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Sonata 1st Movement recording with the book

Mazurka recording by memory

Courante review

Scales all scales according to key signatures of the pieces

C Major, C minor, C# minor for 1st movement Db major for 2 movement F major for mazurka

Chords/Cadences with Inversions in the key signatures of the pieces

Arpeggious

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Monday June 8 - 2 recordings

1. SCCA cminor harmonic, natural, melodic, chords and cadences arpeggios, diminished and augmented

2. Bagatelle - dynamics.

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1. Sonata 1st movement smooth and secure with the book.

2. SCCA

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10 piece program not diploma yet

1. Bagatelle

2. Preludium

3. Mazurka

4. Sonata part 2

5. Sanata Part 1

6. Menuet

7. one more piece from last year

8. Scales

9. Chords/Cadences

10. Arpeggios

Please continue with memory on Part 1 Sonata

Bagatelle recording

Next lesson April 30, 2026 7 PM

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Mazurka - Please record with the SCCA got thast piece by the end of April

Bagatelle - recording in 2 weeks include SCCA

Sonata - keep working on memory 4 pages in 2 weeks

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1, 2 part review nad memory

1 part -3 pages memory. the rest with the book.

Review the rest of the program.

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1. Mazuirka by memory

2. Sonata

3. 1 movement continbue with memory 3 pages will be great

2 movement - review by memory

4. Bach French souites Courante and Menuet review

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1. Chopin Mazurka - by memory

2. Sonata 1 movement continue to work on memory

3. Review Preludium 2 movement

4. Bach

Next week no class Next class 3.27 6:30 PM

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1. SCCA

2. Sonata - start memorization

3. Courante - continue work especially on the second part

4. Menuet - memory

5. Preludium - memory

6. Review 2 movement, Bagatelle

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1. SCCA

2. Sonata 1 movement start memorization

3. Sonata 2 - review by memoriry

4. Continue to work on Courante

5. Nenuet by memory

6. Preludium - by memory

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1. Mazurka - work on Memory

2. Courante - continnue to work with the book. Study mre second part

3. Sonata 1st movement: review whole piece

4. Preludium: by memory

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1. Sonata: Part 1 start memory

2. Complete the Courante

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1. Courante: completed 1 half both hands. Concentrate on the second half simile to 1st.

2. Mazurka: review with the bokk and by memory

3. Bagatelle: review with the book and by memory

4. Minuet: review with the book and by memory

5. Sonata 2 movement: review with the book and by memory

6. Sonata 1 movement: review

7. Preludium: review with the book and by memory

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1. Mazurka - completed with the book. Now the goal is to memorize it asap,

Look at the repeations and analize the stracture.

2. Courante print music and practice to comlete

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1. Courante - completed,

2. Review a;; program

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1. Mazurka - smooth and start memorization

2. Minuet - by memory review

3. Courante - check and choose your score

2. Courante and 1st Movement needs memory work

Scale work with all the requerements

Have a great CDhristmas!! and Happy New Year!!!

Next class January 9, 2026

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Courante different full version

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BWV813  French Suite No. 2 in c minor.pdf Courante

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French Suite n°2 in C minor ; II. Courante

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Download and print in PDF or MIDI free sheet music of Courante from French Suite No.2 in C minor - Johann Sebastian Bach for Courante From French Suite No.2 In C Minor by Johann Sebastian Bach arranged by CompNils for Piano (Solo)

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1. Mazurka, Preludium. Ballade - memorize and review

2. Minuet - by memory review

3. 2 part - review by memory

4. Courante and 1st Movement needs memory work

1st movement memorized by January 1

Courante - complete with the book

We need Scale work with all the requerements

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1. Mazurka: work on memory make it lighter. Take away the weight

Complete part B both hands

2. Preludium complete by memory

3. Ballade_ review by memory

4. Bach: menuet and curante.

5. SONATA 1ST AND 2ND MOVEMENT OF SONATA

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Gabby Estrada concert

November 30, 2025 11:15 AM

First Presbyterian Church Of Roselle

Church Address: 111 WEST 5TH AVENUE Roselle NJ 07203

1. Praeludium - memory, more contrast.

2. Minuet- Complete by memory

3. Courante - complete with the book

4. Sonata 1 movement: study and start memorization

5. Sonata 2 movement ; memory, phrasing

6. Ballade- review by memory

7. Mazurka - complete

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1. Bach - review

2. Part 1 - Sonata deep review and restore

3. Part 2 - review

4. Bagatelle

Complete your Approval Card

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1. Bach 16 measure to review and hands together slow. Next time we will complete 1 part both hands.

2. Mazurka: light touch of the chords, bound wrist. Middle part next week.

3. Review sonata 1 and 2 movement.

4. Praeludium, Minuet

5. Bagatelle review check n3ext week

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1. Continue with Bach. we did 8 measure, try to get another 8. Non legato quarter notes and legato eights.

2. Mazurka perfect part A.

3. e need to work part B

4. Continue Bach

5. All other pieces review. i8 movement too.

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1. Complete part A. Work on Part B

2. Bagatelle by memory

3. Church visit schedule

4. Bach review

5. Sonata 1 and 2 movement.

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1. Mazurka - 3 lines both hands

2. Bagatelle: more energy, confidence, dynamic contrast

3. 2 movement: continue to work memory

4. 1 movement - work to perfection establish parts and clean each part without repetition.

5. Bach - review

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1. Back Minuet continue to work memorize

2. Bagatelle: start memorization

3. 2 movement complete work on dynamics and rhythm

4. Print music for next class

Love you!!!!

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September 26, 2025  Master Class: Saturday October 25, 2025 at 9:30 am

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September 26, 2025  Master Class: Saturday October 25, 2025 at 9:30 am

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arrival time 9:10

Enclow Recital Hall

215 North Ave, Hillside, NJ 07205

Bagatelle: work on tempo and memory, drill the run in the end, dynamic map

Sonata second movement needs to be more flowing and precise phrasing

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1. Print music

2. Ballade complete with dynamics

3. Prelude musical tone

4. Next week Bach a2 movement review

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1. SCCA

2. Bagatelle 1: study what we had learned

3. review Minuet

4. Print the music organize everything in the folder

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Complete the whole movement. Correct intonation

Listening to your own recording to find right phrasing

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Beethoven “Moonlight Sonata” 2nd mov. Paul Barton, FEURICH piano

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1. D Flat Major: Scale, chords, Cadences, Arpeggios, Diminished, Augmented

2. 2 part work on the 3rd part. improve the 2 part.

memorize 1 part

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1. Continue to work on second movement to complete it.

Pay attention to legato

2. start memorization of the first part.

3. Review 1st movement.

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Sonata Part 2 complete and start memory

Sonata Part 1 review and complete smooth

Have a great Memorial weekend!

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Microsoft Teams meeting

Join on your computer, mobile app or room device

Click here to join the meeting

Meeting ID: 939 764 118 963 2
Passcode: z6AN66

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1. Sonata Part 2 study hands separate similar as we did in class.

Make sure you are counting

Do not rush first beat of the measure. Softer at the end of the slur. Try consistent legato when indicated and light staccato as written.

2. Sonata Part 1: continue to study and complete with the book.

Please review all your scales

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1. Chopin: practice hands separate, then combine by the phrase

Emphasis on LEGATO and pedal and dynamics work on nuances

2. Minuet: review by memory?

3. Sonata 1st movement complete 2 pages

4. Sonata 2 movement complete smoothly with the book

5. Preludium - review by memory

Bagatelle:

Mazurka:

Get TEAMS ready. I will have team link connected to your padlet.

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1. Sonata Part 2 complete with all the requirements

2. Sonata Part 1: complete smooth with the book start memorization

3. Minuet from French Suite : review

4. Prelude: review with the book and by memory

5. Chopin and Shubert???

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1. Sonata part 2: make smooth and legato. Work on phrasing. Each phrase has a beginning and the end.

2. Sonata part 1: start memorization. Make it equal. Divide to parts for memorization and proceed slowly with short parts.

3. Minuet from French suite: review

4. Preludium: review

5. Print: Chopin and Shubert

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Everyday 3 scales (Major and minor) with complete requirement.

1. Part 1 Sonata: add dramatic feeling and adhere dynamics.

Start memorization

2. Part 2: needs more work. the character and the slurs and phrasing will help.

3. Develop the flow of the piece.

4. Prelude review

5. Minuet: review

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1. Complete 2 part with the book. Start working on intonation,

2. Review 1 part

Review the program.

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1. Part 2: 2 parts completed. Next week complete all 3 parts.

2. 1 movement: complete next week to check.

Prelude" review

SCCA

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1. Continue to work on 2 part of sonata.

Be precise with phrases and legato indications. Fingering is there to help to deliver phrases.

2. Work on the rest of the program.

3. Review all pieces learned previously with the book and by memory.

4. You MUST practice your SCCA.

5. Complete with the book 1 movement.

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1. 1 Movement - start with 4th page on and gain the confidence

2. 2 movement: work on the 1st part.

3. review Prelude

4. Minuet

5. Waltz to start

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1. Preludium complete with no hesitation

2. 1 movement sonata - complete with the book hands separate for smoothness.

Study by chords and first notes.

3. second movement to start.

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1. Complete 1st movement with the book smooth, provide some work hands separate

2. Prelude review

3. Second movement: hands separate or left hand

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1. Preludium: review with the book and by memory

2. Moonlight 1st movement complete

3. Start 2nd movement hands separate

4. Bagatelle

5. Waltz'

6. Prelude start hands separate

7. French suite Minuet - review

Have a happy Merry Christmas and Happy New Year!!!

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1. Preludium review and secure by memory

2. Moonlight sonata 1st movement compete

You have to work on the 3rd page to complete to complete it. Study right hand, use correct fingers and make sure all your accidentals in place.

3. SCCA study everyday around the circle of 5th.

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1. Preludium: secure memory

2. Moonlight 1 2 4 5 complete nest week dedicate pg 3

Study about minors:

Minor Scales: Natural, Harmonic and Melodic Forms

About Minor Scales:

 We call scales RELATIVE if they share the same key signature; Minor Scales are built on the 6th scale

degree of a Major Scale

 To quickly find a MAJOR key’s RELATIVE MINOR, count down 3 half-steps from the tonic note of the

major scale (remember to start with the tonic then count down—don’t count the tonic note as “one”)

 Examples: C Major and A Minor are RELATIVES; C is the RELATIVE MAJOR of A Minor, and A Minor is

the RELATIVE MINOR of C Major

 Minor Scales built on the same TONIC note of a Major Scale are called PARALLEL

 PARALLEL Major and Minor scales do NOT share the same key signature

 Examples: C Major and C Minor are PARALLEL; C Major is the PARALLEL MAJOR to C Minor, and C

Minor is the PARALLEL MINOR to C Major

Minor Scales: Three Forms:

 Unlike major scales that are built with only one form, or pattern, of whole steps and half steps, minor

scales appear in three different forms, and it is worthwhile to learn all three fluently

 NATURAL MINOR: no alterations (exact same notes as the relative major)

 HARMONIC MINOR: Raises scale degree 7 ascending and descending

 MELODIC MINOR: Raises scale degrees 6 and 7 ascending, lowers them descending (notice this means

that the natural minor and descending melodic minor scale are the same)

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