# data[].attributes.body
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# data[].attributes.body
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Anon, (n.d.). Available at: https://www.bing.com/images/search?view=detailV2&ccid=cYZ0%2Fb1c&id=CF1EAB0B669BF65132E67FAF12EEC7A6D51E8038&thid=OIP.cYZ0_b1c_V92NC790S3KWwHaJ4&mediaurl=https%3A%2F%2Fih1.redbubble.net%2Fimage.68872648.5691%2Fflat%2C750x%2C075%2Cf-pad%2C750x1000%2Cf8f8f8.jpg&cdnurl=https%3A%2F%2Fth.bing.com%2Fth%2Fid%2FR.718674fdbd5cfd5f76342efdd12dca5b%3Frik%3DOIAe1abH7hKvfw%26pid%3DImgRaw%26r%3D0&exph=1000&expw=750&q=varenna+lake+como+italy&simid=607992220971903882&form=IRPRST&ck=4B5BB0971A6F762DD595E115A7B6A118&selectedindex=26&ajaxhist=0&ajaxserp=0&pivotparams=insightsToken%3Dccid_hLj%252BrscO*cp_4C5BBFC11AB62734CCE2E358764CC38D*mid_4096A0F29AD3D545AA7A88F2013D9C67E7451399*simid_608044997532396733*thid_OIP.hLj-rscOBN-S04zJYiDBDQHaKE&vt=0&sim=11&iss=VSI&ajaxhist=0&ajaxserp=0 [Accessed 3 Apr. 2023].

Anon, (n.d.). Available at: https://www.bing.com/images/search?view=detailV2&ccid=Qw6WJueB&id=D210C54FEBF241A8C492E8C1F3951FA6ED57EE7C&thid=OIP.Qw6WJueBXsu7-UI6ohQUYwAAAA&mediaurl=https%3A%2F%2F2.bp.blogspot.com%2F-9BhdxqwkYZE%2FT4MVwq7SdOI%2FAAAAAAAACfI%2FtOLDlfJ8wCQ%2Fs320%2Fresized%252B2%252B.jpg&exph=213&expw=320&q=varenna+lake+como+italy&simid=608024613607910216&form=IRPRST&ck=AF329243F1EF03C572A884DCAF6CDC28&selectedindex=19&ajaxhist=0&ajaxserp=0&pivotparams=insightsToken%3Dccid_9HMekC6V*cp_8B25A754A5DC5ABB16CCA86C7BD33121*mid_6C4E0B1D511CDBDD88EA188CABE0CA6CB37D8BD0*simid_608041303854448638*thid_OIP.9HMekC6VTR3VBd9HewMYwgAAAA&vt=0&sim=11&iss=VSI&cdnurl=https%3A%2F%2Fth.bing.com%2Fth%2Fid%2FR.430e9626e7815ecbbbf9423aa2141463%3Frik%3DfO5X7aYflfPB6A%26pid%3DImgRaw%26r%3D0&ajaxhist=0&ajaxserp=0 [Accessed 3 Apr. 2023].

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I have edited the photos in Adobe photoshop cc in the style of Ansel Adams.  I have changed the brightness and contrast but also had change the images from colour to black and white because I wanted to work in the style of Ansel Adams.

Also, I liked the images in black and white and this is because you can see a variety of different details like shadows and highlights on the landscapes.  This helps to add depth to the photograph and it changes the mood and atmosphere of the photograph.

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Here are the photographs I like after I had edit them and I want to see what has a similar style to Ansel Adams.  Looking at the photographs I can tell that I have taken inspiration from the landscapes and what he included in them as well as having the photographs in black and white.

Looking at the photographs that I have taken there is similarities to the work of Ansel Adams as I have managed to capture different atmospheres like he does. I have chosen four photographs that I have taken and from these four I will choose one image to be the final image.

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I had taken inspiration from Ansel Adams style of photography especially his landscape but adding my own style of photography.   The way I will be doing this is photographing a variety of different landscapes and choosing one photography that represents both Ansel Adams style and my own.  I will be photographing a landscape of the countryside as I want to create a unique landscape.

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One photographer that stood out to me was Ansel Adams. Ansel Adams is an American photographer who is well known for his landscape photography.  He learnt a variety of new techniques to capture the best landscape photographs.  He deeply analysing the scene before the final shot had been made and his technique was unique.

He has met a variety of different photographers who have impacted on him with his career and these photographers are Paul Strand, Edward Weston and Alfred Stieglitz.  One of the photographers, Paul Strand helped him to move away from the “pictorial” style that he had favoured in the 1920s. He learnt to do “straight photography”, in which the clarity of the lens was emphasized. Alfred Stieglitz played a massive vital role in his artistic life.  His first series of technical articles was published in the Camera Craft in the 1934 and his first widely distributed book, making a Photograph and this was done in 1935.  Adam had spent some time as a commercial photographer and some of the clients were the National Park Service, Kodak, Yosemite concessionaire and much more.

He was a creative photographer, and he was all about the theory and the medium of photography.  He would frequently consult on his technical advice by Weston and Strand.  He was a principal photographic consultant to Polaroid and Hasselblad. He had developed the famous and highly complex “zone system” of controlling and relating exposure and development and this enables photographers to create visualise images and produce photographs that matched and expressed that visualisation.   Adams’s energy and capacity for work was simply colossal and he would often labour for eighteen or more hours per day or days to get the photo.

He would travel to get amazing photographs of the natural beauty he revered and photographed and the audiences he has required. Also, he felt an intense commitment to promote photography as a fine art.    Adams was an unremitting activist for the cause of wilderness and the environment, and he would attend innumerable meetings and would write letters in support of his conservation philosophy to newspapers. His influence came from his photography and his work became the symbols, the veritable icons, of wild America. People would think about the national parks of the Sierra Club or nature of the environment, they would envision them in terms of Ansel Adams work. Adams’s black and white photographs weren’t “realistic” documents of nature, but they sought an intensification and purification of the psychological experience of natural beaty.  With his work, he creates a sense of the sublime magnificence of nature that infused the viewer with the emotional equivalent of wilderness, often more powerful than the actual thing.

His work is a more traditional art history context, and he was the last and defining figure in the romantic tradition of nineteenth century American Landscape paintings and photography.

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Notes about Photography and the Art of the Past in Hope Kingsley, Seduced by Art: Photography Past and Present 

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Notes about Photography and the Art of the Past in Hope Kingsley, Seduced by Art: Photography Past and Present 

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·        The chapter is about the importance of past art to inform the present.

·        “Photography’s debt to fine-art conventions is more than imitation or homage; the past is adapted to inspire the present” (Kingsley, Hope)

·        This quote describes as Historicism: “This is Historicism: whether in architecture, the decorative arts or photography, it describes the revival of the content, materials and techniques of historical forms” (Kingsley, Hope)

·        The example of this is Helen Chadwicks use modern techniques and media to recreate her own version of a historical paintings.

·        There was a bit of doubt that photography can be seen as “art”.

·        “As the Athenaeum wrote in l856: ‘Machinery can copy science, – can catch shadows, and keep them when caught; – but it takes a human heart to conceive the transfiguration, and a human brain to plan the Last Judgement”.

·        Photographic reproductions become popular by the mid nineteenth century due to their ease of production compared to other techniques.  Also, this was a way for people to use to lean and this gave the idea that “then perhaps there was also a market for the photographs they inspired”.

·        With historical paintings, people are used to seeing them painstaking lit in galleries and museums and it isn’t a surprise to see the work of Jorma Puranen.

·        “We are accustomed to seeing artworks in the even brightness of digital imaging or well-lit galleries. But Puranen’s pictures show a reflective veil of light that slides across the photographic surface to reveal something but not everything”.

·        Jorma Puranen photograph of Goyas Duke of Wellington is see in a very different “light” and this suggests that the lack of clarity to give the image to the viewers imagination.

·        “In the 1840s, Charles Eastlake argued that indistinctness in painting had its uses, giving greater latitude to the imagination: ‘when vision is imperfectly addressed … imagination takes its place’. In Puranen’s works, our imaginations are fully engaged”.

·        Not all photographers who take photographs that have the feel of historical art.

·        “The pictures do not intentionally refer to art history, as Delahaye says: ‘it’s true that one can see resemblances and that these could be mistaken for quotations, or allusions, to certain types of paintings. But he believes that the resemblance to painting is the result of common artistic motifs.

·        Delahaye maybe suggesting that people may be missing out because they are constantly trying to find a model to fit art in to.

·        “Artistic models mayshort-circuit our ability to engage directly with a work; the sources are so familiar”.

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Read the chapter ‘Photography and the Art of the Past’ in Hope Kingsley, Seduced by Art: Photography Past and Present (2012) Yale University Press, to read about comparisons between historical art and practitioners using Photography to offer differing challenges or explorations of art from the past.

·        Make reflective bullet pointed summaries on your reading and the comparisons that are being drawn in this chapter - add these to your learning log.

·        Choose an image from Art History which you will visually respond to and reflect on your choice on your learning log (you might initially choose several before narrowing it down, and you can write about the choices and ideas you are considering).

·        Developing your work from Project 1, make your own photographic image, or set of images that explores, challenges, or pays homage to the conventions and visual codes of the original image.

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I have done a photoshoot while I was in Italy in the area of lake Como, and I went to two different areas that are around the lake. These locations were Bellagio and Varenna as these had beautiful landscapes of the mountains.  I only went to these two locations as I wanted to explore the area and take my time to get to know the area so that I was able to photograph its beauty.

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This is the image that I have chosen to be the final image. I have chosen this photograph because I like the way the pillars are holding the sky but also the silhouettes of the pillars and the gate as this adds a lot of detail to the photograph.  In the background there is a mountain range and the lake. There is movement in the image from the water moving. This image was taken at a villa that was in Varenna.

To me this image gives off a similar style to Ansel Adams as he has a lot of different details in his work from what is in the image to the shadows and highlights.    Also, I like the image as it is dramatic and has an atmosphere as the clouds helps to emphasise the mood of the image.

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Book:
Kingsley, H. and Riopelle, C. (2012) Seduced by art: Photography past and present. London: Yale University Press

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My first response is the brief is to create a unique landscape by either giving a unique point of view or editing the photo in a unique way.   Reading and reflecting on the chapter “Photography and the Art of the Past”, was to spend some time at looking at a variety of landscape photographers.

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I did this photoshoot in Italy and around Lake Como as this has a variety of different and very beautiful landscapes.  Before I went to Italy, I did some research on the area to see what is the best areas for landscapes.  I had to find out what is in the area and what locations that I wanted to go and photograph in.

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Images:
The Ansel Adams Gallery. (n.d.). Mt. Williamson from Manzanar. [online] Available at: https://shop.anseladams.com/collections/original-photographs-by-ansel-adams/products/mt-williamson-from-manzanar-1.

The Ansel Adams Gallery. (n.d.). Redwoods, Founders Grove. [online] Available at: https://shop.anseladams.com/collections/original-photographs-by-ansel-adams/products/redwoods-founders-grove [Accessed 3 Apr. 2023].

Ansel Adams Gallery. (n.d.). The Black Sun, Tungsten Hills. [online] Available at: https://shop.anseladams.com/collections/original-photographs-by-ansel-adams/products/the-black-sun-tungsten-hills.

Ansel Adams Gallery. (n.d.). Kearsarge Pinnacles. [online] Available at: https://shop.anseladams.com/collections/original-photographs-by-ansel-adams/products/kearsarge-pinnacles.

Websites:
Turnage, W. (2016). Ansel Adams, Photographer - A Biography. [online] The Ansel Adams Gallery. Available at: https://www.anseladams.com/ansel-adams-bio/.

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Each of the images are unique in the way it shows the landscapes. Three of the images are taken landscape and one is taken portrait.   Three of the images have different things that frame the image like posts and plants, and this has added a unique way for people to look at the image as it highlights the landscape in the background. The other image has a close up of some rocks and plants and then the landscape behind in the background. All the photos have something different in the foreground but has a landscape in the background.