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A digital display of how wood blocking is done near the exhibit would provide insight for the public as to how the piece was created.

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Have the partial remnants of complete fresco stucco panels in glass case as to give visitors an up close view of the stucco so that they could get a better understanding of the material and technique used in the creation.

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The complete myth that was told during the wearing of the raven mask should be placed nearby along with other similar myths and history behind the Kowakwaka'wakws faith in these stories.

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This should be placed in a walkthrough exhibit featuring other articles worn during Dogon ritual performances or festivals.

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A video recreation of a traditional performance using this mask should be shown next to piece so that public can better understand how the mask was worn and its role in the Dogon culture as well as the importance of performances in their culture

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From the Mali, Dogon culture. Year dates back to the twentieth century. Typically made from polychrome wood, leather cords, and hide.

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Artist was Oscar Matilpi of the Kowakwaka'wakw Nation. Used in ritual dances along the North American northern coast and Alaska. Used to illustrate myths.

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The Wave is a color woodblock print by the Japanese ukiyo-e artist Hokusai. Year between 1829-1833. Depicts a rogue wave in the area surrounding Mount Fuji.

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Stucco panel from the palace at Knossos, Crete. Artist Unknown. Year 1450 BCE. Theme is a stock scene, depicting handling a bull.

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Traditional music and sounds, including language dialogue, should be played inside of the entire exhibit as to completely surround visitors giving them a taste of a complete Dogon celebration experience.

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This piece should be shown in a walkthrough exhibit that also includes other types of masks and articles that were worn during ritual dances.

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Sounds of traditional music that played during dances should be played while visitors walk through so that the public can immerse themselves in the rituals that the tribes preformed.

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A history of bull leaping and why the people of Crete held it at such high esteem should be near the piece as to provide history of the subject.

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Include a map and layout of the Knossos Castle where the series of stucco panels were kept so that the public can easily understand the purpose behind the piece.

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More of Hokusais prints, or drawings of them, from the series "Thirty-six Views of Mount Fuji" should be located near the Wave to show more perspectives and complete the set.

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History and drawings or 3D models of the boats as depicted in the print should be near the piece in order to provide more detail of hidden parts for the public.