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Established roles and availability.
Spoke with Seb about what is required of me this week;
- Look at script and type up list's of each scene of needed cast and crew members.
- List each scene for each location listing with cast and crew needed on set for each.
- Type up call sheets.
- Look at script and

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Took books out of the library, researched my role.. Linda Stradling proved to be the most useful!
All said a similar thing to her but she put it in better words.

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Discussed suitable locations for scenes. Looked for locations on university campus.

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Helped location team to contact locations for permission. Arranged meetings.

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Helped fill out risk assessments for the roof scene in the script.

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Filled out call sheets for upcoming Tuesday.
Filled risk assessments for 4 locations. (Robert Powell Theatre, Croft Street, Peel Park, Croft Street)

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- Help Sophie with continuity sheets and filming on set in the morning.
- Stay with Seb in the afternoon to fill out paper work for the rest of shooting schedule this week.
- Help cast and crew with set up and filming, and then putting away the equipment.
- Time check the morning and afternoon shoot.
- Been given a copy of cast and crew members details in case of an emergency on set. Have to keep it with me on every set because I am responsible for the safety of my cast and crew.
- Been given a Public Liability form to ensure we can show we are insured on set.
- Filled risk assessments for both this week and next weeks 'Caseys Bedroom Scenes'
- Completed call sheet for tomorrows shooting schedule.

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- Fill out call sheets
-Fill out risk assessments for all Robert Powell theatre shoots this week and next week.
- Stay on set from 12-3 to help cast and crew with set up, filming and packing up equipment.

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- Filled out call sheet for Friday.
- Risk assessed next Tuesday's shoot. (Casey meets Morgan)
- Went through other risk assessments to check all filled out and signed off.

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- Fill out risk assessment for next week shoot.
- Help crew set up in the green room.
- Helped crew pack up.
- Monitored set, time checked.
-Help cast and crew with queries.

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- Meet crew at Old Adelphi, sign in extras.
- Help with making signs for riot scene.
-Help set up equipment with crew.
- Fill out call sheets for Monday and Tuesday's shoots.
-Check over risk assessments with Seb.
-Help crew solve shooting issue with rain, may need to re-arrange the shoot, or alter the script so we can change location.

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- Set up scene, using pictures to make sure there are no continuity errors.
- Meet with Seb to see what paperwork needs doing.
-Fill out call sheet for Wednesday at Media City and Robert Powell Theatre.
- Do risk assessments for Robert Powell Theatre for this week.
-Risk assess Seb bedroom for Casey's bedroom scene.
-Time check on set.
-Monitor cast and crew on set.
-Help cast and crew with shooting.
- Did a call sheet for this Thursdays shoot.
-Start to organise contracts for all cast and crew members with Seb.

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Was in Milan but kept in contact with Seb to do any work he needed me to including cast and crew contracts.

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- In the morning meeting we read through the script in our characters. I discussed Hayley's back story and added ideas on her history leading up to the script. This included her relationship with her partner before her baby passed away and how her baby passed away - still in process of deciding this one - but I feel maybe she fell asleep and accidentally smothered her baby which added to the grief and played a big factor in how she split with her partner.
- Discussed how Hayley stalking and tracking Lyndsey could be signalled to the audience. I suggested the car is seen at multiple times leading up to the scene where she picks her up.
- Talked about costume and make-up.
- James and Alice are doing a location recci at my apartment for Hayley's home this evening. The script and shots will be discussed more during this.

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- Wrote character Bio in the morning.
- Discussed Hayley's relationships with each character in the script.
- Rehearsed the first scene with Natalie.
- Wrote super objectives for each script.
- Actioned each line to help with my characterisation and performance.
- Rehearsed scene 8.

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- Read through the script and rehearsed scene 2 with Sophie.
- Brought in costume for Hayley, tried it on.
- Researched into films to watch to help with my characterisation of Hayley. - Madeline McCan documentary, Kate keeps herself composed on camera but still looks slightly upset in her eyes and this could work for the first scene. - YOU the Netflix series is another good example to help with the characterisation of Hayley because Joe's character is similar. He is seen as a good guy, but does bad, twisted things. However he thinks his intentions are good, he does them to protect Guinevere. Just like Hayley with Lyndsey.
- Learn scene 2 with Danni in the coffee shop for tomorrow's test shoot.

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Example of the work I've been doing with my scrip

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- Went to the café to test shoot scene 3 with Danni.
- Improvised with actors to gain more of an understanding as to how my character would behave outside of the script in various social scenarios.
- Improvised with Danni to build both characters back ground.
- Learnt lines for tomorrows full rehearsal.

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- Blocked both scenes with Lyndsey.
- Full run through off script.
- Finalised characters costumes and tried them all on.
- Watch Gone Girl over weekend to get a feel for how I would play Hayley's manipulation.

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- Filmed the argument in my apartment.
- Listened to James' direction on blocking.
The things that challenged me where;
- Waiting for the crew to set up each shot, there was a lot of trial and error with equipment.
- Being in my home with a large number of people really tested my focus because I felt uncomfortable and it was distracting whilst trying to act.
-Being in my home also tested my characterisation because I was in my own personal environment.

Felt like I still did really well, it was challenging. These challenges have helped me grow my focus, characterisation and patience.

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- I struggled the most with this scene, James asked me to be very monotonous at the start, almost news reporter style. I felt this would contradict Hayley's motive of trying to look like a suspect. However, I watched the Madeline McCan documentary and analysed the behaviour of both parents and Kate defends her emotionless behaviour on TV as a means to protect Madeline this helped me to explore Hayley's motives as if she is trying to 'protect' Lyndsey from seeing hers.

- Car scene challenged my physical acting because I had to slap Lewis in the face. Keeping focused on my characters motive helped me to hit with intent but it was hard because I didn't want to hurt my peer.

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- This shoot was my favourite because I could improvise a little. James just told me to sleep in the bed and wake up, and the lack of direction meant I was able to play up to my character and I did it very well because James liked it and asked me to do it again on for the second take.
With it being in my own bedroom it felt very personal. However, it motivated me to stay focused. The benefit to playing Hayley was we shared similar traits in terms of perfectionism and OCD and whilst in my apartment me and Hayley merged, it felt more organic.

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- I found this very difficult because I had to eat cake and although this is a simple action, because of my production/filming experience I was aware of continuity. My mind was focusing on whether I was doing the same movements instead of being fully in character. The cake was quite difficult to get on the spoon but I just tried to act like it wasn't an issue, because in real life it wouldn't matter.

Watched Natalie Portman master class video on how she uses the space and everything in it in character to learn to free myself from my resistance with the cake.

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Wrote list of what Hayley thinks of herself and what others think of her. This was to help place her in her world.

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Diagram to help me think out of the box. (Gai Jones)

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Recorded Video of myself, did Churcher's exercises.
Did Further Reading (see bibliography)