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Covid Working Guidelines

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Final Schedule

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Workshop Descriptions

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CONCHANCES

BORDEAUX TRANSNATIONAL MEETING

COVID-19 safe working guidelines

All partners must:

·       Hold official proof of full vaccination, in line with French vaccinal requirements.

·       Be prepared to wear a face-covering

Working indoors – studio and other venues:

·       Always follow venue guidelines, including wearing a face-covering in public areas where necessary

·       If you have any symptoms, do not come to work

limit face-to-face contact

ensure adequate ventilation

ensure sufficient cleaning between sessions

ensure good personal hand hygiene and regular sanitation

limit sharing props, equipment, ensure sanitisation after use

monitoring wellbeing and being mindful of others as some individuals may wish to take a more cautious approach. Please respect everyone’s individual views on the guidelines.  Use your judgement and only take part in an activity if you can do so safely and comfortably and not put yourself or others at risk. We encourage you to be aware and to help support each other to follow the guidelines.

Procedures:

If you have symptoms of COVID-19 and/or have tested positive from a lateral flow test, you must conduct a PCR test right away, and avoid contact with anyone until you receive the results. If the PCR test is negative, you do not have to self-isolate.

If you test positive for coronavirus in France and you’re fully vaccinated you must self-isolate for 7 days from the day on which you first develop symptoms, or 7 days from the date of the positive test result. Self-isolation can be reduced to 5 days if you take a negative PCR or antigen test (supervised, not self-administered) on day 5 and you have not displayed any symptoms over the previous 48 hours.

You will have to extend your stay until the end of your isolation period. This could be in your current accommodation. The French authorities do not provide or pay for quarantine accommodation.

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Summary of the Structuring brainstorming series - March 2022

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Thoughts and ideas to consider before the start and during the TNM

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Conchances structuring brainstorming series - March 2022

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Warm up

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Alexandra Kolb - Current Trends in Contemporary Choreography_A Political Critique

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'‘There are other valid conceptions of democracy and "togetherness" than those embraced by the Blair government: ones that accept opposition and antagonism as major constituents of a democratic politics. Take the French philosopher Jacques Rancière: rather than highlighting participatory equality and mutual dependency, he portrays democracy as in essence a messy and chaotic affair, rooted in struggles and dissent from the prevailing discourse. There is a continual negotiation between, on one hand, people's often excessive desires and rejection of rule by others, and on the other "a form of government" that seeks to reign in individual excess: "DEMOCRACY IMPLIES A PRACTICE OF DISSENSUS, one that it keeps re-opening and that the practice of ruling relentlessly plugs"'

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Alexandra Kolb - Current Trends in Contemporary Choreography_A Political Critique

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https://arestlessart.com/the-book/download-a-digital-copy/

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Why free?

Several people have asked why A Restless Art is available as a free download. At one level, it's just to make it as accessible as possible. I hope that my work is useful to people involved in community art (including students) and putting it online helps get past financial and other barriers. As a PDF, the book can be freely shared. The cost of the print version (£10) is enough to cover production costs (given that perhaps half the run will go to people who've contributed in one way or another). There are no royalties involved.

But there is another reason. Part of community art's radicalism was its rejection of art markets and the commodification of culture. In the age of the 'creative industries and the cultural economy', I have to admit that project hasn't gone too well, but the principles remain valid. Actually, it's even more important to defend non-commercial and uneconomic cultural practices today than it was then. Although I work freelance, my income derives mainly from public or charitable sources, so I regard my work as belonging to everyone, A Creative Commons licence makes it possible to share it freely while keeping it in the public domain.

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Click here to download A Restless Art, How participation won, and why it matters Clique aqui para descarregar Uma Arte Irrequieta, Reflexões sobre o triunfo e importância da prática participativa Why free? Several people have asked why A Restless Art is available as a free download.

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bell hooks speaking crtitically on safe space

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bell hooks speaking crtitically on safe space

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~2 minutes from 48:20

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Public Dialogue between bell hooks & Laverne Cox

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bell hooks and Laverne Cox in a Public Dialogue at The New School

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A Public Dialogue between bell hooks & Laverne Cox hosted by Eugene Lang College of Liberal Arts (http://www.newschool.edu/lang) Laverne Cox is a critically acclaimed actress who currently appears in the Netflix original series Orange is the New Black, playing the groundbreaking role of "Sophia Burset," an incarcerated African American transgender woman.

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Clarification of this system by the originator, Keith Hennessy

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Clarification of this system by the originator, Keith Hennessy

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'The 3 levels of “dance class” or any kind of activity are
1. The class, what is actually happening, the teaching, content and the behavior of the students… the dancing, exercises, scores.
2. The class below the class, studying or observing the emotional rivers below the surface, the energetic flows and blockages… sometimes I call this the “witch” class or the energy class.
3. The class above the class, the overview, the structural perspective that watches how power flows or doesn’t, that studies the hierarchical relationship of institution/festival to teacher to student… sometimes I call this the teacher class or activist/anarchist class or the political class.

I tell students that if they’re not interested in the class they should take the class above or below the class. Then I remind people that the vertical hierarchy of the 3 classes is an imprecise poetic fiction.

I am the originator of this framing. '

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..... If there would be another meeting we would like to Fokus on....
https://www.dropbox.com/s/ku0s09zy212c65i/conchances... brainstorming about the ongoing meetings... after the erasmus.....m4a?dl=0

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Video about our Meeting in Bordeaux from LesSchini's

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We detected a high number of errors from your connection. To continue, please confirm that youâ€™re a human (and not a spambot).

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CONHANCES BORDEAUX DOCUMENTATION - Kinga Szemessy