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[discussing how to find Saroo's family]  "Dinner Guests: What paper trail?" "Saroo Brierley: My mum could not read or write." "Dinner Guests: What did she do?" "Saroo Brierley: A labourer... she carried rocks."

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[discussing how to find Saroo's family]  "Dinner Guests: What paper trail?" "Saroo Brierley: My mum could not read or write." "Dinner Guests: What did she do?" "Saroo Brierley: A labourer... she carried rocks."

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Saroo Brierley: We... We... weren't blank pages, were we? Like your own would have been. You weren't just adopting us, but our past as well. I feel like we are killing you.

Sue Brierley: I could have had kid.

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[Saroo and Mantosh talking] Saroo Brierley: "Please could you not do anything while I'm away to make mum more unhappy than you already do."

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[Saroo and Mantosh talking] Saroo Brierley: "Please could you not do anything while I'm away to make mum more unhappy than you already do."

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Saroo Brierley: Do you have any idea what its like knowing my real brother and mother spend every day of their lives looking for me? Huh? How everyday my real brother screams my name? Can you imagine the pain they must be in not knowing where I am?

-Kiera and Levi

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[Saroo and Lucy fighting] Lucy: "What if you do find home and they're not even there? Then you just keep searching?"

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[Saroo and Lucy fighting] Lucy: "What if you do find home and they're not even there? Then you just keep searching?"

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[Saroo says this to Lucy, his girlfriend, when he realizes that he had a whole life in India that he barely remembers.]

Saroo Brierley: "I had another family. A mother. A brother. I can still see their faces"

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Saroo Brierley: Do you have any idea what its like knowing my real brother and mother spend every day of their lives looking for me? Huh? How everyday my real brother screams my name? Can you imagine the pain they must be in not knowing where I am?

-Kiera and Levi

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[When Saroo first arrives and Sue is speaking to him while he is playing in the bath] Sue Brierley: You've come a long was, haven't you, little one?

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Saroo: [after seeing Jalebis again for the first time when an adult] " im not from calcutta.... im lost"

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Saroo is able to afford when older, but not when younger

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Memory of his brother

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Collects with Saroo's memories as indian culture

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difference between wealthy and poor, wester culture

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symbolise western culture

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sets him on a path of survival

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Memory of old identity

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Only something that people with money can afford, therefore symbolises wealth

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Shots: Begins with a close up on saroo's face and then goes to a full body when he is walking through the crowd and standing on the pole.

Angles: High angle when he is standing on the pole

Sounds: Saroo screaming for guddu and his mum, you can also hear the crowd

Lighting: Cold and dark

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Sharing milk with the family:

Camera shots: Close-up shot on Saroo's face when he is drinking the milk.

Camera shots: Wide shot of the family in the small house.

Angles: High angle shot of Saroo and Guddu running with the milk.

Angles: Low angle shot of Saroo's biological mother giving Saroo the milk.

Lighting: Dark lighting to show poverty.

Lighting: Bright colourful lighting when Saroo and Guddu are running to their home.

Sounds: Islamic call to prayer is a diegetic sound when family is in the house.

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Shots: Tracking shot, long shot, extreme close-up, medium shot, full shot

Angles: high angle, low angle

Sounds: Train horn, Dialogue, Footsteps

Lighting: Soft, cold, low, high

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Shots: A mid shot with all of them around the table

Angles: It stays eye level most the time

Sounds: The lady talking and teaching the kids how to say each piece of cutlery and salt and pepper.

Lighting: Warm

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Running away with flashback:

Camera shots: Wide shot/ Long shot used when Saroo is running.

Camera shots: Close-up of Saroo's face when he is picking up the rocks.

Angles: High angle used when Saroo is running in his flashback.

Lighting: Dark lighting when Saroo is under the bridge

Lighting: bright lighting when Saroo has the flashback

Sounds: The rocks are a diegetic sound.

Sounds: Noor yelling Saroo's is a diegetic sound.

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shots : close up of saroo's face to show emotion (confusion, fear) , over the shoulder and tracking shots of him walking on the train, wide shots showing how small and alone he is.

sounds : diegetic insect/cricket sounds, saroo calling guddu

lighting : low, soft, cool

angles : high angle making him seem vulnerable

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Shots: Extreme close-up, close-up, long shot, medium shot

Angles: high angle, low angle

Sounds: Dialogue (diegetic), metal clanking (diegetic), background music (non-diegetic)

Lighting: cold, low, soft

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Shots: Close ups on lucy and Saroo's face, mid shot when they are all sitting at the table

Angles: Mostly eye level

Sounds: Chatting between the uni friends

Lighting: Soft and warm

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Guddu and Saroo are walking home.

camera shots: Full body shots, and wide shots

angles: Low angle, high angle

sounds: crickets in the background, dialogue between Saroo and Guddu, these sounds are both diegetic

lighting: the lighting is warm (brown and orange) and has natural lighting

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Shots

close up of coal pouring into bins.

Over the shoulder shot of Saroo.

extreme close up of jalebi's cooking.

close up of milk.

close up of Saroo's happy face expression.

close up of Guddu's upset expression.

Angles

mid-angle of Saroo and Guddu looking at jalebis.

high angle over jalebi's cooking.

high angle over coal pouring.

mid-angle of Saroo on Guddu's shoulders.

Sound

Jalebi's cooking

people talking

coal falling

shopkeeper talking

Guddu and Saroo talking

milk splashing

whistle blowing

bell ringing from other shops

Lighting

Hard lighting

soft lighting

cold colors

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shots : close up of all the children in the truck, then a wide shot showing them all together. medium shot and tracking shot of saroo walking in to the orphanage.

angles : high angle of kids in the truck, low angle of the orphanage building making it seem scary and unwelcoming.

lighting : cool, low

sounds : truck moving, people shouting

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Camera shot: Over the shoulder at the airport

Camera shot: Full body shot of family

Angles: High angle of Mantosh on the floor

Sounds: Diegetic- Talking

Sounds: Non-Diegetic- Calm piano in the background

Lighting: High light, soft, cold in the airport but warm in the house.

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Shots: Full body for most of it and there were a few mid shots and a few close ups

Angles: More eye level

Sounds: Goats, music, and them speaking

Lighting: Cold

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"I'm adopted, I'm not really Indian" Saroo talking to his group in uni

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"I'm adopted, I'm not really Indian" Saroo talking to his group in uni

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Shots: Close-up shot, over the shoulder, medium shot

Angles: High angle, medium angle

Sounds: Dialogue (diegetic), Background music (non-diegetic)

Lighting: High, warm, soft

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camera shots: long shot, full body shot, medium shot and close up shot, over the shoulder

Angles: low and high angles

sound: dialogue between Saroo and Noor, background traffic, kids laughing and playing and radio

lighting: starts warm but becomes cool, Soda stands out showing the wealth, end of scene it is very dark and piercing shadows

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Lighting: warm and bright

Shot Types: Full shot when sitting at table with seaside behind, Over the shoulder shot of family speaking with each other (toasting and smiling),

Angles: N/A

Sound: Restautant sounds, chatting, cutlery on plates.

Quote: (Sue) "from the moment you came into our lives, you were all that we could have hoped for. More. More than we hoped for, really."

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Shots: Extreme close-up, close-up, long shot

Angles: low angle, high angle, birds eye view angle

Sounds: Background music (non-diegetic), wildlife/bugs (diegetic)

Lighting: warm, soft, low

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sound: the sound in the scene was train horn and the brothers talking after they get off the station u hear the station sound

Shots: the shots were mainly closeup shots when he was trying to find money and then full shots to show the train crossing over the bride .

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"I want to run a hotel so that I can put all the profits in my pocket"  Saroo.

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"I want to run a hotel so that I can put all the profits in my pocket"  Saroo.

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"Saroo, I really hope she's there. She needs to see how beautiful you are." Sue.

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"Saroo, I really hope she's there. She needs to see how beautiful you are." Sue.

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(Saroo is picking up large and small rocks for Saroo's real mum as she encourages him) "Achchha Bachcha" Saroo's real mum.

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(Saroo is picking up large and small rocks for Saroo's real mum as she encourages him) "Achchha Bachcha" Saroo's real mum.

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Shots: long shot, medium shot, close up

Angles: high angle (climbing up train)

Sounds: Saroo & Guddu screaming, train noises, yelling officer, train horn, screaming children, people mumbling talking, tense background music

Lighting: warm lighting- in tunnel transitions into light, cool contrast

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Lighting- Low lighting, Dark.

Camera shot- Close shot, Tracking shot, Mid shot, Full shot.

Sound - Bicycle, train sound, Saroo and Guddu talking.

Camera angle- Low angle, Mid angle, High angle.

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this scene is when Saroo first arrives in Hobart with his new adoptive family

shots: the shots are close up, wide shot, long shot, full body shot, over the shoulder.

angles

angles: high and low angle.

sounds: soft background piano, dialogue about all the things in the house, sounds from the car.

lighting: warm colours, soft bright colours.

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Shots: Close up and full body shots

Angles: Mostly eye level

Sounds: The guy talking to saroo

Lighting: High and warm

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saroos adoptive mother expressing her gratitude 

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Shot types

Close up of Rama in doorway.

Full body shot of Saroo lying on bed.

Long shot of Saroo and bed.

Mid shot of Rama approaching the bed

Full body shot of Rama and Saroo on bed

Mid shot of Noor peeking through doorway

Full body, long shot of Rama cuddling up to Saroo.

over the shoulder shot of Saroo as Rama touches him.

Angles

Low Angle of Saroo standing on the bed

High angle looking over Saroo on the bed

Sounds

Birds Chirping

Rama talking

Saroo talking

Rama sighing

Lighting

Warm lighting

soft colors

Hard lighting

lots of shadow (especially on faces)

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Camera shots: Over the shoulder shot as Saroo and Lucy are talking

Angle: High angle on Saroo on the elevator

Angle: Eye level angle as they talk

Sound: Diegetic- Characters talking

Sound: Diegetic- Music in the shop

Lighting: Cold, Low, Hard

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Shots- Mid, close up, extreme close up, shoulder shot

Sound- Sue crying, digetic music.

Lighting- low light, warm.

Angle- Low angle, Mid angle.

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Shots: Close ups on all their faces

Angles: Mostly eye level

Sounds: Clinking of the cutlery and talking

Lighting: Warm

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Shots: long shot (everyone surrounding Saroo, medium shots, close ups

Angles: high angle

Sound: People talking, train and traffic noises,

Lighting: low, dim lighting, cool lighting, high, bright lighting (bus infront of saroo), warm lighting

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Shots: Close-up shot, extreme close-up shot, medium shot

Angles: Low angles

Sounds: Dialogue (diegetic)

Lighting: Cool, Low, soft

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this scene is when Saroo breaks up with Lucy

shots: close up shot, over the shoulder shot, full body shot.

angles: the angle is a mid angle

sounds: background traffic, dialogue, background music.

lighting: dark, cool colours, lots of shadows.

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shots: tracking shots follow Saroo walking, closeups of his worried face, wide shots show busy streets and trains.

angles: low angles make him look small high angles show how big the city is over-the-shoulder shows what he sees.

sounds: cars honking, people talking, trains running soft music to show his feelings.

lighting: daylight with shadows to show confusion, warm light when he feels hopefulll

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Shot types

Over the shoulder shot of Saroo in bath.

close up of Sue looking at Saroo

over the shoulder shot of sue smiling at Saroo.

extreme long shot of sailboat on ocean.

close up of saroo and john on boat.

long shot of Saroo, John and Sue on boat.

Angles

high angle of sue.

medium angle for all other scenes.

Sounds

Birds chirping

Ocean?waves

Water in bath

John and Sue talking.

Lighting

Warm lighting

Soft colors

Hard shadows in bath scene

no shadows in sailing scene

bright lighting in sailing scene

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Shots: Full body shot of Saroo (present), Full body shot of mother (memory/fantasy), Full body shot of Saroo putting up map in his room, Over the shoulder shot of train line, close up on Saroo's focused face, Mid shot of Guddu (Saroo's hallucination),

Sounds: Eerie background music, traffic, wildlife (in india memory/hallucination), children laughter (when looking at the trainlines)

Lighting: cool, soft, low