# data[].attributes.body
My artwork, called Giữa Sắc Hồng Thanh Bình, meaning Amid Peaceful Pink Hues conveys the harmony between Vietnamese culture and nature. The pink water lilies symbolize beauty, growth, and tranquility, while the figure in the distant boat wearing a nón lá represents the traditional agricultural lifestyle that has shaped Vietnam for generations. The calm water and the reflections of the water lilies create a sense of peace and stillness, encouraging viewers to pause and appreciate the simple moments of everyday life. Through this artwork, I wanted to highlight the importance of preserving both Vietnam's cultural heritage and its natural environment, while also reminding viewers to find time for reflection in an increasingly busy world. My concept for this artwork focuses on color and my understanding of color theory. Throughout the painting process, I used color mixing to create a variety of blues, pinks, and greens rather than relying on colors directly from the palette. For example, I mixed a muted blue for the mountains in the background to create atmospheric perspective and show distance. I also used lighter values and less saturated colors for objects farther away, such as the distant mountains and water lilies. In contrast, the flowers and lily pads in the foreground were painted with brighter, more saturated colors and stronger value contrasts. This creates a greater sense of depth and helps distinguish the foreground from the background. I also applied my knowledge of the color wheel to create contrast throughout the artwork. The bright pink water lilies stand out against the green lily pads, creating a strong visual contrast that immediately draws the viewer's attention. Since pink is a tint of red and red and green are complementary colors, this contrast helps the flowers become the focal point of the painting. Originally, I intended to focus on movement as my primary principle of design. However, after studying my reference photos and developing my composition, I decided that emphasis was more important to my artwork. I created emphasis by using contrasting colors, brighter values, and greater detail on the water lilies compared to the surrounding environment. As a result, the viewer's eye is naturally drawn toward the flowers first, making them the central focus of the piece. This demonstrates both my understanding of color theory and my ability to use the principle of emphasis effectively within a composition. Regarding materials, I worked with both watercolor and colored pencil throughout this project. I chose these materials because they complement each other well. Watercolor allowed me to create smooth color transitions, soft blends, and atmospheric effects, while colored pencil enabled me to add details, textures, and sharper edges that would have been difficult to achieve with watercolor alone. By combining the two mediums, I was able to create both depth and detail within the artwork.

# data[].attributes.body
Regarding my progress, I have completed all of the watercolor painting and only need to add details using colored pencils. As a result, I would estimate that I am approximately 80% finished with my artwork. During this studio session, I also completed the mountains in the background. After receiving feedback from Ms. Aura, I adjusted their shapes to make each mountain more distinct. This significantly improved the overall composition and made the landscape appear more natural. However, I may revisit the last mountain during the next studio session because its value is slightly too dark compared to the rest of the background. Throughout this project, I have refined several artistic skills. One skill that has improved considerably is my understanding of color theory. As I gained more experience mixing watercolor paints, it became easier to create the specific colors and values I wanted. I have also strengthened my watercolor techniques and learned important practices that improve the quality of my work, such as avoiding touching the paper unnecessarily because the oils from my hands can affect how the watercolor is absorbed and applied. As I move into the final stages of the artwork, I expect to further develop my shading and drawing techniques. I will be using colored pencils to add details, textures, and shadows to the water lilies, helping them appear more defined and realistic. This final layer of detail will enhance the depth and visual interest of the overall composition.

# data[].attributes.body
Today during class and after-school studio time, I refined the water and repainted the water lilies with a brighter pink color to make them stand out more. I also added shadows to the water and painted the boat. My progress went well, as I was able to complete over 50% of the artwork.

After consulting with Ms. Aura, I decided to make the water lilies in the background lighter and less saturated to create a stronger sense of depth. By reducing the brightness and value contrast of the flowers farther away, I was able to apply atmospheric perspective and make the foreground water lilies appear closer to the viewer. I have not yet finished the watercolor painting, as I still need to add more shadows, paint the reflections of the water lilies on the water, and refine some of the lily pads in the background. These will be my main focus during the next studio session.

# data[].attributes.body
During studio time, I experimented with different background color combinations and practiced mixing watercolor paints to become more comfortable with the medium and materials. I also created a layout study to visualize the composition of the water lily pond and gain a better understanding of how the final landscape would look. Through this process, I developed a stronger understanding of atmospheric perspective, color theory, and the use of shadows and color mixing. I also improved my watercolor techniques and became more confident in controlling the paint.

The second photo shows the progress of my final artwork, which I worked on during study hall, lunch, and after-school studio sessions. I chose to sketch and paint the water lilies first because they are the focal point of the composition. By completing them before the background, I could ensure that they remained vibrant and distinct without being smudged or blending into the surrounding areas. This approach also helped me establish the main visual focus before developing the rest of the painting.

# data[].attributes.body
For the first experiment, I tested different colored pencil combinations and shadow techniques to determine whether I wanted to use colored pencil throughout the entire artwork. Through this process, I realized that using colored pencil for the entire piece would not be the most effective choice and that selecting the appropriate paper is crucial when working with colored pencils. I also identified specific colors that I plan to use in my final artwork, such as particular shades of pink for the water lilies, including their shadows and highlights.

For the second experiment, I worked with Ms. Aura to find the most suitable colors for both the background and the pond water. This was especially challenging because the blue tones we aimed for repeatedly turned green or turquoise. After experimenting with different mixtures, we were able to achieve a result that appeared more blue. However, I plan to continue exploring color combinations to further refine the tones.

For the third experiment, I explored how I wanted watercolor to be applied within the artwork. I experimented with incorporating more brown tones and painted a water lily on top of the watercolor layer to observe how the materials interacted. Through this process, I realized that I liked the combination of using watercolor for the background and colored pencil for details and foreground objects. I also plan to use watercolor for the boat while adding detailed work on top to create stronger definition. Overall, this experiment encouraged me to continue learning watercolor techniques through YouTube, guidance from Ms. Aura, and further experimentation with a wider range of blues and greens to match the colors of the water lily pond as accurately as possible.

# data[].attributes.body
3 ideas I am considering are the 3 compositions I drew: one landscape with mountains in the background and the water lilies in the front with frogs, another portrait composition focused on water lilies in different growth stages, and lastly a bird’s-eye view landscape with a small boat and boatman surrounded by lilies. After consulting with Ms. Aura, I decided to combine all three ideas into one final artwork shown on the last slide of this Padlet. I am considering watercolor and colored pencils as my materials because watercolor can create soft reflections and blends, while colored pencils can add detail and texture. For my process, I plan to experiment with color harmonies and the 60-30-10 color rule to create a peaceful and dreamlike atmosphere using unconventional colors. My topic is about peace, reflection, and cultural identity through nature. The pink water lilies connect to my Vietnamese culture and symbolize calmness and resilience, while the small boat in the distance adds a feeling of stillness and reflection. Regarding the color harmonies, I plan to choose colors that help me emphasize on the emotions I want to convey: calmness, resilience, and stillness. For the specific skill I want to convey, I want to emphasize the element of principle, movement (by my water drawing or painting technique).

# data[].attributes.body
This artwork demonstrates a strong understanding of both drawing and inking techniques learned throughout the year, including texture, values, highlights, shading, blending, rendering, and hatching. The artist effectively uses a wide range of values to create depth and atmosphere, particularly through the dark background and strong shadows surrounding the architecture. The highlights around the eclipse and along the edges of the structures create contrast and help draw the viewer’s attention to important focal points. The piece also showcases a variety of textures, such as rough stone walls, cracks, bricks, and smoother surfaces on the domes and arches. Through the use of inking and hatching, the artist develops texture within the walls and architectural details, making the surfaces appear more intricate and dimensional. The combination of ink with blending and shading techniques creates strong contrast and adds realism to the composition. Additionally, the rendering techniques help establish perspective and depth, reflecting the artist’s skillful application of both drawing and inking methods.

# data[].attributes.body
Overall, the workshop really well. Everyone learned alot of techniques on how to collage. Although not everyone finished their collage, they still had alot of fun. It wasn't that difficult teaching the students how to do collage because I helped show a demonstration. If I were to redo this again, I would have a specific timeline to check in on everyone to ensure that people can finish on time.

# data[].attributes.body
This artwork is based on the novel ‘Invisible Cities’ by Italo Calvino. Each chapter within this novel describes an imaginary city. My piece represents the chapter Ersilia, a city that is described as a place where relationships between people are represented through strings connecting the houses, and is depicted from a right-side perspective. and is depicted from a right-side perspective. During the planning process, I initially used AI to generate a reference image, but it did not fully match my vision, so I combined two reference photos together to create a more accurate composition for my final drawing. I also added trees in the background to better reflect my original sculpture, since the reference photograph did not fully capture them. Throughout the creation process, I applied a range of drawing techniques, including rendering for the background, circling for the leaves and bushes, shading, blending, stippling on the ground and steps, scribbling for the bushes and left door, and hatching and cross-hatching on the houses to enhance texture and dimension. I utilized a wide range of values to create depth and contrast. The background contains darker values and smoother rendering to push it further back in space, while the foreground includes stronger highlights and shadows to bring attention to the houses and pathways. I also built up layered values in areas such as the door shadows and underneath the roofs to make the structures appear more three-dimensional. These values connect closely with my textures and techniques, as stippling helped create gradual transitions, while cross-hatching and scribbling emphasized rougher surfaces and contrast. Additionally, I explored textures such as tree bark, leaves, wooden planks, and scratch marks on the walls of the houses to add realism and detail.

# data[].attributes.body
I have taken multiple steps to revise and improve my artwork. For instance, I asked Ms. Aura, JiHy, and Sophia for feedback on my piece. JiHy and Sophia both suggested that I finish the stippling on the ground, as they believed it would help unify the composition. Although this feedback was not highly detailed, it increased my confidence in my work, and once I completed the stippling, the piece felt more cohesive. A more constructive suggestion came from Ms. Aura. After I finished my artwork, she recommended that I add more values to the leaves in order to create greater depth in the background. In response, I applied the circling technique to build up shading and variation, which improved the sense of depth in my drawing. I also analyzed my work by applying skills from previous skill builders completed in class. Before starting my final piece, I made sure to complete the texture skill builder, which helped me effectively develop texture in both the trees and the walls of the houses. In particular, the plank and tree trunk block helped me understand natural texture patterns, while the crystal block taught me how to depict scratches and sharp details. I applied these techniques to the surfaces of the houses, enhancing their realism and visual interest.

# data[].attributes.body
Today, I set a clear goal to finish the last house in the middle of my drawing. I managed my time by breaking the process into steps, including outlining, adding texture, and building values. I was able to fully complete the house, including its shading and details, which helped it feel more connected to the rest of the composition. Finishing this part brought the drawing much closer to completion. I also started on the stippling on the floor and I hope to finish it next class using inking technique with the wooden stick.

# data[].attributes.body
I am mainly focusing on the elements of value, line, and texture, and the principles of contrast, emphasis, and movement in my drawing. I am using a wide range of value, from very dark shading in the wooden planks and shadows to lighter areas in the center, to create strong contrast and make the focal point stand out. I am also using line through the curved wires and hanging shapes to create movement, which guides the viewer’s eye across the composition. Texture is important in areas like the rough wood, crumpled materials, and organic forms in the background, where I am using different shading techniques to make each surface feel distinct. For instance, I used the circling drawing technique for the trees to create a more organic and rough texture, and more directional shading for the wood to show grain. These choices connect to what I want to improve, especially controlling my values and making textures look more realistic without becoming messy. At the same time, they help the success of my piece by adding depth, guiding attention, and making the composition more visually interesting and dynamic.

# data[].attributes.body
Today, the part of my studio time that caught my attention was building texture in the trees and the trash bag. I used different mark-making techniques for each tree and added detailed shading to the trash bag to show its folds. I also focused on value by layering charcoal and pencil, and I rendered and blended the background so the charcoal and ink appear smooth and do not mix with the tree textures. In my detail shot from the side, the background appears darker in value, which helps show depth. To improve, I plan to strengthen my value range and make my textures more consistent across the entire piece.

# data[].attributes.body
Today I worked on the house on the right with hatching, cross-hatching, shading, and value to build depth, especially on the structure on the right side. I also experimented with inking and used a charcoal pencil for the first time, which helped create stronger contrast and richer, darker tones. I successfully applied these skills by creating smoother transitions and more defined areas, making that part feel more realistic and 3D. However, I still need to improve my values, as lacks the some depth. To improve this, I plan to practice more consistent shading, better control with charcoal and stronger value use so the entire composition feels more balanced and detailed.

# data[].attributes.body
Based on my experimentation, I decided to start by using carbon paper to trace my composition. This helped me quickly get my ideas onto paper without worrying too much about proportions or placement. For this class, I focused mainly on tracing, so I used the carbon paper as my main tool. It allowed me to establish a clean base drawing that I can later build on with textures and shading. Starting this way made the process more efficient and gave me a solid foundation to develop my work with inking, charcoal, and maybe pen further.

# data[].attributes.body
Someone can tell what the surface feels like by looking at the types of lines, shading, and patterns used in the drawing. Different marks help suggest different textures by mimicking how those surfaces would look in real life.

For example, I used short, soft, and slightly curved lines close together to show fur, which makes it look soft. For leaves, I added vein-like lines and irregular edges to give a natural, slightly rough texture. The tree trunk was shown using long, uneven vertical lines and rough shading to suggest bark. For harder surfaces, I used sharper and more structured marks. The marble/stone texture has smoother shading with some subtle variations to make it look polished, while scratches are shown with thin, sharp, random lines to create a rough, damaged feel. The plank texture uses straight, parallel lines to show wood grain, and cobblestone is made with repeated rounded shapes and darker outlines to show uneven, bumpy surfaces.

Overall, the combination of line quality, shading, and repetition of patterns helps communicate whether a surface looks rough, smooth, soft, or hard.

# data[].attributes.body
This photo best captures my chapter because my city (Ersilia) is described as being defined by the relationships and connections between people, rather than the physical structures themselves. To reflect this, I desaturated my image to black and white to create a more abandoned and eerie atmosphere, which connects to how the city is eventually left behind with only its structures and connections remaining. I also posterized the image to around six levels, simplifying the details and emphasizing contrast so that the lines and connections within the scene stand out more clearly, similar to how the strings in Ersilia represent relationships. I chose a side angle, looking into the city rather than directly at it, because it allows more of the overlapping structures and connections to be visible at once. This perspective helps show the complexity and density of the city, as well as the way everything is interconnected. By simplifying the tones and choosing this angle, I aimed to focus less on realistic detail and more on the idea of relationships, which reflects the main concept of the chapter.

# data[].attributes.body
How did you challenge yourself to try something new?
I challenged myself by experimenting with different materials and combining techniques. I used a sponge dipped in ink to create stippling, then layered black pen on top to define the dots more clearly. I also used powdered graphite with a sponge to create a darker, more atmospheric sky. In addition, I tried using carbon paper to outline my drawing before inking the trees and house, which is new for me.

What was something that surprised you while experimenting?
I was surprised by how effective the sponge was for creating texture, especially for stippling and clouds. It created a more natural and uneven look compared to using just a pen. I also didn’t expect the powdered graphite to blend so smoothly and create such a dark, eerie effect for the sky.

How do you expect this inquiry to impact your final drawing?
This experimentation will help me create more depth and mood in my final drawing. I plan to use the sponge and graphite techniques for the sky and background, and use ink with pen detailing for more controlled areas like the trees and house. It will make the overall piece more textured and visually interesting. This experiment also gave me experience using a variety of different materials and testing which ones look the most effective, so I can make better choices when creating my final piece.

If you had trouble taking risks today, what might help you next time?
If I struggled with taking risks, it would help to experiment more freely without worrying about making mistakes. Moreover, I would use different materials for separate sections and not one overall piece because it got a bit messy. By doing this, I would be able to take risks even more!

# data[].attributes.body
Based on today's experiments, which media/medium do you plan on using for your finished drawing?

Based on my experiments, I plan to use brown paper for my drawing. I also plan to use 4 drawing techniques: cross-hatching, hatching, blending, and stippling. This is because after seeing AI use these techniques (although not used perfectly), I've realized that the usage of those techniques in those specific areas are nice. However, when I used ChatGPT, it did use circling, so I might integrate that into my drawing if I feel like the hatching is unnecessary. Moreover, I plan to combine the drawing of the houses (the 1 in the bottom left) and the top left AI image because I like how AI generated the structure in the bottom left one but I didn't like the background: therefore, I want to use the background of the top right one. I plan on trying carbon paper to help me sketch.

# data[].attributes.body
I created a collage based on the World Cup under the conceptual theme of current events. The skill I focused on is collage, and the main design principle I demonstrated is emphasis. I used a black-and-white background to keep it visually quiet, while the words “World Cup” are in bright colors to immediately draw attention. This contrast shows emphasis by making certain elements stand out more than others.

The main focal point is Lionel Messi, who is placed large in the center to guide the viewer’s eye. Additionally, one letter the (“R”) is intentionally not emphasized, representing the absence of Ronaldo. This clearly demonstrates my understanding of emphasis by using contrast, size, and selective detail to control what the viewer notices first and how they interpret the message.

# data[].attributes.headline
Mar 9: Value Drawing and Artist statement 

# data[].attributes.subject
Mar 9: Value Drawing and Artist statement 

# data[].attributes.body
The still life, Silenced Identity, explores the tension between performance and authenticity. I chose this photograph because it clearly presents two contrasting objects: a carved 3D face and a white theater mask with tape covering its mouth. Although both objects are neutral in color, the composition becomes emotionally intense through the use of light and shadow. The carved eye socket of the sculpted face suggests absence and incompleteness, while the taped mask symbolizes forced silence. Together, these objects communicate the idea of suppressed identity: how the pressure to perform or conform can silence genuine expression and leave a person feeling unseen. In constructing the drawing, I focused closely on value and shadow. The image includes several shadow types, including form shadows across the curved surfaces of the mask, cast shadows where one object overlaps another, and core shadows within the carved eye socket and under the mask. These shadows relate to my value scale by showing a range from the brightest highlights on the raised facial plane, to soft midtones across the curved surfaces of the mask, the background, and sculpted face, and finally to the darkest areas inside the carved eye socket and beneath overlapping forms. This range of values helps create depth and emphasizes the three-dimensional structure of the objects. I carefully selected drawing techniques to match the textures of each object. Hatching was used on the tape because the tape naturally contains linear ridges that echo the direction of the marks. Cross-hatching was applied to the sculpted model to reflect the streaks and irregular texture of clay from the modeling process. Rendering was used in the background to create smoother values that allow the objects to stand out, while stippling and circling helped build softer midtone transitions without harsh edges. Finally, blending unified the value transitions to strengthen the illusion of three-dimensional form and reinforce the emotional tension created by the contrast between light and shadow.

# data[].attributes.attachment_link.title
Copy of Invisible Cities - Artist statement template

# data[].attributes.body
I chose the photograph because it’s the one that shows the two objects most clearly. I chose the carved 3D face and the white theater mask with tape over its mouth because the composition is visually minimal yet emotionally intense, relying entirely on light and shadow rather than color since both objects are white and grey. The carved-out eye in the sculpted face and the taped mask create tension between what is visible and what is silenced. The still life explores the contrast between performance and authenticity: theater masks are meant to exaggerate emotion, yet the tape prevents expression, while the hollow eye suggests absence and incompleteness. Together, these elements communicate a central theme of suppressed identity; how the pressure to perform or conform can silence genuine expression and leave a person feeling unseen or incomplete. For my initial sketch, I will begin by squinting to simplify the image into large value shapes and block in the major forms and shadow masses first, especially inside the carved eye, around the folds and cast shadows of the mask. Because the objects are mainly white, careful observation of value families will be essential, with 0-3 representing the brightest highlights on raised facial planes, 4-7 capturing subtle midtone shifts across curved surfaces, and 8-11 defining the deepest shadows within the carved eye socket and beneath overlapping forms. I will use hatching and cross-hatching to gradually build darker shadow areas on the objects, while rendering will be used to create a smoother background that helps the forms stand out. I will also apply stippling to create textured midtone transitions in certain areas and circling to softly build values without harsh edges. Finally, blending will help unify value transitions so the forms appear smooth and three-dimensional, allowing light and shadow to define the structure of the objects while reinforcing the emotional tension of the composition.

# data[].attributes.body
To capture soft and hard-edged shadows, I closely observed how the light interacted with the objects in my reference image. I used soft edges along the folds of the paper by gradually layering graphite and blending so the values transitioned smoothly, which helped show the curved surface of the folds. In contrast, I used harsher, more defined edges along object boundaries and in areas where the shadow changed quickly, such as where one surface overlapped another. Using sharper lines and tighter shading in these areas helped create stronger contrast and made the forms appear more structured and three-dimensional.

# data[].attributes.body
1. When I used clear value shapes with hard edges, the light, shadow, and form looked much more defined and dramatic. The door feels more three-dimensional because the shadow on the ground has a clear outline instead of blending softly into the paper. The hard edges between the light side of the door and the darker side help show the direction of the light source. It makes the form look solid and structured rather than flat.

2. One challenge I experienced using hard edges for shading was controlling the transitions so they didn’t look messy or over-blended. It was difficult to keep the shadow clean while still making it dark enough for contrast. However, a success was that the cast shadow behind the door looks strong and clear, which helps ground the object and makes it feel more realistic and stable in space.

# data[].attributes.body
https://docs.google.com/document/d/1AU4fB5d6GevWb-uaafelPMQCnfX_KvNaISenDTODLnk/edit?usp=sharing

# data[].attributes.body
One of the challenges that was completed today was gluing on the trees and trying to make them realistic. To overcome this challenge, my team decided to use paper-mache to have a smooth transition from the trees to the grass/base. We are approximately 20% away from completing this structure; we just need to finish painting the trees, secure them more firmly, create the mini trash bags, add the strings, and place "overgrown" bushes around the houses.

# data[].attributes.body
During studio time, I finished building the third house (walls and roof), and JiHy painted the walls. While she was painting, I built the trees, which I struggled with at first because I couldn’t find the right material. I ended up using toilet paper rolls, which were quite difficult to work with, so the process took some time.

What elements do you still have left to finish building?

First, regarding the houses, the roofs also need to be painted, and I need to change one of the roof types to shingles. They also need to be glued down. I have to finish building the trees (around 3 more), including branches. Then, all trees need to be painted and glued down. After that, I need to add some small details like bushes and trashbags. Lastly, I need to add different-colored strings hanging around the houses and trees.

# data[].attributes.body
What part of your sculpture did you focus on today?

Today, I focused on building the third house in my invisible city. Most of my time was spent constructing the walls and experimenting with a new technique called a gusset brace to make the structure stronger and more stable. Because this was a new method for me, it took longer than expected, but it helped me understand how to better support the walls and improve the overall quality of the building. Even though progress was slower, I was able to problem-solve and figure out how to make the structure more secure. I ended up only finishing the walls and gluing three of them together before I could assemble the entire structure.

How did completing the texture challenge impact your material use during today’s studio time?

Completing the texture challenge influenced how I used my materials today because it encouraged me to think beyond just flat, clean surfaces. Instead of only focusing on building, I was also considering how the cardboard could be manipulated later through peeling, scratching, and layering to create a worn and abandoned look. This helped me plan ahead for adding more texture and detail to the house once the basic structure is complete.

# data[].attributes.body
1. How are you ensuring that all voices in your group are being heard and incorporated into your design?

Since our group is small, JiHy and I make sure we both have equal input in the design process. We openly share ideas, give feedback to each other, and discuss different options before making decisions. This allows both of our perspectives to be reflected in the final design and ensures that neither person’s ideas are overlooked.

2. How are you planning to applying textures, details and other finishes to your design? At what stage of construction are you planning on adding them?

First, I cut out the wall pieces. After the walls are constructed, I use an X-Acto knife to peel off layers of cardboard, create scratches, and cut small holes. This adds texture and makes the walls look dirty, damaged, and abandoned. These details are added after the walls are cut out, but before or during final assembly, so the texture looks natural and realistic. Lastly, I assembled the walls. To make the roofs look like those roof tin covers, we decided to peel the first layer of the cardboard up to get the bumpy line texture. This helps make the roofings look more in style and realistic. After the houses are assembled, I plan to paint them, as it is easier to paint after construction rather than before. This allows the paint to look less neat and more natural, helping create a worn and matching the overall abandoned style.

# data[].attributes.attachment_caption
(Please note that me and JiHy creted a total of 3 houses but we couldn't find them after Winter Break.)

# data[].attributes.body
1. What construction techniques did you use when building your practice model of your invisible city? How did you decide what techniques to use? Were they based on aesthetic, function or something else?

When building my practice model, I used techniques such as cutting and scoring cardboard, removing two layers of cardboard, and folding the remaining layer to connect walls seamlessly. By cutting away part of the cardboard and peeling off two layers, I was able to fold the wall into the next piece, which helped the walls stick together cleanly without visible seams. I mainly used double-sided tape to secure the walls together, as it was quick, clean, and helped keep the structure neat. I also used an X-Acto knife to peel layers, add scratches, and create holes to make the buildings look damaged and abandoned. To make the roofs look like those roof tin covers, we decided to peel the first layer of the cardboard up to get the bumpy line texture. These techniques were mainly chosen based on aesthetic, as I wanted the city to look old, worn, and deserted, but function was also considered to make sure the structures could stand properly.

# data[].attributes.body
There were no questions for Padlet provided on this day. However, here are some pictures of what JiHy and I did during class. We used a Roblox building game called Bloxburg to build our city.

# data[].attributes.body
1. ﻿﻿﻿How your idea developed since day 1? Has there been more clarity in vision through practicing the iteration process? Explain

Since Day 1, the sketches show my idea becoming a lot clearer and more detailed. The first drawings were really loose and messy, mostly just figuring out the layout and basic shapes. But as I kept iterating, the city started to make more sense, houses became more defined, the perspective got stronger, and the watercolor helped show depth and atmosphere. By the last draft, the environment looked much more intentional, and I had a much clearer vision of the space from different angles.

2. ﻿﻿﻿Has there been any unexpected outcomes through this process? What pleasant surprises or drawbacks have arrived and how do you plan to elaborate or solve them?

I had a few unexpected outcomes: the watercolor added more depth than I thought, which was a nice surprise, and seeing the city from different angles made the layout clearer. A drawback was that some lines got too messy and confusing. I plan to fix that by simplifying the perspective lines and sharpening key details in the next iteration.

3. List the extra material you may need and provide the rationale behind this need.

Cardboard: We need cardboard to sculpt the houses and the roofs. Inside the cardboard have these bumpy lines, which would make a great replication of tin roofs.

Modeling clay or plaster: To recreate the textured stone walls and organic shapes shown in the front-view sketch.

Glue gun: For attaching heavier pieces and keeping the structure stable

# data[].attributes.body
1. Analyse the use of line and shape:

Across all 3 sketches, I used detailed contouring to add detail to all of the buildings, fountains and more objects. I also used gesture lines, and simple geometric shapes to build the forms in the city and river road. The curved lines in the long and top views show the flow of the river and the roads, while straight vertical lines in the front view build the city buildings. The repeated curved shapes like arches, borders, and road markings help define the form of the island and also add consistency.

2. Analyse the principles of design:

I used proportion by shrinking distant boats and objects. Movement also comes from the curved roads and rhythm appears in the repeating arches and waves. There's also repetition in the borders and road shapes, and variety in the mix of buildings, boats and city elements. The drawings stay balanced and feel unified because I kept a consistent style of sketching.

3. Analyse the use of space (incorporation of Notan/illusion of depth techniques):

For space, I used a Notan-like contrast between light and dark areas to separate the foreground, midground, and background, especially in the top and long views. I also created depth using size relationships (smaller boats to show distance), placement (objects higher on the page appear farther), overlapping (roads layered over borders), and diminishing detail (background buildings drawn with simpler lines). These techniques together make the city feel layered and 3D.

4. Which design are you planning to present to your other group members and why?

I am planning to present my long view design to my group members because it has more details and a clearer structure of what the city of Esmeralda is going to look like. This sketch also has both the city and the mix of both kinds of roads (river and concrete), which shows the versatility of Esmeralda. Therefore, this sketch would help my group members best envision my ideas for the city.

# data[].attributes.body
I showed this by using shapes like trees, flowers, and leaves. The positive space (the black cut out shapes) forms the main natural elements, and the negative space (the white areas) outlines and separates them. This contrast creates depth because some shapes look like they come forward while others appear to fall back. The balance between the two spaces helps show the nature theme clearly and gives my artwork a layered and dimensional look.

# data[].attributes.body
How does this exercise help you better understand space as an element and how does this make you think about space in future projects?

This collage activity helped me better understand space as an element because I had to physically arrange cut-out pieces to create depth, rather than just draw it. By layering images, changing sizes, overlapping objects, and placing elements higher or lower on the page, I could literally see how each technique affected the illusion of distance.

This exercise also makes me think differently about future projects, because now I’m more aware of how intentional placement can completely change the viewer’s perception. I’ll pay closer attention to how I organize objects, how much space I leave between elements, and how I can use layering or scale to guide the viewer’s eye. In conclusion, this activity showed me that space isn’t just empty area because it can be used as a tool that I can manipulate to make my work more realistic.

# data[].attributes.headline
Dec 1st: Principle of Design Self Assessment

# data[].attributes.subject
Dec 1st: Principle of Design Self Assessment

# data[].attributes.body
In my Notan design, I created balance by arranging the black geometric shapes symmetrically so each shape had a matching form on the opposite side. The strong contrast between the solid black rectangles and the surrounding white space makes the composition more visually striking. These ideas of contrast and balanced positive/negative space will help me build cleaner, more intentional compositions in future artworks.

# data[].attributes.body
This artwork showcases the design principle of emphasis and repetition. It has a line of multiple H's and there is one H in the middle that is green while the other H's are blue.

# data[].attributes.body
This artwork showcases the design principle repetition as the letter O (in orange) is being repeated in rows and columns of 3.

# data[].attributes.body
1. When focusing on the negative space of your objects, how did this process help you with proportion of the object?
Focusing on the negative space helped me understand the shape and size of the object more accurately. By paying attention to the empty areas around the object instead of the object itself, I could see its true outline and keep the proportions balanced. This made it easier to avoid distortions and draw the object more realistically.

2. What drawing techniques from Unit 1 did you find useful?
I found contour drawing especially useful. Contour drawing helped me focus on clean, continuous outlines. I also used positive shape contour to look for basic shapes, which made complex forms easier to break down.

3. How will simplifying into black and white help you with composition and the principles of design?
Simplifying the drawing into black and white helps highlight contrast, balance, and focal points without the distraction of color. It makes patterns, shapes, and spacing more visible, which strengthens the overall composition. Working in black and white also makes it easier to focus on principles of design such as emphasis, rhythm, and unity.

# data[].attributes.body
The principle I selected from my artwork is emphasis. For me, emphasizing the letters felt comfortable, because I naturally like making the focal point very clear and bold. This exercise reinforced my understanding by showing me how strongly contrast, color, and placement can guide the viewer’s eye. I realized that emphasis isn’t only about making something bright, it’s also about controlling everything around it so the focal point stands out without being overwhelmed.

As I worked, I noticed other principles beginning to show up as well. Pattern appeared through the repeated backgrounds, balance came from arranging each section so the letters stayed readable, and unity showed through the consistent black ink tying everything together. Working through emphasis helped me see how these principles connect and support one another, and it made me more aware of how intentional planning can strengthen the focal point of a piece.

# data[].attributes.body
Sophia and I were partners for this activity.

This artwork presents a window-like view of a suburban town with cars traveling up and down a wide central road. Houses in various colors line both sides of the street, and a large grassy area stretches across the background. The buildings and road follow a consistent color palette that includes shades of blue, brown, gray, black, and touches of yellow. One of the most noticeable elements is the bright blue line running down the center of the road. Its vivid color and the contrast with the dark gray pavement make it stand out clearly. It is also much thicker than the other fine lines used throughout the piece, which emphasizes it even more. The artwork uses repetition, pattern, and proportion to create a realistic sense of a town. The houses appear in similar shapes and sizes even though their colors vary, which forms a repeating pattern along the street. Parking lots and trees also repeat down the side of the road, creating a steady visual rhythm. The arrangement of cars, which are aligned and spaced in similar ways, adds another layer of pattern.

Repetition is also seen in the street elements such as arrows and markings. These help show the movement of cars traveling in different directions. The way the road lines connect and separate as they move into the distance reinforces the sense of motion and rhythm along the roadway. In summary, the artwork relies on repeated shapes, consistent proportions, and clear patterns to depict a realistic and lively suburban scene.

# data[].attributes.body
1. What prinicples are in your comfort zone and why?

One principle of design that’s in my comfort zone is balance, because I naturally like when things look organized and even. I often use symmetrical layouts in my designs since they feel clean and easy to read.

2. What principles are risky and why?

A principle that feels risky to me is contrast, because I sometimes worry about using too many bold colors or shapes that might clash. To become more comfortable, I can experiment more with color palettes on Canva and look at professional examples for inspiration.

3. What principles are risky and why? How can you overcome your hesitation?

Another principle that challenges me is movement, since I’m not always sure how to guide the viewer’s eye through my design. I can overcome this by planning visual flow with arrows, repetition, or curved lines before I start designing.

# data[].attributes.body
My artwork is placed with these pieces because they all share a sense of imagination, color, and emotion. Each piece uses vibrant tones and personal symbolism to express unique ideas, whether through people, animals, or abstract forms. My koi fish drawing connects to this theme by representing growth, energy, and freedom through flowing movement and warm colors. Like the others, it combines detailed techniques and soft shading to create depth and emotion.

# data[].attributes.body
Write an artist statement that summarizes the meaning of your work, inspiration from your artist and the process you incorporated.

Meaning:

My artwork shows 3 koi fish circling a glowing, faded sun to represent the cycle of life and existence. Each fish reflects a different stage of being: the positive shape fish, colored in red and white, represents purity, new beginnings, and positivity, inspired by the Kohaku koi, a symbol of sucess in life; the detailed contour fish, shaded in orange, red and black, is baked on the Showa koi, which stands for strength through struggle and transformation; and the gesture fish, painted in gold, represents the Yamabuki koi, a symbol of wealth, energy, and enlightenment. Moreover, the sun, blended softly instead of being solid, represents how light and life fade and renew over time. I also chose Alberto Giacometti as my inspiration. Therefore, inspired by his focus on capturing the essence of existence rather than perfection, I used these colors and forms to express how life constantly flows through different stages: from structure and identity to freedom and spirit. I also used loose, overlapping lines to capture movement and presence rather than perfection, like Giacometti's expressive lines.

Process:

First, I start off with drawing a light circle to use for my glowing, faded sun. Then, I sketch my 3 koi fish. I sketched the gesture first by drawing the line of action, shapes that create the body, and free-flowing lines for its tail and fines. Then, I draw the positve shape contour fish by outlining its shape (I then took a photo of the outline). I did the outline by putting the paper on top of my laptop and reducing the light so I can see through the paper a bit. After outlining it, I added some details inside the fish. I drew the detailed contour fish last. For this fish, I added scales and also very detailed lines for the tail and fins. After finishing all of the drawing, I added my final touch which was thick, thin and overlapping lines for the fins and tails. As I finished all of my sketching, I started adding color with soft pastel into the light trace of a circle I drew before. I started off with yellow in the middle and blended it out. Then, I would add orange in the middle and blend it out. After that I would start watercoloring my gesture fish with a dark golden yellow and for the spots I would use a lighter yellow. After watercoloring, my pencil lines would fade a way a little, so I traced it again. Secondly, I would use color pencil to color my positive shape contour fish with red, leaving the spots white. I used an orange red and a darker red to create an ombre effect on the fins and tails of positive contour fish. Lastly, I would go in with oil pastel for my detailed contour fish. For this fish specifically, I would blend orange and red together (red would be on the tips of the fins and tails and orange would be in the inside). I would blend the colors so that they look rough and not perfectly smooth or super blended. After finishing the orange and red, I drew on the scales with an acrylic marker (my own from home), tracing over the scales I drew with pencil before. Finally, I added black oil pastel lines for the fins and tails to add detail to those parts.

# data[].attributes.attachment_link.title
Celina: Art Foundations: Line and Shape Self-Assessment

# data[].attributes.body
Discuss the processes you've gone through and discuss how you're going to finish the project.

Firstly, I drew out my 3 fish and added the necessary indications for each of the skills they represent. For instance, for gesture, I added the line of action and also used sketchy shapes to show the fluidity of gesture drawing. Moreover, I also added alot of details like the scales to my detailed contour fish. A change I made was to use the positive shape contour skill instead of the grid skill. This change was specifically sudden because I hadn't tried doing positive shape contour in my drafts. I implemented this change because I truly believed that it would embody the meaning of my art better. This is because the positive contour fish represents existence or foundation. The fish begins as a complete, tangible being. It is like something defined and whole. I am going to finish the project by starting off with watercoloring my gesture fish, coloring my positive-shape-contour fish, and going in with oil pastels for my detailed contour fish. I know that when I use oil pastel, alot of the scales I drew in pencil won't be very visible. Therefore, the only reason why I took time to draw the scales in the first place was to ensure that I could trace the scales underneath the oil pastel with an acrylic marker.

# data[].attributes.body
1. What media and processes are you using to create your project? Explain why you have made these choices.

For my project, I’m using colored pencil for the grid koi, oil pastel for the detailed contour koi, watercolor for the gesture koi, and acrylic paint for the sun. I chose these materials because each one matches the meaning of that drawing style. The colored pencil shows structure and control, the oil pastel gives depth and emotion, and the watercolor shows movement and change. The acrylic sun stands out as the bright, stable center that the koi circle around. These choices represent growth, balance, and how identity changes but still stays connected to one core.

2. Where did you revise, adjust or problem-solve during the process, and how did these changes affect your decisions for your final project?

I made a few changes while planning my project to make the meaning clearer. At first, I only wanted to color the tails, but I decided to color the whole koi to show complete transformation. I also switched to watercolor for the gesture koi instead of soft pastel because it felt more natural and flowing (and it also looked really good when I tested it out), and used oil pastel for the detailed contour koi to make it stand out with richer texture. I also chose acrylic paint for the sun to make it look bold and powerful. These changes helped my artwork feel more connected and express my idea of movement and change surrounding the sun, something constant.

# data[].attributes.body
1. How did exploring a variety of materials when experimenting impact your overall vision?

Exploring different materials helped me figure out how each one could express a different part of my idea. Using pencil and oil pastel allowed me to create sketchy, layered lines inspired by Giacometti, while soft pastel gave me a bold gradient center for the sun. Trying out different media made me realize how texture and opacity can affect the meaning: the softer the materials show movement and change. For instance, for my next draft, the acrylic for the sun represents stability and energy. It also helped me build a stronger contrast between motion and stillness in my final artwork.

# data[].attributes.body
During study hall, I came in to finish my 2nd draft.

# data[].attributes.body
During study hall, I came in for a bit to finish up my oil pastel fish!

# data[].attributes.body
1. I ensured that I had variety within each of my sketches when brainstorming by thinking about the deeper meaning behind each of the fish and how the materials would enhance the meaning or differentiate the meaning. An element that stayed the same is the order of the fishes, the type of skills each fish would have, and the layout with the circle in the middle. The only thing that changed was the material I used for each of the fish with a different style.

2. In my sketches, I explored the theme of movement, identity, and transformation through different drawing styles. Each koi fish represents a unique stage of perception (from structure to detail to motion), showing how understanding evolves over time. Stylistically, I'm inspired by Alberto Giacometti's expressive lines and focus on form and motion, which I use to show how life and identity are constantly shifting yet connected by a central force, represented by the sun.

3. Here are my questions:

a) How can I show movement like Giacometti but still keep the koi colorful and clear

b) What’s the best way to make the circular motion around the sun feel natural?

c) How can I make the three drawing styles look connected while still standing out?

# data[].attributes.body
1. How did you select and combine 3 drawing skills for your project, and what changes did you make along the way to refine your work?

I chose grid drawing, detailed contour, and gesture drawing because each one shows a different stage of observation and expression. The grid drawing represents structure and control, the detailed contour focuses on precision and identity, and the gesture drawing captures energy and movement. I combined them to show how perception can shift from accuracy to emotion, similar to Giacometti's evolving lines. I also chose the order of the koi fish to depict the cycle around the sun, showing how perception developes from structure to freedom as each fish moves through a different stage of expression. It symbolizes the continuous journey of growth and change.

# data[].attributes.body
1. How did the grid system affect the accuracy and proportions in your drawing?

The grid system helped my accuracy and proportions in my drawing as it guided me to see how many boxes in the grid per section of the LEGO body. Therefore, when you put my drawing side by side with the image, it looked very proportional.

2. Which parts of the process felt easier with the grid, and which parts were still challenging?

With the grid, I think the torso and head felt easier because the grid made it very convient when centering the head and the full body as a whole. A part that was challenging i the chest/upper body because I can't really see the grid lines so my proportions were off.

3. How might you apply what you learned from the grid method to future drawings?

In the future, I could try to quick grids when struggling with the proportions of the image I'm trying to recreate. I would put the image in a grid site (like the one I used today). For instance, I would want to draw my own grid in the future.

# data[].attributes.headline
September 17th: Big Gesture, Contour... Artwork

# data[].attributes.subject
September 17th: Big Gesture, Contour... Artwork

# data[].attributes.body
1. Starting with a positive shape contour and then layering gesture drawing helped me better the proportions as it marked where each part of her body starts and ends. Moreover, by adding lines of movement and contour lines, I can capture the movement and personality of my classmate, too. For instance, Sophia in the photo was smiling, and she's usually a very joyful person. By layering her expression, it captures her personality.

2. When adding details from the reference photo, I balanced accuracy with my own creative choices in media and mark-making by incorporating unique color combos instead of just black and white or the colors of a human. I believe that this did strengthen the final outcome because it made my blue background stand out and also it made my artwork more unqiue compared to other artworks.

# data[].attributes.body
I put line, color and shape in the Comfort Zone because I'm really comfortable with drawing lines, shapes and coloring. I put shading, values and space in Risk Zone because I sometimes have trouble shading the right shade and values. I also am not that familiar with space when creating an artwork like negative space and forspace... Lastly, I put line of action, form and texture in the Danger Zone because I only just learned about the line of action this past few weeks and I'm still struggling with form and adding texture when creating my artwork.

# data[].attributes.headline
September 3rd: Understand of Elements of Art Worksheet

# data[].attributes.subject
September 3rd: Understand of Elements of Art Worksheet

# data[].attributes.body
A

# data[].attributes.body
Out of the 3 drawings, I think this one felt the most successful because I tried my best to draw it with a steady pace, primarily focusing on observing the object (it's curves, shadows...). The primed substrte made the lines kinda hard to draw because the gesso kept on peeling off whenever I accidentally pressed my marker down too hard.

# data[].attributes.body
During this blind contour exercise, my hand responded almost automaticlly to what my eyes saw, even though the lines didn't always match up perfectly. There were also moments when my eyes and hands felt a little "out of sync", especially when my eyes moved quickly across some of the important details. I also slowed down my gaze to help my hand catch up.

# data[].attributes.body
Building hand-eye coordination through contour drawing will help me trust observation more in future art works instead of relying on memory or what's "right". Also, focusing closely and moving with patience could help me develop more expressive drawing styles and detailed sketches and shading.

# data[].attributes.body
1. How can the "imperfections" in blind contour drawing help you embrace experimentation and discover new expressive possibilities in line?

The "imperfections" in blind contour drawing can help me discover new expressive possibilities in line as they help me let go of control and perfection. Instead of worrying about accurcy, I start to notice more unique and unexpected qualities in my marks like rough edges, overlapping lines or weird shapes. These mistakes can reveal new ways of shoqwing rythm and movement that I wouldn't have plnned. Therefore, by embacing the unexpected, I learn how to experiiment more freely and see how expressive and personal my lines can be.

# data[].attributes.body
1. How can experimenting with different tools and materials (e.g., pencils, ink, charcoal, brushes, found objects) change the variety and expressiveness of your marks?

Experimenting with different tools and materials changes the variety and expressiveness of my marks in many ways. Firstly by using a variety or tools and materials, I can put emphasis on specific parts of my artwork. For instance, by using different sizes of brushes and markers, I had put contrast on my very thick middle line in the middle.

2. In what ways does the choice of media influence the mood, texture, and meaning of your artwork? How do certain tools help you communicate specific ideas or feelings?

My choice of media, oil pastels, ink and thick black markers added different colors (with differing thickness and values) helped me express the emotions I want the audience to feel more directly. An example of this is when I used only reds, browns, and blacks on one side, and pinks, yellows, blues, purples, oranges, and whites on the other side. This expresses the stark contrast between the 2 sides, indicating heaven and hell.

3. As you layer, repeat, or vary your marks, what decisions do you make about control versus spontaneity, and how does the media you select either limit or expand these choices?

As I layer, repeat or vary my marks, I limit these choices by controlling specific colors I can use on each side (with the black line in the middle). Although I did use some reds in the heaven side, I only did that so I can layer pinks on top so it contrasts more. Whenever I layer my marks, it would mainly be because I want to add values to the shapes or marks.

# data[].attributes.body
This work is inspired by Antony Gormley and is from the St Ives School of Painting. This work explores the relationship between the human figure and its surrounding space by adding more lines around the main figure. In areas where it wants to emphasize emotions or more details about the figure, it adds even more lines, making that area darker. The technique of shading parts you want to emphasize contributes to the sense of struggle the human figure in the artwork faces. For instance, from this artwork, we could assume that this individual is not in the right mind because his head is replaces by alot of lines scrambling together.

# data[].attributes.body
After working on the sculpture with my team, I understand Antony Gormley's techniques alot better. Because I was doing it was my own hands, I could also kinda of understand what he was feeling and thinking when he was creating his art. In the beginning, we struggled with knowing how to sculpt the face with the tape and make it 3D. We also struggled with determining the body proportions of our goal model figure. A big light bulb moment for my group was when we figured out how to tape the line of action, and it really helped us with making the sculpture more 3D.

# data[].attributes.body
1. Why might the practice of contour drawing be more about understanding structure and relationships in a subject than creating a polished final image?

The practice of contour drawing is more about understanding structure and relationships in a subject because it makes you observe the edges, shapes and proportions instead of focusing on drawing a perfect picture. By carefully following the outlines with your eyes and hand (without looking at the paper), your observation skills will be enhanced which is more important a growing artist than just producing a polished final image.

# data[].attributes.body
﻿﻿1. How did focusing on line and shape change the way you drew?

By focusing on the line and shape, I was able to depict the nearly accurate proportions of the sculpture I was trying to draw. I first drew the line of movement and added shapes (rectangles, ovals..) This changed how my drawing developed because instead of getting caught up in the small details too early, I could focus on the overall structure and balance. It also made my figure feel more dynamic.

2. ﻿﻿What was hardest about simplifying forms into basic lines and shapes?

To me, the hardest thing about simplifying forms into basic lines and shapes is to recognize the lines and shapes that exist in the image/sculpture. This is because when you realize the lines and shapes, you will also need to determine their size and proportion to the entire body. Additionally, translating this onto my own art piece is also difficult as my paper space isn't similar to the image provided.

3. ﻿﻿How could this practice help your future drawings?

This practice could help my future drawings in a variety of ways. For instance, by using lines and shapes, I'll be able to ensure that my drawing is dynamic and proportionate. This would also help the overall structure of my drawing to be much more balanced.

4. Which sketch shows your best use of lines and shape, and why?

I think the sketch that shows my best use of lines and shapes is my 3rd fat, muscular guy sketch. The use of lines and shape is somewhat proportionate, and it's the best out of all of my drawings. Therefore, I think that my lines and shapes are the best in this drawing because it's proportionate and very similar with the photo.

# data[].attributes.body
Some feedback I received is to remove some of the words because there are too many words, which could minimize their importance. I believe that this feedback is helpful to an extent because I already glued everything down, so the best I can do is glue more things on top of it. However, I will keep this feedback in mind in the future when doing collage, as it is still something I should keep in mind. In conclusion, if I were to redo this artwork, I would make it more clear what the event I'm most excited about is and put less words to make it less confusing.

# data[].attributes.body
What event are you looking forward to this year and why? Something I'm excited for this year is Friday Night Lights. This occasion is when football teams come together on Friday night to play football, and people come to watch. A lot of clubs also sell food for charity. I also enjoy watching football games with my friends while eating, and it's a very fun bonding experience for the SSIS community. In this piece, I put words like health, charity, talk, nightlife, home and Saigon which all relates to the Friday Night Light events.

# data[].attributes.body
Some feedback I received is to make the people and clouds more detailed and realistic. I completely 100% agree with this feedback, but I can't do anything to fix it right now because the colors are locked in. I truly wish my people would be more realistic, and in the future, I would do this by adding more curves to the figures. Moreover, for the clouds, I would use a lighter color to trace them instead of putting a dark outline. This is because putting a dark outline makes my cloud seem out of place and too cartoony. This influences my scene in a bad way because it makes my artwork seem more comedic and less serious/emotional. Therefore, if I were to redo this scene, I would draw the clouds in white and also make my humans more curvy. By adding these factors, my art piece would communicate the feelings I want the audience to feel: emotional, nostalgia, and happiness.

# data[].attributes.body
Some of the feedback I received was to add more highlights, plants, and flowers. However, I think adding more plants and flowers will overcrowd my art piece. Moreover, I believe that adding more highlights is helpful feedback, but I'm not sure if it will make a big difference because there were already existing highlights there. With that being said, I did add more highlights on the side of the mountains to make it more realistic. If I were to redo this artwork, I would add more shadows too and blend it more together.

# data[].attributes.body
What was the event that happened in the summer that you wished you had taken a photo of? One event that happened in the summer that I wished I had taken a photo of is the Himalaya Mountains. This was memorable because I went to India for the first time with my family. I used oil pastels because I thought it would be better to show the rocky mountains. Therefore, I chose this media because it was the best choice to depict the rocky Himalaya Mountains.

# data[].attributes.body
Something from the past I wished that I had taken a photo of. This wet media prompt art is about me and my brother playing at the beach when we were young. This memory was important because it's the first time my brother and I went to Phan Thiet beach in Vietnam. I used watercolors because I wanted to create an ombre effect between the sand, sea, and sky.

# data[].attributes.body
1. Before today, I usually started a drawing by outlining the subject and then adding shading inside the lines, focusing on details first. Today’s approach was different because we didn’t rely on outlines at all. Instead, I started lightly and focused on blocking in light and dark areas, building up value gradually and thinking about shadow shapes rather than lines.

2. What felt familiar was using pencil pressure and layering to create darker and lighter areas. What felt new and challenging was focusing only on shadow shapes without drawing details or contours. Squinting to simplify the image and treating shadows as one unified shape was difficult at first, but it helped me understand how value creates form more than outlines do.