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Image - The Warehouse - https://www.residentadvisor.net/features/1597 Retrieved 12/06/19

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Image - https://www.residentadvisor.net/dj/maceoplex - Retrieved 07/06/19

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- Image - https://www.facebook.com/JosephCapriatiOfficial/ - Retrieved 07/06/19

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Image - https://www.pukkelpop.be/nl/bands/stephan-bodzin-live/ - Retrieved 07/06/19

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Resident Advisor's biography on the Made In Paris Project, mention her sounds entrap the likes of Joseph Capriati's techno allure.

Capriati's brand of techno is slick and emotive, delivered with precision, flair and infectious energy.

Over a decade into his career, he first learnt his craft at eleven whilst absorbing the influences of early House pioneers like Masters at Work, Todd Terry and more.

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In Made In Paris's RA biography they describe that her productions entrap sounds like Maceo Plex.

Maceo Plex is best known for his diverse production style & DJ sets, which are influenced by house and by techno but also elements of electro and tech house. Paris quoted that she thinks Maceo Plex has not only great music but also phenomenal DJ sets.

Maceo Plex's DJ sets dig all the way back to the late '90s for old favourites and gathers up new tracks from young producers that are deeper and weirder than you might expect.

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In an interview with Change Underground, Paris admits that she loves Bodzin for not only his amazing productions but his live shows too. Stephan Bodzin is both a mesmerising, story telling DJ / Producer who really takes dance floors on a ride through his many musical influences, but is also an impressive live specialist who creates mesmerising, high impact soundtracks on the fly.

Bodzin productions are driving, hypnotic things with a very real and memorable sense of melody that sticks long in the mind. Paris's Productions are very much the same, strong melodies you don't forget easily.

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Detroit Techno - The Creation of Techno Music - United For Techno -https://www.youtube.com/watch?v=v6O__kB8Nc8
Retrieved 12/07/19

Image - https://youtubemusicsucks.com/quick-dirty-guide-to-detroit-techno/ - Retrieved 12/06/19

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Detroit Techno - The Creation of Techno Music

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DOCUMENT - DETROIT TECHNO The creation of Techno Music Este documental nos cuenta la historia de cómo nació la música Techno. Detroit es considerada la cuna de este movimiento, gracias a Juan Atkins y a sus amigos Derrick May y Kevin Saunderson quienes lograron llevar esta cultura más allá de sus fronteras convirtiendola en la movida de música electrónica más grande del mundo.

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Detroit Techno - The Creation of Techno Music - United For Techno - 37:46 Retrieved 12/07/19

"Detroit Techno Tourist: The Music Institute". Beatport News (EN). Archived from the original on 2016-04-15. Retrieved 12/06/19

Image - https://kurikondrak.wordpress.com/2009/02/28/music-institute-20th-anniversary-12-pt-1-ndatl/ - Retrieved 12/06/19

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Detroit Techno - The Creation of Techno Music

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- A club night in warehouse spaces in Detroit

Created by a group of four young guys with a background in House music & partying. George Baker, Alton Miller, Anthony Pierson, and Frank Moore.

They would rent out spaces in the inner-city of Detroit & throw Techno parties, with no alcohol or drugs. Just a place where people would come to enjoy the music.

Dj's like Kevin Saunderson, Derrick May & Jaun Atkins used to play there.

Most clubs in Detroit at that time where either punk or top 40, so "The Music Institute" was the only place in the world that you could hear this kind of Detroit Techno Music.

The four young men, had no idea at the time how influential the place was. They had created the first ever underground techno club in the world.

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Sicko, Dan. Techno Rebels : The Renegades of Electronic Funk, Wayne State University Press, 2010. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/sae/detail.action?docID=3416439. Chapter 3 - Retrieved 12/07/19

Image - The Bellville three - https://www.residentadvisor.net/features/1597 - retrieved 12/06/19

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2. Detroit Techno Pioneers, Juan Atkins, Derrick May & Kevin Saunderson

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2. Detroit Techno Pioneers, Juan Atkins, Derrick May & Kevin Saunderson

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Juan Atkins, Derrick May & Kevin Saunderson are commonly known as the Belleville three. Credited with inventing the musical genre known as "Detroit Techno".

The birth of techno is traced to the early '80s where figures such as Juan Atkins, Derrick May and Kevin Saunderson, among others, combined the quirky electronic music of Kraftwerk with the out of space electric funk of George Clinton, with Chicago house and Disco.

Derrick May's track "Nude Photo" (co-written by Thomas Barnett) in 1987, was one of the tracks that kick start the Detroit Techno scene. Neil Rushton a record dealer from the UK, heard the track and took Derrick, Juan & Kevin to the UK where they took the Detroit Sound and shared it with the world.

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https://www.youtube.com/watch?v=a2gr73FQ9-s - Techno City: What is Detroit Techno? - Retrieved 12/06/19

Image - https://youtubemusicsucks.com/quick-dirty-guide-to-detroit-techno/ - Retrieved 12/06/19

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Pump Up The Volume Part 1 https://youtu.be/kAn7oS8BC4g?t=862 Retrived 07/06/19

Fikentscher, Kai (July–August 2000). "Youth's sonic forces: The club DJ: a brief history of a cultural icon" Page 28 - Retrieved 12/07/19

Image - Happy Gang Warehouse - https://www.residentadvisor.net/features/1597 Retrieved 12/06/19

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Hindmarch, Carl (director) (2001). Pump Up The Volume (Television production). Channel Four. Sited 07/06/191. Pump Up Retrieved 07/06/19

2.  Reynolds, Simon (1998). A Tale of Three Cities, Detroit Techno, Chicago House, and New York Garage. p. 17 - Retrieved 08/06/19

Fikentscher, Kai (July–August 2000). "Youth's sonic forces: The club DJ: a brief history of a cultural icon" Page 28. Retrieved - 12/07/19

Chip E. (interviewee); Hindmarch, Carl (director) (2001). Pump Up The Volume(Television production). Channel Four. Retrieved - 12/07/19 "If you were a DJ in Chicago, if you wanted to have 'the' records, there was only one place to go and that was Importes. This is where Importes was. People come in, they're looking for 'Warehouse music', and we would put, you know, 'As heard at the Warehouse' or 'As played at the Warehouse', and then eventually we just shortened that down to – because people also just in the vernacular, they started saying 'yeah, what's up with that 'House music' – now at this time they were talkin' about the old, old classics, the Salsoul, the Philly classics and such – so we put on the labels for the bins, we'd say 'House music'. And people would start comin' in eventually and just start askin', 'yeah, where's the new House music?'"

Image - The Warehouse - https://www.residentadvisor.net/features/1597 - Retrieved 12/06/19

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From the beginning it was mostly Gay & Black men who kept dance music alive in Chicago.

The underground rave scene in Chicago was a place where anyone was accepted. Within the House music scene, people in the clubs such as "The Warehouse", realised it was okay to talk to someone that was of  a different
ethnic background, sexual orientation
and enjoy the music all under the same roof.

The dissociated youth became the community within the house music scene, the driving force behind the global
phenomenon which is house music.

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Artists from Detroit built an interest in machines like Synthesisers and Drum Machines because of their communities background in the automotive machine industry.

Artists of Detroit used their abandoned buildings as inspiration to create.

They used their bad economical situation, the bad social history and the depopulation of the city as inspiration.

The music addresses the issues of the city and gave a proposing a alternative.

The resentment and the anger people from Detroit had towards their city developed a demented passion for Detroit and all it stood for. They soon discovered that the city was better than that, they realised the city wasn't stupid it was just a little lost. They then turned their anger into passion and creativity.

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Why: I love the genre Techno, I love the industrial sounds, the warehouse parties, the underground scene, the minimal but crisp sounds and the constant pulse.

The creators of Detroit Techno made a genre from their soundings, and the spirit that they transferred into their instruments.

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House music got its name from the music Frankie Knuckles played at the club "Warehouse". Punters would just abreivate, asking " where can we get that House music".

In the middle floor is where DJ Knuckles began to experiment with editing disco breaks on a reel-to-tape recorder. This mixing would soon become the beginnings of the house music genre.

At that time The Warehouse was the only place in the city that you could go and hear that kind of music.

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My Influence -          The Chicago House Scene

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My Influence -          The Chicago House Scene

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why: A local record collector showed me the likes of Frankie Knuckles, Phuture, Marshall Jeferson  etc, over two years ago. I fell in love with their use of Drum Machines, 303 Bassline Machines and Synthesisers.

Their pioneering ways inspired me, I love that they made something new out of something old. They created a musical revolution. that captivated the world, and changed music into what it is today.

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Trax Records (featured subject) Hindmarch, Carl (director) (2001). Pump Up The Volume (Television production). Channel Four. Retrieved 07/06/19

Image - Trax Website - http://traxrecords.net/ - Retrieved 12/06/19

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Change Underground Interview - August 29th 2018 - https://change-underground.com/made-in-paris-interview/ Retrieved 12/07/19

Made In Paris - Resident Advisor https://www.residentadvisor.net/dj/madeinparis

Image - https://www.residentadvisor.net/dj/madeinparis - Retrieved 12/06/19

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Made in Paris is one of Australia's most lauded new talents to appear in the Techno scene. The Aussie DJ and Producer speaks out on her newest release, her influences in music and her approach to running a label.
The Australian has been making her presence felt both on the shores of Australia and also abroad. Like artists such as Juliet Fox in previous years, Made in Paris has been piquing interest from Techno fans across Europe. This newly established fan base is certain to react favorably to her latest 'Burial' EP release, out now on Unknown Records.
Hey, thanks for speaking to us today. You're an artist from down under whose beginning to make a name for yourself beyond the shores of Australia, could you tell us a bit about your start in music?
Although I wasn't trained from a young age in music, I had always felt a connection with it. It wasn't until my early teens where I fell in love with electronic music and eventually discovered the art of djing where I was drawn to more deep and darker sounds.
Last month you released your track 'Burial' on Unknown Records, how happy are you with the reaction to it and your other projects this summer (Winter in Aus)?
Burial was something a little left of centre for me and I'm really happy with how it turned out.. its received plays on Triple J and Rotation on Triple J Unearthed. And currently sitting at 18 on the Aria Charts. My Erratic EP was super successful, receiving huge amounts of support!
Could you tell us who your main inspirations in the scene are and why?
Maceo Plex is up there for not only great music but phenomenal DJ sets, and Stephan Bodzin for his amazing production and live shows.
As you've told us about your beginnings in music, could you cast your mind back to your first release, how challenging was the production of it and how much would you say you've progressed since that day?
My first release was more on the electro side when that was very prominent in the scene. Although it was fun to create music like that I still hadn't discovered my sound at that point.
We very much consider yourself to be one of the future heroes in dance music. Are there any other artists you'd like to mention who you support and would recommend we listen to?
Two Australian artists that come to mind are Doppel and William Kiss
As well as a rising producer you're also a label owner. How have your experiences been juggling label management of Upon Access and the up-keep of your own profile?
Upon Access is a great platform to not only push music from other artists but my own. Pushing quality not quantity is key 🙂
Burial Ep ft. Pantheon Remix is out now on Australian label Unknown Records: https://soundcloud.com/made-in-paris https://www.facebook.com/MadeinParisMusic/ Read Later Add to Favourites Add to Collection Report https://www.beatport.com/release/burial/2346523

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Made in Paris reflects on her inspirations in music and more

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Made in Paris is one of Australia's most lauded new talents to appear in the Techno scene. The Aussie DJ and Producer speaks out on her newest release, her influences in music and her approach to running a label. The Australian has been making her presence felt both on the shores of Australia and also abroad.

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My Influence -                   Made In Pairs

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My Influence -                   Made In Pairs

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- Sydney based, Melodic House & Techno Producer / DJ

why: Paris has a mind for the Melodic Drive of techno and deep moods. In a league of her own, creating a unique sound that captivating listeners.

Paris came to Byron Bay on her National "Burial" EP tour, in mid 2018. She showcased a mix of Melodic, Progressive House & Techno. Something i had never heard before, I fell in love with straight away.

Paris is shadowing the touch of her pioneering peers, incorporating sounds from the days of pure vinyl to the era of future beats.

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TRAX was a first outlet for early house music, the creators of  were apart of a moment of a new way of experiencing music. The new sounds captivated the Chicago underground scene and went on to have a profound impact on dance music culture.

TRAX was where ACID House was born. The Group "Phuture" released  a 12-minute track "Acid Tracks" (1987) on Trax Records. They had no idea that it had helped kick off the acid house revolution in the UK and beyond. Acid Tracks was considered to be the first acid house record and they are widely credited with inventing the sound.