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Marbling is a method of aqueous surface design, which can produce patterns similar to smooth marble or other kinds of stone. The patterns are the result of color floated on either plain water or a viscous solution known as size , and then carefully transferred to an absorbent surface, such as paper  or fabric. Through several centuries, people have applied marbled materials to a variety of surfaces. It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. Part of its appeal is that each print is a unique monotype.

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эбру искусство

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الرسم على الماء

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You will find more information in this site.

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Welcome to Ebru Art Workshop EBRU: The Art Of Paper Marbling Ebru is a traditional Turkish art of paper decoration by spreading paints, which do not dissolve in water, with brushes made of horse hair and rose wood on dense water that is...

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Natural colors are used in making ebru for centuries, which are obtained from colored rocks and earth that contains oxidized metals or organic pigment colors that do not dissolve in water. Oil colors and aniline paint is not used in traditional ebru-making. Because such colors dissolve in water and the paper is not receptive for those. In short, the colors must not dissolve in water, nor contain oil.

First phase of preparing the colors is to crush them using water and marble blocks. First, we mix the colors, which are made into a powder, with water to have a consistency like a cream. Then, with the help of the marble tool called desteseng (hand stone), we crush the color on a marble block. The hand stone and the marble block must be of equal hardness. Friction of marbles of different consistency cause corrosion and marble dust may mix in to the colors. The procedure takes about 2-4 hours depending on the nature of the material we are working with. How long a color should be crushed, a marbler learns it with experience. Whether a color is ready for use or not, we can only judge when we use it for the first time. During the procedure we keep adding water to the mix to keep the cream-like consistency.

The second phase is where we steep the paint and it is crucial for ebru-making. After we are done crushing the color, we put it in a jar and add a mixture of water and ox gull. The paint must rest for a month or two, during which time it has to be mixed and shaken periodically and the water-ox gull mixture has to be renewed. If the colors are not steeped well, they will not hold on to the paper, they will be pale or cause other problems. Using an alum solution to make the paper receptive of the colors is not a technique of traditional ebru-making. Hence, the preparation of colors must be done appropriate to the traditional methods and with patience and effort.