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Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

# data[].attributes.attachment_link.description
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'. The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

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Middleton studied BA Painting at Camberwell College of Arts. Drawing influence from the everyday such as furniture and architecture, the work is made through a strict studio process. Looking at methods of industrial production and replicating them by hand, the work is meticulous and precise.
https://collections.arts.ac.uk/objects/28004/untitled?ctx=eeefcd29-2d7b-4f66-917f-0ea9a673961b&idx=27

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Alfonso studied BA Ceramics at Central Saint Martins. Her work is based on a desire for the user to be deterred by the tools that we use to consume food and not to overindulge. The user will be reminded by the 'faces and body parts of gluttony' on their cutlery: when one looks closer at the tool in hand, one can either be intrigued to indulge further or be deterred from it.
https://collections.arts.ac.uk/objects/27954/en-garde?ctx=89f46f43-6fd9-4911-91b7-76bf5ec213b0&idx=523

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FORBIDDEN PLANET Soundtrack - a) Main Titles - Overture - b) Giant Footprints In The Sand

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Music

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Description Scheinberg studied BA Photography at London College of Communication. She describes her work as an exploration for the archaic, within the perfect surface 'screen' of commodity and technology culture. It is the search for the human within the synthetic; beneath the glistening plastic and liquid surface of the digital, a visceral humanity simmers.

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Description Scheinberg studied BA Photography at London College of Communication. She describes her work as an exploration for the archaic, within the perfect surface 'screen' of commodity and technology culture. It is the search for the human within the synthetic; beneath the glistening plastic and liquid surface of the digital, a visceral humanity simmers.

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It is the search for the human within the synthetic; beneath the glistening plastic and liquid surface of the digital, a visceral humanity simmers.

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Description Scheinberg studied BA Photography at London College of Communication. She describes her work as an exploration for the archaic, within the perfect surface 'screen' of commodity and technology culture. It is the search for the human within the synthetic; beneath the glistening plastic and liquid surface of the digital, a visceral humanity simmers.

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Description Scheinberg studied BA Photography at London College of Communication. She describes her work as an exploration for the archaic, within the perfect surface 'screen' of commodity and technology culture. It is the search for the human within the synthetic; beneath the glistening plastic and liquid surface of the digital, a visceral humanity simmers.

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Medium: Discarded plastic pot and recycled macrame

Description Bracelet made from discarded plastic and macrame.

Description from designer:
Woo Jin Joo is a designer believing in design for change. In this final project, the focus was on exploring the lost value of plastic. When first invented, plastic was much more of a valuable material, used for beautiful jewelry designs. Inspired by this, and disheartened by the amount of plastic waste dumped into our ocean, Woo Jin created a series of jewelry and prints out of plastics found along British coasts. The project's aim was to question the value of the material and the way we treat them. It is a playful and poetic reminder of the misuse of a valuable material, and that change is required. Unlike usual transformation of materials into unrecognizable forms in other sustainable, upcycling designs, Woo Jin maintained the original form in order to show the journey the material has been on.

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Medium: Discarded plastic pot and recycled macrame Description Bracelet made from discarded plastic and macrame. Description from designer: Woo Jin Joo is a designer believing in design for change. In this final project, the focus was on exploring the lost value of plastic.

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http://collections.arts.ac.uk/objects/28000/untitled-3?ctx=153a1a78-52f9-43f1-9528-9a33db5438f1&idx=564

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http://collections.arts.ac.uk/objects/38105/adaptation-of-a-time-measuring-device-into-a-photographic--a?ctx=66e511e5-e58d-4ec7-8e18-58efadf71e47&idx=713

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http://collections.arts.ac.uk/objects/29858/the-future-invasion?ctx=51f6f411-f8a5-421e-99e7-6e7e53a0661f&idx=583

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http://collections.arts.ac.uk/objects/29870/the-black-hole-black-widows?ctx=6d56eeff-a85f-47ce-bb82-23ae03c865e9&idx=530

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Collection: University Art Collection

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http://collections.arts.ac.uk/objects/30855/futuristic-car?ctx=02fc7773-8448-400e-bf00-0d5dd8d2cb21&idx=10

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http://collections.arts.ac.uk/objects/30856/futuristic-car?ctx=02fc7773-8448-400e-bf00-0d5dd8d2cb21&idx=4

# data[].attributes.body
http://collections.arts.ac.uk/objects/30854/futuristic-car?ctx=02fc7773-8448-400e-bf00-0d5dd8d2cb21&idx=3

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CSM Museum & Study Collection

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http://collections.arts.ac.uk/objects/45230/scandinavia-industrial-art-from-four-countries?ctx=9cca7cb1-7728-4e0e-8570-22fea3437804&idx=2

# data[].attributes.body
http://collections.arts.ac.uk/objects/45192/scandinavia-industrial-art-from-four-countries?ctx=9cca7cb1-7728-4e0e-8570-22fea3437804&idx=1

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The Camberwell ILEA Collection

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Description Stainless steel ashtray with black plastic base, designed by Robert Welch for Old Hall Tableware Ltd. Made in England. Maker's mark engraved to base.

Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes Robert Welch trained in silversmithing and later studied at the Royal College of Art. Welsch was appointed as a Design Consultant to Old Hall Ltd in 1955.

In 1893, James Thomas Wiggin and his eldest son James Enoch set up a small manufacturing business, J & J Wiggin. In 1922 the company changed its name to 'Old Hall Ltd'. With the development of stainless steel, the company began to manufacture tableware in the 1930s. Old Hall pioneered the use of stainless steel as a substitute for silver tableware, because it did not need regular polishing and did not tarnish. By the 1950s Old Hall was sold in over 2,000 stockists in the UK and began to dominate the market.

# data[].attributes.attachment_link.description
Description Stainless steel ashtray with black plastic base, designed by Robert Welch for Old Hall Tableware Ltd. Made in England. Maker's mark engraved to base. Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

# data[].attributes.attachment_link.readable_text
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

# data[].attributes.attachment_link.description
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'. The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

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Robert Welch

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Stainless steel

# data[].attributes.attachment_link.readable_text
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

# data[].attributes.attachment_link.description
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'. The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

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Description Melamine plastic dish in dark brown/black. Design by Kristian Vedel, manufactured by T Ørskov of Denmark.

Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes Born in Denmark, Kristian Vedel was an Industrial Designer and a member of the Scandinavian Design movement. In the late 1940s, Vedel was the Chairman of the Danish Furniture Designers, he also lectured at the School of Arts, Crafts and Design in Copenhagen form 1953-56. His output is characterised by a consideration for the ergonomic and functional elements of a design, particularly exploring materials such as wood and plastic.

# data[].attributes.attachment_link.description
Description Melamine plastic dish in dark brown/black. Design by Kristian Vedel, manufactured by T Ørskov of Denmark. Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection. The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID).

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Description Melamine plastic vessel (possibly a cup or small bowl) in dark brown. Design by Kristian Vedel, manufactured by T Ørskov of Denmark.

Provenance
This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes Born in Denmark, Kristian Vedel was an Industrial Designer and a member of the Scandinavian Design movement. In the late 1940s, Vedel was the Chairman of the Danish Furniture Designers, he also lectured at the School of Arts, Crafts and Design in Copenhagen form 1953-56. His output is characterised by a consideration for the ergonomic and functional elements of a design, particularly exploring materials such as wood and plastic.

# data[].attributes.attachment_link.description
Description Melamine plastic vessel (possibly a cup or small bowl) in dark brown. Design by Kristian Vedel, manufactured by T Ørskov of Denmark. Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

# data[].attributes.attachment_link.readable_text
Description Plastic vase, designed by Kristian Vedel and manufactured by Torben Ørskov. Made in Denmark.

Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

# data[].attributes.attachment_link.description
Description Plastic vase, designed by Kristian Vedel and manufactured by Torben Ørskov. Made in Denmark. Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

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Plastic objects

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Description Plastic vase, designed by Kristian Vedel and manufactured by Torben Ørskov. Made in Denmark.

Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

# data[].attributes.attachment_link.description
Description Plastic vase, designed by Kristian Vedel and manufactured by Torben Ørskov. Made in Denmark. Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

# data[].attributes.attachment_link.readable_text
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

# data[].attributes.attachment_link.description
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'. The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

# data[].attributes.attachment_link.readable_text
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

# data[].attributes.attachment_link.description
Provenance The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'. The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

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Maybe we could include something from the archive
https://archives.arts.ac.uk/CalmView/Record.aspx?src=CalmView.Catalog&id=SK%2f12%2f2%2f2%2f10&pos=2

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The archive of acclaimed filmmaker Stanley Kubrick features material spanning his entire career. Find out more about what you can access at UAL and learn more about his work.

What's in the archive?

The archive spans Kubrick's entire career from his time as a photographer for Look Magazine to his final film Eyes Wide Shut.

There's material about his unfinished projects, especially AI: Artificial Intelligence and Aryan Papers. There are even records created posthumously including DVD and video re-releases, documentaries and books about Kubrick and his work.

The archive includes:

scripts

research materials like books, magazines and location photographs

set plans and production documents - call sheets, shooting schedules, continuity reports and continuity Polaroids

props, costumes, poster designs, sound tapes and records

publicity press cuttings.

The Stanley Kubrick Archive is available Monday to Friday by appointment only.

The Stanley Kubrick Travelling Exhibition

This exhibition showcases the iconic work of Stanley Kubrick through original designs, models and props. Visitors can see costumes, scripts and shooting schedules from all his films including: 2001: A Space Odyssey (1968), A Clockwork Orange (1971), Barry Lyndon (1975) and The Shining (1980) and Eyes Wide Shut (1999). His early career as a photographer is also represented.

The Stanley Kubrick Travelling Exhibition curated by the Deutsches Filmmuseum, Christiane Kubrick, Jan Harlan and the Stanley Kubrick Archive at University of the Arts London, with the support of Warner Bros. Entertainment Inc., Sony-Columbia Pictures Industries Inc., Metro Goldwyn Mayer Studios Inc., Universal Studios Inc. and SK Film Archives LLC.

Interviews with Kubrick's friends and family

See interviews with members of Stanley Kubrick's family, close friends, collaborators and colleagues. These films explore the ways in which Kubrick found and developed the stories for his films, and how he chose and used music.

We are immensely grateful to all the participants for their generosity and honesty in contributing to the interviews.

This project was undertaken by Pamela Glintenkamp, oral historian and video producer. We are also indebted to the BBFC and to Warner Bros. Entertainment Ltd. for their generous financial support to make these films possible.

The Stanley Kubrick Archive Oral History Project: Finding and Developing the Story

Kubrick Design Part I: 'Dr. Strangelove'

Set Design Part II: ' A Clockwork Orange'

Watch more on cinematography

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See the Stanley Kubrick Archive at the UAL Archives and Special Collections Centre based at London College of Communication.

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This collaborative work questions the expectations of a domestic space, the structure of it and the need to belong. By creating a fictional property, the artists question the physical setting of home and how the construction of self is manifested to one's domestic space.

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Ephemera Realty brings to you Poetics of Home, an interactive online exhibition.
This collaborative work questions the expectations of a domestic space, the structure of it and the need to belong. By creating a fictional property, the artists question the physical setting of home and how the construction of self is manifested to one's domestic space. The Poetics of Home is composed of different rooms from the domestic spaces of the contributing artists who work and live in multiple countries. The house, ultimately is a mash-up of individual private spaces that celebrates different cultures and ways of living. In each room, the artists' work is integrated with the surrounding space. In some rooms the work seems as though it belongs, in others it is jarringly out of place. Both question our relationship to objects and the immediacy of objects in our lives. Poetics of Home plays with ideas of reality and the imaginative. It is hard to decipher what is real and what is not in this house, what is tangible and what is impermanent.

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Ephemera Realty brings to you Poetics of Home, an interactive online exhibition. This collaborative work questions the expectations of a domestic space, the structure of it and the need to belong. By creating a fictional property, the artists question the physical setting of home and how the construction of self is manifested to one's domestic space.

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Dix studied MA Fine Art at Wimbledon College of Arts. By examining futuristic past predictions of the 21st century and the subsequent representation of that imagined future, he points to our reliance on consumer technology, highlighting the insecurity and vulnerability of man caused by our desire for aspirational, consumer products.

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Collection: University Art Collection

Date: 2009

Artist: Adam Dix (British)

Dimensions: Framed size: 74 x 50 cm

Medium: 14 Colour screenprint on Somerset 310 gsm paper

Object number: UAC 712

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Description Stainless steel soup spoon designed by Arne Jacobsen for A. Michelsen, of Denmark in 1957. The spoon is part of the '660' flatware cutlery range. The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

The futuristic, minimalist style of the '660' range meant it was selected for use on board the spacecraft in Stanley Kubrick's 1968 science-fiction film '2001: A Space Odyssey'.

The individual pieces in the set are represented in the collection: coffee spoon (CC013 and M129), dessert spoon (CC060), salad knife (CC061), salad fork (CC062), table knife (CC063) and table fork (CC064).

Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes This object was circulated to London schools as part of the Inner London Education Authority's (I.L.E.A) Circulating Design Scheme, which operated from 1951-1976. The Arne Jacobsen cutlery featured in the 'Metals are joined by...' group in case number 2. The boxed showcase describes the different manufacturing techniques for joining metals, including examples of riveting, screwing, bolting, soldering, brazing and welding. The original supplier from whom this object was acquired is unknown. The associated record card indicates the boxed showcase was in use from 1969-74. Original photograph of boxed showcase copyright Tessa Grimshaw, London.

Arne Jacobsen is thought of as one of Denmark's most influential architects and designers. He was educated at the Royal Danish Academy of Fine Arts, School of Architecture in Copenhagen, and later became a professor at the school. Having designed private houses and winning architectural commissions, Jacobsen became increasingly interested in product design. Jacobsen's Model 3107 - Series 7 Chair is one of the most popular chair designs of the 20th and 21st century.

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Description Stainless steel soup spoon designed by Arne Jacobsen for A. Michelsen, of Denmark in 1957. The spoon is part of the '660' flatware cutlery range. The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

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Description Set of 6 stainless steel coffee spoons with original box, designed by Arne Jacobsen for A. Michelsen in 1957. Manufactured in Denmark. The coffee spoons are part of the '660' flatware cutlery range. The original box is printed card; it has a stylised line drawing of one of the coffee spoons.

One of the coffee spoons was accessioned and catalogued individually at an earlier date (CC013), therefore this box contains 5.

This box also contains 2 small flat utensils, however these are not back stamped with an association to Arne Jacobsen/A.Michelsen and therefore may not be original to the set.

The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

Printed to box "20236 kaffeske A. Michelsen by appointment to H.M the King of Denmark".

"Kaffeske" is Danish for 'coffee spoon'.

The futuristic, minimalist style of the '660' range meant it was selected for use on board the spacecraft in Stanley Kubrick's 1968 science-fiction film '2001: A Space Odyssey

The individual pieces of the '660' flatware range are represented in the collection: coffee spoon (CC013), soup spoon (CC059), dessert spoon (CC060), salad knife (CC061), salad fork (CC062), table knife (CC063) and table fork (CC064).

Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes Arne Jacobsen is thought of as one of Denmark's most influential architects and designers. He was educated at the Royal Danish Academy of Fine Arts, School of Architecture in Copenhagen, and later became a professor at the school. Having designed private houses and winning architectural commissions, Jacobsen became increasingly interested in product design. Jacobsen's Model 3107 - Series 7 Chair is one of the most popular chair designs of the 20th and 21st century.

# data[].attributes.attachment_link.description
Description Set of 6 stainless steel coffee spoons with original box, designed by Arne Jacobsen for A. Michelsen in 1957. Manufactured in Denmark. The coffee spoons are part of the '660' flatware cutlery range. The original box is printed card; it has a stylised line drawing of one of the coffee spoons.

# data[].attributes.attachment_link.readable_text
Description Stainless steel salad knife with 2 tines designed by Arne Jacobsen for A. Michelsen, of Denmark in 1957. The fork is part of the '660' flatware cutlery range. The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

The futuristic, minimalist style of the '660' range meant it was selected for use on board the spacecraft in Stanley Kubrick's 1968 science-fiction film '2001: A Space Odyssey'.

The individual pieces in the set are represented in the collection: coffee spoon (CC013 and M129), soup spoon (CC059), dessert spoon (CC060), salad fork (CC062), table knife (CC063) and table fork (CC064).

Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes (I.L.E.A) Circulating Design Scheme, which operated from 1951-1976. The Arne Jacobsen cutlery featured in the 'Metals are joined by...' group in case number 2. The boxed showcase describes the different manufacturing techniques for joining metals, including examples of riveting, screwing, bolting, soldering, brazing and welding. The original supplier from whom this object was acquired is unknown. The associated record card indicates the boxed showcase was in use from 1969-74. Original photograph of boxed showcase copyright Tessa Grimshaw, London.

Arne Jacobsen is thought of as one of Denmark's most influential architects and designers. He was educated at the Royal Danish Academy of Fine Arts, School of Architecture in Copenhagen, and later became a professor at the school. Having designed private houses and winning architectural commissions, Jacobsen became increasingly interested in product design. Jacobsen's Model 3107 - Series 7 Chair is one of the most popular chair designs of the 20th and 21st century.

# data[].attributes.attachment_link.description
Description Stainless steel salad knife with 2 tines designed by Arne Jacobsen for A. Michelsen, of Denmark in 1957. The fork is part of the '660' flatware cutlery range. The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

# data[].attributes.body
Possible other objects/ artsist

# data[].attributes.attachment_link.readable_text
Description Stainless steel coffee spoon designed by Arne Jacobsen for A. Michelsen in 1957. Manufactured in Denmark. The coffee spoon is part of the '660' flatware cutlery range.

The makers mark is impressed on the reverse "A.Michelsen Stainless Denmark".

Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes The futuristic, minimalist style of the '660' range meant it was selected for use on board the spacecraft in Stanley Kubrick's 1968 science-fiction film '2001: A Space Odyssey'. The individual pieces in the set are represented in the collection: coffee spoons (M129), soup spoon (CC059), dessert spoon (CC060), salad fork (CC062), table knife (CC063) and table fork (CC064).

Arne Jacobsen is thought of as one of Denmark's most influential architects and designers. He was educated at the Royal Danish Academy of Fine Arts, School of Architecture in Copenhagen, and later became a professor at the school. Having designed private houses and winning architectural commissions, Jacobsen became increasingly interested in product design. Jacobsen's Model 3107 - Series 7 Chair is one of the most popular chair designs of the 20th and 21st century.

# data[].attributes.attachment_link.description
Description Stainless steel coffee spoon designed by Arne Jacobsen for A. Michelsen in 1957. Manufactured in Denmark. The coffee spoon is part of the '660' flatware cutlery range. The makers mark is impressed on the reverse "A.Michelsen Stainless Denmark". Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

# data[].attributes.attachment_link.readable_text
Description Stainless steel table knife designed by Arne Jacobsen for A. Michelsen, of Denmark in 1957. The knife is part of the '660' flatware cutlery range. The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

The futuristic, minimalist style of the '660' range meant it was selected for use on board the spacecraft in Stanley Kubrick's 1968 science-fiction film '2001: A Space Odyssey'.

The individual pieces in the set are represented in the collection: coffee spoon (CC013 and M129), soup spoon (CC059), dessert spoon (CC060), salad knife (CC061), salad fork (CC062) and table fork (CC064).

Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes This object was circulated to London schools as part of the Inner London Education Authority's (I.L.E.A) Circulating Design Scheme, which operated from 1951-1976. The Arne Jacobsen cutlery featured in the 'Metals are joined by...' group in case number 2. The boxed showcase describes the different manufacturing techniques for joining metals, including examples of riveting, screwing, bolting, soldering, brazing and welding. The original supplier from whom this object was acquired is unknown. The associated record card indicates the boxed showcase was in use from 1969-74. Original photograph of boxed showcase copyright Tessa Grimshaw, London.

Arne Jacobsen is thought of as one of Denmark's most influential architects and designers. He was educated at the Royal Danish Academy of Fine Arts, School of Architecture in Copenhagen, and later became a professor at the school. Having designed private houses and winning architectural commissions, Jacobsen became increasingly interested in product design. Jacobsen's Model 3107 - Series 7 Chair is one of the most popular chair designs of the 20th and 21st century.

# data[].attributes.attachment_link.description
Description Stainless steel table knife designed by Arne Jacobsen for A. Michelsen, of Denmark in 1957. The knife is part of the '660' flatware cutlery range. The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

# data[].attributes.attachment_link.readable_text
Description Stainless steel dessert spoon designed by Arne Jacobsen for A. Michelsen, of Denmark in 1957. The spoon is part of the '660' flatware cutlery range. The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

The futuristic, minimalist style of the '660' range meant it was selected for use on board the spacecraft in Stanley Kubrick's 1968 science-fiction film '2001: A Space Odyssey'.

The individual pieces in the set are represented in the collection: coffee spoon (CC013 and M129), soup spoon (CC059), salad knife (CC061), salad fork (CC062), table knife (CC063) and table fork (CC064).

Provenance This object was originally acquired for the Inner London Education Authority's (ILEA) 'Circulating Design Scheme' collection.

The collection was instigated by the London Country Council (later the Greater London Council) and the Council of Industrial Design (COID). The collection's original purpose was concerned with the teaching and dissemination of modern, 'good design'.

The collection was established in 1951/52 as the 'Experiment in Design Appreciation', later renamed the 'Circulating Design Scheme'.

The Circulating Design Scheme lent boxed showcases to London schools. The showcases contained handling objects, material samples and interpretation on a specific subject.

COID withdrew its involvement in the Scheme in 1957. After which time, it was managed exclusively by the London County Council from 1957-1963.

After the administrative restructuring of London authorities, the Scheme was jointly managed by the Greater London Council and the Inner London Education Authority (ILEA) from 1963 - 1976.

The Scheme was operational until 1976 when the collections were withdrawn from circulation. ILEA was abolished in the late 1980s and the collection was donated to Camberwell College of Arts in 1989/90.

ILEA was responsible for secondary and tertiary education in the inner London boroughs, this included Camberwell.

Notes This object was circulated to London schools as part of the Inner London Education Authority's (I.L.E.A) Circulating Design Scheme, which operated from 1951-1976. The Arne Jacobsen cutlery featured in the 'Metals are joined by...' group in case number 2. The boxed showcase describes the different manufacturing techniques for joining metals, including examples of riveting, screwing, bolting, soldering, brazing and welding. The original supplier from whom this object was acquired is unknown. The associated record card indicates the boxed showcase was in use from 1969-74. Original photograph of boxed showcase copyright Tessa Grimshaw, London.

Arne Jacobsen is thought of as one of Denmark's most influential architects and designers. He was educated at the Royal Danish Academy of Fine Arts, School of Architecture in Copenhagen, and later became a professor at the school. Having designed private houses and winning architectural commissions, Jacobsen became increasingly interested in product design. Jacobsen's Model 3107 - Series 7 Chair is one of the most popular chair designs of the 20th and 21st century.

# data[].attributes.attachment_link.description
Description Stainless steel dessert spoon designed by Arne Jacobsen for A. Michelsen, of Denmark in 1957. The spoon is part of the '660' flatware cutlery range. The maker's mark is impressed on the reverse "A.Michelsen Stainless Denmark".

# data[].attributes.body
Table fork, Arne Jacobsen, '660' Flatware 

# data[].attributes.body
ILEA

# data[].attributes.body
<University Art collection>
‘Jaime Tarazona’ (Alumni of MA Fine Art CCM)

His work at present deals with problems stemming from science fiction, particularly of movies and of some directors that interest him or their approach and portrayal of humanity’s problems in the future.

Link;
- His interview https://vimeo.com/167160715
- Exhibition ‘UNEXPECTED’ https://site131.com/unexpected/
- Other collection http://abstractioninaction.com/artists/jaime-tarazona/#
- Instagram https://www.instagram.com/tarazonajaime/

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Description Tarazona studied MA Fine Art at Central Saint Martins. His collects 19th century engravings of worldwide urban landscapes collected by the artist and paints typical modern structures directly onto the original in an attempt to redesign the original topography, and cites influence from Le Corbusier.

# data[].attributes.attachment_link.description
Description Tarazona studied MA Fine Art at Central Saint Martins. His collects 19th century engravings of worldwide urban landscapes collected by the artist and paints typical modern structures directly onto the original in an attempt to redesign the original topography, and cites influence from Le Corbusier.