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How and where you searched for material, i.e., screenshots of library catalogues, Google Scholar, YouTube, etc. Make notes or breif comments on what worked and what didn't

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Include outline, paragraph draft, a reflection on emerging structure, or notes that you will need to explore.

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With short notes, a kind of annotated bibliography, with a summary in your own words, a quote or key idea, or a comment on why you found the source material valuable.

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Prepare a visual representation of how your sources, ideas, or categories relate, and the literature review structure that you're using. This might be a mind map, flow chart, table, ect.

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My first instinct is to structure this literary review historically. First, to begin to define what scenography even is, and Second, to then explore how current artists are applying scenographic techniques in their work, and finally, how I can apply it to my creative project.

I need to consider through a historic lens to understand the parameters of scenographic practice.

What even is a literature review and how can I structure it?

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RELEVANT

McKinney, J & Butterworth, P 2009, The Cambridge introduction to scenography, Cambridge University Press, Cambridge.

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The Cambridge introduction to scenography

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Discusses different definitions of Scenography and talks about other sources such as

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Check out this Whiteboard designed by lana page.

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What is Scenography by Pamela Howard (2009)

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What is Scenography by Pamela Howard (2009)

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RELEVANT

Howard, P 2009, What is scenography? 2nd ed., Routledge, London.

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I'm unsure how to structure this literature review. Not sure which structure is best for my question on methodology.

By History how people have used it in the past how I can use it now.

By definition, here is how the methodology is defined and how I will then use it?

I suppose my question is asking how I can apply scenography, and 'by history' examines how the methodology has evolved and been applied. Therefore, I can use that to then see how I can apply it to my circumstances.

or it's

With these definitions, how can I consider sceneography as a methodology in my context.

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Not very relevant

Aronson, A (ed.) 2017, The Routledge companion to scenography 1st ed., Routledge, London.

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Thinking I should veer towards by definition than by history for my specific question. I think my question works best 'zoomed out' looking at the technical/definition-based side of scenography, rather than a case by case how artists have done it in the past.

1. I think this will be easier to build an essay around as finding case studies around how people have considered scenography with spacial restrictions and limited resources seems niche.

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The Potentials of Spaces : The Theory and Practice of Scenography and Performance (2005)

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The Potentials of Spaces : The Theory and Practice of Scenography and Performance (2005)

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Oddey, A & White, CA 2006, The potentials of spaces : the theory and practice of scenography & performance 1st ed., Intellect Books, Bristol, UK ;

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The Potentials of Spaces : The Theory and Practice of Scenography and Performance (2005)

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Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography 

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Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography 

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Havlíčková Kysová, Š 2023, ‘Presages of contemporary theatre studies theories in Vladimír Jindra’s structuralist theory of scenography’, Theatralia (Brno), no. 1, pp. 82–100.

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Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography

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I found that Google Scholar was hard to navigate mainly due to the sources not being available or my search wasn't clear enough. I found that the uni library was the most effective way for me to find academic sources.

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I found that research Scenography as a methodology had a greater reach than trying to search specifics of applying scenography to a small space. Understanding the practice and how theatre is crafted considering scenography, indirectly answered my main question.

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Burian, Jarka, The Scenography of Josef Svoboda (Middletown, CT: Wesleyan

University Press, 1971)

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My sources focus on the initial innovators of term scenography, and I could research into more contemporary artists that are using the term.

I've found that there are not many academic papers on current scenographic academics only papers on early academics.

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I'm leaning now towards a by history structure. This point from this reading swayed me

"A question of what the historical roots and theory of scenography may offer to a contemporary spatio-material practice dealing with scenographic environments as a form of performance and exhibition today is what, nearly six years ago, led me to the research that forms this dissertation"

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The future of Scenography by Arnold Aronson 

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The future of Scenography by Arnold Aronson 

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Aronson, A., 2010. the future of SCENOGRAPHY. Theatre Design & Technology (TD&T), 46(1).

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The future of Scenography by Arnold Aronson

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The Scenographic Unfolding: Performance of Immersive, Interactive and Participatory Environments Lenka Nováková 

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The Scenographic Unfolding: Performance of Immersive, Interactive and Participatory Environments Lenka Nováková 

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Novakova, L., 2018. The Scenographic Unfolding: Performance of Immersive, Interactive and Participatory Environments (Doctoral dissertation, Concordia University).

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The Scenographic Unfolding: Performance of Immersive, Interactive and Participatory Environments Lenka Nováková