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exposure system used in some automatic cameras in which the aperture is selected by the user and the appropriate shutter speed is controlled automatically

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camera setting corresponding to a particular f-number

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a space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera.

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the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens

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the distance between the lens and the image sensor when the subject is in focus, usually stated in millimeters

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the distance between the nearest and the furthest objects that give an image judged to be in focus in a camera.

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digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor, as opposed to photographic film

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allows information to be transported with an image file, in a way that can be understood by other software, hardware, and end users, regardless of the format.

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a technology that helps stabilize the lens movement associated from hand shake which helps eliminate blurry photos resulting from hand shake or too slow of a shutter speed

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are reduced-size versions of pictures or videos, used to help in recognizing and organizing them, serving the same role for images as a normal text index does for words.

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lets you manually control shutter speed, aperture, and ISO

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camera calculates both shutter speed and aperture

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Shooting modes fall into three categories: auto, scene, and P, S, A, and M modes. In auto and scene modes the camera controls shutter speed and aperture. P, S, A, and M modes are known as exposure modes and give photographers a choice as to which elements of exposure—aperture or shutter speed—they wish to control.

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a setting on some cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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software fully controls all aspects of the photograph, from the shutter speed to the aperture setting to the focus.

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he process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo. Proper camera white balance has to take into account the "color temperature" of a light source, which refers to the relative warmth or coolness of white light.

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General name given to illumination that's produced from an electrically heated source, such as a lamp's tungsten wire filamen

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process that records the glow or visible light given off by certain substances when they are irradiated by ultraviolet rays.

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greater part of the light goes directly from the source to the area lit.

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used to provide momentary illumination of a dark or insufficiently lit subject.

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produces really soft light that can be flattering on the human face.

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produces really soft light that can be flattering on the human face.

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the time for which a shutter is open at a given setting.

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an exposure setting that is used when seeking to use a shutter speed of more than 30 seconds. Generally, this would be used in extremely low light situations, such as taking photos of the night sky.

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the apparent streaking of rapidly moving objects in a still image or a sequence of images such as a movie or animation. It results when the image being recorded changes during the recording of a single exposure, either due to rapid movement or long exposure.

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poa three-legged stand for supporting a camera or other apparatus

a one-legged support for a camera or fishing rod.

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a photographic technique in which exposures are made by moving a hand-held light source while taking a long exposure photograph, either to illuminate a subject or to shine a point of light directly at the camera, or by moving the camera itself during exposure.

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a common way of associating the three variables that determine the exposure of a photograph: aperture, shutter speed, and ISO. One must balance all three of these to achieve a desired result, an adjustment of one requiring adjustments of at least one of the others

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the control by which you temporarily adjust your camera's definition of what is "properly exposed". Put simpler, it's a way to force the camera to make your photos darker or brighter to the degree that you tell it.

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several photographs are captured in quick succession by either pressing the shutter button or holding it down. This is used mainly when the subject is in successive motion, such as sports photography.

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a technique whereby the frequency at which film frames are captured (the frame rate) is much lower than that used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing.

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Image editing in photography. Audio editing software in audio. Differential GPS post-processing, an enhancement to GPS systems that improves accuracy. Video post-processing, methods used in video processing and 3D graphics.

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long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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measured in megapixels(meaning millions of pixels); both image ﬁle resolution and monitor resolution are measured in either pixels per inch (ppi) or pixel dimensions (such as 1024 by 768 pixels); and printer resolution is measured in dots per inch (dpi) (see below).

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an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. ... The angle of view of a fish eye lens is usually between 100 and 180 degrees while the focal lengths depend on the film format they are designed for.

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Unintentional slight movement of a camera during photography or filming, liable to cause blurring of the image.

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to photograph or televise while rotating a camera on its vertical or horizontal axis in order to keep a moving person or object in view or allow the film to record a panorama : to pan from one end of the playing field to the other during the opening of the football game.

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greyscale digital image is an image in which the value of each pixel is a single sample, that is, it carries only intensity information

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a brownish tone imparted to a photograph, esp an early one such as a calotype.

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are indirect light that is illuminating an object

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a bright spot in a photograph. Normally it is assumed to be one of the brightest points in the image. Highlights are normally created by a bright or intense illumination or by various forms of diffusion or reflection. Highlights are created by any bright light source.

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is a dark area where light from a light source is blocked by an opaque object. It occupies all of the three-dimensional volume behind an object with light in front of it. The cross section of a shadow is a two-dimensional silhouette, or a reverse projection of the object blocking the light.