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1.Describe: What do you see?

2. Analyze:
Shape:
Color:
Value:
Texture:

3. Interpret: What is the Artist trying to say?
How are they using this photograph to get their point across?

Why was the photograph composed in this manner?

4. Evaluate:
Decide whether the work is successful or has merit?

Discuss what you like and what could have made it better with a defense?

Support your judgment with answers from the first and three steps.

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Title:
Artist:
Medium:
Date:

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, which stands for Photoshop Document, is the default format that Photoshop uses for saving data. PSD is a proprietary file that allows the user to work with the images' individual layers even after the file has been saved.

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is a computer file format for storing raster graphics images, popular among graphic artists, the publishing industry, and photographers. ... The format was created by Aldus Corporation for use in desktop publishing.

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https://www.slrlounge.com/wp-content/uploads/2010/10/04-raw-vs-jpeg-sharpness-comparison.jpg raw image file contains minimally processed data from the image sensor of either a digital camera,image scanner, or motion picture film scanner.

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a format for compressing image files.

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a minute area of illumination on a display screen, one of many from which an image is composed.

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File formats are designed to store specific types of information, such as JPEG and TIFF for image or raster data, AI (Adobe Illustrator) for vector data, or PDF for document exchange.

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the practice of taking someone else's work or ideas and passing them off as one's own.

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relating to moral principles or the branch of knowledge dealing with these.

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of a person or their judgment) not influenced by personal feelings or opinions in considering and representing facts.

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think deeply or carefully about.

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Having or intended to have a useful or beneficial purpose.The expression of disapproval of someone or something on the basis of perceived faults or mistakes.

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The quality of being particularly good or worthy, especially so as to deserve praise or reward.

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Having a major impact or effect.

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A secondary color that, when combined with the primary color whose wavelength it does not contain, produces white light. Thus yellow, which is produced by mixing the primarycolors red and green, is the complementary color of blue.

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any color that is calm or soothing in nature. Cool colors are not overpowering and tend to recede in space. Examples of cool colorsinclude white, gray, blue and green

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Warm colors are often said to be hues from red through yellow, browns and tans included; cool colorsare often said to be the hues from blue green through blue violet, most grays included

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create a grid like in the rule of thirds, but one that uses a 1:1.618 ratio, instead of dividing the frame into equal parts

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tuneful; not discordant.

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the fact of two things being seen or placed close together with contrasting effect.

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is taking the parts of a piece of art and unifying them in to something better as a whole.

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a movement in which some elements recurs regularly. Like a dance it will have a flow of objects that will seem to be like the beat of music.  is the path the viewer's eye takes through the artwork, often to a focal area.

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In art the size relationship between an object and the human body is significant. In experiencing the scale of an artwork we tend to compare its size to the size of our own bodies.Proportion refers to the relative size of parts of a whole (elements within an object).

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utilizes elements that are repeated. who use the pattern as the main subject of an image while others use it to enhance the overall composition and look of the photograph.

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use to direct viewers' attention to their subject.

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as an area or object within the artwork that draws attention and becomes a focal point.

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is primarily concerned with the position and perspective of the viewer. The position of the observer has tremendous impact on their perception of the main subject, both in terms of aesthetics and in their interpretation of its meaning.

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Framing - Photography Composition

This post is part of our Rules of Composition in Photography series.

Framing is simply using other objects in your photograph to frame the main subject. This is probably one of the easier composition techniques in photography. Framing brings more depth to the picture and a better focus on what the main subject is.

Here are 25 well framed examples.

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Framing is simply using other objects in your photograph to frame the main subject. This is probably one of the easier composition techniques in photography. Framing brings more depth to the picture and a better focus on what the main subject is.

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the relative extent of something; a thing's overall dimensions or magnitude; how big something is

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a gallery, either in a building or on the internet, where photographs are on display

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On my recent visit to San Francisco, I visited the gorgeous new contemporary photography museum at Pier 24. Described on its website as "a place to view and think about photography," the museum is contemplative and quiet by design, allowing 20 visitors in at a time by appointment only. This, coupled with the fact that there are no placards on the walls to inform you about the artists, allows you to escape into the works and feel as though you're wandering through a private gallery or someone's home. Which is true in part: The museum houses the collection of banker Andy Pilara of the Pilara Foundation, and also will show other private photography collections, like the exhibit currently on display From the Collection of Randi and Bob Fisher (you can take a virtual tour of the current exhibition here).

It was stunning to walk through rooms filled with iconic images by Diane Arbus, Lee Friedlander, and William Eggleston (whose retrospectives have recently passed through Washington D.C.), and to realize the beauty in seemingly mundane architectural works like water towers, grain elevators, and gas tanks in Bernd and Hilla Becher's typologies (pictured above). I loved the overwhelming, large-scale photos of Andreas Gursky, whose prints took up entire walls, transforming supermarket staples and Wall Street traders into pixels in a high-definition color cacophony.

The pier, which is situated just under the Bay Bridge (you can here the faint sound of foghorns as you wander the gallery) was left unoccupied for three decades and had holes in the floor when it was purchased by the Pilara Foundation. It's now been renovated into a 28,000-square-foot space that opened last March. But despite being somewhat exclusive, one of the most brilliant aspects of this museum is that's is absolutely free. Situated along the Embarcadero just a bit south of the Ferry Market Building, it's easily accessible from downtown. Consider it a must-do on your next visit, just be sure to get a spot well in advance.
Photo: Janelle Nanos

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A Photo Gallery of Your Own in San Francisco

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On my recent visit to San Francisco, I visited the gorgeous new contemporary photography museum at Pier 24. Described on its website as "a place to view and think about photography," the museum is contemplative and quiet by design, allowing 20 visitors in at a time by appointment only.

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the property possessed by an object of producing different sensations on the eye as a result of the way the object reflects or emits light.

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the external form or appearance characteristic of someone or something; the outline of an area or figure.

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a long, narrow mark or band

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a continuous area or expanse that is free, available, or unoccupied.

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Copyright is a form of protection provided by the laws of the United States.

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Finding out your image or artwork has been used without your knowledge or say-so can be a punch in the gut. In this tutorial, we'll look at positive action you can take to seek a fair outcome.

I recently discovered that one of my pictures had been used by a large newspaper chain, without my permission. After careful consideration and patience, I reached a successful resolution with the company. This, unfortunately, doesn't always happen and so I wanted to share some advice and steps to take to ensure that if this happens to you, you get the best possible result.

I'm based in England, so my experience and knowledge are based on English copyright laws and are meant to be taken as advice only. Copyright laws are similar in Canada, Australia, and other Commonwealth countries, and the same in principle many other countries, too. In any case, check the laws carefully where you are before you proceed. For example, copyright laws in Quebec, a Canadian province, are different from the rest of the country. Do your research!

Image licensed via PhotoDune

Misuse of an Image and How to Understand Copyright

Quite simply, misuse of an image is when somoeone uses a picture you've made in any way other than what you have given permission for. That could be in the form of prints or digital publication, for example. This doesn't necessarily require a contract, either. In English Copyright Law,

'Intellectual property is something unique that you physically create.'

In terms of photography, any image your take is yours, even if there are other people in the image. It's often thought that you require a model release for images containing people and while that may be polite and save you a headache in the long run, it's not actually obligatory.

There are two exceptions to this rule. The first is if you've taken a photograph as an employee of the company the photos are for; and the second is if you give copyright to someone else. This would usually come in the form of a contract or release and must be in writing and signed by the photographer.

There is also fair use of an image but no company could claim fair use of an image when used for commercial purposes. You can learn more about copyright and licensing in one of my earlier articles. Recognition of fair use varies widely. Guidelines and precedent are well established in the United States, for example, but not in Australia.

Images that could be read as defamatory or obscene require special delicacy. While this isn't, strictly speaking, part of copyright law, for better or worse the nature or what's in the image might impact how people respond when you assert your rights. What people think is defamatory or obscene also varies extremely widely.

How Will I Know if My Picture Has Been Misused?

In short, you may not. It's a big ol' world and the chances of us stumbling upon our images by chance, are small. However, certain images are more likely to get used in a particular way, so if you do want to check, you can go about it more methodically.

If you're a landscape photographer, your image might appear for sale on stock sites or image printing websites. If you take a lot of photographs in the area you live then your local publishing outlets (such as newspapers, Council booklets etc) would be wise to check.

Image Search Websites

There are several sites and software packages now that help you protect your images. This might be through uploading an image and having it search for the same one elsewhere online or even keeping track of your posted images on third party sites, social media and your own website. Here are a few we recommend:

Check and Double Check!

My image was spotted on Twitter by my partner, so it was completely by chance that I found it at all. Once I had, I did some research to make sure I could back up my claim.

Step One: Evidence Gathering

Before you fire off an irate email, take a deep breath. Then collect all the information you can:

1. Screengrab the image on the website or page where you've spotted it and note the date. You don't want to contact the company only for them to panic and delete all evidence it was ever used.

2. Now you know that image has been used, put your original into a reverse search engine and see if it's been used more than once. My photograph came up several times in different articles, used by the same company. Screen-grab anything you find and save the URLs.

3. Check the websites for any more of your images that may have been used.

Step Two: Get Your Facts Straight

Now that you know your image has been used, what are the circumstances under which the image was taken? It could be an image from years ago so be sure you can remember all the details surrounding it.

Questions You Should be Asking Yourself

Did I take this for a third party and could they have passed it on? Even if the answer to this is yes, that doesn't mean the image was properly used; we'll come back to this later.

Was there a contract in place and what were its terms?

Did I waive copyright or give additional permissions in writing at any point?

Do I still have any email conversations that took place surrounding this image?

I suggest putting everything related to the case into a folder. Familiarise yourself with the main points, such as when the image was taken, who it was taken for and when and how it's been used inappropriately.

Watch out for competition entries. Many companies here in the UK state in their terms and conditions that if you enter a competition or share an image on their social media then they can then use the image how they wish. Although it's a decidedly underhanded way to do business, there's very little you can do in that case as long as they've been seen to be transparent, so make sure you don't fall into that category before you interact with anyone.

Step Three: What Do You Want?

Before you make contact with anyone it's important that you know what you want from them. Are you looking for fair payment? Are you prepared to take them to court over it? Would you accept an apology and a credit?

Knowing your ideal outcome can make this whole process a lot easier than if you go into it unsure, so be realistic - you're not going to be able to retire to the Bahamas on this but nor should you settle for a plead of ignorance if you've potentially lost revenue. Think carefully about the perfect outcome, what you'd settle for and what is unacceptable and then you can work towards your main goal, knowing there's room for negotiation if need be.

Making Contact

Find the Right Person

Once you've collected all the evidence, you need to find the appropriate person to contact. Use the internet to search for the person in the most senior position you can. Websites such as CEO email can help you find the right person. In my case, the company was a local outlet of a large national newspaper publisher and so it didn't make sense to go right to the top as this was a more local issue. Instead, I found the head of the group responsible for my area, and contacted that person. They may well pass this on elsewhere but the person who it ultimately ends up with will be less likely to brush you off if they know their boss is aware of the situation too.

Be Clear, But Not Accusatory

Chances are at this point you are feeling annoyed, and rightly so, but you don't want this to cloud your judgement or come across. Take some time to cool down and compose yourself.

When you do email, simply state the facts, don't make accusations. Explain that you've discovered your image being used and provide a link or screenshot if that feels appropriate. Ask if they could give you details on where the image came from and any information surrounding its use.

If you're absolutely positive they're in the wrong then you can begin by politely informing them that they've used your image and that you've attached an invoice for their attention. An outstanding bill (whether justified or not at this stage) is something that will require attention, so they can't just ignore you.

Excuses and Time Wasting

Image licensed via PhotoDune

Be prepared for excuses and know how to combat them. Part of the conversation in my particular case was that the publisher had received the image from my original client. They argued that this gave them the right to use it as they wished as they assumed the person who passed it on had the copyright. In actuality, my client had passed on the image along with a press release, an absolutely appropriate use of the image. The problem came when the newspaper saved the image to their database and rolled it out for other, non-related articles.

Ignorance is often the first port of call for companies: they hope that you'll write this off as a genuine mistake and be on your way. In the UK, no matter where a publisher sources an image, the duty is with them and them alone to make sure they have the right to use it. If someone told them a rumour about a celebrity and they printed it without verifying it, the celebrity would be within their rights to sue, because the duty is with the publisher to ascertain that the facts are correct. It's the same with images, so don't be put off by excuses like this. If you were to copy and paste news articles to your commercial website and make money off it, would they let you claim ignorance?

A simple way to knock this on the head is to ask for a copy of paperwork where you released copyright on the image, which they obviously will not have.

In my particular case, the publisher even went so far as to get my original client to email me and explain why they'd given the publisher the image, something I already knew. Don't be bullied or intimidated if you're contacted by your client. Although this can be embarrassing, simply inform them that their use of the image was absolutely appropriate and the issue lies solely with the publisher.

Show Me the Money

Image licensed via PhotoDune

Once excuses are done with, you'll likely be offered something to go away.

What to Charge

You can't pluck a figure out of the air. If it comes to court then a judge will have to see that you've been reasonable and if you can't justify your figure then you'll blow your case out of the water. If you haven't already established rates for your work, look at rate calculators and image licensing websites for a similar image of the same size and work out what it would cost to use and equivalent image.

Offers

The first offer made to me was a credit on the photograph. I don't know about you but credits don't pay my bills. Unfortunately this is a demonstration of how digital work is so often dismissed. You've already taken the picture, it cost you nothing for them to use it, so what's the problem?

I responded to the offer of a credit with a polite decline and an invoice for use of the image, detailing where and when it was used and a deadline for payment. The second offer came from the legal department a week later and was less than a quarter of my invoice. At this point they really would rather pay you something than have the hassle of going through court.

What you have to decide is how much you're willing to accept or if you want to take it all the way to court, which of course would have a cost attached to it. Hopefully you'll have already decided on a figure that you'd settle for, but don't come in at that or you'll never get it.

Be realistic about the other party, the nature of the misuse, and what you can expect. Rates for editorial photography are significantly lower than commercial photography, so don't expect to get commercial-rate compensation for an editorial misuse. Conversely, if your image has been used for a commercial purpose you're probably in the right to expect something in line with a commercial rate.

I discounted my original invoice by 25% and sent it again. Each communication took roughly a week; you need to be patient with this process so that again, you're seen to be reasonable if it comes to court action.

Their next offer was less than half of my invoice and so I declined and stated my intention to move this to small claims court. Finally, they offered half of my invoice, which is the figure I'd been aiming for and was happy to settle at.

If you can't come to an agreement (which is usually the third offer made and somewhere in the middle of what they start out at and your original invoice) then you might need to think about moving this to court.

Small Claims Court in the UK

Image licensed via PhotoDune

The UK government make it fairly easy to raise a claim through Money Claim Online. If you're claiming for a specific amount under £100,000 then you can fill in an online form, pay £25 and the process will begin. Chances are, the company will make you an offer to settle out of court-it often costs a lot more to be represented by a solicitor than for them to pay you to go away.

If by chance it does get to court, make sure you have all your evidence of use, a record of all conversations regarding the issue and a clear justification of the amount you're seeking. As long as all your facts are correct and you've been reasonable throughout the process, there's every reason you should get the amount you're asking.

When Misuse Causes Harm

So far, the kinds of misuse we've been talking about are fairly benign. There are, however, situations where misuse of your image is far more serious.

What if an image you'd taken was used in a way that could be considered racist, homophobic or sexist? This is something that could affect both your business and the reputation of the models used and you'd both likely be entitled to compensation as a result. Likewise, someone could claim the image is theirs-something you need to be able to rebuff in court, and prove ownership of the image yourself.

If the misuse of your image has caused damage to you, your reputation, or people depicted in your images, it is best to get help from a solicitor. Depending on the situation your clients or models used may need a solicitor as well. Do your research and find one who specialises in this kind of issue. If you're up against a team of lawyers working for a large company, then you'll need someone who knows their stuff.

Solicitors usually offer a free consultation, which essentially means you can meet with them, tell them your issue and they can advise you how to proceed, without charge. They may suggest initial steps, like sending letters, before filing for court. Most often, the place they'll start is a 'cease and desist' letter, to stop the image from having any further use and to be removed from the places it's already been used.

From there, costs can quickly mount up. Solicitors want payment on account (in advance) so you need to decide whether this is something you'll be able to afford. Before you go ahead, you can ask your prospective solicitor to outline the approach they would take.

Conclusion

Ownership and copyright over digital products such as filming and photography can, unfortunately, be easily skirted. Some companies see your product as 'a quick snap' or a 'bit of stock footage' with very little outlay. What they fail to consider is the cost of your equipment, the insurances you've likely had to purchase, the cost of your education if you gained a qualification, your reputation, the creative thought that went into the work, and so on. Filming and photography are have just as much a basis in the real world as anything else. To paraphrase an old anti-piracy video, you wouldn't steal a car and plead ignorance so why is it okay to steal a digital image?

Many newspaper groups in particular work on the premise that it's easier to ask for forgiveness than permission. They take the image and just pay off the photographer if and when they're caught. If you think about the frequency that this must happen, they spend a lot less that way than licensing the image legitimacy.

If you find that your image has been used without permission, or you want to try and prevent that from happening, here are the main points of the article recapped for you:

Know your copyright status. Never sign it over without fully understanding what this means.

Use reverse search engines and check appropriate sites like local newspapers to see if your image has been used and where.

Gather proof and screengrab any websites where your photograph appears.

Decide what exactly you want before you start to pursue a claim.

Find the right person to contact and be polite, not accusatory.

Be prepared for time wasting and excuses and try and keep the conversation on topic; on your terms.

Base your invoice amount on something realistic; be prepared to justify this if it goes to court.

Don't feel like you have to accept the first, or indeed any, offer made to you.

If the company refuse to pay you or don't offer you an amount you feel you can accept, then it may be time to take them to small claims court.

Such a simple thing as using an image can quickly become a very stressful and time-wasting event. Remember, you aren't in the wrong: it's up to them to prove they were right to use your image. Something else that's important to bear in mind is this is potentially a bridge-burning exercise. It's unlikely that the company you challenge will want to work with you in the future. Chances are, though, if they're nicking your image then they're not a client anyway! In my situation, they also dragged a former client of mine into the discussion, which is grossly unprofessional, but it does happen so it's something to consider.

The subject of image misuse is so often not spoken about because we can doubt ourselves or wonder if we're making a fuss over nothing. Remember, if a company wants to use your image then you deserve that to be on your terms, whether that's a credit or a payment; never feel bad about that.

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What to Do When Your Images Are Used Without Permission

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Finding out your image or artwork has been used without your knowledge or say-so can be a punch in the gut. In this tutorial, we'll look at positive action you can take to seek a fair outcome. I recently discovered that one of my pictures had been used by a large newspaper chain, without my permission.

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illumination from behind.

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a curator or keeper of a cultural heritage institution (e.g., gallery, museum, library, or archive) is a content specialist charged with an institution's collections and involved with the interpretation of heritage material.

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The Dallas Museum of Art is currently running an exhibition titled " Irving Penn: Beyond Beauty," the first retrospective of Penn's work in nearly two decades. If you're unable to see the show, which contains over 140 of the late photographer's photos, check out the fantastic 13-minute video above by The Art of Photography.

In the video, host Ted Forbes is given a special personal tour of the show and some of its photos by Sue Canterbury, the Curator of American Art at the museum. Canterbury provides a close look at Penn's work through the perspective of a curator. The video is full of interesting background information that'll give you a deeper understanding of Penn's images.

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Exploring the Work of Irving Penn with a Museum Curator

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The Dallas Museum of Art is currently running an exhibition titled " Irving Penn: Beyond Beauty," the first retrospective of Penn's work in nearly two decades. If you're unable to see the show, which contains over 140 of the late photographer's photos, check out the fantastic 13-minute video above by The Art of Photography.

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light or other waves or particles from a surface such that a ray incident on the surface is scattered at many angles rather than at just one angle as in the case of specular reflection.

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characterized by or causing cohesion.

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It usually refers to natural light, either outdoors or coming through windows etc. It can also mean artificial lights such as normal room lights.

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the treatment of light and shade in drawing and painting.

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The gelatin silver process is the photographic processused with currently available black-and-white films and printing papers. ... A suspension of silver salts ingelatin is coated onto a support such as glass, flexible plastic or film, baryta paper, or resin-coated paper.

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Week 06 (CL) CHM F: Gelatin Silver and Emulsion: 10i.S2 - Click! (Master)

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When you look at this photograph, what you see is a lake. You would be surprised to know that is is actually the inside of a dead log with a hole in it. Because on how the shadow of the hole makes it difficult to see the trees on the outside, your mind believes that it is seeing a lake when it is actually a hole.

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The term Large Format simply means big film size. Large format cameras use sheet film sized 4x5" or larger with the most common film sizes being 4x5" and 8x10". ... Because inphotography, the bigger the film size, the better the quality.

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The other day, Bill started writing a blog post about how he uses a view camera to get some of the photos he has taken to match his vision. We both quickly realized that a) it was going to be way too long for one post, and b) it was incomprehensible to anyone who don't use view cameras. So, we decided to start with a post on Bill's large format camera, and then in future posts, explain how he uses it to get the photos he envisions.

(c) 2008 William Lawrence

For his landscape photographs, when possible Bill likes to use a 4"x5" view camera. Currently he is using a K. B. Canham DLC45 aluminum field camera, shown above with a 210 mm lens on it. The camera is essentially a light-tight box, thanks to the bellows, that lets the lens focus light on the ground-glass back (to focus), and the film (when actually taking a photograph). For a 4×5 camera, the Canham is reasonably light, and folds up to allow storage in his back-pack.

The camera focuses by moving the front and rear standards closer or farther apart, with longer focal length lenses requiring more distance (and more bellows extension), and shorter focal length lenses requiring less. For example, the camera with his 125 mm lens (below), requires much less bellows extension, making it look more "compact" to focus at a given distance than the 210 mm lens.

(c) 2008 William Lawrence

Bill likes using a view camera for several reasons. First, instead of that little viewfinder you get on a 35mm or digital SLR, you are viewing the scene (although upside down and backward) on a 4"x5" piece of ground glass, and essentially seeing exactly what is going to be exposed to the film.

Second, the slow setup and focusing makes photo taking with a view camera a more thoughtful and deliberative process, which is helped by the large ground glass image. A standard view camera is not a good choice for fast-paced, rapid fire photography. In addition, the camera allows you to do movements that you can't do on a 35mm or DSLR camera without special lenses.

Finally, the image is recorded on a 4"x5" piece of film, large enough to produce large prints with excellent quality. To put this in perspective, the top image is a slide taken with 35mm transparency film, place on my light box so that you can see the image on the film. The image is about 1"x1.4" image. The transparency below is a 4×5 transparency on the same lightbox, to give you a sense of the relative sizes of the image. The 4×5 produces a huge image relative to 35mm and dslrs. When people ask how large can we print some of Bill's photos taken on 4X5 film - we just look at them and ask what wall would you like to cover with it?

(c) 2008 William Lawrence

(c) 2008 William Lawrence

The camera has a few downsides.It's big - below is a comparison of the camera to one of our dslr cameras, and it requires a tripod to use.It is also expensive to use.One shot costs about $5 for film and processing.For this particular camera, you also have to call it a "K. B. Canham" - if you just call it a "Canham", everyone thinks you are saying "Canon" (which makes lovely cameras, but no view cameras).

(c) 2008 William Lawrence

But despite those limitations, it is a fun camera to use.And, most importantly, Bill ends up with photographs that he is happy with when he uses the camera - which really is the best measure of whether any camera is the right one to be using. In the coming weeks, we'll have more posts talking about Bill uses the large format cameras to get the photos that he wants.

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K.B. Canham DLC45 - Bill's Current Large Format Camera

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The other day, Bill started writing a blog post about how he uses a view camera to get some of the photos he has taken to match his vision. We both quickly realized that a) it was going to be way t...

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is a type of camera with two objective lenses of the same focal length.

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recesky twin lens reflex camera kit - 35mm twin lens reflex diy plastic put together shutter camera shutterbug bug snap model gakken flex gakkenflex lomo lomography thinkgeek think geek gifts for geeks

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Nowadays, everybody's trying to recreate the lo-fi look of film cameras with digital filters. We think you should just bypass the middle-man and go straight for analog camera glory! Put this camera together from parts and make it your own!

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refers to the width of the film (actual dimensions are 36 x 24 mm, but the name comes from video, which was actually 35mm). For comparison, there are other sized films, the most famous being APS film, which was a bit smaller at 24 mm wide. Digital cameras replace the film for electronic sensors.

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ilford hp5 plus black and white negative film (35mm roll film

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Ilford HP5 Plus Black and White Negative Film 1574577 B&H Photo

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Buy Ilford HP5 Plus Black and White Negative Film (35mm Roll Film, 36 Exposures) features Panchromatic B&W Negative Film, ISO 400/27° in Standard Process. Review Ilford Roll Film, Film

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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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Prince Harry's royal wedding is officially over and there won't be another British royal wedding for quite some time now, as Prince George is way too young to start thinking about that. Fortunately, there are plenty of other countries with plenty of other princes that are still eligible bachelors at the moment. Lucky for you, I did my research and compiled a list of all the eligible princes you need to know about know that Prince Harry has tied the knot with Meghan Markle.

1. Prince Louis of Luxembourg (31)

Prince Louis is the third son of the Grand Duke Henri and Duchess Maria Theresa of Luxembourg. He has recently become a bachelor again after his separation with his wife of 10 years, Princess Tessy.

Fun Fact: He graduated from Richmond, The American International University of London with a BA in Communications. He can also speak Luxembourgish (the fact that's even a language is fun fact by itself), French, German, and English fluently.

2. Prince Sebastien of Luxembourg (26)

Prince Sebastien is the youngest child of the Grand Duke Henri and Duchess Maria Theresa of Luxembourg, so if you marry him, you'll probably never actually be queen because he's pretty far removed from the throne. However, he's relatively young and single, so best of luck.

Fun Fact: For some bizarre reason, this prince actually went to college in Ohio. He played rugby and graduated from Franciscan University of Steubenville in 2015. Now, he is back in his home country and is an officer in the Luxembourg Army.

3. Prince Phillipos of Greece and Denmark (34)

You read that correctly, Prince Phillipos is the prince of not one, but two countries. He is the youngest son of King Constantine and Queen Anne Marie of Greece and Denmark. Unfortunately, Greece abolished their monarchy, so he's a prince in name only there.

Like Prince Sebastien, Prince Phillipos also went to college in the United States. He earned his B.A. in foreign relations from Georgetown University in 2008. Fortunately, for us American girls, he is actually still living in the US and he works in New York City as an analyst at Ortelius Capital. Fun Fact:

4. Prince Albert of Thurn and Taxis (34)

Ever heard of Thurn and Taxis? No? Me neither. Anyways, Prince Albert is from the House of Thurn and Taxis, which is essentially a very old German aristocratic family. He is the son of Prince Johannes XI of Thurn and Taxis and Countess Gloria of Schonburg Glauchau. His family is well known for their breweries and castles, so unless you're gluten-free, you can't really complain.

Fun Fact: He's not just a prince. He's also a racecar driver and 10 years ago he was ranked 11th on Forbes Magazine's List of The 20 Hottest Young Royals.

5. Prince Mateen of Brunei (26)

Prince Mateen is basically like all the guys you already know, except he's royalty. He's the prince of Brunei, which is a small country on the island of Borneo, south of Vietnam. He is one of the five sons of Sultan Hassanal Bolkiah, and he also has seven sisters. Maybe that's a little different than the guys you know, but one thing he takes very seriously, just like most frat guys, is his Instagram.

Fun Fact: Mateen enjoys playing polo, flying in his private plane, cuddling cute wild animals, and keeping up his Insta game with 890k followers. You can follow him @tmski.

6. Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum of Dubai (35)

Sheikh Hamdan also has a killer Instagram with 6.3 million followers. Anyways, Sheikh Hamdan is the billionaire crown prince of Dubai and the second son of Sheikh Mohammed bin Rashid Al Maktoum, who is the prime minister of the United Arab Emirates and essentially the king of Dubai (Emir). He's actually next in line for the throne because his older brother died in 2015.

Hamdan's hobbies include skydiving, zip lining, and diving, just to name a few, so if you're an adrenaline junkie, Sheikh Hamdan is the prince for you. Fun Fact:

7. Prince Hussein of Jordan (23)

Prince Hussain is the son of the extremely beautiful, Queen Rania and Abdullah II of Jordan and next in line for the Jordanian throne. At 23, he's already a second lieutenant in the Jordanian Armed Forces and he was the youngest person ever to chair a UN Security Council Meeting

Fun Fact: Like Prince Phillippos, Prince Hussain also graduated from Georgetown University in Washington D.C.. Also, like Prince Mateen and Prince Hamdan, he's Insta famous with 1.3 million followers and you can follow him @alhusseinjo.

8. Prince Constantine-Alexios of Greece and Denmark (19)

Like Prince Phillipos, Prince Constantine-Alexios also has two countries. Lucky for us though, he is also living in the US right now attending Georgetown University in Washington D.C. (like pretty much every other prince, amirite?) He is the oldest son of Crown Princess Marie-Chantal and Crown Prince Pavlos of Greece.

Fun Fact: He's Prince William's godson, so that's pretty neat. However, if that wasn't cool enough, you might like to know that this Greek/Danish prince was actually born in New York. Oh yeah, you can also follow him on Instagram @alexiosgreece where he has 88.7k followers.

9. Prince Joachim of Belgium (26)

Prince Joachim of Belgium, Archduke of Austria-Este is the third child of Lorenz, Archduke of Austria-Este and Princess Astrid of Belgium. Although he bears the title, "Prince of Belgium," he is also Archduke of Austria-Este, Prince Royal of Hungary and Bohemia, and Prince of Modena. Unfortunately, he'll probably never actually be king in any of these countries as he is ninth in line to the Belgian throne.

Fun Fact: Prince Joachim has degrees in economics, management, and finance, but he decided to join the Nautical School in Brugge after completing college and is currently an officer in the Belgian Navy.

Hope is not lost for all you girls dreaming of finding a Prince Charming that's literally a prince. After reviewing the data, my best advice is to transfer to Georgetown where princes are basically around every corner.

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Prince Harry's royal wedding is officially over and there won't be another British royal wedding for quite some time now, as Prince George is way too young to start thinking about that. Fortunately, there are plenty of other countries with plenty of other princes that are still eligible bachelors at the moment.

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Deduce or conclude (something) from evidence and reasoning rather than from explicit statements.

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is applied by aligning a subject with the guide lines and their intersection points, placing the horizon on the top or bottom line, or allowing linear features in the image to flow from section to section.

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frame the shot so that one or more identical or similar subjects are repeated symmetrical on each sides of a given point.

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made up of exactly similar parts facing each other or around an axis; showing symmetry.

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the regard that something is held to deserve; the importance, worth, or usefulness of something

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based on or influenced by personal feelings, tastes, or opinions

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A silhouette is the image of a person, animal, object or scene represented as a solid shape of a single color, usually black, with its edges matching the outline of the subject

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an exhibiting, showing, or presenting to view.

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Daren DeFrank

Updated:

The G2 Gallery was founded in 2008 and is not only award-winning, but it's also unique in many ways. The gallery is filled with nature and wildlife-based content. Their goal is to facilitate change by using the power of photography to shed light on environmental issues. The gallery serves as a platform for distinguished nature and wildlife photographers from around the world. Not only are the photographs beautiful and compelling works of art, but the proceeds are donated to environmental charities. Along with a wide range of exhibits the gallery also offers lectures, film screenings, and special events. Many of these events are based on a partnership with local conservation and educational groups.

For almost ten years now drkrm has been an exhibition space that specializes in the unconventional. It began as a black-and-white lab that was concentrated on silver-gelatin hand-printing and hand-processing, a technique almost extinct with the start of the digital age. After expanding as an exhibition space, drkrm continued to focus on the unique and avant-garde. The exhibits specialize in documentary and photojournalist work as well as fine art photography and alternative processes. Curator John Matkowsky doesn't shy away from unspoken issues that push beyond the boundary of comfort. The gallery operates under a core belief in giving exposure to artists not typically displayed in a gallery format, including obscure work from established photographers as well. For example, the gallery presented the first public presentation of never-before-seen photographs of internationally renowned artist Gronk.
drkrm, 727 South Spring Street, Los Angeles, CA, USA +1 213 239 0361
Annenberg Space for Photography

This venue started as an initiative of the Annenberg Foundation. The Annenberg Space for Photography also boasts the title of the first purely photographic cultural destination in the Los Angeles-area helping to create a new model in the photography world. The gallery presents high-definition digital along with traditional print photos. Founder Wallis Annenberg believes that 'Photography is one of the most accessible and personal forms of art.' The product is art that influences people to make positive contributions to the world, which serves the community. Currently on exhibition is REFUGEE which brings together five acclaimed artists from around the world to explore the lives of people forced from their homes and displaced around the globe. Globally over 60 million people have been displaced according to the UNHCR, the UN Refugee Agency. The display features photographs taken in: Bangladesh, Cameroon, Colombia, Croatia, Germany, Greece, Mexico, Myanmar, Serbia, Slovenia, and the United States. The show runs through August 21st and could be disturbing to some viewers.
Annenberg Space for Photography, 2000 Avenue of the Stars #10, Los Angeles, CA, USA +1 213 403 3000
Gallery Luisotti

Spend a day out in Santa Monica at Gallery Luisotti. The gallery space concentrates on a more target style and period of photography. Its main focus is the different aesthetic developments that materialized during the 1970s. The exhibits put an emphasis on landscape and non-narrative photos. Non-narrative photography is the beauty of the image without an added story element to the work. This style really began with the 'New Topographics' exhibition in New York in 1975, which presented landscape photographs devoid of any artistic frills and displayed the terrain in a stripped-down raw nature. Currently on display is Dents and Abrasions by Jon Divola. The exhibition is centered around the scars and marks left on abandoned places. Hurry in - this exhibit only runs until May 21st.

ROSEGALLERY

A gallery by any other name would still smell as sweet? Probably not considering the ROSEGALLERY is internationally recognized gallery. Founded in 1991 by Rose Shoshana the gallery consists of 20th and 21st century works on paper. The space is located in Santa Monica in the Bergamot Station Arts Center, and the gallery has a passion for art preservation. The mission is to ensure the ongoing development and presentation of art collections. Along with the bi-monthly exhibitions, the gallery participates in the community by taking part in art fairs both stateside and internationally.

Peter Fetterman Gallery

Also located in Bergamot Station at the Santa Monica Center of the Arts is the Peter Fetterman Gallery. The gallery was started by the owner of the same namesake who has been passionate about photography as an art medium for over 30 years. After starting his career as a filmmaker and collector, he was one of the first tenants at Bergamot Station. The space houses one of the largest inventories of classic 20th century photography in the country. Be sure to check out their specialty of humanist photographs. Works include famous artists such as Henri Cartier-Bresson, Ansel Adams, Jeffrey Conley, and Sebastião Salgado (whose work is on exhibition now through June). Fetterman and his staff are dedicated to creating an appreciation of art through the powerful medium of photography.
Fahey/Klein Gallery, 148 North La Brea Avenue, Los Angeles, CA, USA +1 323 934 2250
Fahey/Klein Gallery
Kopeikin Gallery, 2766 South La Cienega Boulevard, Los Angeles, CA, USA +1 310 559 0800
If you're an art lover who craves choice and variety, look no further than the expansive collection at the Fahey/Klein Gallery. The gallery has over 8,000 photographs in stock and the website includes over 10,000 images. The work comes in all genres including portraits, landscapes, still-life, and reportage and contemporary. Every five weeks the gallery posts two-person exhibitions. This gallery is truly a global enterprise. Along with the curated shows in the Los Angeles venue, many personnel members curate between 15 - 20 fine art exhibitions for museums and galleries around the world. The space itself is considerable with a size of 3,800 square feet. Co-owner David Fahey has used his expertise for the craft not only to create immersive gallery space but has edited and contributed to the production over 65 photographic publications. The release is often coordinated with the release of publications at a correlated exhibit. Come visit this gallery that is big on content.
Los Angeles Center for Digital Art, 104 East Fourth Street, Los Angeles, CA, USA +1 213 629 1102
Kopeikin Gallery

Art is not only there to be adored and invoke emotion, but it is also meant to create a conversation. This ideal is especially true at the Kopeikin Gallery. The venue promotes itself as an easily accessible place where there is a free flow of discussion and information. During a walk through the space, you are likely to hear different whispers of conversation about the photographic monographs and art as a whole. They have the ability to obtain any photograph despite the current inventory. The gallery is also available to the community for private functions, showings, and filming.
Photographers Gallery, 145A North La Brea Avenue, Los Angeles, CA, USA +1 323 938 8000
Los Angeles Center for Digital Art

The Los Angeles Center for Digital Art is located in the area known as gallery row. The center focuses on digital art in the contemporary area. Dedicated to spreading photography, new media, video, and interactive media, the center encapsulates the forward-thinking blend of using science to create art. This hybrid is the basis of photography itself. The center has an ongoing array of exhibits in the gallery and is known to include international works. However the space is also dedicated to supporting the local community art scene by giving exposure to Los Angeles area artists. Outside of the LACDA space, they are involved with curating digital exhibits at institutions and festivals.

Photographers Gallery

Throw away the typical photo gallery experience the Photographers Gallery. Space Magazine described the space as, 'an invigorating departure from the traditional art gallery.' The gallery has a variety of works and also has a big online presence so the art can be purchased all across the globe. The laundry list of feature artists also keeps the vibe young, fresh, and evolving. Featured works are from photographers Slim Aarons, Janek Sedlar, and Sam Gallagher. Be sure to check out this gallery for some new prints to create your own gallery at home.

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Daren DeFrank Updated: The G2 Gallery was founded in 2008 and is not only award-winning, but it's also unique in many ways. The gallery is filled with nature and wildlife-based content. Their goal is to facilitate change by using the power of photography to shed light on environmental issues.

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of or arranged like rays or the radii of a circle; diverging in lines from a common center.

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the feel, appearance, or consistency of a surface or a substance

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having parts that fail to correspond to one another in shape, size, or arrangement; lacking symmetry

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a symbol, word, or words legally registered or established by use as representing a company or product.