# data[].attributes.body
Crystal
Hunk
Rosie
Jeff
Tina

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Cecilia
ZeLong
Jacky
Sally
Lillian

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Terry
Jack
Zhang
Vivian
Apple
Mizuki

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The club isn't the best place to find a lover
So the bar is where I go
Me and my friends at the table doing shots
Drinking fast and then we talk slow
Come over and start up a conversation with just me
And trust me I'll give it a chance now
Take my hand, stop, put Van the Man on the jukebox
And then we start to dance, and now I'm singing like

Girl, you know I want your love
Your love was handmade for somebody like me
Come on now, follow my lead
I may be crazy, don't mind me
Say, boy, let's not talk too much
Grab on my waist and put that body on me
Come on now, follow my lead
Come, come on now, follow my lead

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Transcript from Kobe Bryant's "Dear Basketball" 

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Transcript from Kobe Bryant's "Dear Basketball" 

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Dear Basketball,

From the moment

I started rolling my dad’s tube socks

And shooting imaginary

Game-winning shots

In the Great Western Forum

I knew one thing was real:

I fell in love with you.

A love so deep I gave you my all —

From my mind & body

To my spirit & soul.

As a six-year-old boy

Deeply in love with you

I never saw the end of the tunnel.

I only saw myself

Running out of one.

And so I ran.

I ran up and down every court

After every loose ball for you.

You asked for my hustle

I gave you my heart

Because it came with so much more.

I played through the sweat and hurt

Not because challenge called me

But because YOU called me.

I did everything for YOU

Because that’s what you do

When someone makes you feel as

Alive as you’ve made me feel.

You gave a six-year-old boy his Laker dream

And I’ll always love you for it.

But I can’t love you obsessively for much longer.

This season is all I have left to give.

My heart can take the pounding

My mind can handle the grind

But my body knows it’s time to say goodbye.

And that’s OK.

I’m ready to let you go.

I want you to know now

So we both can savor every moment we have left together.

The good and the bad.

We have given each other

All that we have.

And we both know, no matter what I do next

I’ll always be that kid

With the rolled up socks

Garbage can in the corner

:05 seconds on the clock

Ball in my hands.

5 … 4 … 3 … 2 … 1

Love you always,

Kobe

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Transcript from Steve Job's "Think Different" Apple Commercial 

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Transcript from Steve Job's "Think Different" Apple Commercial 

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Here's to the crazy ones.
The misfits.
The rebels.
The troublemakers.
The round pegs in the square holes.

The ones who see things differently.

They're not fond of rules.
And they have no respect for the status quo.

You can quote them, disagree with them,
glorify or vilify them.
About the only thing you can't do is ignore them.

Because they change things.

They push the human race forward.

While some may see them as the crazy ones,
we see genius.

Because the people who are crazy enough to think
they can change the world, are the ones who do.

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Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black bodies swingin' in the Southern breeze
Strange fruit hangin' from the poplar trees

Pastoral scene of the gallant South
The bulgin' eyes and the twisted mouth
Scent of magnolias sweet and fresh
Then the sudden smell of burnin' flesh

Here is a fruit for the crows to pluck
For the rain to gather
For the wind to suck
For the sun to rot
For the tree to drop
Here is a strange and bitter crop

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Billie Holiday.
The speaker is a spectator situated in the American South. All we know about them is that they are highly, solemnly aware of a gruesome scene and reality

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The speaker wants to evoke awareness in the audience ---of a haunting and unjust reality illustrated by violence against black southerners. The speaker wants to draw parallels contrasting typically pleasant imagery of fruit trees with gruesome, outdoor acts.

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The audience is the American public during the late 19th and early 20th century.  Much of the audience was largely passive and unaware at this time, but a movement was definitely forming.

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This song comes during an unfortunate chapter in American history, where in the early 20th century, hate crimes and violence against Southern blacks came to light. This song is an iconic part of the Civil Rights Movement.

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This song was birthed as the levels of crime and violence at the time were increasing to the point that it was difficult to ignore.

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The speaker provides rich depictions of imagery and extended metaphor.  It can be classified as solemn mourning and a call to action.

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The speaker primarily uses pathos through vivid descriptions of tragic, inhumane treatment of victims of hate crimes.

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Possibilities:
Shocked disapproval
Mournful awareness
Silent suffering
Burning helplessness

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Rosie: Ed sheeran is a globally acclaimed singer . . . . in this song he