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This sketch really tells da Vinci's audiences how important Earthly nature was in his time period, given that this is a landscape portrait, something not commonly done in the past.

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Here Christ is shown to be a normal human figure without even a halo to distinguish him as godly, making the era's preference for humanness clear.

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The religious parts of the painting are not overly emphasized here, and instead, the religious characters are more human in nature than godly.

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Quite literally in this sketch, da Vinci captures humanity in it's essence

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In perhaps his most famous portrait, da Vinci highlights both nature (background) and the individual human (positively) with this piece of art.

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da Vinci incorporates nature, dimension/depth in a 2D painting, and an emphasizing of humanity all in this Renaissance painting.

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This painting quite obviously is focusing on humans, and only humans, an important part of Renaissance philosophy.

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Humanity and nature are both emphasized in this painting by da Vinci.

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da Vinci's use of both dimension/depth and nature in this painting tells of the common occurrence of these themes in Renaissance artists.

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The focus on human's on a whole during the Renaissance is shown here by da Vinci as he draws solely human features.

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Again, da Vince portrays humanity in a beautiful, positive light, compared to the harsh view of humans in the Middle Ages

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Nature in a simple form is shown here, and nature on Earth is a key part of the Renaissance.

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Here, da Vinci makes use of dimensions in his painting, and Jesus, a very important religious figure, is barely distinguished from the other humans in the photo.

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da Vinci uses nature, the beauty of humans, and depth/dimension in Leda, all Renaissance characteristics.

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This painting focuses on the natural beauty of humans, rather than religion or sins of humanity.

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The background here is on Earth, not heaven, and Jesus and the baptist are depicted in normal clothes and not particularly ethereal looking.

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The religious figures here are not glorified with halos, wings, or supernatural backgrounds; instead, this painting focuses on a natural background, and more humanesque figures.

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Rather than a gaudy, ethereal background, or fancy clothes, da Vinci depicts this important religious figure simply, focusing more on John's humanness.

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Here, da Vinci focuses on both just humans and nature (with the animal), free from religion.

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Focuses on only a human in a simple background, with no religious overtones whatsoever.

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Leonardo da Vinci, born April 15, 1452 was a man of many talents in his life; inventor, engineer, painter, philosopher, biologist, botanist, the list goes on. Ironically however, da Vinci never attended a public school when he lived with his father as a child. When the artist was 15, he traveled to Florence, Italy to join a studio, and later was a part of the guild of St. Luke. After several years there, Leonardo became an independent artist in his studio, remaining in Florence. He sadly passed away on May 2, 1519. Some of his more famous paintings include The Last Supper, The Mona Lisa, and his Self Portrait (depicted below).