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The primary aims of the Association are to inclusively celebrate and promote the technical and creative skills of the Camera Operator and also to enrich these skills by being at the forefront of developments in technology and production methods.

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Live event 14.30 4th Feb.

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The Guild of Television Camera Professionals : GTC Round Table: State of the Industry - GTC | The Guild of Television Camera Professionals

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Host: Graham Maunder - GTC Chair Graham is a DoP specialising in travel-based documentaries and factual entertainment programmes in the UK and beyond. Graham started his life in TV at the BBC, before progressing to running his own company.

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Getting a Lorimer / Special / Letter / LP10

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Getting a Lorimer / Special / Letter / LP10

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David Thomas talks to focus puller Sandra Coulson about getting an LP10

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Last Updated on 11 August 2021

Listen to Sandra Coulson, an experienced camera assistant/focus puller, explaining how she got an LP10 letter from HMRC to help her with cash flow.

Read more below the video:
Click CC for captions

Some freelancers are in job roles which are not normally allowed to be paid as self-employed. This means they are paid PAYE, and tax is taken off whenever they work.

For people with dozens of short term jobs - dailies or weeklies - this is very frustrating. They are often over-taxed for the whole year, and then get a rebate when the tax year finishes on 5th April.

If you're doing lots of short jobs (less than seven days) and use your own kit, it's possible to get special permission from HMRC to be paid as a sole trader, or even if you're working through your own limited company.

This means you invoice for the work, get what you invoice for, and pay the right amount of tax at the end of the year once you've submitted a tax return. And that really helps with cash flow.

The special permission goes by the name of:

They're usually only valid for a single tax year now, so if you think you're going to apply year on year, keep your old application documents somewhere safe.
NB: David Thomas Media Ltd is not responsible for the content of other sites nor any financial advice provided by them.
Please note:

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Getting an LP10/Lorimer letter - video (captioned)

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Last Updated on 11 August 2021 Listen to Sandra Coulson, an experienced camera assistant/focus puller, explaining how she got an LP10 letter from HMRC to help her with cash flow. Read more below the video: Click CC for captions Some freelancers are in job roles which are not normally allowed to be paid as self-employed.

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Quick chats with people working in sound, constructions, props, script supervision, ADs, and cast including Sam Halrey, Production Designer

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Go Behind the Scenes on the Set of Sex Education | On Set

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BTS Quick and Easy series

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Behind the scenes @ Quick and Easy | Jamie Oliver | Channel 4 | UK

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Bill: Behind-the-Scenes Part 4 - on location with the camera crew

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Bill: Behind-the-Scenes Part 4 - on location with the crew

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RTS Futures talks to James Cemlyn-Jones, Charlie Grainger, Kelvin Richard and Nick Wheeler about live events/music, sport, scripted and factual/ fact ent.

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Getting Started in the TV Camera Department | RTS Futures

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Showcase for the many women working behind the camera in UK feature film and TV drama.

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It's not stupid if it works, right?

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What does a TV or film camera operator do?

Camera operators record moving images for film, television, commercials, music videos or corporate productions. They operate film or digital video cameras, usually under instruction from the director or director of photography. On a typical job, you'll:

set up and position camera equipment

choose the most suitable lenses and camera angles

plan and rehearse shots

follow a camera script and take cues from the director, or floor manager if in a TV studio

solve any practical or technical problems

work closely with other technical departments, such as lighting and sound

You may be the only camera operator and use a portable single camera, or you could be part of a TV studio camera team. On feature films and TV drama productions, you'll be part of a larger crew with a specific role. This might be:

second assistant camera (clapper loader) - loading and unloading film, counting the takes and helping the camera crew

first assistant camera (focus puller) - judging and adjusting the focus on each shot

grip - building and operating cranes and pulleys needed to move a camera during shooting

You'll normally specialise in either film or television work, as the equipment and techniques can differ. However, with the growth in digital cameras and HD technology, it's becoming easier for camera professionals to work across all formats.

What do I need to do to become a TV or film camera operator?

Employers will be more interested in your technical skills and practical experience than academic qualifications. In practice, many camera operators take a college or uni course to develop their camera skills before looking for work.

It may give you an advantage if you can find a course that offers practical experience and possibly a work placement. You can also get practical experience and build up your contacts through:

community film projects

working for a camera equipment hire company

finding work experience as a runner or camera assistant with a production company

Where could I be working?

You could work anywhere from studios to outside locations, in all weather conditions. You may have to work at heights on cranes or scaffolding.

Location work could be anywhere in the UK or overseas. News camera jobs may involve working under difficult or dangerous conditions, for example in war zones.

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What does a TV or film camera operator do? Camera operators record moving images for film, television, commercials, music videos or corporate productions. They operate film or digital video cameras, usually under instruction from the director or director of photography.

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But how exactly do you go about preparing for an underwater shoot? What are the potential risks involved? Our expert, DOP Franz Pagot, reveals all. Jaws (1975) would never have been crowned a classic if filming underwater wasn't possible. Shots of legs frantically kicking in the water or Hooper's discovery of the dead body in a boat wreckage makes the film all the more scary.
From checking and testing the camera housing, to trying to light in murky waters, filming underwater is far more complex than filming on dry land. It's also more expensive and requires more people - usually three times as many as compared to dry land shoots.

Filming underwater can also be like filming in an environment filled with smoke, so getting the best light is crucial - the best times being between 10am and 2pm in a windless calm sea. The colour of clothing and props is also affected when filming underwater, for example it's best to avoid white unless you deliberately want a halo effect.

Risks too are far greater when filming underwater - so safety has to be paramount. To help avoid any potential danger, communication between the crew above and below the water is key, and a rehearsal of the shoot should be performed on dry land before filming goes ahead.

To read Pagot's full guide on filming underwater, featuring hander insider tips, click here.

To see more of Franz Pagot's work, visit his profile in our underwater cameramen section.

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But how exactly do you go about preparing for an underwater shoot? What are the potential risks involved? Our expert, DOP Franz Pagot, reveals all. Jaws (1975) would never have been crowned a classic if filming underwater wasn't possible.

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Resource aimed at new entrants to help them navigate into gainful employment and avoid bottom-feeding exploiters.
Currently collating Covid-19 info - advice on getting furloughed and a roll of honour for TV companies supporting their freelancers.

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Fun flow diagram to help you recognise when you are being exploited.

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hey there!

Who's ready to stop working for free? Hopefully you are! If you have any doubts, consult this handy chart below. Start in the middle and work your way to your answer!

Since I am a crazy person and we are all nerds, this chart is entirely css and html. Faster loading and you can translate it into any language! Google translation is a little funky, but it should hopefully get the point across.

Did they promise you "lots of future work"?

Did they promise you "exposure" or "a good portfolio piece"?

No

Just because a business isn't profitable, that doesn't make them a non-profit.

is it for

a legitimate business?

You mean a band?

Enough to write an angry letter for even considering you'd work for them?

Are they promising you their proverbial kidney?

Do you owe them a proverbial kidney?

is it for

your friend?

is it for

a charity or non-profit?

Do you vehemently oppose the cause or what they do?

Is it through an ad agency or design firm?

Are you sure about that?

Will they flake out on you when you need them?

Are we talking, like, brother-from-another-mother friend?

You mean the company your friend works for?

is it for

your mom?

Are they doing it pro-bono?

Are you "good friends" ifyaknowwhatimean?

Do you still really want to do it?

Will they give you creative freedom?

Are they a buncha a-holes?

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hey there! Who's ready to stop working for free? Hopefully you are! If you have any doubts, consult this handy chart below. Start in the middle and work your way to your answer! Since I am a crazy person and we are all nerds, this chart is entirely css and html.

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David Thomas Media - finances for freelancers

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David Thomas Media - finances for freelancers

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Courses and downloadable templates to help screen industry talent manage their finances more effectively.

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Whether you are a creative freelancer or a spokesperson for a charity, our aim is to help you learn new skills while enjoying yourself.

We also pride ourselves in supporting you after the training. Whether it's with downloadable resources or by phone and email.

Business skills for creatives

Freelancer? Small business owner? You know how tricky it is to stay on top of the finances, organise your time efficiently, and keep up the networking.

So we help you learn how to do it, with fun workshops, plenty of tips, and downloadable templates to save you time.

Whether it's understanding tax and NI, finding new clients or planning how not to run out of money, you'll come away feeling more confident and thinking more like a business.

What our clients say:

"The materials are the most useful I have ever received on any course""Superb - hugely knowledgable and helpful"

Media skills training for charities and NGOs

You're a charity spokesperson and you're going to be interviewed for radio and TV.

How do you make sure you say the right thing? What if they ask you a question you can't answer?

Our fuss-free media training will help you prepare and control your nerves.

With plenty of practical tips and practice interviews, we'll help you get your message across more clearly, and feel more confident.

What our clients say:

"I've made my TV debut today! Your tips for preparation and delivery really helped."

Take that first step now

Get in touch and see how we can help.

We're happy to chat, even if you're not sure what you need.

Call us on 020 7096 1995, or email training@davidthomasmedia.com

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Whether you are a creative freelancer or a spokesperson for a charity, our aim is to help you learn new skills while enjoying yourself. We also pride ourselves in supporting you after the training. Whether it's with downloadable resources or by phone and email. Freelancer? Small business owner?

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BOOK: Breaking Into UK Film And TV Drama by Matt Gallagher

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BOOK: Breaking Into UK Film And TV Drama by Matt Gallagher

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A comprehensive guide to finding work in UK Film and TV Drama for new entrants and graduates. Paperback and Kindle available.

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Breaking Into UK Film And TV Drama: A comprehensive guide to finding work in UK Film and TV Drama for new entrants and graduates for

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Buy Breaking Into UK Film And TV Drama: A comprehensive guide to finding work in UK Film and TV Drama for new entrants and graduates for by Gallagher, Matt (ISBN: 9781523676002) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.

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Created in 2012 to help new entrants find work in TV, by providing resources and guidance from seasoned professionals, it is now the choice resource for employers looking for Runners and other junior TV talent.

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This is a sister group to “People in TV: Available”. It is intended for new entrants to the industry and anyone who wishes to employ them. PLEASE ANSWER THE QUESTIONS! PLEASE NOTE that while...

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Specially trained counsellors available 24-7 for legal queries, mental health and well-being (inc bullying or harassment), financial troubles, family issues.

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Welcome to the Film and Television Charity. Calls are recorded for the purposes of quality and staff training. This is a confidential service, however, there are some exceptions to this and these are where there may be a risk to your own health and safety, that of others or if you have been involved in a crime. An advisor will be with you shortly, Thank You.

I understand and agree that video interactions will be recorded.

All of our advisors are busy at the moment. Would you like to book an appointment?

An error occurred, please refresh your browser to try again.

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24-hour support line - Film and TV Charity

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You may have a problem or question at any time, day or night. That's why we bring you a 24/7 Support Line which is free and confidential for anyone in the community working behind the scenes in film, TV and cinema. Just pick up the phone, email or click online chat - whatever's most comfortable.

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TV & Film industry initiative that aims to provide professional and peer support for freelancers, particularly with mental health, as well as bring meaningful change to working practices in the industry.
Lots of videos and online events on good mental health and career development.

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A new TV & Film industry initiative that aims to provide professional and peer support for freelancers, particularly with mental health, as well as bring meaningful change to working practices in the...

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12 month programme with paid placements and professional development support.

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Welcome to the Cooke TV channel! Our website contains interviews with some of the worlds renowned cinematographers, who share their advice and behind the scenes stories from their experiences throughout their careers. We will continually update the catalogue of videos being uploaded, so please subs…

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Camera reviews, lens evaluations, tips and tricks from the equipment retailer.

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professional video broadcast film camcorder camera lighting television tv ibc reviews equipment news cvp.tv cvp.com cvp cvpgroup cvptv

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CVP are Europe's largest professional video, broadcast & cinema solution provider. Our YouTube channel focuses on in-depth camera reviews, lens evaluations, ...

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UK wide with regional centres. Events, resources, product discounts.

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In One Night, three friends discover the past is never really gone. In the present day, the pressure is on for Ronnie O'Sullivan, while hundreds of people are trying to win the real-life adaptation of Squid Game. Meanwhile, the Doctor is back and whizzing about all time.

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In One Night, three friends discover the past is never really gone. In the present day, the pressure is on for Ronnie O'Sullivan, while hundreds of people are trying to win the real-life adaptation of Squid Game. Meanwhile, the Doctor is back and whizzing about all time.

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Charity training young people from under-represented backgrounds. Supported by industry patrons including Sky, the 'Whats Up TV' programme broadcast by Sky trains talent on-the-job then offers work placements. A range of roles are offered inc Trainee Camera Operator

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The misrepresentation of people from under-represented groups in the media negatively affects society. We want to change this. The MAMA Youth Project recruits, trains and nurtures young people between 18-25 years of age from under-represented groups or with limited educational or employment opportunities.

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The Guild of Television Camera Professionals 

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The Guild of Television Camera Professionals 

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Open membership at varying levels.

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The Guild of Television Camera Professionals : Home - GTC | The Guild of Television Camera Professionals

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The Guild of Television Camera Professionals (GTC) is an independent, international organisation that cares about camerawork and the people who make it their craft.

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NOT LIVE YET - STANDARD STILL IN DEVELOPMENT!

Follow the 'Employers
involved in creating the standard' socials, in this link, to get
alerted when it's open for applicants.

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Institute for Apprenticeships and Technical Education

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This apprenticeship standard is in development and is not yet ready to use

Why is this apprenticeship not ready for delivery?

An apprenticeship standard is only available for delivery when both the standard and assessment plan is approved and a funding band (core government contribution) has been assigned to the standard.

How can I get involved?

If you'd like to get involved and contribute to the development of this standard, please read about developing standards and assessment plans. You can email the trailblazer contact using the details on this page.

Details of standard

Occupation summary

This occupation is found in the media rental industries and covers the camera hire companies who supply camera hires for Film, TV, Music Promos, Commercials, Documentaries, Virals and other productions. Additionally it covers companies who operate a fleet of demonstration and loan equipment. The production stage for which cameras are hired is the first step in the making of a film or television production. The broad purpose of the occupation is to prepare camera equipment that is complete, works effectively, is correctly maintained and is appropriately configured and accessorised to be suitable for a given production or purpose.

The core objective of the role is to ensure that the customers who hire/use production equipment, are provided with the equipment and support they require, at the time and place they require it, so they are able to make full use of the equipment package. Their knowledge and skills can equally be applied to whatever means and methods are used in the workplace to prepare related equipment ready for use.

Core duties include (but are not limited to) resource planning and allocation for own work, equipment preparation to meet specification and deadline; routine maintenance to ensure working order, cleanliness and appropriate accessories; lens checking to ensure they are clean, blemish-free and are correctly to scale; quality assessments and testing; colleague and client liaison so they are up to date with progress, developments and component compatibility; camera checks and technical support; equipment booking in and out; maintenance of accurate equipment lists and records; and return of equipment to suitable specification after use.

The role is primarily based on the camera floor/warehouse but can involve working on location. It is often shift-based and may involve working individually or as part of a larger team. The role may involve working past expected hours to ensure that deadlines are met. In their daily work, an employee in this occupation interacts with other colleagues and senior technical managers on the camera floor or warehouse, preparing equipment either individually or in teams. They will need to provide technical advice and updates on progress to clients and Rental Desk colleagues. In addition they will liaise with clients, couriers and drivers when dispatching and receiving equipment. Finally, they may also provide technical support during pre-production camera tests to production crews from the organisation/department hiring/borrowing the equipment. An employee in this occupation will be responsible for preparing packages of very expensive and highly complex and specialised equipment so that they are correctly configured, accessorised and in good working order. They will need to ensure that all packages satisfy stringent quality standards and scrutinise and check that every aspect of the equipment works well together as per the demands of the given production. This attention to detail is crucial for ensuring that the ensuing production is able to work effectively to use this equipment without encountering costly technical issues which could have been avoided during the prep stage.

They need to be able to provide technical advice and technical support about the compatibility and use of equipment to professional camera crews who rely on the integrity and technical skills of the individual.

They will report to senior technical managers but will need to be able to work alone to prepare packages; managing their own workload and resources to meet time-limited deadlines.

They will need to identify and resolve issues with resource availability, compatibility and condition; replacing and substituting components that do not meet specific and varied technical standards.

On completion of this apprenticeship, apprentices may remain in, and progress within, the Film and TV Camera Hire/Loan Sector.

Typical job titles include:

Camera prep technician, Camera equipment technician, VMI camera senior technician, Kit room technician, Senior camera technician, Rental warehouse operative

Occupation duties

Duty 2 Plan and allocate the resources required for a specification in order to meet required timescales, identifying and resolving issues with resource availability and managing this information accordingly.

Duty 3 Build comprehensive packages of shooting equipment, selecting and using appropriate camera accessories, lenses and other peripherals, to a 'shoot ready' configuration that meets specification and time requirements. It is crucial to ensure complete compatibility between all components.

Duty 4 Keep the order handler and other relevant colleagues informed about progress and developments with client shooting packages at all times.

Duty 6 Review and evaluate equipment prior to dispatch and carry out full tests to ensure it works in the configuration for which the hire/loan package was designed to work, replacing and substituting equipment that is not fit for purpose, as and when required.

Duty 8 Undertake formal Quality Assessments on lenses and other optical elements and log any damage or imperfections of lenses and other optical elements. This will include lenses, filters, LCD and other screens plus any other relevant delicate optical/visual surfaces.

Duty 12 Provide advice to colleagues on the Rental Desk and clients in person or by phone, communicating information at the appropriate time, pace and level of detail for the recipient. Advice can be in relation to compatibility issues when clarifying equipment choices or resolving difficulties relating to use of equipment during camera testing or on location.

Duty 13 Hand equipment over to, and accept equipment from, clients, couriers and drivers in line with organisational logistics procedures and processes.

Duty 15 Return rental/loan equipment to original/suitable specification after use. This may include reattachment of camera accessories which have been removed during a hire/loan or removal of additional peripherals added for a specific configuration used during a hire/loan.

Qualifications

English & Maths

Apprentices without level 2 English and maths will need to achieve this level prior to taking the End-Point Assessment. For those with an education, health and care plan or a legacy statement, the apprenticeship's English and maths minimum requirement is Entry Level 3. A British Sign Language (BSL) qualification is an alternative to the English qualification for those whose primary language is BSL.

Additional details

Occupational Level:

3

Duration (months):

24

Review

This apprenticeship standard will be reviewed after three years

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This apprenticeship standard is in development and is not yet ready to use An apprenticeship standard is only available for delivery when both the standard and assessment plan is approved and a funding band (core government contribution) has been assigned to the standard.

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The TV Studio Production Handbook Paperback by Lucy Brown & Lyndsay Duthie

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The TV Studio Production Handbook Paperback by Lucy Brown & Lyndsay Duthie

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Explains the production process from beginning to end and covers everything media students need to know to create a successful studio television programme.

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Annual expo event from the British Society of Cinematographers, usually held in Feb, in London.

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BSC Expo is committed to limiting the spread of COVID 19. Our 2021 event is scheduled as planned, and we hope that the timing of it will come at a time when the industry will need it most.

We will continue to closely monitor the situation and will be guided by the relevant international, national, local authorities and agencies to ensure the safety and well-being of all involved. We will update this site with any news on changes although we hope that by 2021 the existing threats will have been eliminated.

In the meantime please stay safe, keep well and together our industry will come through this and emerge stronger than ever.

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BSC Expo is committed to limiting the spread of COVID 19. Our 2021 event is scheduled as planned, and we hope that the timing of it will come at a time when the industry will need it most.

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Annual Amsterdam expo event. Will be virtual in Sept.

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IBC Accelerators are fast track, open and collaborative innovation projects that address complex media & entertainment industry business and technology challenges.

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Annual expo of seminars, kit demo's and panel sessions relating to TV.
Usually held in May in London. FREE

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The Media Production & Technology Show 2020

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Connecting the media & broadcast industries

The Media Production and Technology Show brings together the UK media and broadcast industries. The interactive exhibition and seminar programme cover all aspects of content production, including pre-production, lighting, audio, technology, post and sports broadcasting.

Executives from all areas of the industry attend to network with their peers, discover the latest product innovations and hear cutting-edge insights from leading industry speakers.

Read the latest statement about Covid-19 here.

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Connecting the media & broadcast industries The Media Production and Technology Show brings together the UK media and broadcast industries. The interactive exhibition and seminar programme cover all aspects of content production, including pre-production, lighting, audio, technology, post and sports broadcasting.

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@ukcameraman
Loads of BTS videos of Paul at work.

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Random Stuff from Paul Martin. Freelance Broadcast TV News Cameraman and owner of Media Attention Ltd. News, Features, Current Affairs, Sport and Documentary...

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Cornwall Film Festival: Interviews with Industry

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Cornwall Film Festival: Interviews with Industry

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Interviews with a range of industry professionals. Rory Wilton- Actor (2019) Richard Cambridge- Actors/Producer (2019) Megan Tremethick- Actor (2019) Sam Sto...

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The GBCT Camera Trainee programme is aimed at future technicians who want to work predominantly on fiction productions.

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SOME INFORMATION ABOUT THE GBCT CAMERA TRAINEE PROGRAMME

This Camera Trainee programme is for people who have the right to live and work in the UK

The GBCT Camera Trainee programme is aimed at future technicians who want to work predominantly on fiction productions. The Guild has been running its Trainee scheme for several years now. To ensure relevance and to meet industry needs, the GBCT Board has developed a more inclusive and flexible programme that involves a great number of Guild members to teach and further support trainees - as well as ensure that the skills gained meet the highest GBCT standards.

Depending on how buoyant the industry is, it usually takes about eighteen months to two years for trainees to get sufficient experience of working on a variety of productions - either feature film, television drama or commercials - before making a decision as to how, why and where they should go on to develop their careers. Most trainees move on to becoming 2nd AC's/Clapper Loaders; others channel their energies into being DITs (digital imaging technicians), video assist operators or take electrical qualifications and move across to being electricians. Some trainees have been known to move into the documentary or factual entertainment side of the industry as Camera Assistants. Whilst others started their own companies shooting material for corporate and online content programmes. And a few have even gone on to be trainees for a further period of time in order to specialise in either shooting underwater or aerial camera work. We are very pleased with how successful the Guild's camera trainees are and even prouder to find many trainees applying to become full members of the Guild once they've achieved sufficient experience and credits as 2AC's.

There are no hard and fast rules to becoming a camera trainee - there are no boxes to tick that guarantee you a place except a proven interest in cinematography, and being technically competent; how to add up figures properly, a good work ethic, patience, nice manners, an ability to take/receive orders and to think out of the box occasionally! Having a good memory is essential; the ability to make good tea and coffee is of paramount importance!

The selection process to become a GBCT camera trainee is rigorous and competitive. What follows is a stage-by-stage outline of what happens:

The Board agrees to schedule a new trainee scheme. Details and deadline dates are then put onto the Guild's website, various social media outlets and is also sent to several different organisations to spread the word. A deadline is given for applications to be received in the Guild office. Applications can be sent via email (info@gbct.org) or by post to the GBCT's office in the Panavision Building

A group of Guild members get together and sift through all the applications, preparing a short list of people to be interviewed

Interviews are arranged and another group of Guild members form the interview panel. This panel meets the interviewees and prepares a shortlist of 12-14 people to attend the trainee course which those selected are invited to attend

A 6-day course specifically designed for Guild Camera Trainees is then arranged and run for those shortlisted. (The people selected are expected to pay for the course but it will be the best value for money they will spend on their careers.) A further set of Guild members are tutors on the course with other GBCT members popping in and out to meet the trainees and help out if required. Other Guild members attend specifically to provide an informal talk about their specialist roles in the industry

On Day 6 of the course, even more Guild members attend and test the trainees to see what they have learned and absorbed on the course. The trainees are given three different formal types of test - oral; written; and practical. In addition, the assessors observe the trainees at 'work' on the different tasks they are set

When the course is complete, all the Guild members involved at various stages of the process as described above, then meet and/or embark on email discussions about which of the trainees should be selected

Finally, the trainees are selected - everyone is informed of the decision

Trainee Script Supervisor and Grips

All Trainee Grips are trained, monitored and assessed by the Grips Branch of BECTU

If you need a Grip Trainee, your Key Grip should go to the Trainee Finder app on the Grips website: www.gripsbranch.org.uk

All Trainee Script Supervisors are monitored by the Script Supervisors Group.

If you need a Script Supervisor/Continuity Trainee, please either contact the ScreenSkills Trainee Finder/Co-ordiantor: www.screenskills.com or contact the Guild with your requirements and these will be forwarded to the Script Supervisors Group.

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SOME INFORMATION ABOUT THE GBCT CAMERA TRAINEE PROGRAMME This Camera Trainee programme is for people who have the right to live and work in the UK The GBCT Camera Trainee programme is aimed at future technicians who want to work predominantly on fiction productions. The Guild has been running its Trainee scheme for several years now.

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Collection of resources managed by Eric Huyton, Lighting Cameraman and Louise Heren, Producer/Director mainly focussed on camera and sound.

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What Film & Television training courses are available?

From a full time degree or masters course to a 1 day workshop, our directory of Film & Television training courses covers most subjects including: Location Sound Recording course, Camera Operating course, Production Management course, Hair & Makeup course, Film editing course, First Aid course, Hostile Environment course, Film lighting course

Does Media Training Hub provide its own courses?

Yes. As well as listing Film & Television training courses from established and trusted trainers, Media Training Hub has teamed up with top class experienced freelancers to provide bespoke training from working practitioners.

How can I find a suitable Film & Television training course?

Media Training Hub lets you quickly search our database of Film & Television training courses to see what's available along with course dates, locations & prices. You can add a course to your favourites and contact the course provider for more information and to book your place.

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television film and media training courses

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television film and media training courses

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What Film & Television training courses are available? From a full time degree or masters course to a 1 day workshop, our directory of Film & Television training courses covers most subjects including: Location Sound Recording course, Camera Operating course, Production Management course, Hair & Makeup course, Film editing course, First Aid course, Hostile Environment course, Film lighting course Does Media Training Hub provide its own courses?

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Training in a range of technical, legal, storytelling and management skills.

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The Indie Training Fund's courses are open to member and non-member companies, individuals and freelancers (who can get discounted rates for most courses). Training covers the digital, diversity, legal and business, people skills, production, scripting and technical aspects of TV and film. Browse our full directory of courses to book or register interest in upcoming training.

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Indie Training Fund Courses - ScreenSkills

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The Indie Training Fund's courses are open to member and non-member companies, individuals and freelancers (who can get discounted rates for most courses). Training covers the digital, diversity, legal and business, people skills, production, scripting and technical aspects of TV and film. Browse our full directory of courses to book or register interest in upcoming training.

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Professional development programme designed to support trainees working behind the camera in High End TV drama and film.
10 days training over 10 months for a range of roles .
One-off fee payable if
selected.

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Sara Putt - leading independent UK agency for film and television heads of department.

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Trainee Scheme - Sara Putt - leading independent UK agency for film and television heads of department.

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The Sara Putt Associates Trainee Scheme is a professional development programme designed to support trainees working behind the camera in High End TV drama and film. Over ten online workshops you will receive a range of professional training and support that will help you successfully manage a freelance career. Sessions include:

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Inside Game of Thrones: A Story in Camera Work

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Inside Game of Thrones: A Story in Camera Work

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Inside Game of Thrones: A Story in Camera Work – BTS (HBO)

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Sky One's notoriously graphic new drama series, shows us the stunt choreography and camera considerations.

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The Action | Gangs of London | Sky Atlantic

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THAT incredible Torvill & Dean sequence with the camera on 'Dancing on Ice'

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Behind the scenes of Torvill & Dean's incredible one-take skate! | Dancing on Ice 2020

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Stephan Pehrsson, DoP 'Inside No.9', 'BlackMirror'

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Stephan Pehrsson, DoP 'Inside No.9', 'BlackMirror'

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How to Get Into Cinematography

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How to Get Into Cinematography | Black Mirror + Inside No.9 DoP Stephan Pehrsson

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Bii Chau, Camera Trainee at Carnival Films

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Steve Jackson, Camera Operator 'Emmerdale'

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Steve Jackson, Camera Operator 'Emmerdale'

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Career Advice on becoming a Camera Operator by Steve J (Full Version)

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Stafford Gillott, Camera Supervisor 'The One Show'

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Stafford Gillott, Camera Supervisor 'The One Show'

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On the road with ITN and ITV News 4K Vlog

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How do I become a camera trainee?

ScreenSkills and the Guild of British Camera Technicians both run trainee schemes. Follow these steps for your best chance of being successful in an application.

At school or college:
If you want to go to university take A-levels or Highers in a combination that includes art, art and design or graphic communication with maths and physics.

Or you might want to take one of the following Level 3 vocational qualifications:

BTEC National Diploma/Extended Diploma in Art and Design

BTEC National Extended Diploma in Creative Digital Media Production

NCFE Applied General Certificate in Art and Design

UAL Applied General Diploma/Extended Diploma in Art and Design

If you want to go straight into a job or apprenticeship, the following qualifications Level 3 vocational qualifications are relevant:

BTEC National Diploma in Film and Television Production

BTEC National Diploma in Photography OCR Technical Diploma in Digital Media (Moving Image and Audio Production)

UAL Diploma/Extended Diploma in Art and Design

UAL Diploma/Extended Diploma in Creative Media Production and Technology

Get an apprenticeship:
An apprenticeship is a job with training, so it's a great opportunity to earn while you learn. However, it can be challenging to find jobs as an apprentice with production companies as many are not able to take on people for a whole year, which is an apprenticeship requirement at the moment. But in England, there's a Level 3 apprenticeship as a photographic assistant. You might be able to find a job through that standard with an employer in another sector, such as a government department or digital media company. Think about taking that job, learning the core skills of photography and transferring those skills into film and TV drama at a later point.

Before taking any apprenticeship, check what you'll be learning with your prospective employer and college, so you can be sure it will be giving you the skills you want. Go to how to become an apprentice to learn how to find apprenticeships in your region or approach companies directly.

Make a portfolio:
If you would like to become a DoP, or director or filmmaker, it might be worth creating and updating a portfolio, in the form of a showreel, of your work. Get as much experience as you can in photography, both still and moving images. Have a passion for making your own short films. Look at our advice on how to make a showreel. A showreel is essential for impressing admissions tutors and people in the film and TV drama industries.

Work for an equipment company:
Contact an equipment rental company like Panavision, Provision or ARRI Rentals. Ask if you can become a kit runner or driver for them. That way you will get to learn more about the kit and build up contacts.

Get a degree:
It's not essential by any means, but if you want a degree, have a look at ScreenSkills' list of recommended courses and select one in film and TV drama. We recognise courses with our ScreenSkills Select award where they offer training in the relevant software, dedicated time to building a portfolio and have strong links with the film and TV industries.

Get work experience:
Contact video making companies and ask if you can do work experience with them. See our advice on approaching employers to learn how to do this.

Go to ScreenSkills' events, especially Open Doors where you can meet people who work in the industry. Give people in the camera department your details and ask if you can do work experience. Look at our page that explains how to network well.

Network online:
Create a LinkedIn profile. See if there's a Facebook page or other social media group for people making films or videos in your area. Join it. Create a ScreenSkills profile.

Become a trainee:
Apply to be a camera trainee or floor runner with ScreenSkills' Trainee Finder scheme. There are also schemes offered by the Guild of British Camera Technicians.

You might also be interested in...

Being a camera assistant in unscripted TV. This can give you a good grounding in working with cameras, but it's different from drama.

Further resources

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ScreenSkills and the Guild of British Camera Technicians both run trainee schemes. Follow these steps for your best chance of being successful in an application. At school or college: If you want to go to university take A-levels or Highers in a combination that includes art, art and design or graphic communication with maths and physics.

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red "red cameras" "red dragon" "red epic-x" "slow motion camera" "slow motion" "shot on red" "red camera systems" 4k 5k 6k 8k cinematography cinematographer "red digital cinema" "red digital cinema videos" "red weapon" "red raven" scarlet-w

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This is the official YouTube channel for RED Digital Cinema that showcases creative visionaries who use RED cameras to shoot their projects. Every video is v...

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Welcome to the Blackmagic Design YouTube channel! Our channel features informative and exciting videos about Blackmagic Design products and how to use them, ...

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ARRIChannel - YouTube

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Podcast series on good mental health when working in TV, Film, Music

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Leo Anna Thomas and Matt Longley from 6ft From The Spotlight talk to renowned Director, Stella Corradi.

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The GTC's membership magazine, special edition on mental health working in cameras and screen industries in general.
Look out for update coming in 2020.

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Issue 2, 2020

Pre the COVID-19 lockdown, the GTC had already decided to produce a second edition of our Mental Health Supplement, first released in 2018. It was planned to look at the exceptional stresses that working practices in the industry place on people, particularly freelancers. Then the pandemic struck, increasing pressures on many camera professionals and industry colleagues - so the urgency to bring out this resource seemed even greater.

In producing this issue, we were supported by therapists, counsellors and professionals from various specialisms, with the aim of introducing a range of different approaches that may help individuals who are experiencing a range of issues. Our research was underpinned by the 2020 GTC Mental Health Survey - and we are grateful to all who took the time to reply.
Our key messages for this issue are:

You are not alone - mental health issues affect most people at some time, particularly in our industry.

Be kind - a colleague working right next to you may be suffering in silence: try to be receptive to signs and encourage them to talk to you, to someone else or to seek one of many kinds of help available.

Your employer (however short-term) has a responsibility towards your mental health support; if this is now evident, then lobby them to make sure this improves.

Issue 1, 2018

The Spr ing 2018 issue of Zerb included a special supplement around the issue of mental health, looking at how it can affect people working in the camera department and TV/film industry more generally - and, most importantly, explaining various avenues where help can be found if you or a colleague are suffering from any form of mental health problem, particularly depression.

Film & Television Charity

In putting both issues of the supplement together, we worked with our friends at The Film & Television Charity who run a 24/7 helpline, where support and advice across a wide range of issues, including:

bullying and harassment

depression and anxiety

debt and money advice

specialist addiction counselling

legal advice and support

bereavement counselling

financial assistance.

The charity has also recently launched an Mental Health online community, where people can talk in groups, or one-on-one. Find out more:
filmtvcharity.org.uk/community

Other organisations offering support...

Backup

Backup provides financial support to entertainment technology industry professionals who are seriously ill or injured or to their surviving family members.

Phone: 01323 524138
www.backuptech.uk/apply

CALM

(Campaign Against Living Miserably)
Helpline: 5pm to midnight daily
0800 585858

Community Advice & Listening Line

Community Advice & Listening Line offers emotional support and information on mental health and related matters to people in Wales.
Phone: 0800 132 737 (24/7) or text "help" to 81066
www.callhelpline.org.uk
Find a pyschotherapist in your area:
www.psychotherapy.org.uk/find-a-therapist
Inspire

Inspire (Northern Ireland Association for Mental Health) provides local services to support the mental health and wellbeing of people across Northern Ireland.

Phone: 028 9032 8474
www.inspirewellbeing.org

Mental Health Foundation

Mental Health Foundation provides a guide to mental health problems, topical issues and treatment options via their website.
www.mentalhealth.org.uk
MIND

0300 123 3393
www.mind.org.uk

Rehab 4 Addiction

Rehab 4 Addiction offers a free helpline to assist those suffering from drug, alcohol and mental health issues. Rehab 4 Addiction was established in 2011 by people who overcame drug and alcohol addiction themselves.
www.rehab4addiction.co.uk; 0800 140 4690.

Rory Peck Trust (including for PTSD)

0203 219 7860
www.rorypecktrust.org

Samaritans

24 hours daily
116 123
www.samaritans.org

SAMH

SAMH (Scottish Association for Mental Health) can provide general mental health information and signpost you to your local services.
Phone: 0141 530 1000 (Mon-Fri 9-5)
www.samh.org.uk
SANE

SANEline 0300 304 7000

Social Media Addiction

Overusing social media can be a serious problem. Social media addiction is a psychological condition that compels someone to be overly concerned about social media, spending so much time on these platforms that it impacts other aspects of their life. More information on the problem and how to combat it:
https://webserv.io/social-media-addiction

BBC News Mental Health app and support

The BBC has a mental health app and list of mental health support resources: www.bbc.co.uk/programmes/articles/1NGvFrTqWChr03LrYlw2Hkk/information-and-support-mental-health

Urgent medical advice

NHS 111 or NHS Direct (Wales)
0845 46 47

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The Guild of Television Camera Professionals : Mental Health and Other Helplines - GTC | The Guild of Television Camera Professionals

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Pre the COVID-19 lockdown, the GTC had already decided to produce a second edition of our Mental Health Supplement, first released in 2018. It was planned to look at the exceptional stresses that working practices in the industry place on people, particularly freelancers.

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Keith McNamara, Focus Puller

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David Allen - Behind the Scenes with Focus Puller Keith McNamara - BBC Sounds

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Catch up on your favourite BBC radio show from your favourite DJ right here, whenever you like. Listen without limits with BBC Sounds.

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Peter Field, Cinematographer

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David Allen - Behind the Scenes with Cinematographer Peter Field - BBC Sounds

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Catch up on your favourite BBC radio show from your favourite DJ right here, whenever you like. Listen without limits with BBC Sounds.

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Mike  Valentine, Underwater Cinematographer

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David Allen - Behind the Scenes with Underwater Cinematographer Mike Valentine - BBC Sounds

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Catch up on your favourite BBC radio show from your favourite DJ right here, whenever you like. Listen without limits with BBC Sounds.

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Collection of interviews and panel events with members

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The British Society of Cinematographers is an educational, social and professional organisation. Since its formation in 1949 its prime objective has been to promote...

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Huge list of TV and film related websites, training, video, podcasts, radio, books, classic movies.
Huge hat tip for helping with this page!

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Magic Hour: A Life in Movies by Jack Cardiff

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Magic Hour: A Life in Movies by Jack Cardiff

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Memoir of legendary movie DoP

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Magic Hour book. Read 6 reviews from the world's largest community for readers. The most celebrated director of colour photography tells the story of his...

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Sean Savage, Camera Operator 'Game of Thrones'
and Dan Inman, Grip 'Peaky Blinders' talk to Antonia Quirke

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Film presenter Antonia Quirke speaks to key crew members working on the film and drama series that are defining modern entertainment.

In this third episode Antonia heads to Dudley and encounters a gang of smooth operators on the set of the latest series of Peaky Blinders and puts some key roles into the frame. She journeys through the latest Star Wars films with an industry-renowned grip that also discusses his close-up work on Daniel Craig's most iconic Bond moments, and catches a team excitedly preparing camera equipment for the final series of Game of Thrones.

Throughout, Antonia watches the cast and crews in action, grabbing them in the moments between filming and creating, revealing their various and sometimes entirely surprising contribution to productions, exploring the latest equipment and challenges. Along the way she gathers fascinating and often very moving stories of life behind the scenes. These aren't just the tales of the great actors of our times, but of the people who made those actors and actresses great, content instead to be the stars behind the camera.

Producer: Stephen Garner.

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BBC Radio 4 - Quirke's Cast and Crew, Series 1, Camera Operator and Grip

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Film presenter Antonia Quirke speaks to key crew members working on the film and drama series that are defining modern entertainment. In this third episode Antonia heads to Dudley and encounters a gang of smooth operators on the set of the latest series of Peaky Blinders and puts some key roles into the frame.

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Yes, this is film not TV, but interesting anyway.

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The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. We start with a specific question and end....who knows where! We are joined by guests periodically. Matt Wyman, an aspiring DP, is our frequent collaborator. Followup questions can be posted in the forums at www.rogerdeakins.com.

The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. We start with a specific question and end....who knows where! We are joined by guests periodically. Matt Wyman, an aspiring DP, is our frequent collaborator. Followup questions can be posted in the forums at www.rogerdeakins.com.

Awesome Podcast!

I've been researching the accomplishments of the Deakin's because of this podcast. The Deakin's team are such amazing artists and down to earth human beings. I'm growing as an animation director because their expertise. 5 stars all the way.

Team Deakins FTW!

I've been a member of Deakins' website for some time now and this podcast is a great extension of two minds whose work has contributed to so many of my favorite films.

Such an Incredible Gift

This is is a wonderful resource, incredibly grateful for team Deakins putting this together. Thank you for the knowledge sharing, it's inspiring, and definitely in the spirit of us all being together.

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‎The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. We start with a specific question and end....who knows where! We are joined by...

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Search results for all camera related content.

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Nomination / Letters of recommendation required to join

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BECTU: The Broadcasting, Entertainment, Communications and Theatre Union 

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BECTU: The Broadcasting, Entertainment, Communications and Theatre Union 

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Union representation, events, networking, discounts on industry products and services inc insurance

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Bectu: The union for creative ambition Join 40,000 others in the...

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BAFTA - British Academy of Film & Television Arts

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BAFTA - British Academy of Film & Television Arts

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World-leading independent arts charity. Mentoring, career development, events and infamous awards ceremonies. Exclusive screenings and bar in London Piccadilly.

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An independent British charity that supports, develops & promotes the art forms of the moving image

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Invitation only but anyone can join the BSC club for events, socials, tech demos and screenings.

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This website uses cookies to ensure you get the best experience on our website. We have also recently updated our Privacy Policy, which contains further details.

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Sony's VENICE* Camera Simulator is an interactive training tool that represents the CineAlta camera's menu-driven user interface.

"CineAltaV" is the product name in China

Important Notes

Supported browsers: Google Chrome 63 and above, Safari 10 and above.

Simulator limitations:

REC button, Full Menu and Setting detail menu in TC/Media, Monitoring and Audio are not simulated. Please refer to Operations Manual instead.

Base ISO and SxS/Output De-squeeze ratio can be changed in Project details menu, and other items in the menu are not simulated.

The Simulator is designed for evaluation purposes only and we cannot guarantee its accuracy in all possible scenarios. Please use at your own risk.

Optional Full-Frame, Anamorphic and HFR licenses (CBKZ-3610F, CBKZ-3610A and CBKZ-3610H) are installed in the Simulator.

Optional AXS-R7 Portable Memory Recorder is mounted in the Simulator.

The Simulator was produced for VENICE 5.0 software. Subsequent updates may change the operation of the camera menu systems.

For more information on VENICE camera, please visit VENICE website

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Sony Corporation - VENICE Camera Simulator

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Sony's VENICE* Camera Simulator is an interactive training tool that represents the CineAlta camera's menu-driven user interface. "CineAltaV" is the product name in China Supported browsers: Google Chrome 63 and above, Safari 10 and above. Simulator limitations: REC button, Full Menu and Setting detail menu in TC/Media, Monitoring and Audio are not simulated.

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The Guild of British Camera Technicians 

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The Guild of British Camera Technicians 

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Invite only

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The Guild of British Camera Technicians - Home

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Light. Lens. Focus. Ensuring a scene is perfectly lit requires great technical skill and creative flair. Are you ready for your close up?

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IV w/ Tim Palmer DoP 'Killing Eve' for the Cornwall Film Festival.

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Film event in Penryn, United Kingdom by Cornwall Film Festival on Thursday, June 4 2020 with 142 people interested.

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What does a director of photography do?

Directors of photography are responsible for the photographic heart of a production.

They read the screenplay and work closely with the director to discuss the look and feel of a film. They then research how to create the look through lighting, framing and camera movement and what they will need in terms of kit and crew to achieve this.

On each day of filming, DoPs and their camera crews arrive early to set up and rehearse. Working with the director, the DoPs do blocking (decide the exact movements of both actors and camera). They discuss any special camera moves or lighting requirements with the camera operator, gaffer and grip. Each shot is marked up for focus and framing by the focus puller and then the DoP oversees the lighting of the set for the first take.

It's the job of DoPs to make sure every shot is usable and flag them when they're not. They view the rushes (raw footage) with the director and work closely with the colourist in post-production. On smaller productions they shoot as well.

Watch and read

What's a director of photography good at?

Photography: have an eye for composition, know how to tell a story through a shot, understand camera and lighting techniques, know how to use them to affect emotions

Technical knowledge of cameras: have an in-depth understanding of all motion picture equipment, cameras, lens, monitors and lights

Editing knowledge: understand the post-production work flow, have a good eye for colour in the editing process

Making decisions: think quickly, often under pressure

Organisation: plan, know how to do things and how long it will take, get the right kit and crew, manage the budget, think about logistical and artistic considerations at the same time

Communication: ensure everyone in the team knows what's expected, work closely with the grips and the gaffer, lead the team and resolve conflicts in situations that can sometimes be stressful

Who does a director of photography work with?

How do I become a director of photography?

How do I become a director of photography?

This is a senior role and people come into it through a variety of routes. Some start as a camera trainee and work their way up through the roles outlined above. Others become DoPs through being an assistant director first. Others come up through the lighting department. Look at job profiles on floor runner and lighting trainee if you're interested in those pathways.

At school or college:
If you want to go to university, take A-levels or Highers in a combination that includes art, art and design or graphic communication with maths and physics. Or you might want to take one of the following Level 3 vocational qualifications:

BTEC National Diploma/Extended Diploma in Art and Design

BTEC National Extended Diploma in Creative Digital Media Production

NCFE Applied General Certificate in Art and Design

UAL Applied General Diploma/Extended Diploma in Art and Design

If you want to go straight into a job or apprenticeship, the following Level 3 vocational qualifications are relevant:

BTEC National Diploma in Film and Television Production

BTEC National Diploma in Photography OCR Technical Diploma in Digital Media (Moving Image and Audio Production)

UAL Diploma/Extended Diploma in Art and Design

UAL Diploma/Extended Diploma in Creative Media Production and Technology

Check out What's an apprenticeship? to learn more about apprenticeships and find an apprenticeship to learn how to find one in your region, or approach companies directly. Go to ScreenSkills information on apprenticeships for the main apprenticeship schemes in film and television.

Work for an equipment company:
Contact an equipment rental company like Panavision, Provision or ARRI Rentals. Ask if you can become a kit runner or driver for them. That way you will to learn more about the kit and build up contacts.

Become a trainee:
Apply to be a camera or lighting trainee with ScreenSkills' Trainee Finder scheme. There are also schemes offered by the Guild of British Camera Technicians.

You might also be interested in...

Being a director of photography in unscripted TV (entertainment, documentary or sport.) They might be called camera supervisor (in multi-camera productions) or lighting camera operators (in single camera productions).

Further resources

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Director of photogrpahy (DoP) in the film and TV drama industries

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How to become a director of photography (also known as cinematographer (especially when the DoP operates the camera), DoP and DP). Directors of photography (DoPs) work with camera operators, Steadicam operators, first assistant cameras, focus pullers, second assistant cameras, clapper loaders and data wranglers.