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The Legacy of Judy Chicago: Revisiting The Dinner Party | MyArtBroker

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Explore Judy Chicago’s The Dinner Party, a feminist art landmark that has sparked both celebration and controversy surrounding women’s history and creativity.

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The world’s first bricks and mortar museum dedicated to the vagina, vulva, clitoris and gynaecological anatomy.

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Our suite of practical resources to support high quality RSE including a collection of e-magazines.

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Hampshire and Isle of Wight Healthcare Sexual Health

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This predictive search will update with quick results beneath the form as you enter keywords. To complete a full search, press the submit button.

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教育与培训-“童行计划”农村儿童性教育项目-周大福慈善基金会

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周大福慈善基金会从2018年开始资助人民币4,070,000元支持广东省绿芽乡村妇女发展基金会开展“童行计划”农村儿童性教育项目，向全国乡村地区未成年人提供均衡、全面、符合未成年人需求的性教育。

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基于我找到的国内外性教育组织和项目，它们各自

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基于我找到的国内外性教育组织和项目，它们各自的特点、优点和局限性如下：

🌟 优点

1️⃣ 资源丰富，内容系统化

Planned Parenthood / SIECUS / Sex Education Forum / 你我伙伴性教育支持平台

这些组织提供系统化的课程、手册和资源，覆盖从生理健康到亲密关系的多个层面。

适用于不同年龄层，有针对青少年、成年人、甚至父母的课程。

许多机构还为教师提供培训，推动性教育在学校内普及。

2️⃣ 互动性强，形式多元

Agents of Ishq / Love Matters / Scarleteen

这些组织采用新媒体、视频、动画、互动游戏等方式，让性教育更贴近年轻人的日常体验。

例如，Agents of Ishq用短视频和漫画探讨印度文化背景下的性别与情欲，避免传统灌输式教学的枯燥。

3️⃣ 关注边缘群体，包容性强

Advocates for Youth / 性教育共建计划 / 中华少年儿童慈善救助基金会

这些组织特别关注性少数群体（LGBTQ+）、农村儿童、性教育资源匮乏的地区。

例如，童行计划专门为乡村儿童提供性教育，而Advocates for Youth积极倡导性别平等与LGBTQ+包容性。

4️⃣ 线上线下结合，提高可及性

Love Matters / Scarleteen / 你我伙伴性教育支持平台

这些组织提供大量线上课程、论坛、匿名问答等功能，让无法参加线下课程的人也能获取知识。

例如，Scarleteen 提供匿名互动，用户可以自由提问，不用担心羞耻感。

⚠️ 缺点

1️⃣ 文化适应性问题

很多国际组织（如 Planned Parenthood、Scarleteen）的内容和教学方式更符合西方社会背景，在东亚或中国本土落地时，可能因文化禁忌、家庭教育方式不同而遇到阻力。

例如，中国乡村家长可能更抗拒开放式的性教育，而国际性教育机构倾向于直接讨论愉悦、性少数权利等敏感话题，容易引发争议。

2️⃣ 线上模式的互动性较弱

线上课程虽然覆盖面广，但缺乏面对面的情感交流，学生的参与度可能较低。

许多性教育话题涉及自我认同、亲密关系等，需要更加沉浸式的体验，而线上模式难以完全替代面对面的讨论和互动。

3️⃣ 乡村性教育的可持续性难以保障

许多乡村性教育项目（如童行计划）依赖短期支教或基金资助，难以形成长期、稳定的性教育体系。

当支教团队离开后，性教育是否能持续进行，教师是否能继续传授这些知识，仍然是个挑战。

4️⃣ 公众接受度和政策限制

在许多国家（尤其是东亚、南亚），性教育仍然受到社会道德、政府政策的严格限制，学校或家长可能拒绝让孩子接受相关课程。

例如，中国部分地区的学校仍然缺乏系统性的性教育课程，而家长可能认为讨论性话题会“误导”青少年。

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This book aims to open up the conversation about a topic that is still surrounded by taboo and shame. By showing diversity, educating ourselves on anatomy and sexual health and openly talking about our experiences and our insecurities, we can change the way we look at our bodies - and the bodies of others.

Let's celebrate this wonderful part of the human body!

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Inside the Book

1. More than 650 colourful illustrations (all based on real vulvas), and foldout pages with anatomical illustrations

2. A chapter about anatomy (with colourful & diverse illustrations)

3. 140 vulva portraits & personal stories

4. Vulva myths debunked - medical health professionals explain why these myths are false

5. Wonders of the vulva & vagina

6. Why? What? How? - All kinds of vulva- and vagina-related questions answered

7. How to draw a vulva

8. Vulva names around the world

9. Positive personal quotes about vulvas from individuals from all around the world

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For whom?

The book can be used to flip through during open conversations about sexuality, by a parent or with a friend - but it's also a perfect book to curl up with and read by yourself. With its personal stories and vulva portraits of real people it has a new approach to sexual health education. It can be used as a tool by sexual health providers to talk about body diversity with clients, or in schools during sex education classes. The book uses gender inclusive language and has a positive approach to sexuality and diversity.

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This book aims to open up the conversation about a topic that is still surrounded by taboo and shame. By showing diversity, educating ourselves on anatomy and sexual health and openly talking about our experiences and our insecurities, we can change the way we look at our bodies - and the bodies of others.

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Bourgeois's work is inextricably entwined with her life and experiences: fathoming the depths of emotion and psychology across two- and three-dimensional planes of expression. 'Art,' as she once remarked in an interview, 'is the experience, the re-experience of a trauma.' Arising from distinct and highly individualized processes of conceptualization, Bourgeois's multiplicity of forms and materials enact a perpetual play: at once embedding and conjuring emotions, only to dispel and disperse their psychological grasp. Employing motifs, dramatic colors, dense skeins of thread, and vast variety of media, Bourgeois's distinctive symbolic code enmeshes the complexities of the human experience and individual introspection.

Rather than pursuing formalist concerns for their own sake, Bourgeois endeavored to find the most appropriate means of expressing her ideas and emotions, combining a wide range of materials-variously, fabric, plaster, latex, marble and bronze-with an endless repertoire of found objects. Although her oeuvre traverses the realms of painting, drawing, printmaking, and performance, Bourgeois remains best known for her work in sculpture.

Bourgeois's early works include her distinct 'Personages' from the late 1940s and early 1950s; a series of free-standing sculptures which reference the human figure and various urban structures, including skyscrapers. The 'Personages' served as physical surrogates for the friends and family Bourgeois had left behind in France, while also highlighting an interest in architecture dating back to her childhood. Her installation of these sculptures as clustered 'environments' in 1949 and 1950 foreshadowed the immersive encounters of installation art twenty years before the genre's rise to prominence.

Bourgeois's work was included in the seminal exhibition 'Eccentric Abstraction,' curated by Lucy Lippard for New York's Fischbach Gallery in 1966. Major breakthroughs on the international scene followed with The Museum of Modern Art in New York's 1982 retrospective of her work; Bourgeois's participation in Documenta IX in 1992; and her representation of the United States at the 45th Venice Biennale in 1993.

In 2001, Bourgeois was the first artist commissioned to fill the Tate Modern's cavernous Turbine Hall. The Tate Modern's 2007 retrospective of her works, which subsequently traveled to the Centre Pompidou in Paris; The Guggenheim Museum in New York; The Museum of Contemporary Art in Los Angeles; and The Hirshhorn Museum & Sculpture Garden in Washington D.C., cemented her legacy as a foremost grande dame of late Modernism.

Header image: Louise Bourgeois, ARCHED FIGURE, 1993 © The Easton Foundation/VAGA, NY, Photo: Christopher Burke

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Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and President Marc Payot

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我们老师在课上做了匿名箱，大家在盒子里留下性教育的问题，然后她每次都会共享给我们：

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我们老师在课上做了匿名箱，大家在盒子里留下性教育的问题，然后她每次都会共享给我们：

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这是我们课上做过的活动：

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这是我们课上做过的活动：

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女性的一生中乳房可能会经历什么变化？什么样才是健康的乳房？罩杯该如何测量？两边乳房不对称是正常的吗？乳晕的颜色深浅和性生活有关系吗？这个科普可能可以帮你解答所有关于女性乳房的问题。