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Sleeq states "The things you want: For women to also go to the army; for women to split the bill on dates; to get rid of women-only parking lots and seats designated for pregnant women; to split the costs equally in half when a couple gets married; for misandry to stop; for reverse Discrimination to stop."

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Sleeq states "The things you want: For women to also go to the army; for women to split the bill on dates; to get rid of women-only parking lots and seats designated for pregnant women; to split the costs equally in half when a couple gets married; for misandry to stop; for reverse Discrimination to stop."

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Yoonmira - A South Korean HipHop Feminist

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Yoonmira - A South Korean HipHop Feminist

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Hate Crime of Misogyny led to Feminist Movement

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Hate Crime of Misogyny led to Feminist Movement

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Arrest of woman releasing uncensored male model's pictures leads to feminist movement

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Arrest of woman releasing uncensored male model's pictures leads to feminist movement

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Another Feminist Movement due to arrest of women

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Another Feminist Movement due to arrest of women

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BlackPink- One of the most well known girl groups in Korea

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BlackPink- One of the most well known girl groups in Korea

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South Korea Hip Hop Movie Relating to Feminism

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South Korea Hip Hop Movie Relating to Feminism

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Korean Hip Hop Flyer Performance in Australia 

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Korean Hip Hop Flyer Performance in Australia 

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Feminist Film Regarding A Patriarchal Country

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Feminist Film Regarding A Patriarchal Country

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San E - "I believe women and men are equal. See I said women first, like how mom comes first in mom and dad"

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San E - "I believe women and men are equal. See I said women first, like how mom comes first in mom and dad"

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How Hip-Hop Is Fueling Feminism in an Unlikely Place - OZY

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How Hip-Hop Is Fueling Feminism in an Unlikely Place - OZY

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SLEEQ: A magazine stated, "Listeners have come to see how she expresses herself in her work by talking about women empowerment, LGBTQIA+, and calling out the stereotypes in a conservative country. She’s not your average female rap artist as she talks on current societal issues and isn’t afraid to speak her mind."

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SLEEQ: A magazine stated, "Listeners have come to see how she expresses herself in her work by talking about women empowerment, LGBTQIA+, and calling out the stereotypes in a conservative country. She’s not your average female rap artist as she talks on current societal issues and isn’t afraid to speak her mind."

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Lyrics:
I am feminist
I believe women and men are equal
See I said women first
Like how mom comes first in mom and dad
I read one book
What's personal is political
They are touching words

Women have always been oppressed
Us men have always oppressed them historically

But
I don't understand those who say women and men aren't equal right now
If my grandma says it I might
But what inequality have you faced in your life?
You'll probably say among OECD countries
Korea has a gender pay gap of blah blah blah
Fucking fake fact

Hey if you want those rights so bad why aren't you going to the military?
What do you want more we gave you your own space in the subway, bus, the parking lots

Oh girls don't need a prince
Then pay half for the house when we marry
I'm no fucking prince

I have a lot to say too
Men are victims of Confucianism too

Did I make that(Confucianism)? Did I
Sister why mad?
blame system
Not men

I am feminist

l am feminist
I support the #MeToo you know that right?
Director, Kim his actors etc.
They make all men get the hate But

Honestly
Take out those extreme cases
You do everything under consent
then why do you MeToo? Are you a gold digger?
They must be happy selling their bodies and getting money
Men become criminals under this fucked up law
We withstand reverse discrimination without saying a word

Ministry of Gender Equality stop doing stupid shit
For healthy feminists
We first need to get rid of misandry
Womad

And the Corset Free movement
l won't stop them but
They all blame the men for it
When did we ever say
You needed to be pretty?
You did plastic surgery for your own satisfaction
Now you're being childish going no bra and not shaving your armpits
Cutting your hair short
And now you think that makes you a woke progressive woman?

Equality sex?
Nah that's your inferiority complex man
I like long hair don't change
And I am feminist

I'm on the women's side
don't hate women
Actually I love them too much that's the issue
You and my mom, my sisters
I respect them as they are

I'm not one of those losers that you see in news articles
I don't scream swear or do date violence
I totally admit the fault of men
Now for the day when you can freely roam at night in Gangnam
Let's cheers

See I'm different?
It's okay, I'm not dangerous
I'm different trust me
It's okay

I am feminist

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San E Feminist English Translation Lyrics

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Lyrics: I am feminist I believe women and men are equal See I said women first Like how mom comes first in mom and dad I read one book What's personal is political They are touching words Women have always been oppressed Us men have always oppressed them historically But I don't understand those who say women and men aren't equal right now If my grandma says it I might But what inequality have you faced in your life?

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Pieces Of You Korean Edition Ver Novel Book

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Pieces Of You Korean Edition Ver Novel Book

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A Feminist Novel: The story-line centers on a housewife who becomes a stay-at-home mother and later suffers from depression. It focuses on the everyday sexism the title character experiences from youth.

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A Feminist Novel: The story-line centers on a housewife who becomes a stay-at-home mother and later suffers from depression. It focuses on the everyday sexism the title character experiences from youth.

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A Study of Feminism and Womanism in Korea

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A Study of Feminism and Womanism in Korea

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Bak, Sujin. 2015. "Chulbarui seoneon #Naneun-peminiseuteu-imnida" ["A Proclamation of New Start #IAmFeminist"]. Hankyoreh 21, 18 March. http://h21.hani.co.kr/arti/society/society_general/39158.html.

Choo, Eun-hae [Ju, Eunhye] and Young-min Baek [Yeongmin Baek]. 2018. "Mitu undongeun nuguege eotteon gwajeongeul tonghae jijibanneunga? Midieoui dongwonhyogwawa seongbyeorui jojeolhyogwareul jungsimeuro" ["Who Supports the #MeToo Movement, and How Do They Mobilize? Focusing on the Different Media Mobilization Mechanisms between Women and Men"]. Korean Journal of Journalism and Communication Studies 62/6: 37-65. https://doi.org/10.20879/kjjcs.2018.62.6.002

Davis, Angela Y. and Ice Cube. 1992. "Nappy Happy". Transition 58: 174-92. https://doi.org/10.2307/2934976

Gim, Yunhwa. 2019. "SNS iyongchui mit iyonghaengtae bunseok" ["An Analysis of Social Network Service Usage Change and Behaviour"]. KISDI STAT Report 19/10.

Herman, Tamar. 2018. "San E Releases New Song 'Feminist'". Billboard, 16 November. https://www.billboard.com/articles/columns/k-town/8485401/san-e-feminist

hooks, bell. 1994. Outlaw Culture. New York: Routledge.

Jung, Kyungja. 2014. Practicing Feminism in South Korea: The Women's Movement against Sexual Violence. New York: Routledge. https://doi.org/10.4324/9781315887289

Kim, Hyejin. 2017. "'Spoon Theory' and the Fall of a Populist Princess in Seoul". Journal of Asian Studies 76/4: 839-49. https://doi.org/10.1017/S0021911817000778

Kim, Seung-kyung. 2014. The Korean Women's Movement and the State: Bargaining for Change. New York: Routledge. https://doi.org/10.4324/9781315818740

Kim, Sooah [Gim, Sua] and Jong-yoon Hong [Jongyun Hong]. 2017. Jigeum yeogi hipap [Now Here Hip Hop]. Seoul: Threechairs.

Kim, Taer-yong [Gim, Taeryeong] and Ki-duk Kim [Gideok Gim]. 2017. "reul tonghae bon hanguk eondeogeuraundeu hiphabui hyeonjaewa hyanghu gwaje" ["The Present and Future Task of Korean Underground Hip-Hop from the Perspective of 'Show Me the Money'"]. Journal of the Humanities for Unification 71: 139-67. https://doi.org/10.21185/jhu.2017.09.71.139

Lee, Gyu-tag [Yi, Gyutak]. 2011. "Han-guk hipap eumak jangneuui hyeongseongeul tonghae bon daejungmunhwaui segyehwawa tochakwa" ["Between Globality and Locality: Emerging Korean Hip Hop"]. Journal of Korean Studies 36: 59-84. https://doi.org/10.17790/kors.2011..36.59

Morgan, Joan. 1999. When Chickenheads Come Home to Roost: My Life as a Hip-hop Feminist. New York: Simon & Schuster.

Morgan, Marcyliena. 2009. The Real Hiphop: Battling for Knowledge, Power, and Respect in the LA Underground. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822392125

Mun, Okbae. 2004. Hanguk geumjigogui sahoesa [A Social History of Censorship in Korea]. Seoul: Yesol.

OECD. 2020. "Gender Wage Gap (Indicator)". https://data.oecd.org/earnwage/gender-wage-gap.htm.

Phillips, Layli. 2006. "Womanism: On Its Own". In The Womanist Reader, edited by Layli Phillips, xix-lv. New York: Routledge. https://doi.org/10.4324/9780203943670

Phillips, Layli, Kerri Reddick-Morgan and Dionne Patricia Stephens. 2005. "Oppositional Consciousness within an Oppositional Realm: The Case of Feminism and Womanism in Rap and Hip Hop, 1976-2004". Journal of African American History 90/3: 253-77. https://doi.org/10.1086/JAAHv90n3p253

Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, CT: Wesleyan University Press.

Saeji, CedarBough T. 2019. "South Korea's Corruption, Exposed by Burning Sun". Korea Exposé, 2 May. https://www.koreaexpose.com/south-korea-corruption-exposed-by-burning-sun-seungri-scandal/.

Song, Myoung-Sun. 2019. Hanguk Hip Hop: Global Rap in South Korea. London: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-15697-8

Um, Hae-kyung. 2013. "The Poetics of Resistance and the Politics of Crossing Borders: Korean Hip-hop and 'Cultural Reterritorialisation'". Popular Music 32/1: 51-64. https://doi.org/10.1017/S0261143012000542

Walker, Alice. 1983. In Search of Our Mother's Gardens: Womanist Prose. San Diego: Harcourt Brace Jovanovich.

Weitzer, Ronald and Charis E. Kubrin. 2009. "Misogyny in Rap Music: A Content Analysis of Prevalence and Meanings". Men and Masculinities 12/1: 3-29. https://doi.org/10.1177/1097184X08327696

Yang, Jeongae and Yeongju Gim. 2018. "Seongpongnyeong pihae pongno 'mitu' undonge daehan gungmin insik" ["Public Perception of the MeToo Movement"]. Media Issue 4/2: 1-16.

Yun-Gim, Ji-yeong. 2018. Jiwojiji anneun peminijeum [Feminism That Can't be Erased]. Seoul: Eunhaengnamu.

Videography

Choi Sam. 2012. "Choi Sam - It's Not Your Fault.wmv". YouTube video, 03:04. 22 September. https://youtu.be/6txZViyZ8v4.

Choi Sam. 2017. "Choi Sam Q&A". YouTube video, 09:54. 16 August. https://youtu.be/FwVW_vRftD4.

CL Official Channel. 2015. "CL - 'Hello Bitches' Dance Performance Video". YouTube video, 03:34. 22 November. https://youtu.be/5L-4ZrOk1Tc.

Geunhwang-ollimpik [Situation Olympic]. 2019. "[Kidibireul mannada] Beullaengneot 3nyun sosong geunhwang, geongang doechajeun 'Eonpeuriti Raepseuta'" ["Meeting KittiB, 'Unpretty Rapstar' who is recovering after the 3-year lawsuit against Blacknut"]. YouTube video, 10:19. 8 November. https://youtu.be/qfPtcg7st2I.

I Y. 2013. "You're Not A Lady (Feat. Zion.T) - Jerry. K [Eng Sub]". YouTube video, 03:55. 29 June. https://youtu.be/UL3BJVR6G3g.

PRAN. 2018. "'Yeoseong raepeoreul 'yeoseong'euroman sobihagetdaneun geojyo!' Hanguk-eseo peminiseuteu raepeoro sandaneun geon (Talk by Seullik)" ["They only want to consume female rappers as women! Living as a Feminist Rapper in Korea (Talk by Sleeq)"]. YouTube video, 02:48. 16 March. https://youtu.be/1bCK-l6_jP0.

San E. 2017. "San E - Nappeun X (BAD YEAR) [Official Audio]". YouTube video, 03:18. 22 January. https://youtu.be/rHuEJG2JA4g.

Discography

Choi Sam. 'Niga jal mot hangue aniya' ['It's Not Your Fault'], Choi Sam Mixtape Gum. YouTube, 2012.

Choi Sam. 'Witch', Suicide (EP). TS Entertainment, 2016.

Choi Sam. 'Nongugong' ['A Basketball'], Nosy (EP). Beautiful Monster, 2017.

Choi Sam. 'Hal mankeum haetda' ['Did as Much as Possible'], Taboo (digital single). Beautiful Monster, 2018.

Choi Sam. 'Chicken Game', Mitochondria (digital single). Beautiful Monster, 2019.

CL. 'Nappeun gijibae' ['The Baddest Female'], Nappeun gijibae (digital single). YG Entertainment, 2013.

CL. 'Hello Bitches', Hello Bitches (single). YG Entertainment, 2015.

Diva. 'Lady First', Funky Diva. Danal Entertainment, 1997.

Diva. 'Gal's Club', Snappy Diva's Second Album. RIAK, 1998.

Diva. 'Lady, Lady, Lady', Naughty Diva. Cooking Music, 2000.

Heize. 'Donbeoljima' ['Don't Make Money'], Unpretty Rapstar 2 Compilation. Stone Music Entertainment, 2015.

Jessi. 'Ssenunni' ['Strong Big Sis'], Ssenunni (digital single). YMC Entertainment, 2015.

Jessi. 'Gucci', Un2verse (EP). YMC Entertainment, 2017.

KittiB. 'Nobody's Perfect', Nobody's Perfect (digital single). Brand New Music, 2016.

KittiB. 'Manyeo' ['Witch'], 1718 [SALEM] (digital single). Brand New Music, 2019.

Sleeq. 'Ma Girls', Ma Girls (digital single). Daze Alive, 2017.

Sleeq. '36.7', Life Minus F is Lie. Daze Alive, 2018.

Sleeq. 'I'm Okay', I'm Okay (digital single). Daze Alive, 2019.

Yoonmirae (T). 'Namja namja namja' ['Man Man Man']. Gemini, SM Entertainment, 2002.

Yoonmirae. 'Geomeun haengbok' ['Black Happiness']. T3 - Yoon Mi Rae, Jungle Entertainment, 2007.

Yoonmirae. 'Gimme Gimme!!! (Egotist)'. T3 - Yoon Mi Rae, Jungle Entertainment, 2007.

Yoonmirae. 'Champaign', Gemini 2. FeelGhood Music, 2018.

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world music; youtube music; cosmopolitanism; ethnography; ethnomusicology; gender; genre; globalization; hip hop; identity; jazz ;national identity; popular music; race; recording industry; world popular music; global pop; world beat; music 2.0

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A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers

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Bak, Sujin. 2015. "Chulbarui seoneon #Naneun-peminiseuteu-imnida" ["A Proclamation of New Start #IAmFeminist"]. Hankyoreh 21, 18 March. http://h21.hani.co.kr/arti/society/society_general/39158.html. Choo, Eun-hae [Ju, Eunhye] and Young-min Baek [Yeongmin Baek]. 2018. "Mitu undongeun nuguege eotteon gwajeongeul tonghae jijibanneunga? Midieoui dongwonhyogwawa seongbyeorui jojeolhyogwareul jungsimeuro" ["Who Supports the #MeToo Movement, and How Do They Mobilize?

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Black Pink News Article - Lisa is the First Solo Female K-pop Artist to Hit Billboard's Chart

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SEOUL, SOUTH KOREA - OCTOBER 29: Lisa aka Lalisa Manoban of South Korean girl group BLACKPINK ... [+]
WireImage

On this week's edition of the Pop Songs chart, Billboard 's look at which tunes reach the most people via pop radio stations across the U.S., just two tunes debut. One of the musicians behind a single that appears on the list for the first time makes history in one very specific, but very important manner, and in doing so, she proves that she may be the most successful woman in her field-at least in one respect.

Lisa's "Money" debuts at No. 40 on this week's Pop Songs chart, and while that means it starts off in last place, the tune is already a massive win for the musician behind the cut. Lisa is now the first solo female K-pop musician (an artist who is primarily known for producing work that can be classified as K-pop, at least) to hit the ranking.

"Money" serves as Lisa's second single as a soloist, and it has turned out to be the bigger of the pair. The Blackpink member debuted several months ago with a single album called Lalisa, which featured both "Money" and the title track, which was selected as the first promotional item. "Lalisa" helped the Thai/South Korean artist make waves on charts all around the world, including on a number of Billboard tallies. After a short period, that cut disappeared, and she began promoting "Money."

Lisa's second solo single worked its way onto a number of Billboard charts that few K-pop acts had ever reached, including the Hot R&B/Hip-Hop Songs, R&B/Hip-Hop Digital Song Sales and Rap Digital Song Sales tallies. Now, it has crossed over from the hip-hop and rap rankings to the pop world, proving it has widespread appeal.

The Blackpink rapper is one of a relatively small number of K-pop acts that have reached the Pop Songs chart, with very few soloists managing to place anywhere on the tally. Looking at artists who work on their own, she joins Psy and BTS member Suga by landing on the list. South Korean groups like Blackpink, BTS, Monsta X, Loona and Tomorrow X Together have also managed to place at least one tune somewhere on the roster.

MORE FROM FORBES Blackpink's Lisa And Rosé Are The Most Successful K-Pop Solo Stars Ever On Billboard's Global Chart

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Blackpink's Lisa Makes History As The First Solo Female K-Pop Artist To Hit Billboard's Pop Chart

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On this week's edition of the Pop Songs chart, Billboard 's look at which tunes reach the most people via pop radio stations across the U.S., just two tunes debut.

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K-pop star Irene, from the group Red Velvet, was severely criticized by male fans after she declared to have read the book. Critics burned her pictures, spouting diatribes about how feminists don’t belong in K-pop. 

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K-pop star Irene, from the group Red Velvet, was severely criticized by male fans after she declared to have read the book. Critics burned her pictures, spouting diatribes about how feminists don’t belong in K-pop. 

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“What you want is for women to serve in the military,” said female artist SLEEQ, “What I want is for men not to kill women.” - SLEEQ

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“What you want is for women to serve in the military,” said female artist SLEEQ, “What I want is for men not to kill women.” - SLEEQ

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Female K-Pop Stars Face Criticism for Seemingly Feminist Behavior

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Female K-Pop Stars Face Criticism for Seemingly Feminist Behavior

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Seoul, Korea attracts many due to it having one of the largest music stadiums

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Seoul, Korea attracts many due to it having one of the largest music stadiums