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How can I bring a Sculpture to life?

What would it be like if I channelled freedom through clay, but also made it relevant to present-day situations?

How can I comment on both human connections, whilst reflecting on the constant violent traits expressed throughout human history?

Which segments of the Capitalist system should I be focussing on?

What are the best materials to translate visual language?

What's the best way to represent systems within society within sculpture?

How can I use shape and form to mirror events and situations in the real world?

What narratives and material techniques can I use to world-build and create conversations?

What topics do I find important to include or am I passionate about?

What are the current states of society and pressing issues coming to light with time?

How can I use space, shape and form to translate the kind of messages which I'm looking to represent?

How can I build on the current worlds I've already developed and expand on my current topics of interest?

Which ways can I challenge myself and open my mindset to different contexts, places, formats and conversations?

Who will I be targeting opening conversations with, and how will this open up possibilities of outcomes?

How can I bring topics together by connecting streams of consciousness and creating a fully realised critique?

What is there to be critical of in the world around me and how can I challenge these issues through my work?

How can I ensure my work remains personal and authentic to my style of making?

How do the public's opinions vary whilst thinking about topics of home and relationships with the domestic?

What relationship do the material and space have - how do they conversate?

How can I incorporate found objects in my work to connect to systems and associations in my audience's brain?

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-Wood Carving

-Stone carving

-Soldering

-Further Metal Castings

-Wrought Iron

-Plasma cutting and digital Metal Design

-Unfired clay

-More textural clay pieces

-Different kinds of clay such as coloured air dry

-Experimenting with reactive glazes

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This experiment I did is a seed of an idea that I could expand in scale. Thinking about mediums in which I can develop more to present a more impactful artwork.

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The curse being cast into the lead - the hanging system - what could it hang on?

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Finding a place for my lamb to rest

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Louise Bourgeoise on Spirals p1

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Louise Bourgeois on Spirals p2

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Louise Bourgeois on Spirals p3

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Nautilus Shell by Orra White Hitchcock (1796 - 1863) Scientific Illustration 1828 - 1840. Hitchcock made hundreds of large and striking classroom charts used as lecture aids by her geologist husband Edward Hitchcock.

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Pane worshipping a snake goddess, Valley of the Kings, Egypt

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Great black forest folksy carved chandelier - Considering how I can implement a hanging system in an FMP for my curse to attatch to

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Short Research Essay and Statistics about the history of Colonial Theft and the prevalence it holds in the modern-day - as a practitioner interested in working making objects, it is frustrating to see the worth of the object disrespected through the violence which occurred to steal them. The art object was used for financial backing for violent acts of colonialism and war.

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Israeli soldiers boast about looting from Gaza

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Israeli soldiers have posted videos of themselves stealing from Palestinian homes in Gaza.

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300-Word Essay - Reflecting on the systems we live in as a society and having a broad understanding of how we are responsible for the results of our actions.

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300-word essay, digging deeper into the importance of material integrity and understanding how materials affect the way an audience engages and thinks about a work.

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Benin Bronzes - Records of Honouring Ancestors and the ancient history of Benin

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Rosetta Stone - First recorded proof of language systems

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2 Pearson Square, London W1T 3BF

Beautiful interior Cathedral - Doing site visits exploring and understanding decorative worship

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Fin Simonetti

Stained glass, aluminum
50 x 30 x 20 inches

127 x 76.2 x 50.8 cm

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Fin Simonetti, Matthew Brown, Los Angeles

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Katie Grinnan is fascinated by sciences of consciousness. Her artwork has explored a potpourri of experiments in subjectivity, particularly her time-traveling projection "Mirage."

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Thinking about movement - The human body and the passing of time.

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In Love Love Love, the second solo exhibition of Zurich-based artist Gina Fischli (b.1989, Zurich) at Soft Opening, the artist presents a runway show of urban animals. Frozen in states of poised motion while progressing down a catwalk, Love Love Love puts adoration in stark relief with dominance. The treatment humans extend towards domestic pets via overbreeding, styling and accessorising evidences a conflation of love, care and control. While breeding has been around for tens of thousands of years, during the Victorian era, this practice intensified alongside a growing popularity of dog shows that judged the aesthetics of a dog’s physical features, rather than its working ability. This shift led to different goals for breeders and a focus on external appearance was prioritised over the health of an animal. Different breeds fast became status symbols for their owners: signifiers of taste, class and wealth.

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Reflections of social human qualities, observable modern societies and systems. Zooming into segments of society reveals a wider picture of the structures we live amongst.

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Nelson Pernisco (1993, France) is an artist based in Paris

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Considering how borders and boundaries are built - reflections of greed. Doors, Gateways and Windows are Physical Portals.

Decorative Nature of Wrought Iron

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Under the Skin at David Lewis Gallery, NYC

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Layers of a tangible system used for world-building and creating a space for conversation, multimedia, and reflections of wider systems.

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Reflections on Wrought Iron Pattern Works and experimentation with method of application

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Thinking about sculptures which link positive human qualities of love and how we express love

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Formations and textures formed within Caves

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Formations and textures formed within Caves

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Deepening research of cave formations formed over millions sometimes billions of years.

Ancient sculptured formed over the processes of flowing water and chemically abrasive materials and minerals found within caves.

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Investigating Gateways - Organic Protection and Territory

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These works also incorporate aspects of the spiritual and shamanic practices that Maravilla studied after his diagnosis with colon cancer in his mid-20s, as well as those derived from Indigenous traditions that are linked to the artist’s Mestizo heritage. Made from steel armatures covered with a stiffened fibrous material that looks like animal fur, and embedded with large, precisely milled gongs, the pieces are activated by Maravilla and his colleagues, who use mallets and sticks to produce ‘sound baths’ that are said to have healing properties. 

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Sculpture Designed for Harry Potter and the deathly Hallows

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Thinking about societal systems, pyramid schemes, visualisations for representing with a working-class undergrowth.

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23 FEB - 23 MARCH 2024

Neven Gallery

Konstantin Zhukov (b.1990) is an artist living and working between Riga (Latvia) and London (UK). His creative practice is informed by his research into recorded and oral histories exploring different forms of attachment and sexualities – from homoerotic poetry of Islamic golden age to the love letters of Oscar Wilde.

Most recently, Zhukov have turned to the scarcely explored and poorly-documented queer histories of his home country, Latvia, which form the basis of the ongoing project Black Carnation.

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MOTUNRAYO AKINOLA: KNEES KISS GROUND

8 MAR - 9 JUN 2024

SOUTH LONDON GALLERY

'The show features new work made during Akinola’s six-month residency. He draws upon his architectural background to examine ideas around space, comfort, nostalgia,  ownership and post-colonial power dynamics.

Through installation, light and sculpture, he explores how different materials can trigger emotions and memories. Visitors can enter an immersive installation constructed entirely from corrugated cardboard to replicate the exact dimensions of a shipping container.'

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Ant Hills - Discovering systems which mirror current relations in society - considering how our animal counterparts experience the same feelings as us. Where do our lives intercept? What can we learn from the animal kingdom? Approaching other areas of earth, towers, skyscrapers, cities, systems and populations.

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File:Ant Hill in Aburi Garden 02.jpg - Wikipedia

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Carlos Reyes - Soft Opening

14th February - 6th April

Considering the domestic object, shape and form and the relationships with the domestic object

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12th April – 18th May 2024 PV Thursday 11th April 6pm Betsy Bradley Ingrid Castelein Julie Maurin Erin O’Keefe Richard Paul Daniel Pettitt In programming, a semaphore is a variable or abstract data type used to regulate access to shared resources. Its primary operations consist of “wait” and “signal.” Essentially, it operates as a mathematical model delineated by its behaviour, as perceived by those interacting with the data, thus introducing an intriguing element of subjectivity. This emphasis on user perspective invites parallels between the interpreter and the viewer, both engaged in the task of deciphering data and extracting meaning. In its more familiar form, a semaphore is a visual cue reducing language to facilitate communication over distances. This reduction in complexity is achieved through various means such as fire, lights, flags, or even the body. A more subtle rendition of this concept can extend back into plastic mediums, as hinted by the word’s etymology derived from the Greek term for “mark,” “sign,” or “token.” A publication by Richard Paul accompanies this exhibition.