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Cafe shelving unit (Shallow)

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- Could use mirrors for sparkle
- Lights to brighten
- Concrete (Marcel Breuer)

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What makes a great presentation

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There’s no single formula for a great talk, but there is a secret ingredient that all the best ones have in common. TED curator Chris Anderson shares this secret -- along with four ways to make it work for you. Do you have what it takes to share an idea worth spreading?

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Traditionally, Matariki was used to determine the coming season's crop. A warmer season, and therefore a more productive crop yield, was indicated by how bright the stars were. Matariki provides an ideal opportunity to explore the ways that people pass on and sustain aspects of their culture and heritage.

Matariki is the Māori name for the cluster of stars also known as the Pleiades. It rises in midwinter and for many Māori, it heralds the start of a new year. Matariki literally means the 'eyes of god' (mata ariki) or 'little eyes' (mata riki).

Matariki is a special occasion in the New Zealand calendar which marks the start of the Māori New Year. For many iwis (tribes), seeing the star cluster rise before dawn around late-May early-June. During this time, Māori would come together to prepare for the cold season. Matariki was also used to predict future seasons. Signified by the Matariki cluster of stars reappearing in our night sky, this is a time of celebration and reflection.

Celebrations can last for up to 3 days. The modern option for the Maori New Year is to pick a day between the new and full moons, and this has become the more traditional date.

Traditional vegetables include Kūmara, Taewa (Māori potatoes), Kamo Kamo, Taro, Puha (similar to cabbage) and Uwhi (yam). These vegetables can be used in combination with other ingredients to make delicious and healthy meals for whānau and friends. Matariki was a time to learn about the natural world.

Taonga, N. Z. M. for C. and H. T. M. (n.d.). Matariki – Māori New Year. Teara.govt.nz. https://teara.govt.nz/en/matariki-maori-new-year

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Te Ruru light festival is an annual event that transforms Hamilton into an engaging world of light and art.  The name Te Ruru - meaning a powerful figure in Maori mythology and tradition. This particular spirit is known as Hine-ruru, the 'owl woman'.

http://terurulightfestival.com/

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Matariki is the star cluster made up of seven stars ( a mother and her six daughters) the names of these stars correlate to what they represent, e.g. the star Waipunā-ā-rangi means the waters of the heavens therefore representing rain. This star cluster guided, past generations of Māori to predict what is to come for the people living in Aotearoa. They would make predictions by observing the seven stars, e.g. If Tapu-ā-rangi shone brighter than the rest, it ment crops would flourish however, if waipunā-ā-rangi was brightest, it would indicate a very wet year.

https://teara.govt.nz/en/matariki-maori-new-year

https://www.kiwifamilies.co.nz/articles/matariki-maori-new-year/

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Museum of New Zealand Te Papa Tongarewa, Wellington, NZ

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Skip to main content

Get the facts about Matariki - a star cluster known worldwide and treasured in Aotearoa New Zealand.

1. The reappearance of the Matariki stars signals the beginning of the Māori New Year.

However, not all celebrate at the same time. Some may begin festivities on the first full moon after the star cluster rises, or on the next new moon.

2. Matariki is a star cluster, not a constellation.

A cluster is a group of stars that are near each other in space. When seen from Earth, the stars in a constellation appear to be close together in a pattern, but they might actually be far from each other. There are about 500 stars in the Matariki cluster, but only six or seven are visible without a telescope.
The Matariki star cluster - are there seven or nine stars?
3. You can see Matariki for yourself.

From early June, before sunrise, look to the north-east horizon. Find the constellation Tautoru, or Orion's belt (sometimes called 'the pot'). Trace a line northwards from the three stars of Tautoru. Look for a faint sparkle of tiny dots, about the same width as Tautoru is long. This is the Matariki star cluster. Matariki can also be seen during the summer months in this location of the sky after sunset.
Watch a video on how to find Matariki
4. Matariki is one of the star clusters nearest to Earth.

Compared with other star clusters, Matariki is close to Earth - but it's still 440 light years away. If you drove there in a car at a speed of 100 kilometres an hour, you would arrive in 4.8 billion years!

5. Matariki has many different names around the world.

The star cluster is visible to the naked eye from most parts of our planet, and has many different names. In English, it is called the Pleiades (its ancient Greek name) or the Seven Sisters. The Hawaiian name is Makali'i, or 'eyes of royalty', and in Japan it is Subaru, meaning 'gathered together'.

6. Some iwi use Puanga (Rigel in the constellation Orion) as a signal for the new year.

Matariki's reappearance in the north-east sky is not visible in all parts of New Zealand, especially in areas to the west of mountains. For some iwi in Taranaki and Whanganui, and on the West Coast of the South Island, the new year begins with the rising of Puanga.
Learn about the difference between Matariki and Puanga
Astronomers explain Puanga and Matarik i

7. In the past, looked to Matariki to predict if the next harvest would be abundant.

The brighter and clearer the stars seemed, the warmer the growing season would be, ensuring a good harvest.

8. Many iwi speak of the Matariki stars as a mother and her daughters.

The mother is Matariki, and her daughters are Tupu-ā-nuku, Tupu-ā-rangi, Waipunarangi, Waitī, Waitā, and Ururangi.
Find out more about the names of the stars - the six sisters
9. For some iwi, Matariki is connected to the creation story of Ranginui and Papatūānuku.

One Matariki story is about when discovered that his parents and ad been separated. He tore out his eyes in anger and threw them into the sky - the stars are his seven eyes.

10. Matariki was used by the crews of voyaging to guide them across the Pacific.

Tohunga kōkōrangi Tohunga kōkōrangi expert astronomers used stars and star clusters such as Matariki to help them navigate great distances across the Pacific. Today, there is a revival of these traditional navigation skills. Crews have sailed double-hulled waka from as far as Rarotonga to Aotearoa New Zealand, guided only by traditional methods.

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Matariki activity book

Matariki activity book

Learn about Matariki through fun kids' activities. Featuring word searches, colouring pages, games, and stories, discover what's important during Matariki - whetū, the Maramataka, kōrero, kai, whenua, and whānau. Available in English and te reo Māori.

Activity book

Quiz: How much do you know about Matariki and the Maramataka?

Quiz: How much do you know about Matariki and the Maramataka?

Have a read through our online Matariki and Maramataka information before testing your knowledge on the Māori New Year and traditional lunar calendar.

The legend of Matariki and the six sisters

The legend of Matariki and the six sisters

There are many legends about the star cluster Matariki. One of the most popular is that the star Matariki is the whaea (mother), surrounded by her six daughters, Tupu-ā-nuku, Tupu-ā-rangi, Waipunarangi, Waitī and Waitā, and Ururangi.

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Skip to main content Get the facts about Matariki - a star cluster known worldwide and treasured in Aotearoa New Zealand. However, not all celebrate at the same time. Some may begin festivities on the first full moon after the star cluster rises, or on the next new moon.

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When Māori values and perspectives are not sufficiently valued, there is a general suppression of culture on the one hand, and an appropriation of it on the other. Air New Zealand is doing great things to advance te reo Māori as an official language of New Zealand. That permeates into our national consciousness. It shifts paradigms, opens hearts and breaks down barriers.

Mana Māori (power, enhancement, pride)
Pronounce kia ora correctly and with enthusiasm, it raises the mana of the language for both the speaker and the listener. This creates an acceptance of speaking te reo Māori anywhere.When we enhance mana, we add value. We give back. Where there is no care, there is no mana.

Mārama Pū (clarity, understanding, inspiration)
Aligned to the principle of mana is that of mārama pū, the principle that one considers all the speakers and listeners thoughts, feelings and attitudes to ensure their mana is enhanced. To enhance the mana of te reo Māori and the wider community, you need to know the potential reactions from the culture you seek to draw from. It requires a willingness to pull down our barriers and be truly open to understand that cultures have layers of meaning that may not be apparent to the casual observer.

Manaakitanga (generosity, giving back, caring, unity)
Establishing a reciprocal relationship with a Māori community as an appropriate way to acknowledge the use of Māori cultural concepts as part of a commercial project. The process of sharing, giving and enhancing relationships. Of giving more than taking.

With trust, opens up pathways of understanding, which leads to mana enhancing solutions.Māori want to know that if knowledge is shared, it is enhanced, not diminished.

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born May 21, 1902, Pécs, Hungary—died July 1, 1981, New York City, New York, U.S.

Architect and designer, one of the most-influential exponents of the International Style; he was concerned with applying new forms and uses to newly developed technology and materials in order to create an art expressive of an industrial age.

From 1920 to 1928 Breuer studied and then taught at the Bauhaus school of design, where modern principles were applied to the industrial as well as to the fine arts. There he followed the lead of Walter Gropius in espousing unit construction—i.e., the combination of standardized units to form a technologically simple but functionally complex whole. In 1925, inspired by the design of bicycle handlebars, he invented the tubular metal chair; his original version is known as the Wassily chair.

In 1928 Breuer began the private practice of architecture in Berlin. For the Swiss architectural historian Sigfried Giedion, he designed the Dolderthal Apartments, Zürich (built 1934–36).

During his two years of architectural practice in London, in partnership with F.R.S. Yorke, he designed for the Isokon firm some laminated plywood furniture that became widely imitated.

In 1937 he went to Harvard University to teach architecture, and from 1938 to 1941 he practiced with Gropius in Cambridge, Massachusetts. Their synthesis of Bauhaus internationalism with New England regional aspects of wood-frame building greatly influenced domestic architecture throughout the United States.

Examples of this style of building were Breuer’s own house at Lincoln, Massachusetts (1939), and the Chamberlain cottage at Wayland, Massachusetts (1940).

Breuer moved to New York City in 1946 and thereafter attracted numerous major commissions: the Sarah Lawrence College Theatre, Bronxville, New York (1952); the United Nations Educational, Scientific and Cultural Organization (UNESCO) Headquarters, Paris (1953–58; with Pier Luigi Nervi and Bernard Zehrfuss); St. John’s Abbey, Collegeville, Minnesota (1953–61); De Bijenkorf department store, Rotterdam (1955–57); the International Business Machines (IBM) research centre, La Gaude, France (1960–62); and the Whitney Museum of American Art, New York City (completed 1966); and the headquarters for the Department of Housing and Urban Development (HUD), Washington, D.C. (1963–68). He retired from practice in 1976.

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International Business Machines (IBM) research centre

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International Business Machines (IBM) research centre

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These are the guidelines that we are expected to follow to provide standard building requirements and materials in our cafe.

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The whole class joined together with the Visual Communication students to listen to a presentation about cultural appropriation. This presentation included a slide show of various pictures and we were collectively asked to say if we thought the images were culturally appropriate or not, with justification.

The presenter did not tell us if we were correct or not, however it was interesting to hear other students' opinions, especially those with knowledge of Maori culture who could recognise things that those who do not have a background in the culture, wouldn't.

I learned that the Tiki, a Maori symbol is sacred and should only be used in specific circumstances.  Other carvings are specific to certain Maori groups and correct permission should be asked for in order to use these designs on something.

This presentations helpful because made think about the importance and how sacred the Maori culture is. This will help me with. assessments because it encourages me to look into things more throughly and examine their appropriateness.

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A scale ruler was used to measure small scale shipping containers to give and idea of size and how they could be connected to create the cafe.

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Tuesday May 4th I was introduced to Angela Harris and Hono Wihongi from the Visual Communication class. I described how I had a  week to create a presentation using Marcel Breuer as my design inspiration along with the Te Ruru light festival, Matariki and The Treaty of Waitangi, to eventually design a cafe out of two shipping containers. The presentation would include research about these topics and images that fit together to meet the brief. This presentation would be then used by Angela and Hono to get design inspiration from to create a logo for the cafe.

Hono and Angela would also take the week to think of names for the cafe that is related to the above topics.

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Finished Design Presentation Inspiration slideshow 

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Finished Design Presentation Inspiration slideshow 

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Includes:
- Design concept
- Marcel Breuer information
- Te Ruru light festival information
- Matariki information
- Treaty of Waitangi information
- Colour scheme for cafe
- Mood board using inspirations

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Black and White Simple Business Plan Presentation-2

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Both Angela and Hono thought the concepts I produced were really good and could be used for the cafe design.

They asked me what the target audience of the cafe would be, having the design in mind and we collectively decided on late teens to middle aged as younger children wouldn't be interested in the ideas behind the design. Older people may also just want to be able to get their food without having to think about enter components.

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Angela came to the meeting with a brainstorm of words that are associated with the light festival,  Matariki and gathering together.

We decided to go with 'Cafe Kanapu' as Kanapu means 'to be bright, shining, glowing'. This associates with Matariki and the light festival because both are entered around the stars of the Pleiades. Using 'Cafe' in front of Kanapu represents the gathering component and also flows nicely when said together.

We did consider spelling cafe with a K 'Kafe' to go with Kanapu, however we thought that may be a bit too overwhelming for the target audience.

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The Chiefs of the Confederation and all the Chiefs who have not joined that Confederation give to the Queen of England the complete government over their land.

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The Queen of England agrees to protect the chiefs, the subtribes and all the people of New Zealand the absolute chieftainship of their lands, villages and all their possessions and treasures.

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For this agreed arrangement therefore concerning the Government of the Queen, the Queen of England will protect all the people of New Zealand and will give them equal rights as the people of England.

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The Governor states that the faiths of the Anglicans, Wesleyans, Catholics and Māori customs shall be equally protected

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Definition: 'a small restaurant selling light meals and drinks'.

cafe definition - Google Search. (n.d.). Www.google.com. Retrieved May 12, 2021, from https://www.google.com/search?client=safari&rls=en&q=cafe+definition&ie=UTF-8&oe=UTF-8

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Where is the cafe located?
Rostrevor street, Hamilton (Garden Place)

Why does the cafe exist?
Commission a fitout design for a pop-up shipping container café as part of Hamilton’s “Te Ruru Light Festival” using Marcel Brueur as the inital design inspiration. Inclusion of identifying Te Tiriti o Waitangi principles.

Why has the cafe become such a popular social spot?
The coffee shop remains one of the best places for people to gather and discuss their ideas and beliefs, especially when the establishment shares those ideas through their ethics.

The most successful coffee shops have a range of ethical beliefs that underpin their business and promote them through their actions in the community and further afield.

Cafes have a relaxed and open feel compared to restaurants, pubs and fast-food chains.

People are now looking to improve their work-life balance and also how they do work in the first place. This demand is why many people, particularly those with flexible jobs or self-employment, look towards the relaxed atmosphere of coffee shops as places to conduct business. A good coffee shop will create a warm, homely feel, yet at the same time create spaces where people can sit and work in relative privacy. This balance is why the coffee shop has overtaken places such as libraries, becoming the go-to location for those freelancing or working out of the office.

Now more than ever, people are ditching quick and easy coffee in search of great flavours and unique ideas. People are now excited to try coffee drinks from across the world and are eager to travel to their favourite coffee shops for these experiences.

Research during the COVID-19 pandemic also indicated that people are now much more conscious of where they are spending their money, moving away from easy-access places and towards smaller, local, ethics-led businesses.

They want to see authenticity from their brands.

They want shops and brands which share and promote their beliefs.

They are willing to pay more and be loyal to local and quality products.

Who goes to the cafe?
Due to the inspiration of my cafe being Marcel Breuer, his designs and structures are rather bold, and rough in materials used, such as concrete. Therefore, the target audience for my cafe is the range of 18-30 year olds who will appreciate the inspiration behind the design of the cafe, as younger children would not be as interested and older people may be annoyed by customers lingering around artwork while waiting for food.

What can you order?
Cabinet food, savouries, slices, fresh salads (to represent the Matariki harvest).
Hot drinks will have designs of stars served on top of them where possible (e.g. hot chocolate, lattes etc)

Where can people sit?
The will be outside seating at tables with chairs around them. There will also be seating inside the cafe

What does the cafe look like and feel like?
The cafe will have a muted black, white, silver and gold colour scheme to represent Marcel's architecture style, and also the link to stars to correlate to Matariki and the Te Ruru light festival.

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We broke into small groups in. class to watch the YouTube video. Together, we discussed our understanding of what a visual diary is and why it is important to design.

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Documenting Process: Visual Diaries - COFA 'Insights' Collection

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Non-Māori organisations using te reo Māori in their name and marketing can create resistance and controversy. We explore three key principles to ensure cultural expression is not cultural appropriation.

In 2019 Air New Zealand was challenged for attempting to trademark their masthead "Kia Ora." It was called a disgraceful act of cultural appropriation by some Māori voices, leading to Air New Zealand withdrawing their Trade Mark application. So was this a great win for Māori cultural guardians, or a step backwards for Māori aspirations to normalise and revitalise te reo Māori?

On the one hand, it raises an eyebrow when an organisation would refuse to hire a person with a Māori cultural tā moko tattoo, but want to trademark Kia Ora as part of their brand. That Air New Zealand changed their stance on both, only after a public outcry, reveals the concern for Māori.

When Māori values and perspectives are not sufficiently valued, there is a general suppression of culture on the one hand, and an appropriation of it on the other.

This is a genuine concern and one that plays out time and time again, with Māori values suppressed and diminished, while the dominant culture extracts the parts of it that has an exploitable economic value.

But before we get out our taiaha and rush to the closest Air New Zealand customer service desk, let's look at the other side.

Air New Zealand is doing great things to advance te reo Māori as an official language of New Zealand. Millions of passengers hear te reo Māori every day on their airline and in their marketing. That permeates into our national consciousness. It shifts paradigms, opens hearts and breaks down barriers. We should encourage more of this from all businesses.The trade mark application for Kia Ora magazine can be seen as a continuation of this work. Would Māori be happier if every visitor to New Zealand was reading "Hello" magazine? How lame would that be!

So let's explore three key principles for how organisations can incorporate culture, without the negative aspects of misappropriation.

Three Key Principles

Despite the surge in people interested in learning te reo Māori, it is in a state of decline, with only 6,000 people able to speak it fluently. Language experts have defined five key principles to revitalising te reo Māori. For this article, I have focussed on only two: Mana and Mārama Pū and added one of my own, Manaakitanga. These principles can guide a movement to elevate Māori culture as a valuable taonga for all New Zealanders.

Mana Māori

When Air New Zealand staff pronounce kia ora correctly and with enthusiasm, it raises the mana of the language for both the speaker and the listener. And just as Hawaii welcomes us with an affectionate ALOHA, having our national carrier call their in-flight magazine Kia Ora, does good for the mana of te reo Māori at home and abroad. This creates an acceptance of speaking te reo Māori anywhere.

We need this acceptance and large corporate companies have the resources and influence to raise the mana of te reo Māori. When we enhance mana, we add value. We give back

On the other hand, Fly was approached by a prospective client who had picked words out of a dictionary for their business name, "Ngā - Tōkena - Ia, thinking it translated to "Many socks for him/her." The actual translation is closer to "That Person Is Many Socks." Despite us advising the client that they had an incorrect te reo Māori name, they decided to retain it. How does this raise the mana of te reo Māori in the minds of all those who hear a non-sensical application of it? Where there is no care, there is no mana.

Māori have been asking politely and now fervently to help the language survive by helping it be used correctly. As more businesses see the economic value and feel good vibes of using te reo Māori, the mana of the language can be enhanced or diminished by the care taken. So how do we take care?

Mārama Pū

Aligned to the principle of mana is that of mārama pū, the principle that one considers all the speakers and listeners thoughts, feelings and attitudes to ensure their mana is enhanced.

A wellington store received a stiff bevy of antagonism from some sections of the Māori community, accusing them of cultural misappropriation by calling their leather goods store, Huruhuru. The argument being that huruhuru means pubic hairs, showing the ignorance of the owners and their lack of cultural awareness when selecting the name.

But Te Taura Whiri I Te Reo Māori, the Māori Language Commission, appreciated Huruhuru because their intention was to honour the native language. They pointed out in their defence that huruhuru also means hair, feathers and fur - which is more appropriate for a leather goods brand than pubic hair. In other words, the intention to enhance the mana of Māori culture was there.

But to enhance the mana of te reo Māori and the wider community, you need to know the potential reactions from the culture you seek to draw from.

It requires a willingness to pull down our barriers and be truly open to understand that cultures have layers of meaning that may not be apparent to the casual observer. For marketers, this is a lesson we should already know. Without true insights, we are not prepared to market to our customer. We may offend, confuse or just be irrelevant to them. Hēmi Kelly, lecturer at AUT spoke on this issue when he said that it's very easy to google search a professional Māori language consultant to assist in providing the critical awareness needed.

It goes both ways. Some Māori voices who criticised Huruhuru misrepresented the many meanings of huruhuru. They lacked mārama pū, or the critical awareness to see that they are making it harder for wider New Zealand to embrace a rich and beautiful culture when they rubbish people who are making an honest effort.

Te Taura Whiri I Te Reo Māori showed great leadership by sending the right message to both Māori and non-Māori communities. Tēnei ka tungou, e Paraone Gloyne.

Manaakitanga

If critical awareness ensures understanding and mana guides our intentions, then manaakitanga is the final puzzle piece to ensuring we do not culturally misappropriate.

Fly was working on pro-bono project with a corporate brand and we brought into the project the critical awareness to ensure the use of te reo Māori and cultural concepts was done in a mana enhancing way. But we provided advice that within the current climate, there was a lot of resistance to corporate brands using Māori culture for commercial purposes. Particularly in this case, where the Māori consultants were not being paid.

We recommended the principle of manaakitanga, establishing a reciprocal relationship with a Māori community as an appropriate way to acknowledge the use of Māori cultural concepts as part of a commercial project.

Manaakitanga is the process of sharing, giving and enhancing relationships. Of giving more than taking. We proposed ways the client could give back to the Māori community in ways that would further their own objectives and at minimal cost. Instead, the client decided not to include any references to Māori culture. They were happy to acquire it for free, with no obligations.

But for those who wish to bring Māori culture into their marketing and branding, genuine reciprocity builds relationships of trust. And with trust, opens up pathways of understanding, which leads to mana enhancing solutions.Simply extracting something of value, without returning anything of value is what Māori are resisting. Māori want to know that if knowledge is shared, it is enhanced, not diminished.

Conclusion

We live in a more transparent society. People can see through a corporate citizen that abuses it's position of power and can rally to those who engage with communities with genuine integrity. They can speak louder than any previous generation to call out the fakers and the takers.

But awesomely enough, the conclusion reached here is no different than just being good at branding and good at business. Be transparent and authentic. If you do not care about te reo Māori or Māori community perspectives and values - then perhaps stay off the bandwagon.

But you should care.

So be good at business. Gain insights and understanding (mārama pū), responding with genuine solutions (manaakitanga) for the communities and cultures we wish to enhance (mana).

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Non-Māori organisations using te reo Māori in their name and marketing can create resistance and controversy. We explore three key principles to ensure cultural expression is not cultural appropriation. In 2019 Air New Zealand was challenged for attempting to trademark their masthead "Kia Ora."

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How the 4 Articles of Te Tiriti o Waitangi relate to design

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How the 4 Articles of Te Tiriti o Waitangi relate to design

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Te Tiriti o Waitangi articles_Design interpretation

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These are the photos of the class creating the shipping container footprints using tape measures and string plus our own bodies to give you an idea of the real life size and scale of them!

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This illustrates how a wheelchair user enters, exits and uses an accessible WC assuming a side transfer onto the WC suite.

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NZ Building Code (NZBC G1 : Personal Hygiene, figures 5,6 & 9)

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NZ Building Code (NZBC G1 : Personal Hygiene, figures 5,6 & 9)

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Created a report that confirms whether the space complies with these requirements.  Used a tape measure to indicate specifics of what elements comply or don't comply and why.

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Brianna and I researched information for an accessible grab rail from Place Makers.

Includes:
Type of fitting/fixture
Name of supplier
Suppliers website
Model/Reference code
Product details
Photograph
Image (Plan/Elevation view)
Complies with G1 (personal hygiene)

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Pinterest.com

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Background star shape with small shelves on it 

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Background star shape with small shelves on it 

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Bubble Diagrams of Shipping container Cafe 

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Bubble Diagrams of Shipping container Cafe 

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Personal Shipping Container  bubble diagrams 

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Personal Shipping Container  bubble diagrams 

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This is the design I decided to go with for the cafe as it is modern, sleek and fits the brief and colour scheme I set.

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1. Accessible WC suite, 2. Wash hand basin (WHB) & 3. Grabrail (L shaped)  4. Wash Hand Basin Mixer 5. Wash Hand Basin Bottle Trap / Shroud, 6. Soap dispenser, 7. Automatic Hand dryer, 8. WC roll holder, 9. Mirror.

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Macdonald Industries Limited

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Macdonald Industries Limited

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Macdonald Industries Limited

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Plumline.co.nz

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Plumbingplus.co.nz

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Micro.co.nz

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Micro.co.nz

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Plumbline.co.nz

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SilverChef
https://www.silverchef.co.nz/products/la-san-marco-85-e-sprint-2-group-coffee-m?creative=416477992799&keyword=&matchtype=&network=u&device=c&gclid=Cj0KCQjwh_eFBhDZARIsALHjIKdxIucz06HEMdAflzlO-aZyOC8G-ltG34dcStFPqiOfFJDTgfF91_waAt3OEALw_wcB&gclsrc=aw.ds

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Trade Depot

https://www.google.com/shopping/product/1?client=safari&q=commercial+cafe+sink&prds=epd:9131375507449703993,eto:9131375507449703993_0,pid:9131375507449703993,prmr:1&sa=X&ved=0ahUKEwjL6577hofxAhVrxDgGHUbPDHQQ9pwGCAg

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EMFURN.com
https://emfurn.com/products/eden-concrete-dining-table?utm_medium=social&utm_source=pinterest

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Alteriors
https://alteriors.ca/products/cesca-chair

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muros.co.nz
https://muros.co.nz/products/brick/slimline/

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Mydeal.co.au
https://www.mydeal.com.au/3-tier-clear-acrylic-display-cabinet-w-sliding-door