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A technique that creates extended or high dynamic range images by taking and combining multiple exposures of the same subject matter at different exposure levels.

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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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a darkened box with a convex lens or aperture for projecting the image of an external object onto a screen inside. It is important historically in the development of photography.

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The standard photographic film format for analog single lens reflex (SLR) still cameras and motion picture cameras.

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A twin-lens reflex camera is a type of camera with two objective lenses of the same focal length.

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The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography.

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A keeper or custodian of a museum or other collection.

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A public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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A room or building for the display or sale of works of art.

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A building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited.

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A photographic studio is often a business owned and represented by one or more photographers where pictures are taken.

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An element of art defined by a point moving in space. Line
may be two-or three-dimensional, descriptive, implied, or
abstract.

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An element of art that is two-dimensional, flat, or limited to
height and width.

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An element of art that is three-dimensional and encloses
volume; includes height, width AND depth (as in a cube, a
sphere, a pyramid, or a cylinder). Form may also be free
flowing.

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The lightness or darkness of tones or colors. White is the
lightest value; black is the darkest. The value halfway
between these extremes is called middle gray.

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An element of art by which positive and negative areas are
defined or a sense of depth achieved in a work of art .

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An element of art made up of three properties: hue, value,
and intensity.

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An element of art that refers to the way things feel, or look
as if they might feel if touched.

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Balance is how the elements within a composition are arranged either symmetrically, asymmetrically, or radially to create the impression of equality in weight or importance.

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How big or small something is.

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Using complexity in work using visual elements that show different types of elements.

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Pattern is the repetition of specific visual elements such as a single unit or multitude of forms.

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Movement is how the eye moves throughout the composition; leading the attention from one aspect to another.

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When a specific element is given to a distinguishing feature to separate it from a certain element or group.

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The way elements are arranged so that the image is seen as a whole and overall, creates a visually compelling composition is unity.

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Symmetry around a central axis, as in a starfish or a tulip flower.

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The quality of being made up of exactly similar parts facing each other or around an axis.

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Lack of equality or equivalence between parts or aspects of something; lack of symmetry.

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The fact of two things being seen or placed close together with contrasting effect.

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Existing in thought or as an idea but not having a physical or concrete existence.

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Any color that is calm or soothing in nature.

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Any color that is vivid or bold in nature.

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Muted shades that appear to lack color but often have underlying hues that change with different lighting.

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Pairs of colors that contrast with each other more than any other color.

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All the colors of a single hue.

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The technique of gradually transitioning from one color hue to another

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Constructive criticism focuses on providing constructive feedback, supported by specific examples, to help you improve in some area.

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The practice of taking someone else's work or ideas and passing them off as one's own.

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Moral principles that govern a person's behavior or the conducting of an activity.

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Relating or denoting a case of nouns and pronouns used as the object of a transitive verb or a preposition.

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Based on or influenced by personal feelings, tastes, or opinions.

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The exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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A symbol, word, or words legally registered or established by use as representing a company or product.

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A composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open.

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A compositional technique where human-made or natural lines lead the viewer's eyes through a photograph to the subject or the heart of the image

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The photograph is divided into nine rectangles along two horizontal and vertical lines according to the golden ratio then composed with important elements along the lines and at their intersections.

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The empty space around and between the subject of an image.

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The subject or areas of interest in an artwork.

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To illuminate from behind.

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Light that's filtered by something.

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Any form of light that the photographer did not add to their image.

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The intense contrast of light and dark in photos.

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The dark shape and outline of someone or something visible against a lighter background, especially in dim light.

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A set of two photos you can use to tell a story and emphasize contrast.

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A group of three pictures, which usually contrast each other.

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A way of representing a 3D object by using several 2D views of the object.

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A type of distortion wherein lines that are straight in real life appear to curve inwards

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When straight lines are curved outwards from the center.

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A camera's sensitivity to light.

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An arbitrary rating of film speed.

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An electronic device that collects light information, consisting of color & intensity after it passes through the lens opening.

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The random optical texture of processed photographic film due to the presence of small particles of a metallic silver.

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A certain type of visual distortion that involves film grain.

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The camera's focal length to the diameter of the camera lens.

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A space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera.

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The visual quality of the out-of-focus areas of a photographic image, especially as rendered by a particular lens.

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The distance between the nearest and the furthest objects that give an image judged to be in focus in a camera.

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The measure of how strongly the system converges or diverges light

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When the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot.

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A full manual control of Aperture and Shutter Speed.

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A mode on some cameras that allows the user to set a specific aperture value while the camera selects a shutter speed to match it.

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A setting on cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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A setting where the camera selects and sets both the shutter speed and the aperture.

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the length of time that the film or digital sensor inside the camera is exposed to light when taking a photograph.

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a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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the apparent streaking of moving objects in a photograph or a sequence of frames.

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a three-legged stand for supporting a camera or other apparatus.

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the act of shaking a camera during shooting due to unsteady hands, which results in blurry images.

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Slow-shutter photography that involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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A technique in which the frequency at which film frames are captured is much lower than the frequency used to view the sequence.

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Photographic techniques of moving a light source while taking a long-exposure photograph.

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A technique that freezes objects in motion in a still frame.

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A shooting mode in still cameras where several photos are captured in quick succession by either pressing the shutter button or holding it down.

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The mid-point between black and white on the color spectrum.

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A metering mode that allows your camera to measure a tiny area of the scene, between 1% and 5%.

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A camera-metering mode in which the metering is weighted at the center of the viewfinder.

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A metering mode that places the highest importance in determining a correct exposure on information contained in the center of the frame.

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A metering mode that makes the camera automatically adjust to the right exposure setting.

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A medium tone, one that is neither very dark nor very light.

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The lightest elements in an image.

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Parts of an image that are caused by the absence of sunlight.

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a darker border, sometimes as a blur or a shadow, at the periphery of photos.

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A form of print toning in photography, and refers to the warm colors that are produced by a specific chemical process.

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Points that dictate a specific part of the frame where the camera is able to focus on something.

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The general technique of taking several shots of the same subject using different camera settings.

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A meter that indicates the level of light reaching the sensor.

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When photographers override exposure settings picked by camera's light meter, in order to darken or brighten images.

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A card that helps you adjust the white balance and exposure settings of images by providing a reference point.

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A button used to choose different workspaces to edit in.

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A bar that is used to chose different tools like brush, zoom, and fill.