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The theory is based on an alternative conceptualization of physical reality postulating that the energy/matter comprising the Universe is far from equilibrium, that it exists as a flow, and that it develops via self-organization in accordance with the empirical laws of nonequilibrium thermodynamics. It is postulated that the energy/matter flowing through and comprising the Universe evolves as a multiscale, self-similar structure-process, as a self-organizing fractal. This means that certain organizational structures and processes are scale-invariant and are reproduced at all levels of the organizational hierarchy.

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How is fractal structure in nature related to atoms and the solar system? 

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How is fractal structure in nature related to atoms and the solar system? 

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From subatomic particles to superclusters of galaxies, nature has a nested hierarchical organization. They are also formed of a self-similarity system, the idea of similar form on different size scales. That is also a fundamental property of the cosmological hierarchy. In fact, these features are the hallmarks of fractal structure.

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What other natural examples of fractal structure can we find?

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What other natural examples of fractal structure can we find?

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Tree branching, cloud structures, galaxy clustering, fern shapes, the veins of human and leaf, music, coastlines, fluid turbulence, crystal growth patterns, and very much more, involve self-similarity. Given that self-similar structure is ubiquitous within segments of the cosmological hierarchy, we have given little attention to the possibility that nature as a whole might be a fractal system.

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How can fractal structure help us study and understand the world and universe?

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How can fractal structure help us study and understand the world and universe?

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Fractals help us study and understand important scientific concepts, such as the way bacteria grow, patterns in freezing water (snowflakes) and brain waves. Their formulas have made possible many scientific breakthroughs. Maybe if we built sophisticated enough surveys, we would find nesting structures filling up the entire universe to infinity, helping humanity understanding life itself.

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Why do you think volcanoes expel molten rock when they erupt?

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Why do you think volcanoes expel molten rock when they erupt?

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I think that maybe buoyancy and gas have a lot to do with this. For what I researched, the that pressure that gas produces into the molten rock, which is lighter than the surrounding solid rock. Forces its way upward and may ultimately break though zones of weaknesses in the Earth's crust. If so, an eruption begins, and apparently, there are two possibilities. The molten rock may pour from the vent as non-explosive lava flows, or may shoot violently into the air as dense clouds of lava fragments.

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Do you think volcanic eruptions could be prevented?

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Do you think volcanic eruptions could be prevented?

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Personally, I don't think so. I think that looking at it in a scientific way, it could be possible (when humanity is a lot more developed) but very hard to get to build some sort of tool that prevents it or stops it. I mean, i think that there a more options (that haven't been that succesful) like evacuating or preventing people from living at the bottom of volcanoes. I'm not saying that we can prevent the volcanoe from erupting but yes from losing lifes and material stuff (that isn't as important as a life).

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Volcanic eruptions produce three types of materials: gas, lava, fragmented debris called tephra and other hazards.
And the list of hazards associated with volcanic eruptions is long and varied: lava flows, explosions, toxic gas clouds, ash falls, pyroclastic flows, avalanches, tsunamis, and mudflows.
Not mentioning the different types of "products" (consecuences or disasters) that volcanic eruptions produce.

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The Scream is in fact a surprisingly simple work, in which the artist utilized a minimum of forms to achieve maximum expressiveness. It consists of three main areas: the bridge, which extends at a steep angle from the middle distance at the left to fill the foreground; a landscape of shoreline, lake or fjord, and hills; and the sky, which is activated with curving lines in tones of orange, yellow, red, and blue-green. Foreground and background blend into one another, and the lyrical lines of the hills ripple through the sky as well. The human figures are starkly separated from this landscape by the bridge. Its strict linearity provides a contrast with the shapes of the landscape and the sky. The two faceless upright figures in the background belong to the geometric precision of the bridge, while the lines of the foreground figure’s body, hands, and head take up the same curving shapes that dominate the background landscape.

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The impressive beribboned document held by Franklin in the portrait is not a treaty or an Act of Parliament. The other books and pamphlets suggest the learned evidence brought in support of a wise man's decision. The bust of Isaac Newton, whose gaze is directed toward Franklin, invokes the greatest English voice of Reason. The portrait nonetheless sits squarely in the broader tradition of Enlightenment. The pressure of the thumb against the chin expresses the pressure of concentrated thought (the painting has sometimes been called the 'thumb portrait'), and the refracted light of Franklin's spectacles on his cheek furthers the effect.