Jess Oppenheimer and director Marc Daniels, they built a set, and the necessary filming equipment was strategically placed. CBS balked at the additional expense involved in this undertaking, so Arnaz struck a deal: He and Lucille would take a large cut in their salaries and their company, Desilu Productions, would retain ownership of the films in exchange. The enduring high quality of the 35 millimeter film was part of the reason that became so popular in rerun syndication, and Desilu's 100 percent ownership of the series made Lucille and Desi the first millionaire TV stars.

4. ONLY LUCY WAS ALLOWED TO MAKE FUN OF RICKY'S FRACTURED ENGLISH.

After a few episodes were filmed, it became an unwritten rule that only Lucy would ever poke fun at her husband's pronunciation problems. The writers had allowed other characters to make remarks, but in each case the "joke" was met with stony silence from the studio audience. For some reason, it seemed cruel when anyone other than Lucy "mucked" Ricky's English.

5. SMOKING WAS REQUIRED ON-CAMERA.

I Love Lucy almost never made it to the air because CBS had trouble securing a sponsor for the show. Finally tobacco giant Philip Morris signed on at the 11th hour. As a result, lots of smoking was featured in each episode, and the name "Philip Morris" was worked into the dialogue whenever plausible. There was, however, one small problem: Lucille Ball was a Chesterfield girl. She eventually overcame this little hurdle by having a stagehand stuff any on-camera Philip Morris packs full of Chesterfield cigarettes.

6. WILLIAM FRAWLEY WAS FAR FROM THE FIRST CHOICE TO PLAY FRED MERTZ.

Lucille Ball was eager to have Gale Gordon, whom she'd worked with on her My Favorite Husband radio show, play crusty neighbor and landlord Fred Mertz. But Gordon, who had a steady gig at the time on the Our Miss Brooks radio program, asked for more money than Desilu had to offer. Character actor William Frawley knew Ball in passing (they'd met back in the 1940s) and phoned her personally when he read about her upcoming TV show in the trade papers to inquire if there might be a part for him. CBS and Philip Morris were wary of hiring Frawley, who had a reputation for being a heavy drinker. But Arnaz (no stranger to the bottle himself) thought that Frawley was just curmudgeonly enough to bring Fred Mertz to life. He met Frawley for lunch at Nickodell's on Melrose Avenue and offered him the role with the proviso that if he missed work for any reason other than legitimate illness, he'd be written out of the show.

7. DORIS ZIFFEL WAS ALMOST ETHEL MERTZ.

Lucille had worked with Bea Benaderet in radio and wanted her to play Ethel Mertz. But Benaderet had just signed on to play Blanche Morton on the TV version of The Burns and Allen Show and was unavailable. Barbara Pepper was a personal friend of Ball's, and the two had worked in films together, so she was the next serious consideration for the role. Pepper was the right age and body type to play Ethel, but she was also a known alcoholic and the network nixed her after Frawley was hired; two heavy drinkers in the main cast was too risky. I Love Lucy had already gone into early rehearsals by the time director Marc Daniels saw Vivian Vance performing in a play at the La Jolla Playhouse and recommended her to Arnaz. Pepper did play background characters on several I Love Lucy episodes and would go on to land the role of Doris Ziffel on Green Acres.

8. THE "MERTZES" DESPISED ONE ANOTHER OFF-CAMERA.

Vivian Vance was 22 years younger than her TV husband and resented having such an " old poop" play her spouse. Frawley responded in kind, referring to her variously as "that sack of doorknobs" or just plain "b*tch." But all that animosity was strictly behind the scenes and known mostly only to the series' writers and directors. Frawley and Vance were savvy enough to not jeopardize their jobs on TV's most successful show by openly airing their mutual hostility. Even co-workers like Keith Thibodeaux (Little Ricky, a.k.a. Richard Keith) and Roy Rowan (the show's announcer), who were on the set daily, had no idea that things were less than cuddly between the two actors until years after ceased production.

9. DESI ARNAZ HAD LIFTS IN HIS SHOES (AND HIS LOVESEAT).

Arnaz listed his height as 5'11" in most official biographies, but those who worked with him knew that in reality he was 5'9" and wore four-inch lifts in his shoes. Lucille Ball stood 5'7" in her stocking feet, and when she wore heels she seemed to tower over her husband. Desi Arnaz Jr. would later explain to an interviewer that his father "was a Cuban with a Latin male's pride," which is why it was important to him to be taller than his wife. A dual-purpose, subtle additional cushion (undetectable by the viewing audience) was added to the Ricardos' loveseat so that Ricky would be taller than Lucy while seated, and would also give him the extra boost needed to gracefully rise from a sitting position up onto his elevator shoes.

10. ARNAZ FLATLY REJECTED A SCENE THAT INVOLVED RICKY CHEATING ON HIS TAXES.

Desi Arnaz was an unabashed believer in the American Dream and was very patriotic when it came to his adopted homeland. Desi was 17 years old when Fulgencio Batista overthrew the Cuban government and the Arnaz family fled to Miami with little more than the clothes they were wearing. The family lived in a warehouse with some other refugees and Desi got a job cleaning birdcages for a man who sold canaries to pet stores. As he said during his acceptance speech on Ed Sullivan's Toast of the Town in 1954, "From cleaning canary cages to this night in New York is a long ways. And I don't think there's any other country in the world that could give you that opportunity." So when a scene in the original script for the episode "Lucy Tells the Truth" called for Ricky to fudge some numbers on his income tax return, Arnaz refused to play it and asked the writers to remove it. He didn't want the audience to think that Ricky would cheat the U.S. government.

11. THE CANDY LADY WAS A BIG DIPPER IN REAL LIFE.

"Job Switching" (often referred to as "The Candy Factory Episode") has long been a fan favorite, particularly the scene where Lucy and Ethel are stuffing their faces and clothing with chocolates while trying to keep up with a speedy conveyor belt. The previous scene featured Lucy hand-dipping chocolates with a real-life dipper that stage manager Herb Browar found at See's Candies on Santa Monica Boulevard.

Amanda Milligan had never seen I Love Lucy (she watched wrestling on Monday nights), but Browar hired her anyway; he thought her deadpan expression would make her the perfect straight woman for Lucille to react to. During rehearsals Lucille was worried that the scene just wasn't going to be funny on film because Milligan seemed hesitant to hit her in the face as the script specified. When the cameras were rolling, Milligan hauled off and smacked Lucille so hard that Ball feared her nose had been broken. Despite her pain and ringing ears Ball didn't call for a "cut" because she did not want to have to do another take! During a break in filming Lucille asked Milligan, "So, how do you like working in show business?" An unsmiling Milligan, who'd spent eight hours per day for the past 30 years putting swirls on chocolates, replied, "I've never been so bored in my life."

12. LUCILLE WAS TOO STRESSED TO APPRECIATE THE HUMOR IN ONE OF HER MOST POPULAR EPISODES.

Another fan favorite was, interestingly, not one of Ball's favorite episodes. It wasn't until "Lucy Does a TV Commercial" was voted tops in many viewer polls over the years that she acknowledged that it was a funny episode. During filming, she was too nervous and worried about messing up her lines (imagine having to say "Vitameatavegamin" that many times during a spiel) to appreciate the humor.

Ball was many things, including a great physical comedienne, but one thing she was not was an improviser or extemporaneous speaker. Every slurred word of her drunken Vitameatavegamin pitch was in the script. Lucille even came up with a backup plan, lest she forget her lines: She had script supervisor Maury Thompson made up and placed off-side in front of her podium holding up her lines (there were no cue cards on the I Love Lucy set), much like a real commercial setting.

By the way, that stuff Lucy was pouring onto the spoon was apple pectin.

13. BECAUSE THE SHOW WAS FILMED IN FRONT OF AN AUDIENCE, THEY HESITATED TO YELL "CUT" AND RESHOOT SCENES.

As a result, the occasional blooper was left in and sort of papered-over. One classic example occurred in "Redecorating the Mertzes' Apartment," at the breakfast table when Lucy is musing aloud about how to repair both the Mertzes' marriage and their tacky apartment. See how Desi saves the scene after she mistakenly says "paint the furniture and reupholster the old furniture."

14. LUCILLE'S PREGNANCY CREATED PANIC BEHIND THE SCENES.

During season two, Ball discovered that she was pregnant. While the Arnazes were overjoyed (Lucille had previously suffered three miscarriages before giving birth to daughter Lucie in July 1951), they were also concerned about the fate of their hit series. Other than the late 1940s sitcom Mary Kay and Johnny (which also starred a real-life married couple), a visibly pregnant female had never starred on a TV series. It would be impossible to conceal Lucille's condition because, as Desi told the network, "she got as big as a house when she was carrying Lucie."

Eventually, the network agreed to write Ball's pregnancy into the show, and Desi hired a local Catholic priest, a minister, and a rabbi to sit in while each episode was filmed to determine whether there was anything objectionable. CBS deemed that the word "pregnant" was vulgar, so it was replaced with "expecting" (or, as Ricky pronounced it, "'spectin'"). The scene at the Tropicana, where Lucy finally breaks the news to Ricky, was genuinely emotional for the actors, who both started crying and Desi had to be prompted "sing the baby song!" Director William Asher reshot that scene, but decided that the raw emotion in the original take made for a more poignant moment and used it.

15. LITTLE RICKY AND DESI ARNAZ JR. WERE BORN ON THE SAME DAY.

The Arnazes already knew that Lucille would give birth via Caesarian section when her time came (as that was how Lucie had been delivered), and Ball's obstetrician regularly scheduled all his C-sections on Mondays. As luck would have it, I Love Lucy aired on Monday nights, so with the pregnancy episodes timed just so, Ball went to the hospital the same night that Lucy Ricardo did.

What the Arnazes did not know in advance, however, was the gender of their pending bundle of joy. I Love Lucy head writer Jess Oppenheimer had decided that the Ricardos would have a boy, so when Desi Arnaz Jr. was born, Desi Sr. joyfully called Jess to announce proudly, "Lucy followed your script! Ain't she something?!" (By the way, a record-breaking 71.7 percent of American televisions were tuned in that Monday night to see the Ricardo baby, which topped the number of folks who watched Dwight D. Eisenhower get sworn in as President the following day.)

16. LUCILLE TRULY SUFFERED FOR THAT ICONIC GRAPE-STOMPING EPISODE.

"Lucy's Italian Movie" faced a variety of obstacles. First was getting a vineyard to donate the necessary grapes for stomping. The company that ultimately agreed did so with the proviso that it must be mentioned in the script that foot-pressing was an outmoded method of making wine in Italy. Next was the local extra cast to wrestle Lucille in the grape vat; Teresa Tirelli didn't speak any English and an interpreter had to explain the scene to her. Apparently something was lost in the translation because Tirelli didn't grasp that this was supposed to be a filmed-from-the-waist-up fake fight and she literally held Lucille's head under the grape mush until the star very nearly drowned. And even though the show was broadcast in black and white, Ball, Arnaz, and the production staff were sticklers for detail so a formula for a purplish/blue dye had to be worked out that would properly tint Lucille's flesh and hair without irritating her skin or reacting with the chemicals used to keep her permed locks that famous henna color for that final scene.

17. LUCILLE EXASPERATED GUEST STAR HARPO MARX.

Ball was a long-time admirer of Harpo Marx, but when it came to actually working with him, she was unprepared for his "never the same way twice" approach to his comedy routines. In the Hollywood episode where she was required to mirror his moves, she insisted on incessant rehearsals to get the bit just right. But Harpo's attitude was "I've done this bit for 35 years, why do I need so much rehearsal?" In the end, this was one of the few instances where the scene was re-shot several times after the studio audience had left and was later pieced together by editor Dann Cahn.

18. THE LONGEST LAUGH ON THE SHOW LASTED 65 SECONDS.

When Lucy hid dozens of eggs and then danced the tango with Ricky (resulting in the inevitable blouse full of scrambled yolks), the audience roared for so long that ultimately some of the laughter had to be edited out in the final film. Neither Ball nor Vance had used eggs during rehearsals so that their onscreen reactions would be more genuine when the shells cracked and the albumen slimed its way down their flesh.

19. ARNAZ REQUIRED AS MUCH REALISM AS POSSIBLE, NO MATTER THE COST OR DIFFICULTY.

No matter how wacky the situation, Arnaz tried hard to maintain some veracity, thinking that the audience would believe it (and thus find it more humorous) if the actors believed it. So when a scene in "Pioneer Women" required an eight-foot-long loaf of bread to pop out of the oven, the producers found a New York bakery willing to bake one. (It was rye bread, by the way, and when filming was finished it was cut up and served to the audience.) Likewise, in "Deep Sea Fishing" when Ricky and Fred entered into a bet with Lucy and Ethel to see who could catch the biggest fish, two 100-plus pound tunas were purchased at San Francisco's Fisherman's Wharf, packed in ice into child-sized coffins and air-shipped to Hollywood.

20. THE "UH-OH" LADY HEARD IN THE STUDIO AUDIENCE WAS LUCILLE'S MOM.

Quite often when Lucy Ricardo was stepping into a precarious situation, a woman in the audience could be heard uttering "uh-oh." That was Dede Ball, who attended every taping and tended to get wrapped up in the proceedings. I Love Lucy sound engineer Glen Glenn was the co-founder of Glen Glenn Sound, and in the 1960s and '70s his company was one of the leading providers of laugh tracks, or canned laughter, to TV sitcoms. Many of the yuks used in their recordings were culled from I Love Lucy and The Red Skelton Show, which is why Dede's "uh-oh" could be heard years later on shows she'd never seen, much less been in attendance.

Additional Sources:
A Book, by Desi Arnaz; The Lucy Book, by Geoffrey Mark Fidelman; Meet the Mertzes, by Ron Edelman and Audrey Kupferberg; The "I Love Lucy" Book, by Bart Andrews; Lucy & Ricky & Fred & Ethel: The Story of I Love Lucy, by Bart Andrews; Laughs, Luck....and Lucy, by Jess Oppenheimer

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20 Things You Might Not Have Known About I Love Lucy

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When premiered on October 15, 1951, no one could have predicted that it would become one of television's most beloved and enduring programs of all time.

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This article is about Liz Cooper and Devi Arnaz. These two people were husband and wife and got divorced after 20 years of marriage because the main stars couldn’t stay married to one another. This article was about how their audience was so shocked after knowing there relationships that the were husband and wife.

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CBS is going "straight to the moon."

The network has put in development a modern-day reboot of one of television's most iconic comedies, The Honeymooners.

The multicamera comedy hails from Bob Kushell, who will pen the script and executive produce the CBS Television Studios comedy. The new take centers on two couples - best friends and neighbors like the original - who contend with a new dynamic when one couple remarries after divorcing four years earlier.

Kushell, the well-liked showrunner who most recently developed ABC's Muppets reboot, will executive produce alongside Carl Beverly, Sarah Timberman and Eric and Kim Tannenbaum as well as Jeff Greenstein ( Mom, Will & Grace, Desperate Housewives, Friends).

The Honeymooners expands CBS' relationship with CBS Television Studios-based Beverly and Timberman as well as the Tannenbaums, who together exec produce the network's reboot of another comedy classic, The Odd Couple.

The original Honeymooners starred Jackie Gleason (as Ralph Kramden), Audrey Meadows (Alice), Art Carney (Ed) and Joyce Randolph (Trixie). It was based on a recurring 1950s sketch that originally aired on the DuMont network's Cavalcade of Stars and eventually on CBS' The Jackie Gleason Show. The Honeymooners debuted as a half-hour series in 1955, becoming the No. 2 show in the country during its freshman run. The series wrapped after only 39 episodes in 1956. Creator, producer and star Gleason revived the series sporadically until 1978. The classic sitcom ranks as one of the first U.S. TV series to portray working-class married couples in a gritty setting, with episodes largely taking place in the families' rundown Brooklyn apartment building. (Repeats of The Honeymooners currently air on MeTV.)

The CBS project marks the latest revival of The Honeymooners. A feature film version, from Paramount Pictures and starring Cedric the Entertainer, Gabrielle Union, Mike Epps and Regina Hall, debuted in 2005 to poor reviews and a disappointing box office.

The Honeymooners reboot comes as family comedies continue to remain in high demand this development season as broadcast networks look for more inclusive, broad-skewing fare that appeals to underserved audiences. For its part, Netflix in January will debut a new take on Norman Lear's sitcom classic One Day at a Time, with the iconic producer attached.

Reboots continue to remain in high demand as broadcast, cable and streaming outlets look for proven IP in a bid to cut through a cluttered scripted landscape that is quickly approaching 500 original series. Key to the remakes is having the original producers involved in some capacity as more studios look to monetize their existing libraries. (Given CBS aired and distributed the original, that much is true for The Honeymooners.)

Kushell, whose credits include 3rd Rock From the Sun, The Simpsons and Samantha Who,is repped by Rain Management and Hansen Jacobson. Greenstein is with CAA and Jackoway Tyerman; the Tannenbaums and Timberman-Beverly are with CAA and Del Shaw.

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'The Honeymooners' Reboot in the Works at CBS (Exclusive)

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CBS is going "straight to the moon." The network has put in development a modern-day reboot of one of television's most iconic comedies, The Honeymooners. The multicamera comedy hails from Bob Kushell, who will pen the script and executive produce the CBS Television Studios comedy.

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Elinor Donahue believed her days as a child star were long gone before the hit series "Father Knows Best" came along.

The '50s sitcom, which was based on a beloved radio show, told the story of a wise family man, his wife and their children. Donahue, then 17, starred as Betty Anderson from 1954 until 1960.
VINTAGE HOLLYWOOD FLASHBACK: THE GOLDEN GLOBES FROM THE '50S, '60S & '70S
Donahue began her acting career when she was 6 in 1943.

"I'd had a very nice career as a child actress," the now 81-year-old recently told Closer Weekly. "I had been on a contract to MGM and done a couple of nice movies there when I was 9, 10, 11 years old. But things didn't seem to be going terribly well.

"I was still acting, but primarily I was dancing in a chorus, like a Rockette sort of thing. At about the time that I got 'Father Knows Best,' I was due to go to Reno to be at Harrah's Club to dance in their chorus. I loved dancing, and that was going to be my career as far as I was concerned."

Still, Donahue's agent Lily Messenger was determined she score an audition for the series. And while Donahue did make it through the front door, the show's producer felt she was "too plain."

Donahue opted for a makeover, but was then told by the same producer she looked too much like "a Hollywood starlet." After plenty of pestering, Donahue was offered a screen test, which proved to be a disaster.

"I forgot my lines," she said. "I got nervous and started to cry. I was doing a scene with Robert Young being off stage. He was very nice. They wanted to just say, 'Thank you very much and goodbye,' but he said, 'You know, she's very nervous. Elinor, why don't you come and sit over here? Would you like a Coca-Cola?' I said, 'Yes, thank you; that would be nice.'

"And he said, 'You just sit here and let yourself calm down a little bit and they'll fix your makeup and we'll do someone else and then come back and try you again.'"

Donahue was certain she wouldn't get a callback.

That all changed six weeks later when Messenger called Donahue and informed her she got the role.

"I had completely forgotten about it," said Donahue. "I thought I'd blown the whole thing and literally put it out of my mind."

"Father Knows Best" became a TV sensation, one that still connects with audiences today.

"I think the appeal of the show is the sweetness and the kindness that people had toward one another," said Donahue. "It has a warmth and loving energy to it that was very special. There was no mean spiritedness to it."

However, "Father Knows Best" would be abruptly canceled. The magazine added part of the reason was due to a strike of the Writers Guild of America lasted from January to June 1960.

"Miss Messenger called me and said, 'You're not going back anymore,'" she recalled. "Robert Young (Jim Anderson) and Jane Wyatt (Margaret Anderson) have retired and they don't want to do it anymore, so they just stopped.' We had enough episodes in the can to make an entire season without having to shoot any more; back then we were shooting 39 episodes a year.

"I admit, I was sad and disappointed that Mr. Young and Jane Wyatt never said anything. It was years before we actually saw each other again, and during that time I'd thought it was only Mr. Young [who] wanted to stop. Jane Wyatt and I became very dear friends in the later parts of her life, and she told me they made the decision together."

However, Donahue didn't stay unemployed for long. She quickly joined the cast of "The Andy Griffith Show." She played pharmacist Ellie Walker from 1960 until 1961. It proved to be a difficult transition.

"I went pretty much immediately from 'Father Knows Best' into 'The Andy Griffith Show' where I was really playing a grownup with a profession and moxie and stuff," she explained. "But the truth is, I felt like a bird out of a nest. I didn't feel like I had all my feathers yet and I didn't feel capable. It was the strangest feeling.

"I had a three-year contract for that show, but at the end of the first year, I asked to be let out of it because I didn't feel that I was playing the role properly. I just didn't feel right about it. In retrospect, from things that people have said to me - very lovely things - I was doing OK. I was just not a happy camper and there was no point in my trying to continue with it."

Years later, its star Andy Griffith would set the record straight.

"He was as gracious to as you could imagine," she said. "He said they just didn't know how to write for me. That could have been part of it. I didn't think there was any real chemistry there. They tried a lot of other women periodically, but then Aneta Corsaut (Helen Crump) came in. I have since read they had a hot and heavy thing going, and in that case, he was able to relate."

Donahue would go on to stay busy as an actress, appearing in hit shows, such as "Star Trek" and "The Odd Couple," just to name a few. In 1977, she reunited with her former "Father Knows Best" cast for a TV movie.

"There was great trepidation when we first had our reading for the reunion movie," said Donahue. "You could just sense it... But we sat down and read through it once and it was as though the years had flown by. Nothing was any different and it was wonderful. It just felt so comfortable and it didn't feel like we were going backward, we were coming forward.

"We brought everything that we were, everything we had been through to our characters. We all looked at each other and it was like a huge sigh of relief. In the end, we really, really loved it."

But Donahue's life is different these days. Her last role was that of Judge Marie Anderson in "The Young and the Restless" from 2010 until 2011. She's perfectly content with not living in front of cameras anymore.

"As far as I know, and nobody knows what's around the corner, it's no more," she said. "I'm done, finished... But all told, it was all just so magical. Honestly, I've had a lot of fun."

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'Father Knows Best' star Elinor Donahue explains why beloved series ended: 'I was sad and disappointed'

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Elinor Donahue believed her days as a child star were long gone before the hit series "Father Knows Best" came along. The '50s sitcom, which was based on a beloved radio show, told the story of a wise family man, his wife and their children.

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This article is about how the stars of the show produced CBS Television Studios comedy. he Honeymooners expands CBS' relationship with CBS Television Studios-based Beverly and together, exec produce the network's reboot of another comedy classic, The Odd Couple.

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This article is about how the stars of the show produced CBS Television Studios comedy. he Honeymooners expands CBS' relationship with CBS Television Studios-based Beverly and together, exec produce the network's reboot of another comedy classic, The Odd Couple.

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This article is about Elinor Donahue who believed she was is a great star ever since she was a child. - very good  child star. But As she gets older, her career tends to be bad. “I forgot my lines,” she said. “I got nervous and started to cry. I was doing a scene with Robert Young being off stage. The director of the show (Margaret Anderson) have retired and they don’t want to do it anymore, so they just stopped.’ We had enough episodes in the can to make an entire season without having to shoot any more; back then we were shooting 39 episodes a year. Elinor Donahue was disappointed by this because she did not get to play a role in the television.