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Representation of Indigenous worldviews / ways of knowing / traditional practices

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Representation of Indigenous worldviews / ways of knowing / traditional practices

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I chose Son of a Trickster by Eden Robinson of the Haisla and Heiltsuk First Nations to include in my mixtape because the tone/mood of the story. The tone and mood of the story is used in the way to bring up the seriousness of social pressure, drugs, alcohol, and poverty in the Indigenous community. For example, in the story we learn about Jared the main character and his circumstances at home which made him have to resort to drugs at a young age. This is a way to promotes to us on how this is a real and ongoing issue in the Indigenous community. The mood changes between dark and tense moments because to the protagonist’s family life and supernatural elements to a lighter and more hopeful as he moves through the story with his complex identity and his relationships. This can represent the resilience Indigenous people have in their lives and their will to seek out change through adversity .In conclusion Son of a Trickster not only provides a narrative but also serves as a powerful reminder of the challenges faced by Indigenous communities and their enduring strength. The storys shifting tone and mood allow readers to deeply connect with Jareds journey and the broader issues it reflects. This makes the novel an essential part of the mixtape promoting understanding and empathy for the resilience and determination of Indigenous peoples.

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Robinson, Eden, Son of a Trickster. Knopf Canada, 2017.

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With striking originality and precision, Eden Robinson, the Giller-shortlisted author of the classic Monkey Beach and winner of the Writ...

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I chose Where I Used to Live by Allen Sapp of the Cree nation to include in my mixtape because it uses visual imagery to show the impact of colonization on Indigenous communities and their strength. For example in Where I Used to Live Sapp paints clear scenes of life on the reserve, showing the hard times. These scenes symbolize the strength and culture of Indigenous life despite the challenges of colonization. Sapp’s work shows themes of loss and resilience. By showing everyday activities like children playing and elders sharing stories Sapp symbolizes the ongoing strength of Indigenous culture. This imagery makes viewers feel the feelings of Indigenous peoples. The tone of Where I Used to Live is both sad but creating a mood of reflection . Viewers get inspired to consider the effects of colonization and the endurance of Indigenous cultures by Sapp's portrayals of reserves in his paintings. This relates to the First Contact reality TV series, in which viewers are taught about the real life experiences of Indigenous people so eliminating stereotypes and promoting awareness of Indigenous histories and cultures. Finally, Allen Sapp's Where I Used to Live shows how colonization has affected Indigenous cultures through imagery. The art helps in understanding Indigenous challenges with its important scenes and vivid images.

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Sap Allen , "Where I used to live", Gonor Collection , 1969 , Allen Sapp | The Canadian Encyclopedia.

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Allen Sapp, 1969, acrylic on canvas (courtesy Glenbow Museum).

Allen Sapp, artist (born 2 January 1929 on the Red Pheasant IR, SK; died 29 December 2015 in North Battleford, SK ). As a child, his favourite activity was drawing and sketching. He moved from the Plains Cree reserve to North Battleford, Sask, in 1960 to pursue a career as a professional artist. In 1966, Dr A.B. Gonor arranged for him to be tutored by Wynona Mulcaster of Saskatoon. Gonor continued to work with Sapp, encouraging him to paint the reserve life as he knew it.

Sapp is widely regarded as one of Canada's foremost Aboriginal painters. Sapp's success as a painter in the realist tradition (associated more with European art) made him a pioneer of the new Indigenous arts. His paintings depict the ordinary day to day life he lived with his grandparents on the reserve in the 1930's and 1940's. Although all his images are drawn from his own personal experience, his work has come to be seen as a sensitive portrayal of the life of the Northern Plains Cree in the early part of the 20th century. Sapp continued to paint into his 70s and frequently produced images of contemporary Cree culture, such as colourful powwows alongside dynamic chuckwagon races. (In his later years, Sapp also continued to dance at powwows across North America.)

In 1989, a public gallery was opened in his name to house a significant collection of his art donated to the City of North Battleford by the Gonor family. The Allen Sapp Gallery: The Gonor Collection, as it is known, features new exhibitions on the artist every six months and has an extensive archive on his life, including information on books, films, and television documentation about Sapp, and awards he received.

In 1994, the Mackenzie Gallery in Regina, with the co-operation of the Allen Sapp Gallery, organized a retrospective exhibition titled Kiskayetum, which toured across Canada, including a stop at the Museum of Civilization in Hull, Québec. Sapp was an Officer of the Order of Canada and a member of the Royal Canadian Academy of Arts.

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Sapp is widely regarded as one of Canada's foremost Indigenous painters. Sapp's success as a painter in the realist tradition (associated more with European art...

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I chose Artifact Piece by James Luna of the Luiseño and Mexican-American nations to include in my mixtape because it addresses address Postcolonial concerns by showing how museums misrepresent Indigenous peoples. For example, in Artifact Piece Luna was in a glass case . This setup made people think about how museums often show Indigenous cultures as if they are only from the past.

Luna's work criticizes how museums treat Indigenous peoples as pieces. By presenting himself as a living artifact he shows that Indigenous cultures are still alive and changing. This challenges the notion that Indigenous peoples no longer exist and humanizes them by showing they are part of today's world not just history. Artifact Piece connects to themes of identity, resistance , reclaiming culture this can relate to Surviving in the city and how the MC shows the adversity to create change within society and show people different perspectives. In conclusion James Luna's Artifact Piece" challenges colonial views and shows the ongoing presence of Indigenous cultures. By presenting himself as a living artifact Luna humanizes Indigenous peoples and fights against stereotypes. This piece shows past injustices and celebrates Indigenous resilience making it important for understanding Indigenous issues.

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LUNA JAMES, ARTIFACT PIECE, 1987

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Audio

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This mixtape showcases the resilience and strength of Indigenous cultures through powerful storytelling and artistic expression. Artifact Piece by James Luna powerfully criticizes colonial narratives and asserts Indigenous identity through an performance. I chose Lost Souls by Tom Jackson is included because it addresses the struggles and resilience of Indigenous people showing the ongoing impact of historical injustices like Indigenous suicides with musical lyrics . Where I Used to Live by Allen Sapp of the Cree nation is included because it uses imagery of reserves to show the impact of colonization on Indigenous communities and their enduring strength. I chose the Piece podcast specifically Season 2, Episode 3 Healing because it shows how Cree and Anishinaabe communities are reclaiming their cultural heritage despite the challenges of colonization. I also included Son of a Trickster by Eden Robinson since it explores the complexities of modern Indigenous life . Overall this collections goal is to deepen understanding and appreciation of Indigenous resilience and cultural revival.

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I chose the Pieces podcast, specifically Season 2, Episode 3 Healing to include in my mixtape because it portrays how Cree and Anishinaabe communities are reclaiming their cultural heritage despite the challenges of colonization. In this episode storytellers from the Cree and Anishinaabe territories in Manitoba and Ontario share heartfelt stories of rediscovering traditional practices. One memorable moment is when an elder teaches younger generations traditional crafts. This act symbolizes the resilience of Indigenous life and the passing down of cultural knowledge through generations despite historical hardships. Through these personal stories, the podcast explores themes of cultural loss . It emphasizes how everyday activities and revived traditions within these communities represent the strength of Indigenous cultures. Indian Horse a novel by Richard Wagamese shares similar themes of reclaiming identity. The protagonist, Saul Indian Horse also wants to reconnect with his Indigenous heritage through hockey and traditional teachings despite the traumas of residential schools and systemic oppression. Both Indian Horse and the Healing episode of the Pieces podcast highlight the enduring strength and cultural revival within Indigenous communities fostering a greater appreciation and understanding of Indigenous culture and history. These stories and symbols help listeners connect deeply with the cultural richness and resilience of Indigenous peoples. By using storytelling and symbolism the Healing episode of the Pieces podcast sheds light on the impacts of colonization on Cree and Anishinaabe communities. It offers a glimpse into their struggles and success fostering a greater appreciation for Indigenous Culture

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CBC, "Pieces Podcast.” Spotify, 2022.

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I chose Lost Souls by Tom Jackson of the Cree nation to include in my mixtape because it brings representation of Indigenous worldviews / ways of knowing / traditional practices. For example in Lost Souls Jackson sings about Indigenous people feeling lost and disconnected from their culture and identity due to colonization and residential schools. This shows how the song captures the deep emotional impact of these historical injustices. The song shows us themes of loss and the search for identity. Jackson uses vivid imagery like "wandering in the dark" and "looking for a light" to symbolize the struggle to reclaim ones culture. This makes listeners empathize with the pain of those feeling lost. The lost souls represent those disconnected from their culture and identity. This is relatable with many Indigenous experiences of cultural being taken away. The song also shows Indigenous worldviews, emphasizing community, connection to the land and the need for healing. Jackson shows us traditional practices and values that are needed for restoring what was lost in Indigenous communities. Lost Souls addresses postcolonial concerns by giving voice to those historically erased and silenced. It challenges colonial structures and calls for recognition and healing. In conclusion, Tom Jackson's Lost Souls addresses the struggles faced by Indigenous communities. Through its emotional storytelling the song shows a deeper understanding of Indigenous issues and resilience. It invites listeners to engage with healing and reconciliation making it an important part of on Indigenous issues.

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Tom Jackson , "Lost Souls.” Spotify, 2021.