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CONVENTIONAL

They use sharp metal instruments previously heated over fire as a tattoo instrument. originate from Visayas.

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CONVENTIONAL

They out tattoos in their upper part of the body to imitate a garment of clothes, it is done by the men of North Kalinga.

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SUBJECTIVE

This painting of San Cristobal has been hanged in the our church St. James the Apostle, for over years. It was painted by Jose Luciano Dans in 1850. According to Jose (1991),this painting was hidden behind the 2nd painting of San Cristobal. It has been reputated that this one was the original San Cristobal painting. Some say that maybe the patrons or the church officials dislike the look of the painting, and so commissioned a second painting, which is now a tamer and more pleasing look of San Cristobal. The paint is applied directly on the adobe walls of the church. If you look closely at the painting, you can see the horizontal alignment of the mastic used to join the adobe blocks to each other.

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CONVENTIONAL

The Spoliarium (often misspelled Spolarium) is a painting by Filipino painter Juan Luna. Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid, where it garnered the first gold medal (out of three). The picture recreates a despoiling scene in a Roman circus where dead gladiators are stripped of weapons and garments. Together with other works of the Spanish Academy, the Spoliarium was on exhibit in Rome in April 1884.

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Women Workig in a Rice field by Fabian Dela Rosa

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Women Workig in a Rice field by Fabian Dela Rosa

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FACTUAL

The title “Women working in a rice field” simply tells us the Filipino experience from the fields of labor. It directly identifies the subject in the painting. It is a link of 'interpretation of Filipino life' with the process of self-discovery and self-awareness.

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THE MAKING OF THE PHILIPPINE FLAG by Fernado Amorsolo

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THE MAKING OF THE PHILIPPINE FLAG by Fernado Amorsolo

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FACTUAL

The Philippine artist Fernando Amorsolo (1892-1972) was a portraitist and painter of rural landscapes. He is best known for his craftmanship and mastery in the use of light. Fernando Amorsolo was born May 30, 1892, in the Paco district of Manila. The painting shows three women namely Marcella Marino de Agoncillo (on the right side) refer as the mother of the Philippine flag.
Fernando Amorsolo used natural light in his paintings and developed the backlighting technique Chiaroscuro, Fernando Amorsolo made this painting to show the citizen of the Philippines of how the Philippine flag was made and to remind them the traditions and customs that we did not realize it becomes faded.

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CONVENTIONAL

Atrocities in Paco Diosdado Lorenzo’s artworks institute the emotive capacity of solid and vibrant colors (his frequent

use of vermillion, orange and yellow) and the use of strong, broad brush strokes that radically contravened the conventional technique of the application of paint. Painters of his time were concerned more on the ﬁne strokes of the brush so as to create an adjacent visual facsimile of the subject. Aside from Victorio Edades who was known as the

original art rebel, Lorenzo was also renowned “the other rebel” for traversing

the use of distortion to reveal strength

and character while sustaining the

sympathetic portrayal of the life of the

common people

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Rape and Massacre in Ermita. by Diosdado Lorenzo

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Rape and Massacre in Ermita. by Diosdado Lorenzo

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FACTUAL

His paintings diverged from the

characteristic style of the Amorsolo

School and a different direction,

especially in terms of color. Well known

for landscapes rendered in cool tones of

white and blue

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SUBJECTIVE

In street and colloquial parlance, the term hating kapatid means an equal share among those who need the same thing, whether it is an object to be borrowed, or food to be shared or space to be occupied.

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The Happiest Place on Earth by Elmer Borlongan 

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The Happiest Place on Earth by Elmer Borlongan 

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CONVENTIONAL

The Happiest Place on Earth shows a person eating french fries.

For context, the french fries in this picture came from a popular Filipino fast-food chain. Rich or poor, Filipinos can recognize this emblem. For some, this simple food feels like a luxury so they have to save money just to buy it. Looking at the bigger picture, fast food chains and restaurants are key contributors in the global food waste production. Food services comprise 26 percent of the total food waste generated per year.