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styles of photography, including-- but not limited to-- wedding, landscape, fashion, wildlife, event, portrait, landscape, etc.

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a common type of image sensor format; light-sensitive film in cameras to capture photos

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a type of camera with two objective lenses of the same focal length

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a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole

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a monochrome imaging process based on the light sensitivity of silver halides

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they collect, exhibit, research and maintain the photo collection at a museum, are also responsible for the storage and presentation of photographical collections

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a public display of works of art including photography, held in an art gallery or museum or at a trade fair

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a room or building for the display or sale of works of art, including photography

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an institution that cares for a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance

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a workspace and often a business owned and represented by one or more photographers who create and sell their own and sometimes others’ photographs

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a path traced by a moving point. they can be thick or thin, straight or curved, etc.

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enclosed two dimensional areas that are flat and lack value

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light reflected off a surface with three properties: hue, value, and intensity

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an enclosed three dimensional area that has value when depth is added to a shape

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the area between and around objects that can be positive, negative, or three dimensional

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adding black to a hue for darkness, white to a hue for brightness, and gray for dullness

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the surface quality of an object that is sensed through touch

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the distribution of the visual weight of objects, colors, texture, and space that make a design feel stable

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the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art

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the repeating of an object or symbol all over the work of art to make the work of art seem active

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the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other

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the path the viewer’s eye takes through the work of art, often to focal areas

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the feeling of harmony between all parts of the work of art, which creates a sense of completeness

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the part of the design that catches the viewer’s attention; usually one area will stand out by contrasting it with other areas

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symmetry around a central axis

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being made up of exactly similar parts reflecting each other across an axis

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lack of equality or equivalence between parts or aspects of something; lack of symmetry

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two things being seen or placed close together with contrasting effect

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a representation of a thought or an idea that doesn't have a physical or concrete existence

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a directional change in the intensity or color in an image

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includes green, blue, and purple

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includes red, orange, and yellow

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includes beige, ivory, taupe, black, gray, and shades of white

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pairs of colors which, when combined or mixed, cancel each other out by producing a grayscale shade. they create the strongest contrast of each other

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a one-color scheme that is created using different tones of that one color

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a helpful way of giving feedback that provides specific, actionable suggestions, rather than providing general advice

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taking someone else's work or ideas and passing them off as one's own

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involving or expressing moral approval or disapproval

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AICPA® & CIMA® is the most influential body of accountants and finance experts in the world, with 689,000 members, students and engaged professionals globally. We advocate for the profession, the public interest and business sustainability.

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objective: based on unbiased facts and neutral observations
subjective: based on the personal perspective or preferences of a person

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copyright: a type of intellectual property that gives its owner the exclusive right to make copies of a creative work
trademark: intellectual property consisting of a recognizable sign, design, or expression which identifies products or services of a particular source

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a composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open

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lines that appear in a photograph that have been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest

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an expression of the ratio of two sums whereby their ratio is equal to the larger of the two quantities

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the area surrounding the main subject in a photo that is left unoccupied. Put simply, it is the space around the object itself that helps define the positive space (or main focus)

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any part of the photo that jumps out from its surroundings. That includes your subject, for example, along with other noteworthy areas of detail

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illuminated from behind

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light that's filtered by something, such as sunlight through a sheer curtain

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any form of light that the photographer did not add to their image, and can include both "natural" ambient sunlight, or "artificial" ambient light

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a lighting technique; an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something

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the image of a person, animal, object or scene represented as a solid shape of a single color, usually black, with its edges matching the outline of the subject

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art on two hinged wooden panels which may be closed like a book

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art made on three panels, typically hinged together side by side

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a minute area of illumination on a display screen, one of many from which an image is composed

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2D views of 3D objects created by projecting a view of an object onto a plane which is usually positioned so that it is parallel to one of the planes of the object

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a type of distortion wherein lines that are straight in real life appear to curve inwards (like the walls of a barrel)

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it produces the opposite effect from barrel distortion; instead of an image curving in, pincushion distortion causes straight lines to curve outwards from the center of the image

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a camera's sensitivity to light as it pertains to either film or a digital sensor

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an arbitrary rating of film speed; that is, the sensitivity of the film to light

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a device that allows the camera to convert photons into electrical signals that can be interpreted by the device

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visible silver crystals in a film negative's emulsion

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random variation of brightness or color information in images, and is usually an aspect of electronic noise

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the opening of a lens's diaphragm through which light passes

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the term used to denote aperture measurements on a camera

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it tells us the angle of view and the magnification; the larger the number, the more magnified it is and the more narrow the angle of view is (and vice versa)

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how much is in focus in front of and behind the subject that is focused upon

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a popular photographic technique which uses blur to focus the viewer's attention on a specific area of an image

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a mode for a DLSR camera in which all the exposure settings are chosen for you

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a mode for a DLSR camera in which nothing is chosen for you, and you must set all the exposure settings on your own.

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a mode for a DLSR camera in which a shutter speed is automatically chosen based on the f/stop you set it to

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a mode for a DLSR camera in which an f/stop is chosen automatically depending on the shutter speed you choose

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a mode for a DLSR camera in which all the exposure settings are chosen for you

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the speed at which the shutter of the camera closes

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a shutter speed option that you can select in Manual mode on your camera. it allows your shutter speed to be any length you choose

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purposeful streaking or blurring of an object in motion in a photo for visual effect

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a portable device used to support, stabilize and elevate a camera. a tripod has three legs while a monopod has one

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the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images

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using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring moving elements

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a technique in which the frequency at which film frames are captured is much lower than the frequency used to view the sequence

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moving a light source while taking a long exposure photograph, either to illuminate a subject or space, or "draw"

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freezes objects in motion in a still frame

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a shooting mode in still cameras that captures several photos in quick succession

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allows the camera to measure the light reflected from the person's face and expose properly

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covers only the centre 6.2% of the frame in the viewfinder, thus providing precise metering only for the subject

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works on the assumption that the most important part of the image is probably in the center

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the default metering mode on most cameras

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based on reflection. An 18% grey card reflects back 18% of the light that hits it and is the geometric mean between white paper and black ink

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a dark area or shape produced by a person/thing coming between light and a surface

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a medium tone, one that is neither very dark nor very light

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a bright or reflective area in a painting, picture, or design

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a small illustration or portrait photograph which fades into its background without a definite border

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a brownish tone imparted to a photograph, especially an early one such as a calotype