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The Name:

Guzheng is the romanization of 古箏. 古 (gǔ) means old or ancient. 筝 (zhēng) refers to a zither-type instrument, something with strings stretched between two bridges. The two together, "guzheng", means a zither with fixed bridges on both ends and moveable bridges in the center.

The Shape:

The typical guzheng you will see is based on a 1965 design patented by the Dūnhuáng company (敦煌). It is broad enough for 21 strings and the bridge at the tail is in the shape of an “S”. It is the most popular version in part because of the elegant utility of its design.

The Sound

Guzheng are commonly tuned to the pentatonic scale. The two most common keys are The key of D: ABDEF# and the key of G: ABDEG. C and F notes are achieved by pressing a B or G (or F#) string when it is struck.

The Origin:

The guzheng traces its roots to China before the 6th century BCE. The oldest zheng found so far dates to about 598 BCE. It was found in Guìxī county (贵溪) in Jiāngxī province (江西) in Southern China in 1979.

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Dizi is a type of Chinese flute that has been used for centuries in traditional Chinese music. It is a bamboo wind instrument that is played horizontally, with six finger holes on the front and one on the back. The dizi produces a distinct, breathy sound that is both haunting and beautiful.

The origins of the dizi can be traced back to ancient China, where it was used in court music and religious ceremonies. Over time, the dizi became popular among the common people and was used in folk music as well. Today, the dizi is still widely used in traditional Chinese music and is a staple instrument in ensembles and orchestras.

Playing the dizi requires a great deal of skill and technique. The player must control their breath and embouchure to produce the desired tone and expression. The fingerings are also intricate and require precise movements to produce the correct pitch.

Despite its long history and traditional roots, the dizi has also been used in contemporary music and has been adapted to various genres, including jazz and pop. Its unique sound and versatility make it a beloved
instrument both in China and around the world.

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The gu zheng is a Chinese plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is 64 inches (1.6 m; 5.3 ft) long, and is tuned in a major pentatonic scale. It has a large, resonant soundboard made from paulownia wood. Other components are often made from other woods for structural or decorative reasons. Guzheng players often wear a fingerpick made from materials such as plastic, resin, or ivory on one or both hands

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阮，又名阮琴、阮咸，是一種古老的中國傳統撥弦樂器，得名於西晉「竹林七賢」中的阮咸。

在唐朝以前，此種樂器也稱之為秦琵琶或秦漢子，唐朝之後因曲項琵琶大量傳入中國，佔用了「琵琶」這一名稱，才改以擅長演奏這種樂器的阮咸為名。

阮的音色非常適合演奏樂隊的低音或者與其它樂器和音，並且結構簡單、方便改造，在歷史上的宋朝、明朝、清朝和中華人民共和國等各個階段，中國的音樂家們一步步將阮琴改良升級，造就了現代阮琴音色中正、低而沉穩的特色，其中較為特殊的短頸阮琴還在清朝時發展為月琴。現代阮琴依其形制不同而設有高音阮、小阮、中阮、大阮、低音阮、拉阮之分類，廣泛使用於獨奏及合奏，在中樂團的彈撥樂器中佔有重要的一席之地。

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The pipa is a traditional Chinese musical instruments belonging to the plucked category of instruments. the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term pipa was once used to refer to a variety of plucked chordophones, its usage since the Song Dynasty refers exclusively to the pear-shaped instrument.

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The erhu is a versatile and expressive instrument that is an important part of Chinese music. It has a small, cylindrical body made of wood or bamboo, with two strings that are typically made of nylon or silk. The instrument is played with a bow made of horsehair, which is passed between the two strings to create a sound that is rich and resonant.

The erhu is capable of producing a wide range of sounds and tones, and is often used to convey emotions and feelings in traditional Chinese music. It is frequently used in solo performances, as well as in ensembles with other traditional instruments like the guzheng, pipa, and dizi.

In addition to its use in traditional Chinese music, the erhu has also been incorporated into a variety of other musical genres, including jazz, rock, and world music. Its unique sound and expressive capabilities have made it a popular instrument among musicians around the world.

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古時大笙稱"竽"，小笙稱"和"，公元前十五世紀殷代甲骨文上已有關於"和"的記載。公元前六世紀，中國的詩習（詩經）中也常提到這種樂器。史記有「女媧氏製笙簧」，由此推算笙的歷史至少有三千年以上。傳統的笙一般為十三簧或十四簧，經過改革後有廿一、廿四、廿六及三十二簧等。周朝以來，其簧數介乎十三至十九之間。周代的笙之竹管特長，管多的笙叫做"竽"，北笙有十七簧，南笙（又稱蘇笙）有十三簧，其音色清幽而明亮，能吹奏和音與簡單複調，表現力很強，受到廣大聽眾歡迎

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The erhu is a two-stringed bowed musical instrument that is commonly used in traditional Chinese music. It has a long history, dating back to the Tang Dynasty (618-907 AD), and is known for its beautiful, haunting sound. The erhu is sometimes referred to as the Chinese violin or Chinese fiddle, and it is played by holding it vertically and pressing the strings with the left hand while bowing with the right.

The erhu has a unique and distinctive sound that is often described as "soulful" or "mournful." It is capable of producing a wide range of sounds, from soft and delicate to powerful and passionate. Because of its expressive and emotive qualities, the erhu is a popular instrument in traditional Chinese music, as well as in contemporary music and film scores.

The erhu is made from a hollow wooden soundbox, typically made from red sandalwood or rosewood, with a snakeskin membrane stretched over the top. The two strings are typically made from silk or nylon, and the bow is made from horsehair. The erhu is a portable instrument, and it is often played solo or as part of an ensemble.

Overall, the erhu is a beautiful and unique instrument that is an important part of traditional Chinese music and culture. Its distinctive sound has captured the hearts of people around the world, and it continues to be an important part of contemporary music and entertainment.

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A plucked instrument, often known as a pipa, pá, or p'i-p'a (Chinese: ), is a traditional Chinese musical instrument. The instrument, which is sometimes referred to as the "Chinese lute," features a pear-shaped hardwood body with 12 to 31 frets. The liuqin, a four-string Chinese lute that resembles a little pipa, is another four-string instrument that is plucked. Although historically the term pipa was formerly used to apply to a range of plucked chordophones, its usage since the Song era refers primarily to the pear-shaped instrument. The pear-shaped instrument may have existed in China as early as the Han dynasty.

One of the most well-liked Chinese instruments, the pipa, has been played in China for approximately 2,000 years.
The Japanese biwa and Korean bipa in East Asia, as well as the Vietnamese "àn t bà" in Southeast Asia, are only a few instruments that are related to the pipa. The only one of the three instruments that is no longer in widespread use is the Korean instrument.

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Yangqin(楊琴)Chinese stringed instrument introduced in the 17th
century
Was a percussion Chinese hammered
dulcimer

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Guqin, which is a traditional Chinese stringed instrument. The guqin is a long, rectangular instrument with seven strings that are tuned to specific pitches. It is made from a variety of materials, including wood, silk, and bamboo.

To play the guqin, the musician plucks the strings with the right hand while pressing the strings down with the left hand to produce different pitches. The playing technique emphasizes the use of subtle and nuanced variations in tone and pitch, as well as the use of harmonics and vibrato.

The guqin has a long history and is considered one of the most important instruments in traditional Chinese music. It is often associated with scholarly pursuits and is sometimes called the "instrument of the sages" or the "instrument of the literati." The guqin is known for its delicate and expressive sound, and is often used to express emotions and convey deep philosophical ideas.

In addition to its traditional use in solo performances and small ensembles, the guqin has also been used in contemporary music and has even been incorporated into Western classical music compositions. It remains an important part of Chinese cultural heritage and is highly regarded both within China and around the world.

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Suona also called dida , laba or haidi, is a traditional double receded Chinese musical instrument. The Suona's basic design originated in ancient Iran, then called "Surna". Suona appeared in China around the 3rd century. It had a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes.
I like this because one of the most famous piece that uses suona as the leading instrument is called "Bai Niao Chao Feng"
And this song is really beautiful.Imitate the harmony of the phoenix, and the melody is enthusiastic and cheerful. It is often played at weddings and other festive ceremonies, with the meaning of auspiciousness and happiness.I always feel happy when I listen it so that I like it

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Guzheng (古筝) is a plucked-string instrument that has been played in China for over 2,500 years. It is one of the most ancient Chinese musical instruments, and its history can be traced back to the Warring States Period (475-221 BCE). The guzheng is also known as the "Chinese zither" and is widely regarded as one of the most beautiful and versatile instruments in the world.

The guzheng consists of a long, rectangular soundbox made of wood, with a flat soundboard on top. The soundboard is covered with a thin layer of wood or bamboo, and the strings are stretched over the soundboard and attached to tuning pegs on the end of the instrument. The guzheng typically has 21 strings, but some modern versions may have up to 26 strings.

The strings of the guzheng are made of silk or steel, and they are tuned by moving the tuning pegs up or down. The strings are plucked with the right hand using a set of plectra (small picks), while the left hand presses on the strings to change the pitch and create vibrato. The guzheng can produce a wide range of sounds, from soft and mellow tones to sharp and intense notes, and it is capable of conveying a wide range of emotions.

The guzheng is used in a variety of musical styles, including classical, folk, and contemporary music. It is often used to accompany solo performances, as well as ensembles and orchestras. In traditional Chinese music, the guzheng is frequently used to perform ancient melodies and folk tunes, as well as to accompany poetry recitations and storytelling.

The guzheng has played an important role in Chinese culture and has been featured in many Chinese literary works, paintings, and poems throughout history. It has also gained popularity around the world and is now played in many countries outside of China. The guzheng has been featured in a variety of international music festivals and has been used in many contemporary music genres, including pop, rock, and jazz.

Learning to play the guzheng requires years of practice and dedication. It is a challenging instrument to master, but it is also incredibly rewarding. Playing the guzheng is a way to connect with Chinese culture and to express oneself through music.

In conclusion, the guzheng is a beautiful and powerful instrument that has played a significant role in Chinese music for over 2,500 years. Its unique sound, versatility, and cultural significance have made it a beloved instrument both in China and around the world. Whether played in traditional Chinese music or modern genres, the guzheng remains a testament to the enduring beauty of Chinese culture.

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Sheng consists of a set of vertical pipes, each with a free reed, which are attached to a central air chamber. The pipes are arranged in a circular pattern, with the largest pipes on the outside and the smallest pipes in the center.

To play the sheng, the musician blows air into the mouthpiece, which is connected to the central air chamber. The air then flows through the pipes and causes the reeds to vibrate, producing sound. By controlling the airflow and the position of their lips, the musician can produce a wide range of tones and melodies.

The sheng has a long history in Chinese music and is often used in traditional ensembles and orchestras. It is known for its expressive and lyrical sound, and is capable of producing both soft and delicate melodies as well as powerful and dynamic passages. In addition to traditional music, the sheng has also been used in contemporary and experimental music, and has even been incorporated into Western classical music compositions.

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The Chinese pipa is a four-string plucked, descends from West and Central Asian prototypes and appeared in China during the Northern Wei dynasty (386–534).It is also a short-necked Chinese lute prominent in Chinese operas, orchestras and as a solo instrument. The pipa is classified as a silk instrument in the Chinese bayin, a eight-tone classification system.

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A Chinese transverse flute is called a dizi. It also goes by the names di and héngdi occasionally, and comes in the varietals Qudi, Bangdi, and Xindi. It is a significant piece of Chinese music that is frequently used in a variety of Chinese folk music styles, Chinese opera, and contemporary Chinese orchestras. Due to its ease of construction and portability, the dizi is also a well-liked instrument among Chinese people.

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火不思是亞洲中部弦樂器，類似琵琶，但較細長，半蒙蟒皮。通常長2尺7寸。有四條弦，但古代多兩弦或者三弦。

火不思，出現於公元前1世紀初，中國古代北方遊牧民族人民共同創制的一種彈弦樂器。

維基百科

火不思演奏

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essential part of Chinese cultural heritage ever since.

The erhu consists of a long, thin, hollow wooden body that is covered on the front and back by snake skin. The soundbox is usually made of rosewood, ebony, or sandalwood, and the neck is made of bamboo. At the top of the neck is a small tuning peg, and at the other end is a rectangular wooden piece called the "qianjin," which holds the two strings in place.

The two strings of the erhu are traditionally made of silk, but modern erhus may also use steel strings. The strings are stretched over a bridge made of bamboo or ivory, which rests on the snake skin covering the soundbox. The bridge is held in place by two tuning pegs that are located on either side of the neck.

To play the erhu, the musician holds the instrument vertically on their left thigh and presses the strings down with their left hand while bowing with their right hand. The bow is a long, thin stick made of bamboo or sandalwood, with horsehair stretched between the two ends. The bow is placed between the two strings, and the musician uses their right hand to move the bow back and forth to produce sound.

The erhu has a unique and distinct sound that can range from soft and mellow to sharp and intense. It is often used to convey emotions in Chinese music, such as sadness, joy, or longing. The erhu is a versatile instrument that is used in a variety of musical styles, including classical, folk, and pop music. It is also commonly used in Chinese opera, where it is often used to accompany the singing and acting of the performers.

In recent years, the erhu has gained popularity worldwide and has been featured in many international music festivals and performances. Its distinctive sound and rich cultural history have made it a beloved instrument both in China and abroad.

Overall, the erhu is a beautiful and unique instrument that has played an essential role in Chinese music for centuries. Its enduring popularity is a testament to its versatility, emotional expressiveness, and cultural significance.

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The number of strings of the zither varies depending on the genre of the region. The most common is the 21-string zither, and there are also 16-string and 26-string zithers. Depending on the genre, there are nylon steel strings, steel strings, and silk strings.

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https://blog.xuite.net/mina_li1999880510/HsingZuangLi/32961114
揚琴是一種中國民族樂器，亦有洋琴、打琴、敲琴、扇面琴、蝙蝠琴、蝴蝶琴等稱呼，其兼具打擊樂器及弦樂器之特色，但在中樂器裏還是編制為彈撥樂器。 在揚琴族中計有「揚琴」、「筑」、「卡龍」等三種擊絃樂器：「筑」是一種在西元前四、五世紀即已流行於我國北方的以筑尺敲擊發音的樂器，與琴相似，細長而成棒狀，一般是五條弦。《舊唐書、音樂誌》記載：「筑，如箏，細項。以竹擊之，如擊琴」，自古即有「易水送別，擊筑高歌」之憂情，於是後人以「擊竹」二字推斷揚琴是「筑」的演變體。但「筑」為竹製琴身，「揚琴」為木製琴身；「筑」的形狀似箏，為長方形，「揚琴」的形狀似梯形；「筑」用絲弦，「揚琴」用金屬弦；「筑」以左手按弦、右手持竹尺擊弦，「揚琴」則以二支琴弓擊弦。「筑」這種樂器經秦、漢、南北朝，而至隋唐，慢慢的消失了，最主要的原因，可能是由於共鳴箱窄小，敲擊的弦又未用金屬弦，發音小而不良所致。有謂揚琴來源於筑，在年代來說，筑在唐後即已絕跡，而揚琴明末才在我國出現，期間相隔這麼久，因此揚琴應不是源於筑。 「卡龍」是我國新疆維吾爾族樂器，平置於桌上，以左手持金屬棒按柔滑弦，右手帶義甲撥彈，亦可隻手恉用撥片撥彈，在外型、弦數、音色特點上都與揚琴相似。事實上卡龍是由中亞地區的「嘎龍」演變而來，在元史記載，元代征伐西方時在克什米爾得「七十二弦琵琶」，這樂器可能就是卡龍，可見其出現於元代或更早，但是揚琴最初流行於我國的廣東，廣東與新疆幾乎隔絕，音樂風格更是相差甚遠，故揚琴與卡龍當無直接關係。

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Originated in Central Asia and introduced to China more than one thousand years ago, the erhu belongs to the large family of stick fiddles that are found in many countries.
Bowed, two-stringed Chinese vertical fiddle. The strings of the erhu, commonly tuned a fifth apart, are stretched over a wooden drumlike resonator covered by a snakeskin membrane. The erhu is usually made of ebony, sandalwood or rosewood, with a snakeskin resonator.

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Double bass is a musical instrument that belongs to the string family. It is also known as the contrabass or upright bass and is the largest and lowest-pitched instrument in the orchestra. The double bass is typically played with a bow or plucked with the fingers, and it produces a deep, rich sound that is essential to the sound of the orchestra.

The double bass is constructed of several parts, including the body, neck, and strings. The body of the double bass is typically made of wood and is shaped like a large, curved pear. The neck of the instrument extends from the body and is usually made of maple or another dense wood. The strings of the double bass are typically made of gut, steel, or synthetic materials and are attached to the top of the instrument and wound around pegs at the bottom.

The double bass is a versatile instrument that is used in a wide variety of musical genres, including classical, jazz, and folk music. In classical music, the double bass is an essential part of the orchestra and is used to provide a deep, rich foundation for the other instruments. In jazz and other genres, the double bass is often used as a solo instrument and is capable of producing a wide variety of sounds and styles.

Playing the double bass requires a great deal of skill and practice. The instrument is large and heavy, and the strings are thick and difficult to press down. However, with dedication and practice, anyone can learn to play the double bass and experience the joy of making beautiful music with this remarkable instrument.

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揚琴，又稱洋琴、打琴、銅絲琴、扇面琴、蝙蝠琴、蝴蝶琴，擊絃樂器。揚琴是中國民族樂隊中必不可少的樂器。揚琴是中國常用的一種擊絃樂器，與鋼琴同宗，音色具有鮮明的特點，音量宏大， 剛柔並濟；慢奏時，音色如叮咚的山泉，快奏時音色又如潺潺流水。音色明亮，猶如大珠小珠落玉盤般清脆。表現力極為豐富，可以獨奏、合奏或為琴書、説唱和，在民間器樂合奏和民族樂隊中經常充當“鋼琴伴奏”的角色，是一種不可缺少的主要樂器。

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The erhu (Chinese: 二胡) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a Southern Fiddle, and is sometimes known in the Western world as the Chinese violin or a Chinese two-stringed fiddle.
I like it because it sounded and can be played like violin.
https://en.m.wikipedia.org/wiki/Erhu

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Yang win (楊琴)Chinese stringed instrument
introduced in the 17th century
Was a percussion
Chinese hammered dulcimer

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Double Bass deepest in the violin family, very big
Known for it’s low pitch and is a member in the symphony orchestra
Initially designed to double the bass line of an orchestra, thus its name

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Why is it considered Chinese

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古箏是中國傳統撥弦樂器以及一件具有長方形的共鳴箱樂器。它的上面、下面皆由兩片桐木去製作「共鳴板」，上面的共鳴板靠右側有設置一個琴橋裝置，我們都稱它為「前岳山」。古箏除了兩片木板，在古箏的另外一端，共鳴板的左側，設有「後岳山」。在前岳山、後岳山之間呢，分別綁上21條琴弦。有弦的樂器，就稱它為「弦樂」。
https://guzheng.music1688.org/guzheng-introduction/