# data[].attributes.body
7-11 was rough, need better control of tone overall. 33 needs to be entered with more confidence and a strong sound. Still missing some accidentals in the beginning. 2nds and 3rds need to play out more

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Tone quality on lower notes and coming in on time and not breathe as often

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Pitch in higher range

Blending within section

Locking in 27-41

Clearer articulation

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Attacks were sloppy, the dynamics werent moving (they sounded the same, they werent going anywhere), played the last note as a D instead of a Bb.

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From measure 6 to 15 we need to work on tone, especially the first F#’s sounded really off key. Also at the end of measure 14 both of us took a breath which audibly caused a pause when continuing on to the next measure.

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Measure 25 was off time
Need to come in together

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Rhythms at 49&50, and articulation with it, overall dynamics, knowing when to transition at 42/43

# data[].attributes.body
-Need to play out more
-Focus on steady pitch and attacking on one specific note instead of being confused about it
-Be more confident when my part is exposed

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Needs dynamic contrast

Figure out 161-169

Clarity with releases

Tuning throughout

G FLAT

E FLAT

Jumps from low to high notes

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What we need to focus on:

Accents, especially in the beginning, the notes seem to blend together instead of being separate

Dynamics, need to reach the dynamics written, and make sure to play all those written, were only one volume right now

Air control, need to have more control of air flow and intake so we can play with the best quality for some notes, especially low ones

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Articulation! At times everything seems legato and there is no clear distinction between staccato and accents. Fp crescendos need more direction. Need more air support from 151 to the end

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Timpani, claves, snare can be softer
Triangle needs to come in on time
Suspended cymbal misses roll @ Measure 1

# data[].attributes.body
- At 61 there was another audible breath/pause that needs to be moved somewhere else
- In the beginning of measure 105 the A flat needs to be played as well as the E flats in measure 123
- Articulation in measures 142 - 151 needs to be worked on as well as measures 161-162 and 163-164 note-wise

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Articulation and timing with percussion at 61
Finding diffrent spots to breath
Dynamic

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What we need to work on:

Attacks, especially at 44 and 115, we need to work on attacking that segment so all of it sounds good

Volume, at 62 we are unable to be heard, need to make a bigger sound

Embouchure, 165, we need to work on tightening the lips

Soli, 133, play out, make sure all notes are correct and play together

# data[].attributes.body
-162 through 164 not confident
- LOUDER at measure 79
-don’t sound scared 165-168
-rhythms 144-150 and play confidently
-make our soli louder at 46 :):):):)
-a r t i c u l a t e !

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Confidence in pitch accuracy/Tuning

Dynamic contrast

Accuracy of Accelerando

Note length/Articulations

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•Match wind ensemble in dynamics on bass drum (quieter) and everyone else (louder)
•Rhythmic innacuracies and late entrances in middle percussion break
•Tempo consistency issues as individuals and as an ensemble in cohesion one another

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Started too early at 27.
Slowed down 27.
Louder at 43.
Rhythm check at 49.

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I need to memorize one more fingering so I don't have to continuously look it up and work on confidence in my playing

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timing at 18-20 and 31-36

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ascending quarter runs

tone quality

stagger breathing

MEASURE 49!!!

forte piano at 51

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Sneak back in on long notes after taking a breath
15- Focus on watching vail and our tone
43-49 Accidentals

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-Entrance at measure three was off. We didn't come in on time and we can work in that.
-We need to play louder throughout the whole song.
-We need to work on timing and playing together throughout the whole song.
-Play accented notes @measures 27-41

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At 17-20, 47-48 we need to work on being louder, and having more clearer tones. Having enough air to make it through the runs

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• Tone 12-20
• Articulation/note lengths 27-42
• Intonation 43-47

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Confidence
Count rests
Get quieter at the fp at the end

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I need to be more confident in my playing and work on dynamics

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Confidence in entrances

Dynamic contrast

Articulations (need more), tbone--don't slur if not written

Phrasing (get enough air to make it through an entire phrase)

Tuning of notes (especially higher ones)

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•Tempo change inconsistency
•Rhythmic and attack innacuracies between different instruments
•Hesitated attacks
•Crash cymbal technique inconsistent leading to a quiet and airy sounds
•Rhythmic innacuracies in Cabasa rhythm
•Match ensamble in dynamics for timpani roll at end (lower) and go higher for eighth note part
-maybe raise lower pitch up an octave for sound to cut through

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tuning when loud

crescendo 16-19

articulation

tuning of Bb

runs at the end of the song

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Don’t let tone suffer on shorter notes
Connect notes more on slurs and accents
When we accent, put a little more force behind it
54 & 115 focus on accidentals
87 play full length

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Get quieter at 7
Triplet at 34
162 & 164
7/8

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2, ending the note together
28, tuning
89, louder and slower

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• Articulation/note length 28-36
•Intonation/Dynamics 58-68
•Rhythm 143-169

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We need to work on the 7/8 bars and attacking the notes accurately. Having more air through-out the whole song. Being louder when we have important runs. Being clearer and not being over taken by other sections

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-Measure thirteen was not together.
-Play louder throughout the whole piece.
-Measure Eighty-Seven needs to have a smoother entrance.
-Entrance at ninety-five needs to be together.
-Louder for the rest of the piece.

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timing at 7-12
dynamic contrast at 89-114 and 133-140

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Measure 6: the notes are seeming to swell and it messes with pitch and is causing an intonation issue.
Measures 6-15: we're cracking notes in the higher register.
Measure 16: timing fell apart a tad
Generally the beginning had timing issues and we lost uniformity of sound and articulation.
Measure:18 too quiet, we lost any accent or sound at all
Meausre 20: we lost our tuning, pitches clashed.
Measure 33: overaccented the notes and it's making us miss the pitch.
Most notes in the song feel pushed. Almost like a swell because we aren't sure about the pitch and cresc. Into it. We need to be more sure of the pitch we're hitting

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Measure 2: we cresc. Into the sfz. And then do the decrescendo down. It needs to start loud.
Measure 5-6: tuning was totally lost.
Measure 2-12: bad tuning through out.
Any time there ling tones under a melodic phrase the tuning goes down drastically in quality. Tuning as well
Measure 29: the second 8th note lost clarity. We have this problem through out where we hit two out of three in that phrase
Measure 42: poor articulation. It's not uniform
Measure 44: overall uniformity and timing
Measure 54: the dynamic is too quiet, we got hurried
Measure 60: too long
Measure 65: we cut off too soon. Wait for the bell
Measure 95: That was just poor. We need to look at that
Measure  97: notes under the 1 3 part are not in tune
Measure 115: clearer entrances
a2 soli: pretty okay, but no uniformity of articulation
Measure 161: muddy, but fixed on second go
Last measure is super muddy rhythm-wise. 140 has attack and release problems

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- F natural sounds off, so possibly we need to make sure we are in tune
- Overall a lot of the notes seem a little off key, it’s a lot more noticeable since not many people play at once
- On sempre legato or 48-60 we need to stay with the trumpets and not get behind tempo-wise
- The transition between the end of G (measure 84) to section H could be smoother and have better dynamics. The written crescendo was kinda ignored there too

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Tuning and coming in on time

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We need to work heavily on embouchure, volume control, tone quality, but most importantly dynamics as the song sounds bland most of the time

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Work on G
2 measures before I
DYNAMICS

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Issues with intonation when sustaining notes. Contoured dynamics need to be done without risking tone. Downbeat needs to be cleaner at A. Breathe together

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Timpani out of tune
Bass drum needs to hit on time and mute the drum

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Pitch

Needs more dynamic contrast

Releases need to be more clear

Timing at G

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-better articulation during our Solis
-volume at the beginning
-tuning and overall pitch control
-fullness of long tones
-112-114 better dynamics
-117-118 PITCH
-articulate and don’t sound airy at

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We need to blend with the rest of the band at the beginning. We need more practice at E. The down scale at the beginning of I needs work. First time through J needs to be quieter. And J needs work with embouchure.

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- The dynamics could be a bit more emphasized
- Still need to practice keeping the high D and other notes in section E in tune
- In section H the accented notes need to be shortened or highlighted

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At J focus on changing volume with the ensemble and make I sound more confident and not crappy

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Throughout A and B the cymbals and snares need to take turns on hitting
First time one before J the cymbal messed up the solo

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-Tuning issues in A
-overall dynamics
-lack of balance and articulation/style disagreements in the trio
-J hit accents to stay together, don’t get quiet during the hard parts
-fp Cresc in 37 was nonexistent

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Tendency is to go sharp when moving up in pitch, lack of energy throughout and losing feel for time in the beginning and middle sections. It's a march - articulation should be clear and defined

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Crescendos at C

Balance notes from J to End (CONFIDENCE)

Tuning at C

Clear articulation

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Articulation and holding notes

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Basically everything after 113
Y

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- The accents at the beginning could be emphasized more
- We also need to work on finishing notes at the same time as other sections, and correctly counting rests
- Need to be more confident when coming in at measure 114
- Measures 125-133 need some work, particularly the high notes
- At measure 149-150 we faded out for some reason, possibly because of lack of understanding of the rhythms

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Clear articulation

Confidence at J

Tuning at C

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Dynamics, timing pretty much throughout the song. Embouchure is YET AGAIN another problem. Volume needs to be higher at 70. Need to be more pronounced at 131. 155 to 164 needs lots of work. The ending needs to be more drastic too.

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Snare didn't play at 38
45 toms and snare didnt play together
65 to 75 play quieter
Chimes need to step on the peddle
141 snare messed up
Tom's didn't downbeat at 159
Roll too loud at grave
Last measure missed downbeat

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Intonation is a huge issue when unison from 5-15. Also, just counting and subdividing will really help with entrances. There seems to be no agreement on the length of notes and overall approach to articulation

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Timing and rythm throughout

Don’t hesitate

Pitch at 160- end

45-57 timing

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Articulation,timing,staying together in faster tempos

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Well
-confidence
-come in on time in 96
-overall timing and confidence
-we need to understand where our part fits and what our sound’s purpose is
-confidence
-fix tendency to slow down
-volume / confidence !
-confidence

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Timing throughout

Pitch at end

Need more accents

148 we are guessing

Hesitating and missing entrances

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•Wrong notes on bells
•maybe louder on bells, different mallets
•snare rhythms inconsistent: rushing on 16th notes and some 8th notes, learn part with met, be more confident in playing even if playing piano
•can’t hear xylophone part/ not playing: use different mallets and play more confidently, learn part with met
•attacks off: all attack together (winds too)

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Sustain dotted half notes, don’t leave space between measures
Don’t scoop into notes, be more legato
Little louder for better balance

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come in too late/ enterances

measure 35 to 47

letter E

letter H

louder at C

timing on G

staccato on D is shorter

3rds be more confident

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•tuning on long tones
•rhythm 90-91
•dynamics 139-152

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-2nd trumpets weren't together @A
-Measure 56-57 we need to be on time. We weren't together.
-Missed cues
-2nd trumpet needs to be a lot louder
-"I" was weird
-Measure 138 needs to be louder.
-Measure 149 needs to be quieter, and there was unsure notes.

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We need to be louder in certain areas and at I we need better dynamics. We need to stop making rests so long and cutting notes short

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timing at 26-56
dynamics at 119

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Tuning on every E flat
Scattering breathing (with section)
Tonguing at E

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Timing at I
Crescendo before H

# data[].attributes.body
Tune beginning notes. Exaggerate dynamics in A. Better tone at D. Practice octave jumps in F. Tune K. Watch timing at M. More dynamic contrast at N

# data[].attributes.body
Don’t push tempo at C
Don’t get too quiet when everyone else is
More staccato and better articulation
Try getting good tone

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•crash cymbal Rhythmic innacuracies: learn part with met to line up notes with offbeats or down beats
•louder bass drum: being covered by timpani
•be together on attacks
•timpani Rhythmic innacuracies and play more dynamically relating to band
•have a more inner sense of tempo with ensemble: will fix a lot of things problems

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pitch during high notes

forte piano at measure 38

letter M to the end

more dynamic changes for letters E, F, and G

note accuracy at J

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•Attacking accidentals
•Articulation 1-6 and at letter I
•Dynamics at J

# data[].attributes.body
-Trumpets as a whole need to be way louder
-The Trio didn't sound right.
-Can't hear "J" at all both times
-Trumpets are getting covered up
-Overall sound wasn't good.

# data[].attributes.body
M1-6 play louder, practice pitch and range on octave jumps , tune E, tempo control in dog fight, louder at second time at J, better articulations in general

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Tuning on E flat (?)
M to the End
J in general (always can get better)

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Tuning
Tone ono

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The beginning needs to have better and clearerstarts. More dynamics and being louder

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Better timing, don’t let everyone else mess us up
Feel the groove more
Stronger accents
Balance

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dynamics at 6
tune high g in trio
rhythm at 8-13

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timing at 45-60

work on counting and entrances

measure 148

measure 146 play on 2

measure 65-75

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•Snare hesitation is rhythm on 1 +a
•take crescendos more seriously, start softer
•more dynamic contrast in accent/ non accent ideas
•snare count to come in on the right measure
•timpani solo on time and right measure
•roll timing inconsistent
•all parts count to enter in correct spot
•Wrong notes in mallet parts

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35 clearer woth confidence, 45-70 count better, 77-80 clearer tone, 105 more dynamic contrast and confidence and spacing, 130 more articulations, 145-160 keep timing and count, 160 needs consistent tempo, last sfortzando should be more powerful

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•Articulation clarity 138-143
•note length 15-30
•Rhythm 125-134

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Timing
150