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ONTROERTOER MET SMAAK

ONTROERTOER is de enerverende expeditie met verrasssende verhalen en bijzondere bomen over De Nieuwe Ooster. Gepresenteerd door kunstenaar PJ Roggeband, die dit jaar de ONTROERTOER aanvult met smaakvolle anekdoten naar aanleiding van tentoonstelling Een Lekkere Dood bij Museum Tot Zover.

Wat is bomengehakt? Op zoek naar de 'nutellaboom'? Meer weten, ga dan mee met de eerstvolgende ONTROERTOER op zondag 15 oktober.

Lees meer

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Museum Tot Zover | Het museum over leven & dood | ontdek nu!

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Hoe gaan we om met de dood? Die vraag staat centraal bij Nederlands Uitvaartmuseum Tot Zover in Amsterdam.

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Marc Quinn

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Created by choreographer Katja Heitmann, Motus Mori Institute is an attempt to archive human movement before it disappears. Propulsed by the desire to find what connects us, we are embarking on a long-term process to collect, preserve and share this most elusive part of our humanity.

This is an archive for everybody, everywhere, to investigate the body as a repository of memories and emotions. What moves you?

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Created by choreographer Katja Heitmann, Motus Mori Institute is an attempt to archive human movement before it disappears. Propulsed by the desire to find what connects us, we are embarking on a long-term process to collect, preserve and share this most elusive part of our humanity.

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Temporary/fragile materials

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Casts

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Worldwide cultural traditions

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Death in Contemporary, Post-war Art

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Géricault

Picasso

Chicago

Nash

Munch

Goya

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Munch

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Cattelan

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Expo tekst "Repetition" Centre Pompidou-Metz

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Schiele

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Kwetsbaarheid van het lichaam

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Licht & schaduw --> Ongrijpbare dingen die vanuit een permanente vorm keer op keer gegenereerd kunnen worden. Mens is ook altijd in beweging. Allegorie vd grot --> De schaduwen (het lichaam) zijn ook van belang.

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Licht & schaduw --> Ongrijpbare dingen die vanuit een permanente vorm keer op keer gegenereerd kunnen worden. Mens is ook altijd in beweging. Allegorie vd grot --> De schaduwen (het lichaam) zijn ook van belang.

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Heinz Mack

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Do we lose or gain time with the passing of the years? Does physical deterioration make us vulnerable or is this the very thing that drives us to create, to philosophize, to destroy and start all over again...? MAISON the FAUX addresses this with the impressive TIMELESSTIME at MU Hybrid Art House.

Story Ride

Time and timelessness, lack of time and eternal values, are at the heart of TIMELESSTIME, the largest solo presentation that MAISON the FAUX has put together so far, bringing together all their experience in scenography and fashion, visual art and performance, digital culture and choreography. Periodically performers make landscapes full of stone, rubber, straw and flowers come to life, sucking the audience along as if on a story ride without beginning or end on waves of creation and decay. Thus, outspoken characters and their avatars periodically hold up a mirror to visitors. Waiting, struggling or whirling, switching between exhaustion and lethargy, they engage the audience in their seemingly endless quest.

Epochs

Ten years on, MAISON the FAUX celebrates the here and now; in fashion, in theatres and museums, with high-profile installations. Not to deny the past, glorify the future or face it with fear, but to break through our conceptions of time and identity and all the rigid systems associated with them. Such is also the case in TIMELESSTIME where they put pressure on time and place in five impressive scenes. These 'epochs' are designed from the realization that we will disappear no matter what. Yet sometimes they manage to stop time for a moment, halt decay and let life solidify, until everything starts all over again.
With TIMELESSTIME MAISON the FAUX brings together multi-vocal values and meanings. Precisely because, on the one hand, we seem to become more distant from each other in increasingly hermetic bubbles and, on the other hand, merge due to lightning-fast technology, that is making us loose all sense of time and place. We have ended up in a space of flows and a timeless time, as cultural sociologist Manuel Castells once put it. MAISON the FAUX freely interprets these concepts with their biggest installation so far, making 'timeless time' tangible.

Simulation

As artists/designers, Tessa de Boer and Joris Suk, both creators behind MAISON the FAUX, are obsessed with the fake, the simulation and the constructed: What makes the real real and genuine and the artificial FAUX? And who determines that? And isn't FAUX also a form of 'queer timing', as Jack Halberstam once defined it: a form of resistance to the idea of linear advancing time that reinforces prevailing systems like capitalism, heteronormativity, whiteness and validism. FAUX as a different experience of time that represents life outside the prevailing 'bourgeois patterns' of birth, adulthood, work, reproduction, success and living as long as possible.

During DDW23 there will be live performances on Sat 21, Sun 22, Wed 25, Thu 26, Fri 27, Sat 28 and Sun 29 Oct from 14:00 - 17:00
On Friday 27 October during DDW23, we will host a special TIMELESSTIME TIRELESS TREATNIGHT from 20.00 till midnight

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dutch design week eindhoven festival talks lectures workshops events

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TIMELESSTIME by MAISON the FAUX - MU Hybrid Art House

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Story RideTime and timelessness, lack of time and eternal values, are at the heart of TIMELESSTIME, the largest solo presentation that MAISON the FAUX has put together so far, bringing together all their experience in scenography and fashion, visual art and performance, digital culture and choreogra...