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Charlie Chaplin influenced Brecht by

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Politics influenced him due as brecht caused problems for the communist party as he took Marxism upon himself and developed it into his own

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He was born in 1864 and died in 1918.

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He was a role model for Brecht. Both hated middle class society

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Attended his private lessons and attended lectures on his own free will

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He moved to Berlin

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He

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Piscator and Brecht colaborated on productions but none of Brechts own plays.

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Marxsim influenced his rebellion of "normal" theatre which is study of what Marx wanted to do for plays unlike others

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Familiar devices of epic theatre were used by Piscator. They were captions, statistics, projection of images, musical numbers, narration, film in theatre and silent movies, these are all visible in Brecht's work.

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Piscator gave Brecht the idea of using theatre as a tool for social

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Brecht studeid drama studies at munchi uni

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Brecht described Piscator as 'one of the most important theatre men of all' because they both agreed on the same type of theatre, both putting social, political and economical messages in their work.

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Charlie Chaplin influenced Brecht by he used gestus to show phycicallity

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Both of their plays have a similar structure, this was likely because Brecht was a fan of Wedekind's work from a young age.

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He used Piscator's methods on a small scale.

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Piscator was the creator of the concept of Epic Theatre.

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He used the art of investigation or discussing the truth of opinions

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Brecht was influenced by Charlie Chaplin because of his use of over exaggerating movements because he was a comedic actor. In his play mother courage and her children he used gestus to show physicality.

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All convey a message to the audience

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Brecht enjoyed studying Marxism as an account of human conduct and used as an embodiment

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Brecht's play "The Threepenny Opera" was written at this time and Piscator's influence can be seen in the use of projections and musical numbers

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Brecht said that Chaplin’s skill was so great that you could understand clearly every action and emotion of Chaplin’s performance without the need to hear any dialogue.

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His development of theatre influenced Marx as Brecht told them to forget about the staging.

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In 1926 "Mahagonny" was performed simply, by 1930 it was more developed and included Piscator's style, produced with placards, sub-titles, projections of drawings and film/sound effects.

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Use of harsh noises to create an atmosphere

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Chaplin was foremost model for the acting he desired for his Epic Theater

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Both were involved in cabaret scandals

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Chaplin’s techniques inspired Brecht’s development of the term Gestus. 'Carl Weber'.

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Use of sharp and crisp lighting to show the reality and the use of loud and soft sounds and volume to see the effect on the audience.