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Aaron Douglas's The Judgement Day (1927)

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Aaron Douglas's The Judgement Day (1927)

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This was an illistration from the book "God’s Trombones"  written by James Johnson, and it portrays an angel playing a silver trumpet. This scene has religious ties to the ending of the world.

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Lindy Hop competition in 1937, but the dance was created during the Harlem Renssance 

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Lindy Hop competition in 1937, but the dance was created during the Harlem Renssance 

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The best place during the time for dance was the Savoy Ballroom. There they helped the Lindy Hop become famous and eventually lead to the other popular dances at the time.

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Fast Tempo Part of Lindy Hop Advanced Final Jam

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Whitey's Lindy Hoppers Best Lindy Hop Harlem Congaroo Dancers 1937 Swing Dancing

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Whitey's Lindy Hoppers, including Norma Miller and Dorothy Dandridge. The best swing dance scene ever. From The Marx Brother's 'A Day at the Races'. (1937) I've read that "The scene has no clear association with the larger narrative film so as to simplify editing the scene from the film for release in the southern American states under racist censorship laws."

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Harlem Shadows - Poem by Claude McKay (1922)

I hear the halting footsteps of a lass
In Negro Harlem when the night lets fall
Its veil. I see the shapes of girls who pass
To bend and barter at desire's call.
Ah, little dark girls who in slippered feet
Go prowling through the night from street to street!

Through the long night until the silver break
Of day the little gray feet know no rest;
Through the lone night until the last snow-flake
Has dropped from heaven upon the earth's white breast,
The dusky, half-clad girls of tired feet
Are trudging, thinly shod, from street to street.

Ah, stern harsh world, that in the wretched way
Of poverty, dishonor and disgrace,
Has pushed the timid little feet of clay,
The sacred brown feet of my fallen race!
Ah, heart of me, the weary, weary feet
In Harlem wandering from street to street.

He is writing about the social concerns in America during the time. This was his testament to the serious side of the Roaring Twenties that was occuring and also to the Harlem Renaissance.

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Painted by Archibald J. Motley in 1929.
This concentrates on the life of the African Americans during the time. He never really Lived in Harlem, his work provided foundation for the work done during the time.

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He was the Drummer in his band called "The Chick Webb Orchestra ". He was given the name "The king of Swing" at the battle of the bands
"Stompin' at the Savoy" was written and arranged by Edgar Sampson, and this is Chick Webbs instrumental version.

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"サヴォイでストムプ " チック・ウエッブ楽団 １９３４年録音 " STOMPIN' AT THE SAVOY " Chick Webb's Savoy Orchestra Mario Bauza, Reunauld Jones, Taft Jordan (trumpet) Sandy Williams (trombone) Pete Clark, Edgar Sampson (alto sax , clarinet) Elmer Williams (tenor sax) Joe Steele (piano) John Trueheart (banjo,guitar) John Kirby (bass) Chick Webb (drums, leader) Edgar Sampson (arr) recorded in May 18, 1934 Columbia 2926D mx.W152740=2 The Savoy Ballroom, located in Harlem, New York City, was a medium sized ballroom for music and public dancing that was in operation from March 12, 1926 to July 10, 1958.