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Weiran Tang played the female reporter in the audio,

Ziyue Zhang played the male doctor in the audio,

and I was responsible for editing the video and adding translation subtitles to it.

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A discussion of how to write an interview script

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A discussion of how to write an interview script

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This time, the theme was "The Experience of Rescuing Animals", and one of my team members (Meilin Zhu) told her story that unfortunately the kitten she rescued ended up dying, and she was really sad about it.

We hope to convey the following concepts through our works:

1. We should love small animals and should not abandon them easily.

2. Small animals should not be objectified, and we should have a sense of reverence for life.

So we wanted to do a "pseudo-interview" in the form of stop-motion animation, where a reporter interviewed an animal doctor and told the story of my team members through the mouth of the animal doctor.

And we would like to provide two solutions in the video:

1. Ordinary people should try their best to seek professional rescue for small animals to prevent bad intentions.

2. Call on China to learn from other countries' policies on the protection of small animals to reduce the number of stray small animals.

After the panel discussion, we decided to ask the reporter the following questions to the animal doctor:

Can you introduce yourself to us? (Half a minute)

Do you have any cases that stand out in particular? (1 to 2 minutes)

Do you have any real problems in the process of practicing medicine (half a minute to 45 seconds)

What is the difference between professional assistance and ordinary people's assistance? (1 minute) ➡️ to draw out the difference between pet protection at home and abroad Summary (half a minute)

We will write an interview on this basis.

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That was a few years ago, and a few people and I were passing by a public toilet and smelled a very unusual stench, so we went in and looked inside, and found the corpse of a female cat inside, covered with bugs and flies, and a few kittens that looked like they had just been born snuggled up to her belly. My friends and I discussed the situation of each family and brought a few kittens back to take care of them. This picture is the picture of me taking one of the kittens to the hospital for a check-up at the beginning.

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A: (whispering) Did you start recording?

Q: (whispering) It's started, please look at the camera

A: (whisper) Okay, okay

Q: Hello audience! Welcome to today's talk show! I am today's host xxx, and on my right hand is today's guest xx teacher! Mr. X, can you introduce yourself to us?

A: Hello everyone, I am xx, I am 34 years old this year, emm I have been working in the animal medical industry for 9 years. Q: Let's welcome Mr. xx!

Q: I'm still curious why you chose this major?

A: Actually, it was because I was very afraid of society when I was young, and I knew that if I studied medicine normally, (I) usually had to deal with a lot of people, and I was afraid that I would be afraid of making a mistake when communicating with patients.

Q: On the contrary, it is more natural to get along with small animals, hahaha

A: Yes, yes, yes, yes

Q: Do you have any particularly impressive cases?

A: I guess it's a big impression for me personally.

I remember it was seven or eight years ago, and I was on the night shift that day, and it was past two o'clock in the morning. I was just about to take a break when I heard someone knocking on the door of the hospital, the sound of urgency, slamming the door.

As soon as I opened the door, I found that it was a little girl, and the girl was holding a milk cat in her hand, and she was crying all the time, and she was crying and sobbing. I saw that the kitten was not in a good state, so I quickly checked it and asked a few simple questions.

The little girl told me that the cat was picked up in a public toilet. It was a whole litter of cats, it was supposed that the mother cat had some bacterial infections after giving birth, and died in the toilet, fortunately when the little girl found out, several baby cats were still alive.

When I heard this, I felt quite dangerous, because the kitten's physique is not as good as that of an adult cat, and this kitten is lying with the corpse for a while, and it is very likely that the kitten will be infected with the virus.

In fact, I probably knew at the time that the kitten's situation might not be able to survive that night, because it was not fed much food and medicine, and as soon as it ate, it would have diarrhea, and the whole cat was shaking, and it was already a little stiff in the second half of the night.

But I'm afraid that the little girl will have an emotional breakdown, she has already visited three other pet hospitals before coming to our hospital, and they don't open the door. Because it was really late, I told her to go home and sleep at night and wait for news, and then come to the hospital tomorrow, but be prepared that the kitten would not survive tonight.

The girl was very obedient, but unfortunately when she came back the next morning, the kitten was still dead.

This incident also left a deep impression on me, because it was also the first life I witnessed since I became a veterinarian.

Q: Ahh... I'm already feeling a little sorry for this little girl, I feel like she's having a hard time...

A: Yes, she came to the hospital by herself. At first, her parents did not object to picking up stray cats, but after the kitten got sick, her parents were not very willing to spend money on the cat, because they felt that the cat was not a breed of cat, and it would not cost much to buy a cat like this. But if you want to treat cats, it will cost a lot, they just don't think it's worth it, and they don't want to bring children to the pet hospital.

I also know that in this kind of thing, there is no way to ask too much of ordinary people. But as a veterinarian, I see that some people always equate the value of life with the amount of money, and I actually feel very sad in my heart, and I just hope that everyone can maintain a sense of awe for nature and life.

Having said that, some of our colleagues have been determined to be pet doctors since childhood, and some have given up their original jobs to learn from scratch, all because they love animals and want to save the lives of animals.

I wrote this manuscript and ended it with a reference to a real-world veterinarian.

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That kitten wasn't a clingy personality in the first place, a bit cold, but it was still alive and like to walk around my house. But after a few days, it slowly began to become sick, and it kept huddled in its box, diarrhea everywhere, and it couldn't eat. One day in the middle of the night, I went to coax it but found that its whole cat was shaking, I was very worried so I took it to the hospital, but the home was too far away, and there was no pet hospital nearby. I cried while looking for it, and finally a kind person took me to a pet hospital farther away, ran three without opening the door, and finally found one that opened the door when I arrived at the four pet hospitals. The doctor said that the kitten should be kept for observation overnight, because it is too small and the immunity is too weak, and it may not survive that night, it may be the virus brought by the cat's mother when she died. The next day the kitten did die, and I was really sad.

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The entire PPT went through three iterations. The first version was completed at the end of the third week, but I didn’t consider what might be missing during the presentation, so I added some pages before Friday of the fourth week, including sketches of character design and environment design. After the presentation last Friday, the teacher made two suggestions: one was that the character design needed a unified style, and the other was that there were not enough reference pictures for the environment design, and the colors were not rich enough. So on this basis, I made another revision. After the revision, it was the final version.

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The audio we made last week was rejected by the professor, who said there couldn't be a script, so we re-recorded it, and this time we just sat together and talked while recording. After the conversation, we edited the parts that we thought were appropriate together.

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We would like to refer to the interview format of this video, which is an interview between an interviewer and an ICU doctor. This doctor has witnessed so many patients die in front of him, and he has said many profound things that have inspired me. I wanted to be able to mimic the format of the interview in this video, and also learn from the doctor's point of view in the video.

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死亡之前，你不会知道这些 20年ICU医生的真相#生命的意义 #健康 #薄世宁 #生命 #姜Dora

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After the carpentry, we tried cutting foam boards, my friend made a SpongeBob SquarePants, and I made a Patrick.

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In this week's workshop, we learned some simple carpentry knowledge. I was actually quite scared at first, because the machines were very noisy and fast. So it didn't go well for me when I was using the cutter (you can see that there was some breakage in the arc area). But after getting used to it, I thought the work was quite interesting, and I felt very satisfied looking at the smooth wood surface after grinding.

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Side Light

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Low Light

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45 degree light.

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Flat Light

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Top Light

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Back Light

When taking this set of photos, I found that the lighting equipment was too big and there was no way to put it behind the puppet to light it, so we used the flashlight of our mobile phone to light it. (My hand was a little bit in the frame, which affected the effect a little.

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Edge Light

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【街头采访】做宠物医生是种怎样的体验？

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【街头采访】做宠物医生是种怎样的体验？_哔哩哔哩_bilibili

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今天我们来到了一家宠物医院，问问他们在宠物医院工作是种怎样的体验吧, 视频播放量 51700、弹幕量 481、点赞数 4373、投硬币枚数 622、收藏人数 573、转发人数 701, 视频作者 好叫好伐, 作者简介 全上海最有趣的街头采访 | 商务合作请加linzhu111111，相关视频：【宠物医院】宠物医院的凌晨会有什么故事发生呢？（4） ，普通人也可以成为宠物医生，动物医学，千万别学，狗都嫌弃，不心动offer！动物医学劝退指南，宠物医生助理你能坚持多久，我3个月，坐标深圳月薪4000，只能活着，【宠物医生的一天 】记录武汉动物医生复工后最真实的日常生活，兽医竟能买好几栋楼？动医专业未来都能干点啥？【宠物医生养成记】，也许是最低的硕士工资！听听兽医硕士讲讲宠物医生就业相关的问题以及对学兽医的劝退，成为一名合格的宠物医生要熬多久？【宠物医生养成记】，关于兽医的一个小秘密

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Over Shoulder

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Mid Shot

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Dutch Angle

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Wide Shot

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extremely close up

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Close up

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A photo of us sitting together while recording

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A photo of us sitting together while recording

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The original audio of the lip sync animation.

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The original audio of the lip sync animation.

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We set the background of this stop-motion animation as a chat on Christmas night, so we wanted a living room with Christmas decorations. But I was afraid that this theme was not distinctive enough, so I wanted to make something memorable in the furniture or the house pattern. So I thought of the heroine's dormitory in the TV version of "Wednesday" - there was a huge stained glass window, and the glass was made into a spider web style. I thought it would be a very interesting attempt. So I designed a stained glass window based on this, and the pattern was a deer head. On the one hand, it was because our group was called No Eye Deer; on the other hand, reindeer is Santa Claus's mount, which can also be regarded as a Christmas element. In short, I found some reference pictures based on a "warm room" and "Christmas", and made a color card based on these pictures. Our subsequent environmental design will be based on this color card.

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After reading my first draft, the professor made several suggestions: 1. Remove the gray stone wall 2. Change the color of the stained glass window, remove the blue and purple, and change the deer part to the same orange as the campfire. 3. If the fireplace is on the same side as the stained glass window, the two light sources will conflict a bit, so I should put the fireplace on the left side of the room.4. Change the whole room to a red and green color scheme, and use more wallpaper. 5. It is recommended that the decorative lights and colorful flags extend from the outside to the center, so that the visual center will be on the stained glass window.

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I changed the design according to the teacher's request, but because of time constraints, I did not draw a two-point scene. I think the actual effect will be much better than what I drew. In the PowerPoint stage, I carefully considered what materials these furniture could be made of, and I marked all the information I found in the PPT.

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A super small model of a house. During the Cook Building class, the professor made a small house model for us. He told us that it was recommended to change the roof to an upward angle so that it would be easier to light. We all planned to build the house according to the way he taught.

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The pink green one is to neutralize the proportion of red and green in the room

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the cloud wallpaper is because the theme of our animation is to rescue birds, and clouds can be associated with birds.

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The following reference pictures were found by my team members and I. We decided to design the character in a small and cute size with warm colors.

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I first found a video of the pronunciation of Chinese vowels, and then I read the vowels again. During this period, I recorded my own mouth shape and filmed the video at the same time. Then, I drew the mouth shape according to the style of the character design given to me by the team members according to my own video.

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24个基础汉语拼音韵母的发音带读

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24个基础汉语拼音韵母的发音带读_哔哩哔哩_bilibili

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发音口型带读, 视频播放量 243、弹幕量 0、点赞数 4、投硬币枚数 0、收藏人数 6、转发人数 1, 视频作者 语言规划大象老师, 作者简介 ，相关视频：29个基础汉语拼音的发音口型带读，汉语拼音16个整体认读音节发音口型，汉语拼音23个声母发音口型，拼音标调口诀，声调学不会？每天跟着老师来练习：单韵母四声调拉长练习，汉语拼音介母i u ü顺口溜口诀，23个声母记忆儿歌，24个韵母的正确发音口型，全国普通话考试真题卷（二十七），一年级第一课：天地人

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My lip chart is based on this video.

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First attempt at lip-synching stop motion animation

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First attempt at lip-synching stop motion animation

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IT Lab

This week we learned how to make lip sync stop-motion animation. We need to lip sync the audio of the characters in the dragon frame software first, and then draw the lip sync on paper and shoot. This method is really practical. It can avoid errors caused by the change of the lip sync position. And in fact, the whole process is simpler and easier to implement than I thought. However, the only drawback is that our shooting progress today is a bit slow. Later, we didn't check carefully because we were in a hurry. As a result, my iPad lit up in the middle of the frame and we didn't notice it. It was not until the end of the shooting that we realized that this was difficult to change.

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I am responsible for making the Audio Clips, and I have color-coded what each person says.

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•I watched last year's students' work and found that the mouth was made of the same material as the puppet and the mouth worked best. We were going to make the dolls out of wool felt, so we were going to make mouth shapes out of wool felt and poke them in the mouths of the dolls, because of the properties of wool felt, it would not be particularly difficult to take them.

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I planned the schedule for this project. After showing the first version to the professor, she asked me to change two times, and I marked the deadline in red.

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In this week's IT Lab, our group is mainly making lip-syncing animations. The audio of our group is about four minutes long, and each of us has one minute to make it. This is the first minute I have been assigned. Due to the heavy workload, I haven't finished it yet. In fact, I think this lip-syncing will be a little slower than the audio, but it doesn't matter, we can make changes during post-editing.

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In this week's craft class, we made a bracket with two pieces of wood. During the production process, I found that it is easy to erase too much wood when sanding, which will cause it to be mismatched with other accessories in length or size. We will pay attention to this in the future production. Using the method taught by the teacher this week, we can make a model of the house to be used in stop-motion animation.

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We also made a small background map using four pieces of cardboard. I found that the paper used for rotoscoping would slide easily if it was not fixed, which would result in an inaccurate drawing. When we were preparing props and furniture, I would bring some masking tape to fix them.

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In this week's IT Lab, I finished lip syncing my part, and you can see that there are still some unnatural parts in the video, and I will improve them before the real shooting.

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In this week's IT Lab, I finished lip syncing my part, and you can see that there are still some unnatural parts in the video, and I will improve them before the real shooting.

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Then I sketched the outline of the doll on a transparent piece of paper and marked the size of the filling and the approximate length of the limbs with a red pen.

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Next, I used a ruler to measure the length of the limbs and used two pieces of wire to make the limbs of the doll together (unfortunately I forgot to take the picture of twisting the wire)

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In this week's carpentry class, we started to make a model of the house for the background, we started with a base plate, and then we started to make the wall at the back, because on our group's blueprint, our background has windows, so we need to make a different plank from the sides. We first used a compass and ruler to determine the location and size of the window. And marked where the wallpaper needed to be attached, and then we made a small hole in the center of the window, and then let the blade of the cutter pass through the small hole. Meilin operates the cutter to separate out an imperfect circle, which I then polish. I polish out unevenness and extra parts. In the end, we got a perfect backdrop!

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My progress was slow this week, mainly because I am not good at handicrafts and encountered many unexpected problems during the production process. The first one was when making the doll's body. Because the density of this wood is not very high and the actual size of this part is very small, I cracked it when drilling, so I had to change a piece of wood and make it again.

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This was the second problem I encountered. I had already twisted the wire of the right length last week, but when it came to drilling holes in the doll's body, I found that the original design was unreasonable. Because it was difficult to control the depth of the drill into the wood, and the drilling point on the doll's chest was very close, I had to drill through its chest and twist a longer wire to connect the doll's body and head (but this time I had an unexpected gain, that is, using a drill to twist the wire would be very efficient and effortless, and the quality of the twisted wire is also better than that twisted by hand.)

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This was the third problem I encountered. At first, I just randomly found a type of clay in the material classroom to make the doll's limbs. But when it came to assembling, I found that this type of clay was too soft. When I squeezed it, it would spread out in all directions. If I encountered this problem during filming, it would be very troublesome, so I had to ask the teacher for a special type of clay to remake the doll's limbs.

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This package contains two types of clay that are very soft when they are separated, but when they are mixed together, they become very hard and can't be bent easily. It is really the perfect material for making dolls.

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All in all, after I solved the three problems above, the assembled puppet skeleton looked like this.

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This picture shows a failed product, which is very frustrating. In the teaching video provided by Rose, Rose used a piece of wood and pasted clay on it to make the head of the doll, but our group wanted to use wool felt to present this doll, so we couldn't use wood because wool couldn't penetrate into the wood. Our initial idea was to cut a piece of foam board into a circle and wrap wool on this basis. At first, this method seemed to work, but when the wool fully covered the foam ball, I found a bad thing-the foam ball was broken by the needle. I wanted to remedy it, but after I took out all the foam fragments, I knew it was impossible. I had to make a new doll head. I think I need a softer material-a material that wool felt can penetrate and will not break, but is not easy to deform. After I checked a lot of information, I found that super light clay is the most suitable. I prepared two methods to continue making the head. One is to use super light clay to make the skeleton of the head first, and then wrap the wool on it. If this method doesn't work, I can actually just punch the wool felt into a solid piece to make the doll's head, but this method is more time-consuming and patience-consuming.

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In the Cook Building class, we have assembled the three walls and base of the house and painted it white (sorry I forgot to take a photo). We encountered a problem, that is, in our design, we have a sloping eaves, and if we want to make it with wood, it will be difficult to do and it will take a lot of time. Aaron suggested that we use foam board to make it. Since we will put wallpaper on the whole room, the effect will not be worse than the model made of wood. We first used folded cardboard to determine the angle of the roof and the approximate size required, and drew it on paper. After determining the size, we directly cut the foam board. Our task next week is to assemble the roof and put wallpaper on it.

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After failing to make a doll's head with foam balls, I tried to use super light clay to make the doll's head and hands and feet. The advantage of this method is that I can easily shape the doll's face, and adding wool felt on this basis becomes very easy. The disadvantage is that I didn't know at the time whether this was a feasible method, and it takes time for the super light clay to dry completely.

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The good news is that the super light clay face model was successful, and the wool felt was very easy to pierce. But actually, I had a hard time piercing the doll's face. At first, I insisted on using off-white wool felt, because I had limited wool felt left, and only off-white felt was left. But after piercing for a long time, I found a problem - the off-white wool felt did not color, and even after piercing for a long time, I could still see the auxiliary lines drawn to determine the position of the face.

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So I used flesh-colored felt and tried to wrap it in an outer layer of off-white felt. Fortunately, this method worked. This means good news - when I don't have enough felt of other colors, I can use off-white wool to make the shape first, and then wrap it with other colors of felt. Then, I poked a shape of the white of the doll's eye on the mat, and then I poked it on. After becoming proficient, this work became simple, and I gradually found that felt is a very plastic material. Even if I make some mistakes in my work, I can remove it before it is very solid. It is like using a pencil when drawing. This is a material that allows me to make mistakes.

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I gave the figure a three-dimensional nose and outlined the eyes and pupils with brown, and it finally started to look like a face.

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I wrapped the skeleton of the doll with sports bandages to make it look like the skin of the doll. I did this because I am really bad at sewing. I tried to sew the head of the failed doll with thread before, but the result was a disaster, which made me frustrated. I had to try other materials to see if they could achieve better results. So I thought of sports bandages. I tried to make dolls in high school, but that project ended in failure. Although, I still had some successful experiences in the last attempt, including making doll skin with sports bandages. In fact, the doll body wrapped in sports bandages has a good effect. The sports bandage does not hinder the movement of the doll's limbs because it is flexible and not particularly difficult to make.

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For me, the production of the doll was really not smooth. After I finished making the skin of the doll, I was devastated to find that the doll's arm was broken. I reflected on the reasons, and I think there may be three reasons: 1. The length of the connection between the wire and the body that I reserved was too short. 2. I used the wrong glue before. I connected these two arms twice. Maybe their condition was already very bad when I connected them for the second time. 3. I only used two wires to make the arm part, which may cause it to be not strong enough. Based on this result, I have no other choice but to redo it next week. In addition, I showed my doll to Rose. She thought that the connection between the limbs and the body of my doll was not smooth enough, which would make people feel a bit like a block, so I added wool felt to the connection of the body block on the original basis, hoping that it would look smoother.

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In our group's background design, only the floor is solid color, and there are patterns on the walls and the roof. We will use wallpaper to make the patterned parts, so I only used paint to pave the floor. Weiran Tang and I did this step together.

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Last week I had already cut the foam board needed to make the roof, and this week my task was to install it. The actual production of this process is very simple. I just used four other foam boards as supports and glued them on with hot melt glue. But there are many things we need to consider in the design stage. Our model needs to remove the left and right side walls in the later shooting to achieve the purpose of taking some tricky shots, so we can't install the roof on the left and right walls, otherwise our walls will not be removable. We can only stick the roof on the innermost wall. This is almost the only feasible solution. The teacher mentioned before that the roof can be installed on the left and right walls separately, but I think this solution has a fatal flaw, that is, when we need to remove the wall, one side of the roof will also be removed by us, which will cause the shadow of the roof to change during the shooting, which may have a great impact on our finished product.

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This is the front view of the model (the two pieces of furniture in this picture were not made by me. I was sick and had to take a leave of absence from that Cook Building class. Since these photos were taken afterwards, some wallpaper has been put up, but I will talk about the specific content related to wallpaper in the next post)

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I printed some A3 size wallpapers, and the four of us worked together to paste the wallpapers. The wallpaper at the bottom was easier to paste because the vertical stripes were vertical, so I didn't have to think too much about it. I just had to fill in the gaps with paper strips. The cloud-shaped wallpaper at the top was more difficult because I had to consider the orientation of the clouds and the way the different papers were connected. If it wasn't done well, the effect would be ugly, just like pasting wallpaper in a real house. We didn't finish pasting all the wallpapers before the Cook Building closed this Friday, and we will continue to do it next Monday.

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We finished putting up the wallpaper on Monday, and the finished effect is shown in the picture. At this step, the set part is complete, and we begin to focus on making puppets and props.

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The arm of the puppet was broken before, so I used the same method as before to remake the arm, and the effect is shown in the picture. In order to prevent the arm from breaking in the body again, I twisted three iron wires together to make the skeleton this time, instead of two as before. But there is a disadvantage, that is, the skeleton made of three iron wires is relatively hard, and the puppet is not as flexible as before.

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It takes time to wait for the glue to dry, so I used this time to make the head of the doll. This time I made the hair of the doll. I didn't have much yellow felt left, so I used the new method I learned last week - first use off-white felt to make the prototype of the hair, and then cover it with yellow felt. In this way, the outermost layer of felt only plays a role in coloring, not shaping, and only a small amount of yellow felt is needed to complete it. When making it, I used the layering method, that is, to divide different parts of the hair into different blocks to make them. For example, the bangs are one block, the hair on the back of the left head is one block, and the back of the right head is another block. I covered the different blocks layer by layer, which made the felt look more hairy.

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The next step was to make clothes for the dolls. I consulted a classmate who was studying fashion and asked him how to make clothes for dolls (I knew nothing about clothing making before that). The following picture was a diagram he drew when he was explaining it to me. I roughly understood the steps of making doll clothes.

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The steps for making the top are to first use a tape measure to measure the doll's body size, such as her waist, shoulder width and upper body length, and then draw a pattern on the fabric based on this number. Because my method is to make two pieces of fabric of the right size, sew them together, and then turn them over, the stage of drawing the pattern and cutting is relatively simple, and there are no major difficulties. By the way, the idea of ​​making the top is a sleeveless T-shirt with two sleeves, which means that the sleeves are made separately, and I can use other fabrics with different colors and patterns, so that the design will be more complex and interesting than solid-colored clothes.

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When I first made the T-shirt, I used a stapler instead of needle and thread to sew the clothes (theoretically, this method works). In practice, I found that the stapler can only be used on some strong and soft fabrics. The stapler can't nail into the hard fabric, and the fabric of poor quality will have thread ends after the stapler is pushed into the fabric. So I only used the stapler when making T-shirts, and used needle and thread to sew the sleeves and pants later. In fact, I encountered a problem after making the T-shirt. I realized that the doll is different from the real human body. The human body is soft and elastic, and even tight clothes can be barely put on. However, the skeleton and muscles of the doll are iron wire and hard clay. It can't wear a piece of clothing without a gap like a person. I had to remove the half of the clothes that had been sewn, and sew it up after wrapping the doll's body. However, this also made it impossible to take the clothes off the doll unless it was cut directly.

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This is probably the effect of the top after it is finished. At first glance, the effect is OK, but if you look closely, you will find many flaws, because this is my first time learning how to sew clothes, and I am really not very good at it. I also cut a small scarf for her, which is removable. I think this can cover the neck part with a slightly different skin color. And it can look warm.In this picture you can see two pieces of slightly different shades of grey fabric, I put them together and tried to choose a more suitable color for the pants. In the end I chose the one below because my doll and the top are both warm colors, and the grey fabric on top is cooler in color and doesn't fit my doll that well.

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Next is making pants. Actually, there is not much to say about this part, because its production process is similar to that of the top. I heard from my friends who study fashion design that real people's pants are made by sewing four pieces of cloth together, but since I am making a doll, I don't need to use such a complicated method, and only use two pieces of cloth.

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I think the most difficult part of the whole process is to turn the sewn pants inside out. This step is to hide the thread ends inside and prevent them from leaking out. But the doll's clothes are so small that I can't put my fingers in them. I can only use a pencil (or any thin and long object) to poke the fabric stuck in the pants out. If I use too little force, I can't turn it over, but if I use too much force, the sewn part will break again. I can only turn it over and then sew the broken part again, which results in some thread ends being exposed. It's not very beautiful, but I tried my best.

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This is what the doll looks like with the pants on. I obviously made the trouser legs a little too long, and I've cut off the excess with scissors. In fact, the doll is almost finished. If there is time before the shooting, I might add a little more hair to her and make her a pair of big feet so that she can stand more steadily. As for the hands, I might make them more delicate.

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Although there was no tablecloth in the original design, I felt that the whole scene was a bit empty and wanted to decorate it with a tablecloth, so I used two cloths with different patterns overlapped and put double-sided tape on the part that touched the table. This would make it look more fitted, like the effect of heavier cloth in real life.

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This step is to make two books on the fireplace. I used thicker foam paper to make the inner pages of the book, stapled them together, and finally cut off the excess parts (because the foam paper is thicker, the part sandwiched inside will protrude a bit, and this part needs to be cut off)

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After fixing the sponge paper with a stapler, I made their covers with cardboard. I made two books in total. In order to make their conditions a little different, I used double-sided tape to glue each inner page of the book with the orange cover together, so that it would look like a closed book, which could contrast with the open green book.

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I used corrugated paper removed from express boxes to make the photo frame, because this material itself is a bit thick, and the effect is better than paper sticking on the wall. This small photo frame is mainly divided into three parts, one is the bottom plate, one is the blue cardboard in the middle (because there is no time to hand-paint the image in the photo frame), and one is the top cover plate with a hollow middle. I used acrylic markers to color, because this pen has a strong covering power and a thin tip, which is very suitable for making these small things.

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I made a total of four photo frames that hang on the wall and one large photo frame that is placed on the table. The one placed on the table has one more step than the other four because it needs to stand on the table and needs something to support it. So I cut a piece of corrugated paper that is slightly longer than the size of the photo frame. I first fixed it with double-sided tape, but found that the stickiness of the double-sided tape is limited and the photo frame is easy to fall apart. So I used two pieces of transparent tape to stick the support board to the photo frame, one in front and one in the back. This is not only very firm, but the inclination of the photo frame can also be adjusted.

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This is the effect of putting the photo frames in the right place. The photo frames hung on the wall are glued with double-sided tape. Because corrugated paper is very light, there are no problems.

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I made two pairs of Christmas stockings. I first made a pattern on the red cloth, and then cut it out (it should be noted that you need to leave a circle of edge line when cutting, because you have to sew along the line I drew when sewing, otherwise the socks will be smaller when you turn them over). According to the width of the red cloth, I cut out the size of the white cloth that needs to be connected, and then sewed them together.

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The production steps I just mentioned need to be repeated twice, so that I have two red and white sock-shaped pieces of cloth. Then I just need to leave the mouth of the socks and sew the rest of the pieces together. After sewing, I turn the socks over so that the thread ends will be hidden and the exposed parts will look better.

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I made two pairs of socks. Actually, I did not do one thing well enough. I should have cut the fabric for the second pair of socks when I was making the first pair of socks, so that the two pairs of socks would look the same after they were sewn. However, I forgot this step, so the two pairs of socks in front of us look a little different.

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The next step is to make the gift boxes, which is simple in theory, but very time-consuming in practice. The gift box itself is a hexahedron, and I need to draw its structure diagram on paper, and then cut it out with scissors (the length, width and height of the four gift boxes are different, because I hope they can be different when arranged together, so their structure diagrams are also different).

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Next, I will fold the cut structure drawing according to the pencil marks, and it will be a hexahedron. I will use transparent tape to fix the edge of the gift box (because the transparent tape looks ugly when it is exposed outside, so I always fix it inside the gift box). After fixing it, I will cut off the top surface, and then use the same method to make a lid (the height of the lid needs to be at least one-half smaller than the gift box. For example, the height of the box is 3cm, and the height of the lid is 1cm). Next, we just need to put them together.

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Next I want to talk about the making of the gift box ribbon. I first tried to make the bow of the gift box directly with fabric, but I found that most fabrics were too thick, and the bow made in this way was very ugly because its structure looked unclear. So I decided to make the bow directly with colored paper. This process has no disadvantages except trouble and time-consuming. At least the final effect is good.

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In the end I made four gift boxes, all decorated in different ways. Two of them did not have lids. For these two boxes, I kept the sixth side of the structure diagram and attached a small piece of trapezoidal paper to it to close the box.

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The large prop I was assigned was a Christmas tree. I first used a ruler to measure the approximate size of the Christmas tree (in order to match the other props in the scene), and then I used super light clay to make the inside of the Christmas tree, which is actually a triangular pyramid. Since I will add a lot of leaves and decorations on it later, I need it to be able to withstand a certain weight, so I wait until its skin is completely dry before proceeding to the next step.

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The next step is to make the trunk of the Christmas tree. Because I want to make the trunk of the Christmas tree blocked by the gift box, the trunk is made shorter. But I am worried that part of it will be exposed when shooting, so I still use a knife to make texture on it.

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In order to create the effect of stacked leaves, I first rolled the super light clay into a round shape and rolled it into a strip (I would reserve a length longer than the circumference of the Christmas tree to prevent it from being too short after the completion), and then evenly pressed the long strip of clay into a flat surface. Next, I used scissors to cut out the texture. Now we have a piece of clay with wavy lines on the bottom and straight lines on the top. We just need to stick it on the Christmas tree, flatten the part close to the top, and repeat this step over and over again.

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I learned how to make a Christmas tree from this video (obviously my craftsmanship is not as good as hers)

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DIY手工粘土丨圣诞树 🎄 粘土教程 快来试试吧_哔哩哔哩_bilibili

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The shooting schedule this week was too rushed. I took it to the scene and set it up directly after I finished it, so I forgot to take a photo of the finished Christmas tree. However, from the screenshots of the lighting test, you can still see what I did to the Christmas tree in the end. After completing the leaves, I added some red clay balls as decorations, and inserted a clay star on the top (I used a sewing needle to insert it). You can see in the picture that there are some delicate little things on the Christmas tree, right? In fact, those are earrings. It happened that Christmas is coming soon, and Poundland has a lot of such small ornaments. We simply bought some to decorate the Christmas tree.

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lighting test & Comparison with design drawing

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lighting test & Comparison with design drawing

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The props made by the team members have been completed, and finally we have arrived at our assembly and lighting stage. I really felt relieved when I saw the renderings, because I always thought that the effect of our project might not be particularly good, but I was really satisfied after adding the lighting. For the lighting part, we first added a cold light behind the stained glass window (because the stained glass window originally has its own color, if warm light is used, the color presented will change), and then we added a warm light just above the roof (the purpose is to make the atmosphere of the whole room bright and warm), and finally, we added a few small button lights in the fireplace. In fact, the fireplace part is a bit of a pity, because the brightness of the small lamp we bought is much weaker than expected. I originally wanted to wrap the light with a tissue to create a flickering effect of the flame, but if this small lamp is covered with a tissue, the light is almost invisible, so we can only leave it exposed. Fortunately, the effect is not particularly bad, but it is a pity that it cannot be a perfect scene.

Comparing the pictures taken on site with the original design drawings, I found that we did our best to replicate the ideas at that time, but the finished product is actually better than I expected.

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I was responsible for the lip-syncing of one of the puppets, and the lip-syncing of the other puppet was made by Meilin Zhu (the design is in the padlet of the third week). The original plan was to use wool felt to make the lip-syncing, but because of time constraints, we had to use a faster method - paper. I first printed the designed picture in proportion, and then pasted a layer of transparent tape on the positive side of the paper (in order to make the lip-syncing more solid, I thought that there were four people in our group to complete the shooting task, and if the lip-syncing was damaged, it would need to be temporarily printed, which was very troublesome). Next, I carefully cut out the lip-syncing with scissors. Because they were so small, I lost a few pieces during transportation, so I actually did it twice.

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In this picture, you can see that I added a light strip to our scene, which was actually the effect I wanted to achieve when I designed it.

I was the first person in our group to shoot, so I needed to leave enough shooting time for the people behind me, so I actually finished shooting most of the content on Saturday this week. There is also a shot that needs to be shot from top to bottom, but it cannot be shot temporarily due to the conflict between lighting and camera position, so I plan to shoot it as the last shot on Monday.

There is not much worth mentioning about the shooting process. The only thing worth mentioning is that our voice is in Chinese, and the lip shape that comes with the software is English lip shape, so I need to think about which Chinese lip shape I need to replace the original English lip shape while shooting. Fortunately, the rhythm of lip shape changes was set early, so this is not a difficult problem to solve.

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This is the result of my shooting this week. Because my puppet's hands and feet were broken during the production process, I didn't dare to change its movements, so it was a pity that I couldn't shoot more interactive movements.

Because the lens is a fixed-focus lens, the zoom in and zoom out shots I originally designed can't be shot directly, but I thought about it and this effect can be done in post-production, so don't worry.

In terms of camera movement, I followed the animatic made by Ziyue Zhang.

In terms of lighting, you can actually see that I moved the lights behind the colored window when different people were talking, in order to create a feeling of spotlights on the people who were talking. In the middle of these two shots, I will add a top-down shot, so the audience will not be aware of the change in lighting.

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Actually, in the earliest designed animatic, we wanted to shoot the rock-paper-scissors part with an upward lens, but because the position of the lens conflicted with the position of the lighting, I had to change this lens and complete it through editing. I reshot this part on Monday and it will be edited into the video in the end. After this, my shooting task is completed. I will temporarily focus on the 2D animation and update the editing content after other team members have finished shooting.

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The editing process of our group is that each team member first simply edits his part (including composition and color coordination), and then summarizes all the clips to me for overall adjustment and subtitles. Because Ziyue Zhang in our group is good at mixing and sound editing, I will give him the semi-finished product and let him further edit the audio.

For me, the first step is to edit my part. There is a black and white match (a game similar to rock-paper-scissors) in my part. We originally wanted to shoot this part from an upward perspective, but in the actual shooting, the position of the camera and the position of the light overlapped, so we could only shoot a horizontal shot, and then add the result of the rock-paper-scissors game in the form of a texture.

The picture above is the process of my synthesis in AE.