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(Beat 32 - Awaken) I wonder how long it took that twinkle to come all the way down here? How far did it travel just to make me feel insignificant? 

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(Beat 32 - Awaken) I wonder how long it took that twinkle to come all the way down here? How far did it travel just to make me feel insignificant? 

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Explosion+Ringing of the ears sound effect

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(Beat 31 - Reminisce) The whistle seems far off this time, as if in a dream, and I could swear I hear the gears themselves grind to a stop. You can’t run forever after all. 

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(Beat 31 - Reminisce) The whistle seems far off this time, as if in a dream, and I could swear I hear the gears themselves grind to a stop. You can’t run forever after all. 

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(Beat 30 - Ignite) 03:44, Eastern Standard Time. I’ve come to a stop, but the world around me still moves in chaos, torn apart by the wake of two soulless monsters quarreling in a magnificent flaming somersault. 

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(Beat 30 - Ignite) 03:44, Eastern Standard Time. I’ve come to a stop, but the world around me still moves in chaos, torn apart by the wake of two soulless monsters quarreling in a magnificent flaming somersault. 

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 (Beat 29 - Engage) Was it worth it? There would be no such escape for me. I lurch forward towards the brake but it’s far too late; Casey and I are bound to the same fate, and our time is up

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 (Beat 29 - Engage) Was it worth it? There would be no such escape for me. I lurch forward towards the brake but it’s far too late; Casey and I are bound to the same fate, and our time is up

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 (Beat 28 - Build) For the briefest moment I could see the fireman’s face and he stared deep into mine. The look of quiet terror in his eyes was just enough to facilitate our private conversation of helplessness before he was swept away by the inertia lurking just outside.

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 (Beat 28 - Build) For the briefest moment I could see the fireman’s face and he stared deep into mine. The look of quiet terror in his eyes was just enough to facilitate our private conversation of helplessness before he was swept away by the inertia lurking just outside.

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(Beat 27 - Overwhelm) 03:43, Eastern Standard Time. Madness. It all happened in a split second. 

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(Beat 27 - Overwhelm) 03:43, Eastern Standard Time. Madness. It all happened in a split second. 

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(Beat 26 - Resign) I try not to notice the glare. “Jump!”  

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(Beat 26 - Resign) I try not to notice the glare. “Jump!”  

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CSX Freight Train Goes Into Emergency! (Extremely Fast Stop)

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At Depew, the 'New York Style' signals illuminate for an approaching train. After a quick crew change at Cheektowaga, CSX K212 powers eastbound, with a single AC4400CW (404) and a lengthy train. CSX K212 continues to accelerate when suddenly the train's airline hose is broken causing an emergency application.

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(Beat 25 - Engage) Outside the window, the trees rushing by with a whip, whip-whip, the stars motionless as if defying our progress. That tiny light hurdling through the great emptiness like the tip of a golden finger, barely blessing my brow only to refract away and sulk in the night, as if my very presence was an insulting obstacle, standing in the way of some unfathomable cosmic trajectory

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(Beat 25 - Engage) Outside the window, the trees rushing by with a whip, whip-whip, the stars motionless as if defying our progress. That tiny light hurdling through the great emptiness like the tip of a golden finger, barely blessing my brow only to refract away and sulk in the night, as if my very presence was an insulting obstacle, standing in the way of some unfathomable cosmic trajectory

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(Beat 24 - Challenge) He keeps going on about how much time we’ve made up. You can’t make time, I should know, but don’t bother telling him that. 

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(Beat 24 - Challenge) He keeps going on about how much time we’ve made up. You can’t make time, I should know, but don’t bother telling him that. 

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(Beat 23 - Scorn) Doesn’t make any sense if you ask me, but no one ever does. 

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(Beat 23 - Scorn) Doesn’t make any sense if you ask me, but no one ever does. 

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(Beat 22 - Mock) 03:43, Eastern Standard Time. Always racing the clock. He acts like time is something he never has enough of, but lives like someone who’s had too much. 

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(Beat 22 - Mock) 03:43, Eastern Standard Time. Always racing the clock. He acts like time is something he never has enough of, but lives like someone who’s had too much. 

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Suspenseful Clock Ticking Sound! 60 Seconds With Bing

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 (Beat 21 - Incite) Every bend in the track makes the fireman turn green. I don’t get nauseous. 

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 (Beat 21 - Incite) Every bend in the track makes the fireman turn green. I don’t get nauseous. 

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(Beat 20 - Implore) Not like anyone even expects us on time. Hell, it probably wouldn’t even matter, the yard workers aren’t gonna complain about sleeping in a little bit.

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(Beat 20 - Implore) Not like anyone even expects us on time. Hell, it probably wouldn’t even matter, the yard workers aren’t gonna complain about sleeping in a little bit.

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(Beat 19 - Belittle) The challenge means more to him than any pretense of safety. 

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(Beat 19 - Belittle) The challenge means more to him than any pretense of safety. 

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 (Beat 18 - Scorn) He seems to revel in our discomfort. 

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 (Beat 18 - Scorn) He seems to revel in our discomfort. 

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(Beat 17 - Implore) 01:45, Eastern Standard Time. I’m no engineer but even I know we’re going too fast. The fireman knows it too. 

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(Beat 17 - Implore) 01:45, Eastern Standard Time. I’m no engineer but even I know we’re going too fast. The fireman knows it too. 

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(Beat 16 - Belittle) He’s a lot like that whistle now that I think on it, full of hot air and nothing of interest to talk about. 

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(Beat 16 - Belittle) He’s a lot like that whistle now that I think on it, full of hot air and nothing of interest to talk about. 

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(Beat 15 - Ridicule, exasperation) There he goes with that infernal whistle again.

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(Beat 15 - Ridicule, exasperation) There he goes with that infernal whistle again.

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whistle was still loud behind the camera! filmed from cab height.

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(Beat 14 - Scorn, Resentment) Not like I really have a choice. 

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(Beat 14 - Scorn, Resentment) Not like I really have a choice. 

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 (Beat 13 - Mock) “We’re gonna make it, just wait and see!” 

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 (Beat 13 - Mock) “We’re gonna make it, just wait and see!” 

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(Beat 12 - Belittle, Berate) It’s an impossible trip; insurmountable foes like distance and velocity hang about menacingly but he doesn’t seem to pay them any mind. 

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(Beat 12 - Belittle, Berate) It’s an impossible trip; insurmountable foes like distance and velocity hang about menacingly but he doesn’t seem to pay them any mind. 

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(Beat 11 - Mock) 23:03, Eastern Standard Time. Only ninety-three minutes behind schedule. 

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(Beat 11 - Mock) 23:03, Eastern Standard Time. Only ninety-three minutes behind schedule. 

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(Beat 10 - Scorn) Didn’t ask me if I wanted to go. He never does. I don’t really need the overtime. 

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(Beat 10 - Scorn) Didn’t ask me if I wanted to go. He never does. I don’t really need the overtime. 

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(Beat 9 - Resign, Relent) Anyways, looks like we’re going out again. 

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(Beat 9 - Resign, Relent) Anyways, looks like we’re going out again. 

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Old Alarm Clock Sound - Ringing - Made in Germany 1920's - 30's.

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(Beat 8 - Tease) He found me one night by the tracks and I’ve been with him ever since. 

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(Beat 8 - Tease) He found me one night by the tracks and I’ve been with him ever since. 

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(Beat 7 - Engage) If you’d asked me what exactly it was that attracted me to the rails in the first place, well, I guess I’d say I liked the sound of that. 

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(Beat 7 - Engage) If you’d asked me what exactly it was that attracted me to the rails in the first place, well, I guess I’d say I liked the sound of that. 

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(Beat 6 - Build) 20:16, Eastern Standard Time. Always forward, never backwards. No compromise, no mercy, an unstoppable force marching on, to the great peril of anyone who might stand in its path

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(Beat 6 - Build) 20:16, Eastern Standard Time. Always forward, never backwards. No compromise, no mercy, an unstoppable force marching on, to the great peril of anyone who might stand in its path

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Steam locomotive, moving quickly, big noise.

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(Beat 5 - Submit, comforted) He looks down and wipes away some of the grime, beaming at me with unbridled joy. “Right on schedule!”

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(Beat 5 - Submit, comforted) He looks down and wipes away some of the grime, beaming at me with unbridled joy. “Right on schedule!”

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(Beat 4 - Resign) My hands ache, and my face is filthy from the endless clouds of dust and smoke.

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(Beat 3 - Relent, defeated) No matter, in a few minutes we can finally clock out and rest.

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(Beat 2 - Challenge) For that matter, how is anybody supposed to know what time is “on time”? When the stationmaster spots the smokestack? When the wheels finally cease their sinister sinistrality, screeching steel suffocating under the weight of an iron giant and his enormous ego? No one ever asks my opinion.

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(Beat 1 - Sarcastic, belittle his character) 18:31, Eastern Standard Time. Probably won’t tell him that. He fudges a bit anyhow, blowin’ that whistle for so damn long.