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S3819502
Aurathai Jirathitiwanitkun

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Sound + Space - Overview * Intro to Sound

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"Space through our ears"
Architectural to new technologies
Building an interesting narrative
Sounds can make spaces even without walls

Omnipresence
Reflection in time

Eotone/Ryogi Ikeda: Test Patterns
Reflecting distance and wind
Element of scale
Through choice if colours (black and white)

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What do you think is happening?

The artist is trying to use "silence" and sounds as a statement or a social commentary even with the stopwatch and music notes in the video, the sparse sounds could be meaningful and symbolic.

What are we meant to be listening to/for?

The feeling of anticipation from expecting music to be played when nothing was happening like how it normally would. Elements in music can be formed by different sounds, for example, the paper or things that have not been formed by the artist.

What went through your mind as you were listening/watching?

What he was thinking throughout the video, what his actions are/were and meant, if the sound on my technology is on or not from expectations, an abstract and symbolic meaning must be trying to be communicated through by the artist.

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Narration/social commentary/statement
Feelings of anticipation
Different experiences and expectations within videos
Breathing/"silence" = same concept

What is he thinking about?

Details and crispness of sound
Time = loud, sounds of ticking (stopwatch)
Music sheet can be symbolic
Interpretation of what art is
Symbolism in 6 pages and keyboard lid

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Vibrations, music, air pressure, changes, ear drum movements

Technology is able to allow us to visualise sound

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Microphones ("ears")
Diaphragms
Movement to electrical current
"Polar diagram"

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Schlieren flow visualisation
Sound = Changes in air density

Resonance experiment
Can be visual
Reminds me of water/liquid and speakers from the vibrations

Hair cells within ears are for vibrations to distinguish sounds

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Distance
Input gain at recorder
Headphones to monitor
Leave gaps between for editing

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Comparison between two ears for information

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Sound + Space - Field Recording & Ecological Acoustics

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1. Exploration & ideation
2. Composition (Reaper)
3. Upload to echoes
4. Process of documentation

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1. Outdoors location to study sound
Annotated visual sound map (visual representations)
Looking at time, how does it change?
Outline layers, characteristics, reliability
Change sound materials through folio
Images, recordings, comments

Can use sounds already there OR replicate sounds
(alter experiences to contrast what's already there)

Create a narrative
Changing experience of space through collage over time

2. 2 minutes of sound for location (minimum)

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1. Rendered audio MP3
2. Link to folio (6 things)
- Annotations of site location (existing/composed sounds, layers/dynamics of space)
- Pictures and videos of locations
- 2 minute documentary video of app in operation in field to YouTube and folio
- Insight into recording, compositional + sound processing techniques (screenshots of Reaper project, sound effect parameters + other information to inform process)
- Screenshot of Echoes creator project window with comments
- Texts, links + other relevant media that explains concepts, thought processes, challenges + final reflections
3. Screenshot of Reaper project
4. Screenshot of Echoes project

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- Library (silence) vs. loud noises (most hated) to cause feelings of discomfort
- Contrasting sounds (noise pollution)
- Theatrical narrative throughout a day story through addition of voice recordings
- Pandemic social commentary (impossible noises)
- Social commentary about electronic technology through narration

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Installation, Revoicing the Straited Soundscape (2012) by Jordon Lecey

Dystopian sounds
Seems techno/musical instruments like/eerie + amplified experiences

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Installation - Revoicing the Striated Soundscape (2012)

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The term, striated soundscape, is sourced from Deleuze and Guattari, who used striations as a visual metaphor to describe sedentary urban space; spectral visualisations of air-conditioning sounds show parallel lines existing in the soundscape, thus the term striated soundscape. By re-composing these striations a new voice can begin to emerge.  The artwork is site-specific, to be placed in Rainbow Alley, an excellent location with its large number of air-conditioners creating a strong sonic presence.

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Does it change the way we perceive space?  

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Does it change the way we perceive space?  

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Can reutilise for a new experience

Manipulate sound movements between left and right ear

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Airport Symphony by various artists

Listening to the urban soundscapes

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- Recording controversial conversations
Strangers gossiping/news on TV/movies or documentaries
- Things people are scared of
-  Two different contrasting sounds
Laughter vs. thunderstorms or rain
- Triggering sounds in psychology through memory or nostalgia

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Musical traditions
Controlled variables
Nature has elements of unpredictability
Urban environments = contribution of natural + human sounds

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Acoustic environments as a musical composition (Schafer, 1977)
Audio technology to monitor wildlife
Book: The Tuning of the World
Damaging effects of noises on people through sound design of lived environments

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A soundscape is a collection of different sounds and noises

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- Different languages/conversations contrasting, how it changes depending on environments
What happens if my voice stops?
Sound also captures a moment in time
Sound has an influence on mental health subconsciously even if it's only in the background
- Sound distorted voice to be underwater

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Ringing within ears

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Designing Mobile Soundscapes

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Dreams/nightmares + underwater
Discomfort + disorientation

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Sound maps: locations through sounds
"open microphone"

Underwater microphone (whales) in real-time
"Cities and memories"

Day to night transitions

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- Noise pollution/social commentary
- Pandemic & digital technology related
- Continuous sounds of walking in the background to convey movements in space

Where would the map be from and to?

- Animals can hear higher frequencies

Where will the sounds be played?

Narration through guide/storytelling

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Adding sounds onto the map
(Sound elements: upload as MP3)
Change the extension
Consistent loop?/in-area only
Changes the experience
Difference in volume = Distance from circle

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Sharing AR Soundscapes and Sound Design & Composition Techniques

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Complementary/contrasting in:
Mood
Thematic coherence
Timbre
Duration
Frequency range
Matching audio quality

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Sound Design Continued

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1. Mirror Structure
6 contrasting sounds from recordings
Upload to Reaper
Arrange in order of descending pitch
Create a mirror version by reversing both sounds
Double-click sound + apply reverse
Order of appearance

2. Time Stretch
Use one sound
Put into 3 separate tracks in Reaper
Use time stretch function
Make each sound different speeds (Alt + drag end of track/use the ReaPitch SFX (Rubber Band Library Algorithm))
Render all 3 tracks
Import rendered file into the 4th track
Play 4th track
Experiment with changing speed

3. Looping
Find 3 sounds
Each being high, medium and low pitch (different lengths)
Put each sound into its own track in Reaper
Experiment with looping each sounds (in each respective track)
Experiment with all sounds looping at once
Experiment at different points to create a small soundscape

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A Brief (2 Minute) Documentary of the App in Operation in the Field

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A Brief (2 Minute) Documentary of the App in Operation in the Field

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S3819502 BRIEF DOCUMENTARY OF APP IN OOPERATION IN THE FIELD

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SoundCloud

Description:
The DIS Soundscape has the artistic intention to cause feelings of DIScomfort and DISorientation in Melbourne as a social commentary on noise pollution living in the city.

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Jirathitiwanitkun Aurathai Sound+Space DIS Soundscape Audio by a

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Stream Jirathitiwanitkun Aurathai Sound+Space DIS Soundscape Audio by a on desktop and mobile. Play over 265 million tracks for free on SoundCloud.

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YouTube

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Jirathitiwanitkun Aurathai Sound+Space DIS Soundscape Echoes Project