# data[].attributes.body
Quantz. Interpretado por Pahud

# data[].attributes.attachment_link.title
Concerto for flute, strings and basso continuo in G Major QV5:174: I. Allegro assai

# data[].attributes.body
Quantz. Un poco más rápido. Hyunjoo Lee Cond

# data[].attributes.body
Quantz. Rachel Brown. Otra versión con Traverso

# data[].attributes.attachment_link.title
Rachel Brown/ Quantz: Flute concerto in G major, QV 5:174, 1st Movement

# data[].attributes.body
Quantz. Benedek Csalog

# data[].attributes.attachment_link.title
Flute Concerto in G Major, QV 5:174: I. Allegro assai

# data[].attributes.attachment_link.metadata.title
Flute Concerto in G Major, QV 5:174: I. Allegro assai

# data[].attributes.body
Quantz. Concierto con Traverso

# data[].attributes.attachment_link.title
Flute Concerto in G Minor, QV 5:196: I. Allegro di molto, ma con brio

# data[].attributes.attachment_link.metadata.title
Flute Concerto in G Minor, QV 5:196: I. Allegro di molto, ma con brio

# data[].attributes.body
Podcast. Quantz I. El hijo del herrero

# data[].attributes.attachment_link.readable_text
QUANTZ: Concierto para flauta, cuerda y continuo en Re mayor (17.12). J. Wentz (fl.), Musica ad Rhenum. Dir.: F. Deuter. Sonata a trío para flauta, oboe y continuo en Do menor (10.34). M. Larrieu (fl.), P. Pierlot (ob.), R. Veyron Lacroix (clv.). Concierto para trompa y orquesta en Mi bemol mayor (7.17). B. Tuckwell (tpa.), Academy of Saint Martin in the Fields. Dir.: I. Brown. Sarabande y Doubles I y II para flauta de pico en Sol mayor (2.54). Vivace alla francese para flauta de pico en Si bemol mayor (1.26). D. Oberlinger (fl. de pico).

# data[].attributes.attachment_link.title
Grandes ciclos: J.-J. Quantz (I): El hijo del herrero | RTVE Play

# data[].attributes.attachment_link.description
Emisión del programa Grandes ciclos titulado J.-J. Quantz (I): El hijo del herrero. Todos los contenidos de RNE los tienes aquí, en RTVE Play

# data[].attributes.body
Podcast. Quantz III. Fuente de inspiración

# data[].attributes.attachment_link.readable_text
Grandes ciclos J J Quantz (III): Fuente de inspiración artística y cultural

Hablamos con el clavecinista Alfonso Sebastián Alegre, profesor titular de clave y continuo del Conservatorio Profesional de Música de Salamanca. Director invitado de la Orquesta Vigo430, y miembro del grupo Los Músicos de Su Alteza, ha colaborado con La Tempestad, Al Ayre Español, la Orquesta Barroca de Sevilla, Orquesta Barroca de la Universidad de Salamanca, la Orquesta Sinfónica de Castilla y León y ha realizado diversas grabaciones. Ha traducido a nuestra lengua el Ensayo de un método para tocar la flauta travesera de Johann Joachim Quantz. QUANTZ: Concierto para flauta, cuerda y continuo en Mi menor (11.18). E. Lamb (fl.), La Academia de Colonia. Orquesta Damals und Heute. Dir.: M.-A. Willens. Sonata a trio para flauta, fagot y continuo en Re mayor (6.57). S. Kaipainen (fl.), T. Kaipainen (fg.), S. Rubin (vla. de gamba), C. Daxelhofer (clv.). Musica Poetica. VERACINI: Finale (Obertura en Si bemol mayor) (1.18). Musica Antiqva Köln. Dir.: R. Goebel.

# data[].attributes.attachment_link.title
J.-J. Quantz (III): Fuente de inspiración artística y cultural - RTVE.es

# data[].attributes.attachment_link.description
Hablamos con el clavecinista Alfonso Sebastián Alegre, profesor titular de clave y continuo del Conservatorio Profesional de Música de Salamanca.

# data[].attributes.body
Podcast. Quantz V. Objeto de investigación

# data[].attributes.attachment_link.readable_text
Hablamos con Agostino Cirillo, profesor en los Cursos Internacionales de Música Antigua de Urbino (Italia), profesor de flauta de pico y traverso barroco en el Conservatorio Superior de Música de Murcia y actualmente profesor del Curso de Música Antigua de Daroca. Autor de la Tesis Doctoral titulada "Johann Joachim Quantz y su aportación a la cultura musical del siglo XVIII", dirigida por Juan Miguel González Martínez y defendida en 2016 en la Universidad de Murcia.

QUANTZ: Concierto para flauta, cuerda y continuo en Sol menor (17.27). J. Walter (fl.), Solistas de Cámara de Dresde. COUPERIN: Le Parnasse, ou l'Apotheose de Corelli (13.11). B. Herve (recitador), C. Banchini (vl.), J. Savall (vla. de gamba), T. Koopman (clv.), H. Smith (tiorba), Hesperion XX. Dir.: J. Savall. WEISS: Allemande (Suite en Re menor) (3.33). J.-M. Moreno (laúd).

# data[].attributes.attachment_link.keywords[]
j.-j. quantz (v): objeto de investigacion (i)

# data[].attributes.attachment_link.title
Grandes ciclos - J.-J. Quantz (V): Objeto de investigación (I) - 22/06/23

# data[].attributes.attachment_link.description
Hablamos con Agostino Cirillo, profesor en los Cursos Internacionales de Música Antigua de Urbino (Italia), profesor de flauta de pico y traverso barroco en ...

# data[].attributes.body
Podcast. Quantz IV. Algunos viajes

# data[].attributes.attachment_link.readable_text
QUANTZ: Concierto para dos flautas, cuerda y continuo en Sol mayor (15.10). J. Wentz (fl.), M. moonen (fl.), Musica ad Rhenum. Dir.: F. Deuter. FEDERICO II DE PRUSIA: Concierto para flauta, cuerda y continuo nº 3 en Do mayor (14.31). E. Pahud (fl.), Kammerakademie Potsdam. Dir.: T. Pinnock. QUANTZ: Sonata a trío para flauta de pico, flauta travesera y continuo en Do mayor (10.17). M. Niesemann (fl. de pico), M. Sandhoff (fl.), R. Mohrs (vc.), G. Hambitzer (clv.), Il Concertino Köln. DIEUPART: Suite para clave nº 2 en Re mayor (selec.) (Ouverture, Allemande) (arr. para dos clv.) (4.15). H. Niquet (clv.), L. Beausejour (clv.).

# data[].attributes.attachment_link.title
Grandes ciclos - J.-J. Quantz (IV): Algunos viajes - 20/06/23

# data[].attributes.attachment_link.description
Grandes ciclos - J.-J. Quantz (IV): Algunos viajes

# data[].attributes.body
Podcast. Quantz. Un flautista para el Rey

# data[].attributes.attachment_link.title
Un flautista para el rey: Johann Joachim Quantz

# data[].attributes.attachment_link.description
Un flautista para el rey: Johann Joachim Quantz.

# data[].attributes.body
Una tesis sobre Quantz. Para investigar un poco más

# data[].attributes.attachment_link.readable_text
* Enhanced for iOS 17/iPad OS 17
* Support for our new app, Transcriptionist

Ferrite is the award-winning app you need for creating podcasts, radio journalism, or other professional voice production work - lectures, speeches, voice-overs and more.

It combines the ease-of-use of a "voice memo" audio recorder, with a versatile multi-track editing studio. Powerful tools like effects and automation are available when you need them. With time-saving features and a UI designed to get out of your way, people around the world are switching to Ferrite.

- Streamlined Recording -

Open Ferrite and with just one tap you're recording. No fuss, and it won't break a sweat even with hours-long sessions. Just make sure your device has enough free space!

Recording an interview and you want to highlight a few quotes? Have to take out some inappropriate language? Or just fluffed a sentence and need to fix it? Bookmark moments during your recording and they'll be flagged up during edits, so you can jump right to them.

Monitor levels with live recording meters, or listen through headphones. Tag your audio to find it quickly later. And of course you can import audio from your Music Library, iCloud, and other services such as Dropbox.

Please note: the free version has limited duration for recording & editing projects. Upgrade to Pro and you can edit projects up to 24 hours long!

- Editing is a Snip -

Ferrite features full multi-track editing, from quick cuts, to producing a complete podcast or broadcast package. Zoom out to see hours at a glance, or zoom in all the way down to individual samples.

Take a single clip, or a bunch, and arrange them in an editing project: move, crop, slice, fade in and out, or crossfade between clips just by overlapping them. You have full control over each track's volume and panning, and can Mute or Solo as needed.

And best of all, you needn't fear trying out changes: Ferrite has great Undo/Redo - even if you quit the app and come back a month later, you can still undo all the way back to the moment you created your project!

- Advanced Features -

Need more? Ferrite also includes:

* Automatic ducking: set tracks to "duck under" others (e.g. ducking music behind voiceovers).
* Strip Silence: Carves away all the silent sections from a recording, making it easy to edit the remaining audio.
* (iPad only) Split View and Slide Over support: Use Ferrite side-by-side with other apps. Recording a narration? Open another app with your script and place Ferrite down the side of the screen. Or open the User Guide in Safari on one side while you learn Ferrite on the other.

With a single In-App Purchase, you can unlock many additional tools, including:

* Preview at up to 2× speed
* Prepare your audio for production with Noise Reduction and Auto Levelling.
* Add professional effects to your tracks such as EQ, Noise Gate and Dynamic Range Compression, for projects that sound clean and engaging.
* Automate volume, panning and effects settings so they vary over time, both on individual tracks and the final mix.
* Tighten Audio can automatically take out awkward pauses and gaps.
* Producing a podcast or series? Create a template to get each new episode off to a flying start.
* Add cover art, chapters and more.
* Found the perfect settings for an effect or tool? Save them as a Preset for re-use in other projects.
* Audio Unit Extensions: if you have other apps installed that provide effects as Audio Unit Extensions, they'll show up in Ferrite, where you can add them to tracks or projects.
* Advanced search, smart folders, and template folders.

Version 3.1.4

* Various reliability improvements.

Ferrite is For Everyone.

When I first installed this App, soon after its launch, I did so as the Developer appeared to have gone to great lengths to make the App accessible to those of us using Voiceover. I wanted to support his efforts.

I remember writing to him, at the time, asking him what his driver was for making the App accessible, as a distinct focus toward accessibility was rarer then that it seems to be now. His answer was that it was in his view the right thing to do.

Then, to my shame, I overlooked Ferrite, always going with the easy option transferring audio to my desktop for editing using an app which is totally familiar to me.

That is, until a couple of days ago, when I had no choice, a project to complete whilst on the road with no desktop alternative available.

I duly read the comprehensive user guide, a must, and set to work and to my utter delight, was able to accomplish everything I needed to.

Once I'd got to grips with the App, realised that for my requirements at least, there is nothing I can't do in Ferrite that I would using my Desktop alternative, So much so, that I think I'll pass on the desktop upgrade which has recently become available.

Ferrite takes some getting used to when using VO, but you'll find that if you persist, persistence will pay off.

Finally, the in App purchases are well worth the investment in my view, especially if you intend editing audio on a regular basis.

An absolutely brilliant and essential app

This is an amazing app that deserves much wider attention. It's not just a brilliant replacement for the Voice Memos app but also for recording podcasts, music and anyting you might use a portable microphone for.

The free version has a really powerful feature set and the pro verion is...well, for pros and those who want the ultimate flexibility and control when it comes to multiple audio tracks and editing etc.

What really sets this app apart is not just the features but also the design - there are lovely flourishes everywhere, from the icons, to the scrubbing animation, to the audio clip information sheet. You can import existing Voice Memos and export them from Ferrite to pretty much anywhere and the support is amazing - the Developer was brilliant when I had a query about the app, offering great advice and responding really quickly.

I love this app - it's crafted with care and attention by a team or a Developer who clearly knows their stuff, and their passion for it shines throughout this gem of a product. I urge you to give it a go. It knocks its rivals into a cocked hat...

Great App

I have been using this application to edit my podcasts for the last few months now and couldn't be more pleased with the results. Initially I was a little intimidated with the UI but after finally working out the basics everything fell into place.

The speed I can now edit a show is amazing. From dragging in separate tracks, positioning, editing, removing extended silence, tightening, levelling and finally exporting, all from my iPad Pro and Pencil, is a joy.

If you produce podcasts you really owe it to yourself to check out this wonderful application.

The developer, Wooji Juice Ltd, indicated that the app's privacy practices may include handling of data as described below. For more information, see the developer's privacy policy.

Data Not Collected

The developer does not collect any data from this app.

Privacy practices may vary based on, for example, the features you use or your age. Learn More

Information

Compatibility

iPhone

Requires iOS 16.4 or later.

iPad

Requires iPadOS 16.4 or later.

Languages

English, French, German, Italian, Spanish

In-App Purchases

1. Ferrite 3 Pro £29.99

2. Ferrite 2 Pro to Ferrite 3 Pro £14.99

Family Sharing

Some in‑app purchases, including subscriptions, may be shareable with your family group when Family Sharing is enabled.

# data[].attributes.attachment_link.description
‎Ferrite is the award-winning app you need for creating podcasts, radio journalism, or other professional voice production work - lectures, speeches, voice-overs and more. It combines the ease-of-use of a "voice memo" audio recorder, with a versatile multi-track editing studio. Powerful tools like e...

# data[].attributes.headline
Enlace para descargar Canva para educación

# data[].attributes.subject
Enlace para descargar Canva para educación