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ATTENTION: DO the following to submit your lab 5 on Deadline March 28, 2025. -->  1) before you submit, take a good video of your lab 5 explaining the theme and functionality of the work;  2) upload your video (name your group folder) of your lab 5 to this link: https://drive.google.com/drive/folders/1gYCwb258XnDtV5oIDJh8aPfA3Is5KPul?usp=sharing  -> 3) submit your physical lab 5 to the lecturer;  4) don't forget to write your Name & attendance number on a little piece of paper. Good luck.

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ATTENTION: DO the following to submit your lab 5 on Deadline March 28, 2025. -->  1) before you submit, take a good video of your lab 5 explaining the theme and functionality of the work;  2) upload your video (name your group folder) of your lab 5 to this link: https://drive.google.com/drive/folders/1gYCwb258XnDtV5oIDJh8aPfA3Is5KPul?usp=sharing  -> 3) submit your physical lab 5 to the lecturer;  4) don't forget to write your Name & attendance number on a little piece of paper. Good luck.

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ATTENTION: DO the following to submit your lab 3 on Deadline February 21, 2025. -->  1) before you submit, take a good picture of your lab 3;  2) upload your picture of your lab 3 to this link: https://drive.google.com/drive/folders/1F_cHedWp5RNrG7ujTUiEc9pILjDHsAkL?usp=sharing   ;  3) submit your physical lab 3 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your work. Good luck.

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ATTENTION: DO the following to submit your lab 3 on Deadline February 21, 2025. -->  1) before you submit, take a good picture of your lab 3;  2) upload your picture of your lab 3 to this link: https://drive.google.com/drive/folders/1F_cHedWp5RNrG7ujTUiEc9pILjDHsAkL?usp=sharing   ;  3) submit your physical lab 3 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your work. Good luck.

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ATTENTION: DO the following to submit your lab 2 on Deadline February 7, 2025. -->  1) before you submit, take a good picture of your lab 2;  2) upload your picture of your lab 2 to this link: https://t2m.io/MfLLVU6e  ;  3) submit your physical lab 2 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your work indicating which panels individual student did. Good luck.

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ATTENTION: DO the following to submit your lab 2 on Deadline February 7, 2025. -->  1) before you submit, take a good picture of your lab 2;  2) upload your picture of your lab 2 to this link: https://t2m.io/MfLLVU6e  ;  3) submit your physical lab 2 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your work indicating which panels individual student did. Good luck.

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LAB 2 - MONOCHROME - 2005 - Google Drive

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ATTENTION: DO the following to submit your lab 1 on Deadline January 17, 2024. -->  1) before you submit, take a good picture of your lab 1;  2) upload your picture of your lab 1 to this link:  https://t2m.io/MYBQrZ6K  ;  3) submit your physical lab 1 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your A4 paper. Good luck.

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ATTENTION: DO the following to submit your lab 1 on Deadline January 17, 2024. -->  1) before you submit, take a good picture of your lab 1;  2) upload your picture of your lab 1 to this link:  https://t2m.io/MYBQrZ6K  ;  3) submit your physical lab 1 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your A4 paper. Good luck.

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You can find this board here  ->  https://tapbio.link/2025vcm2005

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You can find this board here  ->  https://tapbio.link/2025vcm2005

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Instruction: please draw a black and white piece of visual idea/concept to create a mood/send a message. Use any FORM (Dots, lines, shapes...) that helps communicating the message/theme. Pick a theme based on the concept of time. You can use pencil or black marker, or the combination of pencil and marker. Use observational, visualization and presentation drawing as a means by which ideas/concepts are communicated. The size of the paper is A4 (21x29.7 cm) Deadline: 16 January, 2024.

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Instruction: please draw a black and white piece of visual idea/concept to create a mood/send a message. Use any FORM (Dots, lines, shapes...) that helps communicating the message/theme. Pick a theme based on the concept of time. You can use pencil or black marker, or the combination of pencil and marker. Use observational, visualization and presentation drawing as a means by which ideas/concepts are communicated. The size of the paper is A4 (21x29.7 cm) Deadline: 16 January, 2024.

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Research a real historical period, design a (1) character based on that period and create 4 expressions of that character in black and white that explain the period and its main characteristics without using words.

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You can email me here for questions -> ArsyadiRachmat@fpt.edu.vn

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You can email me here for questions -> ArsyadiRachmat@fpt.edu.vn

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1. Double-brimmed hat (Bicorne)

• Characteristics: The character wears the characteristic bicorne hat that Napoleon often wears. This is a symbol of power and personal style, closely related to the image of Napoleon in history.

• Meaning: Reminiscent of the period of military campaigns commanded by Napoleon, representing military steadfastness and authority.

2. Napoleon's Code

• Characteristics: Characters holding Napoleon's code in their hands

• Meaning: Napoleonic Code (Code Napoleon): Promulgating a unified civil code, becoming one of the most important influences in the field of law.

3. Royal armor/military uniform

• Characteristics: Formal military uniform, with tassels on the shoulders, along with medals in front of the chest.

• Meaning: Show the stature of Napoleon as a great military leader and also the Emperor of the French people. It depicts his role in unifying military values and royal power.

4. Staff with crown

• Characteristics: The character's hand holds a scepter with a crown, showing power.

• Meaning: Represents the role of Napoleon as not only the war commander but also the Emperor, who was crowned with his own hands, emphasizing independence and personal strength.

5. The ball under the feet

• Characteristics: The character puts his feet on the globe (gosphere).

• Meaning: Symbolizes Napoleon's ambition to dominate the world, with large-scale military campaigns and influence beyond Europe.

6. Bear symbol

• Characteristics: Under the sphere appears a bear image.

• Meaning: Reminiscent of Napoleon's great rivals, especially the Russian Empire (the bear is considered a symbol of Russia). This may also be related to his major failure in the Russian campaign in 1812.

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SKETCH UP : NAPOLEONIC ERA { 1804-1815} NGUYỄN THU HÀ - HE200598-GD2005

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1. Double-brimmed hat (Bicorne)

• Characteristics: The character wears the characteristic bicorne hat that Napoleon often wears. This is a symbol of power and personal style, closely related to the image of Napoleon in history.

• Meaning: Reminiscent of the period of military campaigns commanded by Napoleon, representing military steadfastness and authority.

2. Napoleon's Code

• Characteristics: Characters holding Napoleon's code in their hands

• Meaning: Napoleonic Code (Code Napoleon): Promulgating a unified civil code, becoming one of the most important influences in the field of law.

3. Royal armor/military uniform

• Characteristics: Formal military uniform, with tassels on the shoulders, along with medals in front of the chest.

• Meaning: Show the stature of Napoleon as a great military leader and also the Emperor of the French people. It depicts his role in unifying military values and royal power.

4. Staff with crown

• Characteristics: The character's hand holds a scepter with a crown, showing power.

• Meaning: Represents the role of Napoleon as not only the war commander but also the Emperor, who was crowned with his own hands, emphasizing independence and personal strength.

5. The ball under the feet

• Characteristics: The character puts his feet on the globe (gosphere).

• Meaning: Symbolizes Napoleon's ambition to dominate the world, with large-scale military campaigns and influence beyond Europe.

6. Bear symbol

• Characteristics: Under the sphere appears a bear image.

• Meaning: Reminiscent of Napoleon's great rivals, especially the Russian Empire (the bear is considered a symbol of Russia). This may also be related to his major failure in the Russian campaign in 1812.

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1. Introduce : This is a painting introducing the samurai character of the Edo period of Japan, this is a symbol of a general showing a heroic spirit, almost the samurai of this period were considered kings, they controlled almost the entire capital, they gained admiration from the people thanks to their famous achievements on the battlefield, they were praised by the people and considered as a saint.

2 .Characteristics : In the Edo period of Japan, a samurai often exuded a superior aura, carried a certain authority, a person of noble status. One of those things was first shown in the face, especially the serious, authoritative, cold eyes, always in a state of alertness and anger. The second was the armor equipped with sturdy pieces of armor that gave the wearer a majestic and large body, increasing confidence and momentum on the battlefield and in the eyes of the people. The next feature was the katana sword that samurai could not live without, showing an overwhelming momentum and was a common close combat weapon in the Edo period. Next was their intelligence enough to lead a region, showing that their thinking was very certain and they were always on guard against any risks that might happen in the future. In addition, the developments during this period were quite good in terms of management and control of soldiers for the samurai. In conclusion, samurai was one of the most noble statuses of the Edo period at that time, along with the katana sword which was considered the most powerful when fighting alongside them. (Another interesting thing is that when they lost, their opponent would take their sword which also meant taking away their honor and vice versa)

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Dear Mr. Arsyadi,

I am Nguyen Gia Nhu from class GD2005. This is my sketch and I would to ask you for your comments.

My image is devided into 3 parts which demonstrate the Tang dynasty - the most properous dynasty of China :

The biggest women is Vo Tac Thien ( 武則天) - the only queen who was China history acknowledged. She appeared in Tang dynasty, so I put her into my idea as a special evidence of this period.

The second part is devided into 2 images:

The left one is depicting fabric production and traditional clothes of this dynasty. Fabric production is one of the most significant jobs which boost China economic during this period. ( China's fabric is produced and most of them is handmade. Therefore, when they are export to foreign coutries, China will gain huge economic benefits .)

The right picture is demonstrate ancient learning. Studying and taking exams are studious tradions of China. In this dynasty, especially under the empress Vo Tac Thien, a lot of talents which helps the dynasty more and more powerful .

The last part is a festival scence of Tang dynasty. I want to show that people under this dynasty was very sufficient and happy.

This is all of my idea.

Thank you for reading and I hope you will give me feedback.

best regards,

Gia Nhu

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Dear Mr. Arsyadi,

My name is Hoang Hải Yen from class GD2005.

I sincerely apologize for this late response, but before I actually submit my actually work, I want to hear from your opinion.

My character I will draw will be Queen Victoria of Britain. She was born in 1819 and passed away in 1901.

Since the assignment requested that I have to draw 4 expressions of ạ character, I thought it would be a great idea for show them by drawing 4 different time of her life.

The first panel is her childhood life. I want to describe her lonely childhood life through

The second one is her coronation day. The day when she becomes the queen is the whole new change for the country.

The third one is her husband’s death. Though she has a happy family with her beloved, unfortunately the love story won’t be last forever, so I want to show her sorrow expression through this love story.

The final one is her Diamond Jubilee, which is for 60 years of her being a queen at that time. I haven’t thought of how I can show it, but I’ll try my best as soon as I can.

And I might be getting her aged up in each panel because this is her life through time so I’m not sure if that’s available.

I hope you can reach out and give your opinions about it.

Best regards,

Hai Yen

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Marie Antoinette - the last queen of France - La Xương Ngọc Ánh - HE204464 - GD2005

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Character: Marie Antoinette (Marie Antonia)

Historical Period: The late 18th century, during the French Revolution

Character's Background: Marie Antoinette was the last Queen of France prior to the French Revolution and the establishment of the French First Republic. Born in 1755 as an Austrian archduchess, she married Louis XVI and became queen in 1774. She was known for her lavish spending and the extravagant lifestyle of the royal family.

Reason for Choosing: There are two reasons why I chose this character. First off, I have long been fascinated by French classical fashion. When Marie Antoinette became the Queen of France, she was renowned for her extravagant style, elaborate hairstyles, and luxurious dresses. Her fashion sense broke away from the rigid norms of royal French fashion at the time.

Besides her unique fashion, I am also captivated by her life story. At that time, the French people deeply resented her. While France was in an economic crisis caused by years of war, and the people endured immense hardship, she was seen indulging in lavish parties day and night. This is particularly striking, especially considering that the people didn’t even have bread to eat, yet she allegedly said, "Let them eat cake." Initially, I had a strong dislike for this queen when I first learned about her. However, after watching a film about her life and delving deeper into her story, I came to realise that she was, in fact, a deeply tragic figure. Her extravagant spending on fashion and entertainment was her way of soothing the loneliness and tension from her unhappy marriage.

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Character : Hồ Xuân Hương

historical period: the late 18th and early 19th centuries.

The above painting I drew is based on the poet Ho Xuan Huong, she is an outstanding poet in history in the late 18th and early 19th centuries. In 2021, she and Nguyen Dinh Chieu were two Vietnamese poets honored by UNESCO as "world cultural celebrities".

The above painting depicts her four states when writing poetry, sleepy, relaxed, having ideas. I used lotus, bamboo, moon, and flowers as the main background because they were mentioned in her poems. The costumes used were the costumes of the people and intellectuals in that period, they were included in the painting that I completed.

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Please read the instruction below. The deadline for this one is on the next slot after Tet Holiday.

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Please read the instruction below. The deadline for this one is on the next slot after Tet Holiday.

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Please read instruction below for lab3 assignments. Deadline: 21 February 2025. All work for this assignment should be done by hand.

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Please read instruction below for lab3 assignments. Deadline: 21 February 2025. All work for this assignment should be done by hand.

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Alamy Blog - Stock Photo Trends, Insights & Inspiration

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Explore our Collage Art collection
When you brainstorm an idea, you'll probably visualise the end goal. Imagining what content you'll need to bring that idea to life. Photography, video, maybe even vectors. But have you ever looked at collages as a medium?

Whether you want to express a certain emotion or you want to take your creativity a little further, collage art is a medium that can say a lot in a very creative way.

Many creatives are creating and then scanning collages, and others are digitally creating them. Both types of collage art can be found on Alamy. Fancy creating your own collage? Learn how to in 16 steps.

Where it all began

The word 'collage' derives from the French word 'glue', and was first popularised by Pablo Picasso and Georges Braque in 1912. This wasn't the first time the word collage had been used, or even the first time a collage had been created. But this era was when it became mainstream in the art world.

After the first world war, the Dada movement made collage art more popular still. Starting in Switzerland, Dadaists began creating artwork known as photomontages. This art movement resulted in satirical and nonsensical artwork and has been described as a reaction to the horrors of the war.

This period paved the way for collages to become a fundamental part of the art world and is an important moment in history. If the Dada movement hadn't evolved, art today may look very different.

Collages therefore became a form of self-expression for creatives in the 1920s, and some of the greatest artists have dabbled in it - Hannah Hoch, Kurt Schwitters and John Stezaker to name a few.

Kurt Schwitters argues that everyday materials including wood, plasterboard, wheels, cotton are equal in expression to paint itself, suggesting that an artist can use any materials, and it would still be art. Creating a collage is no less an artform than painting a picture.

Sure, you could say that someone is just cutting out some images and sticking them together. But a collage is creativity at its finest. Having to imagine a concept, something that's unrealistic and isn't real, then putting it on paper, using elements to express an emotion or tell a story.

The advances of technology

There are many creatives today creating collages, but with one big difference; they're digitally created.

Technology has advanced a fair bit in the last half a century. It wasn't until the 1980s that the first computer engineers developed a paint program - known as AARON - which allowed creatives to take their art to a new level.

It seems crazy to think that the technology we use today didn't exists 40 years ago. Photoshop would have been like gold in the 1980s.

With such great advances of technology, people today are now creating illustrations, vectors and collages all on screen. On Alamy we currently have over 7 million illustrations, which continues to grow. Our Escape From Reality collection highlights how far creativity has come in the digital world.

Utilising digital collages

Digital collages can be a way for brands to take their creativity just a little further. AND Festival in Liverpool used collages in their recent campaign and brought new life to otherwise disparate objects. The concept is jarring and creates a sense of curiosity.

Women's Wear Daily (WWD) has written on one of their front covers "Nature is blooming all over again for beauty brands," with a collage of a lady surrounded by leaves and flowers emphasising their theme for the issue.

Pinterest are also utilising the benefits of collage art. Each of the predicted trends are now represented by a collage allowing the audience to visually absorb each idea rather than having to read about it, or try to understand it through one photograph.

Should companies be considering collages in their marketing? Yes. Great marketing pulls at the heart strings, and collages are often a form of self-expression which can combine multiple feelings and emotions.

Yes, you can capture the feelings in a photograph, but a collage also does just that. Each piece of the puzzle is specifically placed and considered, creatively telling a story or evoking an emotion.

So if you're working on a creative campaign, or trying to evoke a strong message, maybe collage art is the answer.
Explore our Collage collection.

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A brief history of collage art and why you should use it - Alamy Blog

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Explore our Collage Art collection When you brainstorm an idea, you'll probably visualise the end goal. Imagining what content you'll need to bring that idea to life. Photography, video, maybe even vectors. But have you ever looked at collages as a medium?

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Appearing at the beginning of the 20th century, Collage Art began as a form of novelty art. This style explored the incorporation of many different materials that were often glued together, to create a cutting-edge style of craft art that had never been seen before. The aesthetic surrounding Collage Art was described as being pieced together, which enabled the production of utterly unique creations. Viewed under the guise of mixed media, Collage Art typically explored the highs and lows that encompassed the elements of formal art.
The History of Collage Art: An Introduction

Becoming a distinctive part of Modern Art in the early 20 th century, Collage Art described the technique of assemblage that was used within this artistic creation of a new style. Despite the roots of Collage Art being traced back hundreds of years, this art form made a dramatic resurgence and was said to exist as an art form of novelty due to its one-of-a-kind aesthetic. Starting in the Modernist period, before being propelled into the contemporary art world, Collage Art has endured many changes as more artists began to explore it.

Taken from the French word coller, which means to either stick together or glue, the term "collage" described the process that was taken when creating Collage Art. Collage within art was first coined by Cubist artists Georges Braque and Pablo Picasso, who were the first pioneers of this movement. Existing as the first two artists who worked with different mediums in an attempt to make art, Braque and Picasso began their cutting-edge assemblages around 1910.

The first example of Collage Art appeared within Braque's 1912 artwork titled Fruit Dish and Glass, where he glued down imitation wood-grained wallpaper. Following in Braque's footsteps, Picasso began to add newsprint to his oil paintings which made reference to the current events that were taking place, as well as gluing rope around the edge of some canvases. Pioneers of the Collage Art movement, both Braque and Picasso composed their works from glued bits of colored paper, newspaper, and found objects.

Still Life with Glass, Dice, Newspaper and Playing Card (1913) by Georges Braque; Richard Mortel from Riyadh, Saudi Arabia, CC BY 2.0, via Wikimedia Commons

A variety of materials, such as paper, cloth, paint, found objects, magazine and newspaper clippings, and sections of other artworks and text were incorporated together before being glued onto a canvas or board to create an entirely new composition. This style essentially brought forth the production of a different form of art, which allowed new types of artworks to be created. These materials were considered to be such a bold intermingling of artistic elements that the return of the collage medium was thought to revolutionize modern art.

Collage Art has been referred to as one form of mixed media art, as many different types exist. The process of collage was viewed as a mixture of both elevated and diminished elements that existed within formal art, with this mixture referring to the traditional definition of art as well as art that was produced for mass consumption and commercial use. Thus, Collage Art existed as a newer form of Modern art due to its combination of elements, which saw many artists employing this popular medium.

From its early roots in both Dadaism and Modernism, Collage Art existed as a medium that was as diverse as it was politically motivated. Due to its emergence after World War One, Art Collage allowed artists to experiment with existing materials such as newsprint, magazines, tickets, propaganda, and photographs in order to create new works of art. These materials were ripped apart and reassembled into visually powerful fusions that interacted together in such a unique way that added to the avant-garde process that encompassed Collage Art.

Cam 20S 20 Ore (1936) by Kurt Schwitters; Kurt Schwitters, Public domain, via Wikimedia Commons

Through incorporating a variety of materials within an artwork, Collage Art successfully subverted traditional definitions of what was important art. The incorporation of these materials allowed collage artwork to frankly question society's tendency to detach fine art from ordinary objects through juxtaposing elements of high and low culture within works. Whether these compositions were purposeful or random, the comparison created by the contrast of different elements has long captivated the attention of artists.

Since images have the ability to take on new meanings within different contexts, the art of collage was able to easily overturn traditional meanings that were typically associated with art, as well as imply multiple meanings simultaneously. In doing so, Collage Art created works that did not simply fit into a single and rigid analysis. The style of collage held much artistic potential, which in turn made the movement incredibly accessible for all types of artists.

Many innovative artists ranging from the modernism and contemporary era have made use of collage to query the supposedly traditional duty of the artist within the works they created. Through using found and mass-produced objects, images, and materials that were not made by the artists themselves, Collage Art was able to undermine the customary importance that was placed on an artist's hand in the making of their original work.

Thus, Collage Art was adopted to undermine the idea of importance when composing unique and avant-garde works.

Collage Art Influences and Style

Collage describes the technique of creating an artwork through combining and gluing together a wide range of materials onto a surface like a canvas or board. However, the style of collage differs depending on the techniques and materials that an artist uses. For example, photomontage made exclusive use of photos in their artworks; decoupage involved gluing cut colored paper or images onto an object; assemblage referred to a three-dimensional collection of objects, and papiers collés described collages that were made only from bits of paper.

Precursors of Collage Art

The techniques associated with Collage Art were first used in China around 200 BC when paper was invented. The initial style of collage began to slowly come into fashion within 10 th century Japan when calligraphers started to utilize glued paper and texts on surfaces when writing poetry. During the 15th and 16th centuries within Europe, collage techniques were used in Gothic cathedrals when applying gold leaf panels, as well as gemstones and other valuable metals that were applied to religious imagery and icons.

Collage was also seen as a method of art undertaken by hobbyists for a period of time, as this style was used in items of memorabilia, such as photo albums, and books within the 19 th century. However, many institutions have attributed the history of collage and its official beginning within the art sphere to be dated around 1912, when both Picasso and Braque began to experiment with this style in their artworks.

Associated Movements

Within the development and history of Collage Art, many other artistic movements had significant influence. The techniques of collage, which took inspiration from the Cubism movement, became a principal element within both the Dada and Surrealist periods of art. In addition to these areas of art, collage was later represented in the Neo-Dada and Pop Art movement, as different collage techniques were used to explore various subject matters.

Within the contemporary sense, collage artwork was said to begin with Cubist painters Georges Braque and Pablo Picasso. Cubist collages began experimenting with fragments of different and completely unrelated subject matter to achieve a deconstructed appearance and form. Despite Cubism being mainly associated with paintings, the techniques that Braque and Picasso experimented with within their works allowed them to create collages that were essentially Cubist in nature.

Pen and Pipe (1913) by Juan Gris; Juan Gris, Public domain, via Wikimedia Commons

Cubism was able to pair perfectly with the Collage Art movement, as it allowed artists to selectively piece together a picture of their choice from a range of different elements. Due to this style, collage artwork had the ability to refrain from appearing flat, unlike traditional two-dimensional painting. Thus, Cubist collages differ significantly from previous Cubist works, as the added element of collage was able to draw out areas of dimensionality and perspective.

Materials that were frequently utilized in collages by Cubist artists were painted cut-outs, patterned paper, and newsprint. Picasso demonstrated the use of these elements within his 1913 artwork titled Bottle of Vieux Marc, Glass, Guitar and Newspaper, in which he played around with these materials on his artwork. In addition to this work, Braque represented the typical materials used in his Violin and Pipe artwork that he created in 1913.

The Dada movement was inspired by the cutting-edge work that was produced by Picasso and Braque, with artists practicing within this group beginning to play around with collage in the 1920s. Dadaists strayed away from the favored still-life subject matter of Cubism and instead opted to create collages that integrated a wide range of imagery. In doing so, the subject matter in Dada collages typically tended to represent reimagined portraits and figures that were ingrained in fantasy.

The Dada movement arose due to the political turmoil that had engulfed Europe after the First World War, with these anxieties manifesting themselves in the Dadaist collages that were created. Notable artists like Hans Arp, who arrived in Paris in 1914 to avoid being drafted into the German military, saw Picasso and Braque's collages which ultimately inspired him to create his own. By 1915, Arp was exhibiting his Dadaist collage works in a gallery in Zurich.

Dadaists integrated more materials in their collages than their Cubist colleagues. Through combining a variety of elements, artists who created collages within the Dada movement were celebrated for their creative use of presumably worthless and frequently disregarded objects. These items often included magazine cut-outs, candy wrappers, tickets, and various three-dimensional ornaments. Through transforming transient ideas and materials into more refined pieces, Dadaists were able to call into question traditional perceptions of art.

Surrealism

In the wake of the Dada movement, Surrealism also stepped away from the still-life focus of Cubism in favor of experimenting with the elements of collage. Artists began to make extensive use of collage within their works to create fictitious, unusual, and dream-like scenes. Surrealists adapted the cut-and-paste technique of collage to produce works that seemed to be a product of one's subconscious, which allowed truly unique pieces to be created.

These Surrealist collages made use of materials such as illustrations, photographs, colored paper, and paint to expand on the strange subject matter that was adopted within Dadaist collages. Thus, pieces that were reminiscent of strange dream sequences were created. This was seen in the works of Surrealist artists André Breton and Joseph Cornell, who made use of chaotic collage techniques to create coherent yet completely imaginary scenes.

Collage techniques that formed in the Dada era, such as photo-collage, relief assemblage, and overpainting, heavily influenced the development of Surrealist collages. Due to this influence, "collage" no longer solely implied works created with paper and glue. Surrealist artists began expressing an enchantment with text, which they began to incorporate within their collages. The first notable collages examples of this visual and verbal blend are demonstrated in the works of , who used collage in the late 1920s.

The reason that the style of collage differs so significantly from other artistic styles is that it allowed artists the opportunity to add commentary to their work through the inclusion of common images and objects. In doing so, dimension was added to collages, which had the ability to further demonstrate the idea that was being carried forth.

Within contemporary art, many artists displayed a sudden interest in materials such as magazine and newspaper cut-outs, printed words, photographs, dirty cloths, and even metal pieces. This was due to the fact that the inclusion of these elements was able to successfully convey the criticisms and comments that the works implied, which was not previously possible in merely painted works.

The method of collage made the historical and political contexts of the work inseparable from one another, due to the fact that collages typically incorporated mass-produced images within their works. Thus, collage artwork existed as an influential means of social commentary, as its ability to question society's assumptions and biases made it a worthwhile art form that was explored within a variety of other movements.

Notable Collage Artists and Their Collage Examples

Throughout Collage history, many significant collages painting pieces and works were made, which went on to greatly impact the direction of this cut-and-paste method of art creation. Some of the movement's more well-known artists have been listed below, along with their iconic collage works that helped shape the techniques within the movement.

Henri Matisse (1869 - 1954)

Known for his various cut-out collages, Henri Matisse exhibited techniques of collage long after the initial success of the movement. During the late 1940s, Matisse made a significant change in his approach to his artistry and began working with paper during the last decade of both his career and life. Labeling his new creations as "cut-outs", his seemingly simplistic works managed to evoke great complexity as he used gouache paint to stick down different pieces of colored paper in sequences that would often resemble elements of the natural world.

Within his cut-out types of collages, Matisse was most inspired by flowers, plants, animals, figures, and even abstract images. When creating his works, he arranged his cut-outs into energetic and colorful compositions that gradually grew in scale the more he continued to work. This style of artistic creation allowed Matisse to transcend the boundaries associated with traditional easel painting, as it gave him complete freedom to create art in whatever way he wanted to.

One of his notable cut-outs works that displayed his compositional style is his 1953 artwork titled The Sheaf. Matisse cut out a variety of colorful fronds that were thought to mimic a vivid fireworks display, which he then pasted onto a white background. This work, along with his other cut-out works, demonstrated some of Matisse's most expressive creations from his career, as he was able to directly translate his intense emotions into pieces of paper simply by rearranging and pasting them in different compositions.

Within his later artworks, Matisse was able to explore spatial ambiguity through his simple interpretation of forms and shapes. Additionally, Matisse explored the illusion of depth within art through the colorful and lively artworks he created, as the intense hues of the paper he used managed to somewhat avoid coming across as simply two-dimensional.

Pablo Picasso (1881 - 1973)

Said to be one of the two original pioneers of the Art Collage styles, Pablo Picasso began to experiment with this technique around 1912. Inspired by the works created by Georges Braque, Picasso commenced an intense phase of collage-making, where he was said to have created almost a hundred collages in a short period. His early collage compositions made use of artificial wood-grain paper, text, pieces of cloth, instruments, and other objects.

Picasso created his collages with extreme precision to the point where he was likened to a doctor dissecting a cadaver. An example of one of the first Cubist collages made, as well as one of Picasso's most notable collages, is Still Life with Chair Caning, created in 1912. Within this work, Picasso depicted various views of a café table holding different items, such as a napkin, a knife, a piece of fruit, and a wine glass.

What makes this work so interesting is that instead of painting a chair, Picasso stuck down a piece of oilcloth that was printed with the pattern of the chair caning. Additionally, he used a length of rope to frame the canvas. Both elements were utilized for their suggestive nature, as the cloth implied a physical chair, while the rope was a humorous take on the usually carved edge of a table.

By including the letters "Jou" at the top of his work, Picasso managed to seamlessly incorporate both wordplay and visual elements into his work. In doing so, his collages forced viewers to examine their own perceptions of what constituted an artwork, as well as the relationship that existed between and common objects. Within his later works, Picasso mastered the style of collage as his pieces famously mixed high and low culture, which had a notable impact on the subsequent development of art within the 20 th century.

Georges Braque (1882 - 1963)

Creating Collage artwork at the same time as Picasso, Georges Braque is considered to be the other original pioneer of Collage Art. Within his seminal works, he combined pieces of fake wood wallpaper into his Cubist depictions of objects. After buying a roll of wood-grain wallpaper that he found in a shop window, Braque began to cut and paste this paper into his various drawings. It was this technique that he shared with Picasso, which prompted him to begin experimenting with collage alongside Braque.

Braque's most influential example of collage art is his 1912 artwork titled Fruit Dish and Glass. Within this work, he stuck down pieces of the faux-wood wallpaper he found. In doing so, Braque created intersecting areas of collage elements and drawing within his work, which successfully called into question the formal ideas of perspective and space within art. Despite combining two seemingly juxtaposing elements, Braque's work still suggested pieces of a tabletop and door.

Within Braque's collage work, he explored the perception of space, which is what his Cubist works and the movement as a whole emphasized. While his addition of glued-on bits of wallpaper emphasized a shallower space to investigate the idea of space, this collage element allowed a greater exploration of the feeling of shapes and how they related to one another. Thus, the artistic methods Braque's demonstrated in his collages became fundamental within the growth and expansion of the collage technique as a whole.

Hans Arp (1886 - 1966)

Another influential artist within the Collage Art movement was Hans Arp. His collages were essentially Dadaist in nature, as he was profoundly affected by the insanity and trauma of war. In the aftermath of the First World War, Dada artists felt that traditional social systems and the focus they placed on reason were responsible for the war, and because of this, they sought to create art that was free from all rational reason and deliberate tactics. Thus, the collages that Arp created embodied this way of thinking.

One of Arp's most notable collage works, created in Zurich between 1916 and 1917, was Untitled (Collage with Squares Arranged according to the Law of Chance). This abstract collage was made up of a drawing that Arp had previously been working on but later disregarded. He then tore the pieces of blue and white paper into squares of various sizes, which he let fall to the floor. Once the paper had landed in arbitrary places, Arp pasted each scrap where it was to create a work that rested upon the random chance of gravity.

Through leaving the creation of this collage completely up to chance, Arp adhered to the new anti-art style that was established which avoided the traditional ideas of artistic talent. Arp's Untitled collage was resolutely devoid of any further essence, as it simply consisted of torn scraps of paper that did not express any story or picture. However, it can be argued that Arp did not fully abandon control within this work, as the grid-like arrangement of his collage points to a form of structure that was subtly incorporated into the work.

Kurt Schwitters (1887 - 1948)

A significant contribution to the development of Collage Art was made by Kurt Schwitters, who began working on his influential collages in 1918. These works were made from paper and were constructed from rubbish that Schwitters had found on the street. His aim within his collage art was to create works that were able to embrace all different types and styles of art.

Existing as another Dada artist, Schwitters produced collages and assemblages under the title of "Merz", which was a concept he formulated. This concept included works that combined all possible materials for purely artistic reasons, as he argued that common and found objects such as wood and plasterboard were equivalent to paint and other formal artistic elements. Thus, one of Schwitters' most well-known works, created in 1921, included a variety of elements and was titled Merz Picture 32A, The Cherry Pie.

Within this multilayered artwork, Schwitters created this collage from different pieces of debris and objects that he had collected on the streets of his hometown in Germany. Schwitters' method of collection differed vastly from the actual creation of this work, as he purposely chose a spot and meticulously glued and nailed down each item to a painted board. Areas of light and dark were created through the cut-outs, fabrics, and candy wrappers that were used, as the combination of these materials helped create a sense of pictorial depth.

When considering Merz Picture 32A, the chaotic nature of the different elements used by Schwitters helped evoke the idea of a bulletin board full of notes and cards. The inclusion of the child's flashcard with the cherry helped blur the boundary that existed between ordinary objects and painting, in addition to adding to the transparent title of the work. Thus, Schwitters managed to create a collage that was completely disorganized and confusing, which subscribed to the Dada notions of the time.

Hannah Höch (1889 - 1978)

An influential female artist who experimented within the Collage Art movement was Hannah Höch, who created some of the most iconic works from the collage period. Höch started to create collages as a young girl and brought her child-like techniques of sticking the wrong head on the wrong body into her works as an adult. Within her works, Höch investigated gender roles and politics, as she created a commentary that challenged the way society was structured and viewed itself.

Her most well-known work was created in 1919 and was titled Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany. Höch's work was very politically charged, as she repositioned images and text from the mass media to criticize the shortcomings of the Weimar German Government in the aftermath of the First World War.

Within her artwork, a seamless fusion is demonstrated between Höch's ideas and techniques, as she made use of newspaper cut-outs to call into question the sexist and racist rules that supported Weimar Germany at the time. Höch's work shows an image of Weimar society with its chief establishment and anti-establishment figures in and amongst industrialized disorder. This work was later exhibited at Berlin's First International Dada Fair in 1920 and was a great success due to its transparency.

Höch created these photomontages for the remainder of her career, as she believed that there was no true limit on the types of materials that could be used to make up a collage. Through pioneering a form of art that made use of fashion magazine cut-outs, illustrated journals, and photography, Höch demonstrated that art could be made up from the ordinary chaos of modern life. Her work challenged racism and the place of women in 20 th century society, which later influenced contemporary artists such as Cindy Sherman.

Photograph of Hannah Höch in 1974; Dietmar Bührer (de:Dietmar Bührer), CC BY-SA 4.0, via Wikimedia Commons

Collage Art in Other Forms

The development of Collage Art allowed the techniques that were created and refined to cross the boundaries of visual arts into other artistic spheres. Some of the most well-known areas, amongst many others, where elements of collage have been incorporated include architecture, music, and film.

Architecture

Although the pioneers of modern architecture used techniques that were closely related to collage, the theoretical concept of collage only became widely discussed after architects Colin Rowe and Fred Koetter published Collage City in 1978. While they were not advocating for collage in the graphic sense, Rowe and Koetter attempted to challenge the uniformity of Modernism through using the non-linear and disorganized ideals of collage.

Thus, collage within architecture was seen as a metaphor to revitalize the design practice.

The style of collage has also made its way into the development of music. In the last half of the 20 th century, the strides that were made in terms of the advancements in recording technology allowed innovative artists to start experimenting with the techniques of cutting and pasting within music production.

A notable group who made use of collage styles within their music was The Beatles. During the 1960s, English producer George Martin worked extensively with the band and created collages of the recordings from their albums. Additionally, in 1967 the cover for their Sgt. Pepper's Lonely Hearts Club Band made great use of collage techniques.

Musical collages developed significantly throughout the latter part of the 20 th century and by the 1990s and 200s, collage techniques became quite common within music. The most popular music styles that utilized a form of collage were rap, hip-hop, and electronic music.

Sgt. Pepper's 50th Anniversary Billboard in London (2017); Kreepin Deth, CC BY-SA 4.0, via Wikimedia Commons

Collage within film is best demonstrated when fictional scenes are interspersed with footage that has been sourced from a variety of locales, such as newsreels. The combination of different types of footage into a film carried various degrees of significance, which were dependent on the approach that the director took when filming. Collage within film can also encompass the physical collaging of materials onto the film strips. This technique was typical of Canadian filmmaker Arthur Lipsett, who was widely known for his collage film works.

The Legacy of Collage Art

Due to the many techniques and styles that made up the Collage Art movement, it is still easy to wonder: what is a collage in its entirety? Thus, it was said that collages painting and artworks were predominantly used to address a variety of issues, due to the technique's ability for vast social commentary. Often within collage, artists would leave hints within their artworks that alluded to social and political concerns, as collage gave artists the chance to comment on issues through the use of familiar objects and images.

The legacy of Art Collage can be seen through the many young artists that have continued to work in this medium and have produced artworks. Collage Art had the ability to tell the story of each different artistic generation through the commentary it creates, which allows for truly fascinating works to be created. Within the contemporary area, collage has been viewed as the base of the digital experience due to its vast experimentation with layering and interjecting of different mediums to make up one work.

Tips for Making Your Own Collage

Have you ever wondered what is a collage and if anyone can make one? While this type of art creation may seem daunting at first due to its chaotic and disorganized nature, the art of collage is entirely possible for anyone to experiment with. However, before constructing your own collage, here are two tips to consider when starting out with this cut-and-paste style.

Collect and Create Your Own Source Material

When making your own collage, it will be beneficial to start developing a library of different collage materials for you to choose from. In doing so, you will be able to peruse through what you already have when starting a new collage before having to go out to buy new items.

Some old items that can be kept to utilize within collages at a later stage include old books, photographs, clothing, and recycled paper. Additionally, you can also choose to create your own unique source materials when working on your collage. This can be done by painting pieces of paper and then cutting them up into any shape you want.

Painting with Warm Colours (2009) collage from art postcards, by Hendrikje Kühne und Beat Klein; Hendrikje Kühne und Beat Klein, CC BY-SA 3.0, via Wikimedia Commons

Organize Your Composition Prior to Gluing It Down

Before you permanently attach your materials to your backing, it would be wise to take some time out to plan your composition. Collage differs from two-dimensional mediums as allows you to arrange your elements in any way that you want to within your artwork. Take advantage of this medium's flexibility by experimenting with different compositions before committing to the final look.

If you are a beginner to this medium, it is suggested to focus on one or two of the basic elements at first so as not to be overwhelmed. These elements include line, color, form, shape, or texture. If you find that your composition has too many elements, try restricting the number of materials you are working with until you are satisfied with the outcome.

Throughout Collage history, the works that were created were deeply referential of the political climate that existed at the time. Thus, the style of collage proved to be a suitable medium for social commentary, as it allowed artists to abandon the formal elements that had previously governed art in order to create works that honestly represented modern society. In essence, Collage Art blatantly questioned the ideals that made up an artwork, whilst offering a reflection on the change and upheaval that characterized the 20th century.

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Collage Art - A History of Collage as an Artistic Medium

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The Origins of Collage Artwork ✔ Famous Collage Artists ✔ The Legacy of Collage Art ✔ How to Make Your Own Collage ✔

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A quick & brief video about collage artwork: https://www.youtube.com/watch?v=-HB3IrP_jRQ

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A quick & brief video about collage artwork: https://www.youtube.com/watch?v=-HB3IrP_jRQ

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Collage: A History on the Creative Technique of Combining and Modifying

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My sketch ( the extinction of dinosaurs) 

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My sketch ( the extinction of dinosaurs) 

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Hoang Hai Yen - HE205134 - The dinosaur extinction- Sketch

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Hoang Hai Yen - HE205134 - The dinosaur extinction- Sketch

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This is my sketch about the scene after the meteor falls down to Earth which makes all the dinosaurs extinct.

Our group decided to make a scenario based on the dinosaur extinction, so each of us would make a before and after the disaster.

I want to use parts of the dinosaurs’ bones to make some jigsaw puzzle that connects parts of their body. Additionally, I want to make a box to shake those pieces and fall down to the bottom, which as you can tell that was all left after the meteor shower.

I hope you can understand the context and give me some feedback, so I can improvise the process.

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This is my sketch of LAB 3, it is about the dinosaur extinction (the phase of dinosaurs get destroyed by asteroid).

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The scene of the U.S. dropping an atomic bomb on Hiroshima on August 6, 1945, is one of the most horrific events in the history of warfare. Here is a description of that moment:

On the morning of August 6, a B-29 aircraft named Enola Gay flew over the skies of Hiroshima. Onboard the aircraft, pilot Paul Tibbets and the crew were preparing for a special mission. At 8:15 AM, the atomic bomb called Little Boy was dropped from an altitude of about 9,500 meters.

Immediately after the bomb dropped, a blinding, intense light erupted, resembling a giant fireball that illuminated the entire city. Then, a massive, powerful, and chaotic explosion occurred, releasing shockwaves and strong winds that swept away everything within a vast radius. Buildings were completely destroyed, and thousands of people were killed instantly.

The sky and the surrounding environment turned bright red. Those who survived, severely wounded, burned, or affected by the shockwave, faced excruciating pain. A large amount of dust and debris scattered everywhere, making the atmosphere suffocating and gloomy. In the following days, radiation caused many fatal diseases, increasing the death toll.

This scene was a global shock, not only for Japan but also for the world, with its long-lasting consequences that continue to affect us today.

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This is a painting depicting the time at the end of World War II in Japan. The scene in the painting is divided into two distinct contrasting parts. Below, there is a traditional Japanese temple, where cherry blossoms bloom, and delicate petals float through the air, creating a peaceful and serene atmosphere. The surroundings are bathed in a clear blue sky, symbolizing life and hope.

However, at the top of the painting, a starkly contrasting image appears: fighter planes flying across the sky, their silhouettes casting shadows, carrying firebombs ready to fall. This scene creates a sense of tension, signaling impending destruction. The elements in the painting not only reflect a historical moment but also illustrate the contrast between beauty, tranquility, and devastation.

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This is my sketch of the collage.

My collage is about the first person to plant the flag on the Moon. I plan to make a black space background with a few paper stars. The American flag will be made of fabric, and the flagpole will be a twig. The astronaut is made from toilet paper with a plastic helmet that can open and close. Candy wrappers and leaves will create the spacecraft. The Moon will be made from soil, cotton ball and rock. The stuff around universe are made from carton

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Dear Mr.Arsyadi,

I’m Yến Vy from class GD2005, this is my sketch for lap 3. In the previous lap, our team drew about the first moon landing and we had discussed to choose which scene to do individually. I chose to do the scene which is people crafting Apollo 11.

I decided to use cardboard to make the cover of the spacecraft. To express the silver part on the cover better, I will use the medicine bag that I placed next to the sketch in the picture. My plan is to make the spacecraft foldable by using the cover of my toothbrush. It’s like a long little see-through box. And inside, there will be people crafting the system.

There are many small details and I think I will use my cardboard, onetime using black mask, fabric and so on to make the cover of the spacecraft. And maybe I will use some cotton ball to make the clouds or so.

Besides the spacecraft, I think I will use toothpick, sticks or something like those to make the scaffold, which helps people to craft the cover of the spacecraft.

And to make my background paper thicker, I may use cardboard to stick it in the back of the paper.

And that’s all my idea until now. Can I have your recommendation or suggestions? I’ll be very grateful. Thank you for reading all of this!

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This is a small example of how my final output will look like (the scale and some details might be changed to fit the idea more)

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Building on the previous assignment about the Chernobyl accident, I am now creating a pop-up collage featuring interactive elements at the corners. I want to include multiple layers (around 4), showing the depth and the length of the hole in the wall of the factory.

The scene shows the firefighter in his protective gear, trying to lift the worker. Smoke surrounds them?

One corner can be lifted up showing a person trapped in the debris

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Dear Mr. Arsyadi,

this is my idea: a mosaic about the evolution of food service.

In the past, people had to go to restaurants to buy food. Then some mobile food trucks appeared, allowing more people to enjoy street food. Finally, today, there are many applications that allow us to order food online and receive it conveniently at home.

I decided to make a pop-up restaurant

the food ordering phone will be 3D and there will be something you can touch to get the food.

the other elements are 2D and combined with glue.

I hope for your feedback.

Thanks

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This is my idea, using life time of a tree from a small sapling to a huge and tall tree to represent every age human have experienced, with prehistoric time period is the first and modern age or today is the last period of time.

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My sketch - Fast food commercial in 1960s

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We chose the period after World War II in England as the main time period and location for our drawings. Regarding my assignment, I want to illustrate a man with his vehicle.

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Hoàng Trường Sơn HE246274 -the first airplane-

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Hoàng Trường Sơn HE246274 -the first airplane-

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This is my sketch of the overall layout and composition. My timeline is about the wright brothers(the creators of the first airplane). My idea is to make a transition from left to right(the past-> mordern day) to give a sense of time and a couple hints using clock images to give a sense of time. On the left, i will be using newspapers, potraits of the 2 brother with their accessories like beard or hat being custom made.i will also be making a mini figurine of the first airplane using some random things like paper,dry leafs and tissues(to describe the creativity of the 2 brother after inventing the first airplane from scratch). For the right side, i will also be making some mini airplane but with from better material since they are modern airplanes. There will be some advanced invention like smart phone or the bigben tower to really sell the feeling of newer and modern society,and how far have we come since the first airplane was invented.

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The fast food boom 1960-2000s

Nguyễn Thu Hà HE200598-GD2005

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TRAN NGUYEN DONG HAI - HE201970 - GD2005

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TRAN NGUYEN DONG HAI - HE201970 - GD2005

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We chose the period after World War II in England as the main time period and location for our drawings. Regarding my assignment, I want to do about a floating structure in England, the clock tower: Big Ben.

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My planning sketch of the collage

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Dear Mr. Arsyadi , this is my idea : This sketch of mine is about a Roman guy's face and I intend to recreate his face by combining many materials together such as A4 paper, newspaper, wood (self-made with A4 by coloring), the face will be assembled but still be able to create a connection between the main features of the face. For the background, I can make a dark blue sticker to create a highlight, combined with the background is a hot air balloon hanging the pieces of the face, this is just a temporary idea and will be able to change over time.

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The Power of the Roman Empire

The fully armed warrior represents the military strength of Rome, one of the greatest empires in history.

The weapons and shield symbolize Rome's disciplined army, conquests, and dominance over vast territories. ( the artwork portrays the strength and tragedy of the Roman Empire—honoring its legacy while reflecting on the rise and fall of a once-dominant civilization.)

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This is my sketch for chernobyl nuclear disaster and its consequences

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In the picture above, I have depicted the scene of trucks without windows transporting supplies on a dark road. The road where soldiers transported provisions with windowless trucks in 1945 was an important part of Vietnam's resistance against French colonialism. In 1945, after Japan's surrender, French colonialists returned to invade Vietnam once again. The process of transporting food, weapons, and supplies to the soldiers, especially during the years 1945-1946, was very difficult and dangerous. These windowless trucks were not only a result of scarcity but were also modified from old vehicles. Nevertheless, they still had to set off on the road, transporting provisions and ammunition to support the resistance movement.

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Collage project progress Hoàng Trường Sơn HE204276 GD2005

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Collage project progress Hoàng Trường Sơn HE204276 GD2005

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my progress: i made a rough sketch on how would i make the most important part of the project: the mini figurines of the old and modern planes and the materials needed to make them.

I also made a list of materials needed for the whole project and where i would get them from.

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Fast Food Boom 1960-2000s- Nguyễn Thu Hà -HE200598

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Fast Food Boom 1960-2000s- Nguyễn Thu Hà -HE200598

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My work is about the invention of airplane, and it’s early pioneers, the Wright brothers. This is just a little bit of what I have to offer, the final results should be different :)

Tran Khanh Anh

HE204471 GD2005

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This is about the media coverage of the Apollo program at that time. I have a quickly sketched out the layout of this assignment.

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Hoang Hai Yen - HE205134 - Process of ‘After the meteor in Dinosaur Age’

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Hoang Hai Yen - HE205134 - Process of ‘After the meteor in Dinosaur Age’

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I’m working on with the dinosaur bones. They will be the for the jigsaw puzzle.

About the background, I have decided to make it as it was the surface. I’ll try my best to hide the pieces inside the ‘dirt’ like archeologists usually do. (I think?)

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My planning sketch of the ship in 1920s

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Lê Anh Thư - HE204158

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HKH's collage next stage - HE204612 - GD2005

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HKH's collage next stage - HE204612 - GD2005

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This is around 20-30% of the end result

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im creating the first layer of my piece, it'll be the inner-most shirt the character is wearing

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Here is my sketch for the larger final version of the collage painting on the theme of dinosaur extinction. This is the scene depicting the destruction caused by the meteor. I will use cardboard for the final version to add more layers and create a more dynamic effect for the artwork.

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Here is my sketch for the larger final version of the collage painting on the theme of dinosaur extinction. This is the scene depicting the destruction caused by the meteor. I will use cardboard for the final version to add more layers and create a more dynamic effect for the artwork.

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This is a piece of my homework,i redraw it and change the topic to “julius ceaser assassination”,using paper and other stuff to create

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Nguyen Gia Nhu HE204293 update:

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My update about the scene crafting Apollo 11

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My update about neil amstrong

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My Progress Update - Trần Đăng Minh HE204301

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My Progress Update - Trần Đăng Minh HE204301

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Wright brothers’ air flyer invention

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Trần Đăng Minh - HE204301 - Final Result: The Aftermath

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Trần Đăng Minh - HE204301 - Final Result: The Aftermath

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My final result (The Chernobyl disaster)

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My final result (The Chernobyl disaster)

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Hoàng Trường Sơn - HE204276 - GD2005

FLIGHT TO THE FUTURE

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This is my finished collage artwork of dinosaurs ’s extinction 

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This is my finished collage artwork of dinosaurs ’s extinction 

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This is my finished artwork: "Post WWI"

Nguyen Quynh Chi

HE200204

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Fast Food Boom 1960-2000s Nguyễn Thu Hà - HE 200598

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Fast Food Boom 1960-2000s Nguyễn Thu Hà - HE 200598

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My final result ( the automobile in 1920 )

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My final result ( the automobile in 1920 )

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The first camera being invented

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Please read the instruction below. The deadline for this one is 11 March, 2025.

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Please read the instruction below. The deadline for this one is 11 March, 2025.

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Lê Anh Thư - HE204158

Hoàng Khánh Hưng - HE204612

Trần Đăng Minh - HE204301

Nguyễn Quý Đức Anh - HE204352

Trần Đăng Đăng - HE207004

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Nguyễn Thu Hà _ HE200598 , Vũ Tú Anh _ HE200441, Nguyễn Gia Như _ HE204293

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Nguyễn Thu Hà _ HE200598 , Vũ Tú Anh _ HE200441, Nguyễn Gia Như _ HE204293

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our sketch :

the calender will be devided into 4 parts , each one is presented by a festival

Jan, Feb, Mar : Tet holiday

April, May, June: San juan festival

July, August, September: Mid-autumn festival

October, November, December: Christmas

We will connect these parts as lantern or wind chime.

I hope for your feedbacks.

Thanks.

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Character: Vũ Lê Huy(Vietnamese soiler in 19th Century) 4 panels of this character talking about his days during resistance against the french in 1934-1945.

Meaning:4 panels of them are drew as your requested with 4 differents emotions for my character. panel 1 mean that Vũ Lê Huy regretted his fault for being careless to his parents after farewelled his parents , with the second panel we can see that Vũ Lê Huy is talking with his fellow (Best friend) when he helping his friend retreat back to the base fro his friend’s safety, third panel does mean Vũ Lê Huy was stunned and shocked the beauty of nature when he first come to the mountain And to the final panel Vũ Lê Huy got heavy injuried to his arm that he had to cut his hands for his safety and he read his parent’s letter that they are still remembering him as well.

Directed to Trần Đăng Đăng HE207004

GD2005

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Hà Hoàng Yến Vy - HE204456

Hà Vũ Thanh Mai - HE204459

Đỗ Tú Anh - HE204462

Nguyễn Hà Tú Linh - HE204466

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Nguyen da ngan - He200051

Tran Thao Ngan - He204457

Vu quoc khanh - He200083

Tran Nguyen Dong Hai - HE201970

# data[].attributes.body
Lê Anh Thư - HE204158

Hoàng Khánh Hưng - HE204612

Trần Đăng Minh - HE204301

Nguyễn Quý Đức Anh - HE204352

Trần Đăng Đăng - HE207004

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We are going on the cover and the wheels. The wheels will go underneath the cover and help to spin the cover.

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Hà Hoàng Yến Vy - HE204456

Hà Vũ Thanh Mai - HE204459

Đỗ Tú Anh - HE204462

Nguyễn Hà Tú Linh - HE204466

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Hoang Hai Yen - La Xuong Ngoc Anh - Nguyen Quynh Trang - Pham Kim Ngan

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A simple sketch about our homework,how its work and how people could interact with it

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A simple sketch about our homework,how its work and how people could interact with it

# data[].attributes.headline
Vũ Tú Anh , Nguyễn Gia Như , Nguyễn Thu Hà - Around Year

# data[].attributes.subject
Vũ Tú Anh , Nguyễn Gia Như , Nguyễn Thu Hà - Around Year

# data[].attributes.body
Lê Anh Thư - HE204158

Hoàng Khánh Hưng - HE204612

Trần Đăng Minh - HE204301

Nguyễn Quý Đức Anh - HE204352

Trần Đăng Đăng - HE207004

# data[].attributes.body
Nguyen Da Ngan - He200051

Tran Thao Ngan - He204457

Vu quoc khanh - He200083

Tran Nguyen Dong Hai - HE201970

# data[].attributes.body
Hà Hoàng Yến Vy - HE204456

Hà Vũ Thanh Mai - HE204459

Đỗ Tú Anh - HE204462

Nguyễn Hà Tú Linh - HE204466

# data[].attributes.headline
Around year Nguyễn Gia Như , Nguyễn Thu Hà , Vũ Tú Anh 

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Around year Nguyễn Gia Như , Nguyễn Thu Hà , Vũ Tú Anh 

# data[].attributes.body
Hà Hoàng Yến Vy- HE204456

Hà Vũ Thanh Mai - HE204459

Đỗ Tú Anh - HE204462

Nguyễn Hà Tú Linh - HE204466

# data[].attributes.body
NGUYEN DA NGAN - HE200051

TRAN THAO NGAN - HE204457

TRAN NGUYEN DONG HAI - HE201970

Vu Quoc Khanh - HE200083

# data[].attributes.body
Pham Tuan Dung - HE204729

Hoang Truong Son - HE204276

Tran Khanh Anh - HE204471

Le Huu Tung - HE205048

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La Xuong Ngoc Anh - 20

Nguyen Quynh Trang - 18

Hoang Hai Yen - 27

Pham Kim Ngan - 28

# data[].attributes.body
Hà Hoàng Yến Vy - HE204456

Hà Vũ Thanh Mai - HE204459

Đỗ Tú Anh - HE204462

Nguyễn Hà Tú Linh - HE204466

# data[].attributes.body
NGUYEN DA NGAN - HE200051

TRAN THAO NGAN - HE204457

TRAN NGUYEN DONG HAI - HE201970

Vu Quoc Khanh - HE200083

# data[].attributes.body
Nguyen Quynh Chi - -HE200204

Pham Tien Hiep - HE204739

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Trần Khánh Anh - HE204471

Phạm Tuấn Dũng - HE204792

Hoàng Trường Sơn - HE204276

Lê Hữu Tùng - HE205048

# data[].attributes.body
Vũ Tú Anh - HE200441

Nguyễn Thu Hà - HE200598

Nguyễn Gia Như - HE204293

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Title: French revolution

Phan Hoài Nhân HE204238

Trần Anh Quân HE208183

Đinh Hồng Anh HE200445

Sorry for the late submission

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Title: The First Airplane

this is my final result