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Before the scene cuts off, the camera shows the audience the whole setting, the colours are still very dull and dark suggesting that death would inevitably occur, but what some people don't always see is the veiled figure in the right hand corner. The first time round of seeing this film, some may not have seen it, but on the second time they would; this is ultimately the culprit for the girls' deaths, this is suggested through the way the figure is dressed, made obviously female she is veiled in black, suggesting death and mourning. The fact that it is a woman would be shocking for the audience as woman are stereotypically protrayed as motherly, whereas here she has just killed three girls; similarly because we do not see the woman properly, it suggests that she is not all human, as we do not see fully who (or what) she is thus creating fear in the audience as to who she is.

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As the girls jump out of the window there is a continuous high pitched note which is the only music for the rest of the scene apart from the sounds of a mother screaming hysterically which is heard from the outside, this clarifies to the audience that the children have died and this shocks the audience as they would never want to think about three girls commiting suicide. However the scene does not end here and continues to track backwards, evoking a sense of unease in the audience as they don't know but want to know what the camera is tracking back to.

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The music is now very loud and has reached its crescendo as the children climb onto the window sill, the audience is thus prepared for the children to jump as it slowly builds. The scene is still very dark except for the light coming from the window which could symbolise the children jumping into heaven. We still cannot see who was in the doorway, but the camera seems to be looking at the girls from the perspective of a possible onlooker (i.e. the 'ghost') the diegetic sounds of the latches and windows opening is still echoed and creates a sense of unease for the audience.

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The diegetic sounds now come return but again are echoed as the children stand and walk towards the window, however, we do not here footsteps or dialogue, but instead the smashing of the china as it is dropped or stepped on; this therefore enhances the idea that the children are in a trance-like state as not only are their expressions blank but they are smashing the china tea set, which at the beginning was played with gently as though it was very precious. The expressionless faces of the children are also quite creepy now, and the audience are now even more scared for the children's safety as they now realise what is going to happen. Also whoever was in the doorway is now not there, this could suggest that it was some kind of ghost that is telling the children to do this.

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As the camera pans round to the window the music swells and introduces string instruments like the cello to make the music lower, creating tension as it builds when panning to the window. The audience now know that something bad is going to happen.

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As the children then turn to look at the window the music starts to get faster and starts to build insinuating to the audience that something, including the children and window, is going to happen. Also, considering we cannot hear any diegetic sounds (dialogue or natural sounds like footsteps) we assume that whoever is in the doorway has told the children to do something. The movement of the children is also quite wooden or may seem forced, this could suggest that the children are under some kind of spell and are being made to do what whoever is in the doorway says for them to do. Thus creating fear for the children's safety as the audience can now see that the children may be in danger; calling upon natural instincts to protect the children to make this scene scary.

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The music then seems to stop for a couple of seconds, suggesting that something was said or someone has arrived in the doorway (which we cannot see and thus excentuates the creepiness of this scene), the music then resumes as the girls look up from their tea party. The fact that we cannot see who is in the doorway adds to the tension as the audience does not know who is there and is wondering what the children heard.

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We then get to see the children, their clothes and the rest of the room enhances the idea that this is set in the past as the clothes the children are wearing are not of the twentieth century; again the creepy background music and the now echoing sounds of china creates a sense of false comfort as we see the three young girls playing - which suggests to us that this is quite innocent and nice, however the music in the background suggests that something horrible might happen. Also the lack of any bright colours suggests that the whole movie is going to be quite dark and gloomy, as the children (who seem to have a history of loving bright colours) are wearing quite bland coloured dresses and the room that they are in is also very dark; thus suggesting a dark theme and overall gloomy prospect.

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The dolls that the children are playing with add to the tension as they are generically creepy old fashioned dolls, which for people with a phobia of dolls would be scary already; the lack of diegetic effects creates a sense of unease as the music in the background uses pianos and flutes to make a childlike but creepy atmosphere.

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The first image that we see is of an old fashioned tea pot and cup, suggesting that this film is set in the past, which could also make the film scarier as the things in the film has already happened. The music in the background creates a sense of unease as it has a childlike quality through the use of high key pianos and consistent notes on the flute mimicking a child playing on a toy piano but also making it creepier and suggesting to the audience that something bad is going to happen.

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Synopsis - Arthur Kipps, a widowed lawyer whose grief has put his career in jeopardy, is sent to a remote village to sort out the affairs of a recently deceased eccentric. But upon his arrival, it soon becomes clear that everyone in the town is keeping a deadly secret. Although the townspeople try to keep Kipps from learning their tragic history, he soon discovers that the house belonging to his client is haunted by the ghost of a woman who is determined to find someone and something she lost...and no one, not even the children, are safe from her vengeance.