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https://docs.google.com/presentation/d/1yGn8uGohv0IJmdMnJ6CUAev8WeodCvdHUbZ6TSCaDWc/edit?usp=sharing

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This one is a personal work from Michael Dudok de wit
The animation itself want to tell the simple story about a journey

Unbelievable that this animation are made from tea. The animation itself , also I can see the rhythm of the movement sync with the background music, also for the tiny detail, I can see the light+shadow on the circle with fluid texture.

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Small sphere travels through landscapes | The Aroma of Tea - Short Film by Michael Dudok de Wit

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He animated frame by frame, drew many hundred of them and got the right one, he scanned them + adjusted the various contrasts and hues in Photoshop.

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In case you need clarification about what I've done.

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In case you need clarification about what I've done.

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I started with the happiness of life. What makes me happy? And what makes others happy? Eating is one part of that. Then I got my first Keyword, 'Consume' After that, I researched and made visuals from it, but I still needed something. While attending the workshops and doing the degree show documents, after talking with Kelvin, He suggested I narrow the topic down. Then I got a new topic still related to consumption: Greed. Then I redid the storyboard repeatedly but ended up with non-narrative animation because I was running out of time and won't finish the work on time if I was still working on the story. After that, I got a free song from Righsify, tried sand animation, and finished my final work.

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Started with the happiness of life, What makes me happy?and what makes other happy? Eating is one part of it.

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Turn the topic research into the visuals

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Which I didn't use any of it for my final outcome

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Tête d'Oliv (Keep your hair on, Olivier) by Armelle Mercat

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Baldness seems to be a common theme in the world of short films. In animated short Le Futur Sera Chauve (The Bald Future), filmmaker Paul Cabon predicted his future hair loss, while in Oskar Lehemaa's WTF favourite we followed a man going to some strange extremes to find a cure for baldness. Director Armelle Mercat adopts a more family-friendly approach in her humorous animation Tête d'Oliv (Keep your hair on, Olivier).

Centred around the smitten relationship of Olivier and his wife Christine, Tête d'Oliv takes its viewers inside their bubble of domestic bliss as their spoilt cat, Fabrice, unravels his owner's clever plans to hide his hair loss. But Olivier is a scientist, and even though the introduction of a machine that can rapidly grow grass signposts the direction the direction the narrative will take, Mercat's short still takes its audience on an undeniably entertaining ride.

The amicable nature of the film comes partly from the film's playful style and partly from its comedic approach. Sure, it regularly relies on the tried and tested humour found within its feline characters for laughs here and there (the scene with the Sphynx cat is a particularly memorable one), but its the charming relationship of its central couple that truly wins our hearts. Director Mercat captures their affection for each other perfectly, bringing the viewers close to the action as they get amorous, welcoming us into the warm embrace of their inner circle. Even as Olivier suffers a loss of confidence as to whether his wife will still love him when she discovers he's follically challenged, we know all will end well as Mercat has already instilled a confidence in their relationship throughout her audience.

Visually, Tête d'Oliv is also a hugely likeable piece, its pen and watercolour approach creating a flowing aesthetic which is distinct, yet also works to put the focus squarely on the film's characters and their story. The character design here is also essential in capturing the spirit of Olivier and Christine, the details in the close-ups of their faces bringing an empathetic range of emotions into play and again amplifying the connection the audience feels to its characters. You can see a great example of this in the final 45-seconds of the film as the facial expressions of Olivier, Christine and even Fabrice combine to create a conclusion that will bring joy, affection and a final laugh to the close of proceedings.

A French animator, Mercat worked on several short film projects, including by Phuong Mai Nguyen and Yul et le serpent by Gabriel Harel, before directing Tête d'Oliv. The filmmaker now has a new short in the works, Wild House-share, which is inspired by the African tale The Goat and the Tiger.

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Tête d'Oliv (Keep your hair on, Olivier) by Armelle Mercat

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Baldness seems to be a common theme in the world of short films. In animated short Le Futur Sera Chauve (The Bald Future) , filmmaker Paul Cabon predicted his future hair loss, while in Oskar Lehemaa's WTF favourite we followed a man going to some strange extremes to find a cure for baldness.

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【うたとアニメーション】こそこそぼくです

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TOKYO POLYTECHNIC UNIVERSITY  
GraduationFilm

Director / Animation  KUBO Yutaro

 Music  NISHIDA Shuta     
            (dr KANEGAWA Takuya)

 Assistant  MAIYA Satomi
                 KAMIOSAKO Toshiki

 © KUBO Yutaro /2012
http://yutarokubo.com

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DDWIWDD (Dan Deacon “When I Was Done Dying”) | Off The Air | Adult Swim

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Before this, Stephen and Jon had previously worked together in producing the album artwork and trailer for Singularity, his previous album. Describing Jon as a "lovely, conscientious and very collaborative" person to work with, when he approached Stephen with an initial edit of the track - alongside Eileen's watercolour artworks - Stephen knew it was a project worth taking. The two work together harmoniously, and often, Stephen will approach the collab in the most open manner possible in response to the "sensations the music creates". Yet equally, Eileen's paintings were of similar importance when it came to animating the video. The handcrafted aesthetic of her paintings was an apt pairing to the psychedelic undertones of the track and finished film; they're almost dripping in paint, bleeding from the splash of a brush and into the rest of the frame. "It feels both small, physical and tactile, hand-crafted but with a sense of something vast and cosmic in scope within it," says Stephen. "I was very keen to explore a shifting sense of scale, flowing from a scene that feels microscopic to something that feels like a vast cosmos fireworks exploding in impossibly slow-motion, schools of iridescent fish fluttering by."

To achieve a final outcome like this, of course takes time and skill. Or, as Stephen puts it, a mix of "the physical and the technical". For instance, the opening sequence is composed using rostrum filmed elements of ink, "expanding and soaking into wet watercolour paper, or flowing in pools and swirls". Then, as the music changes, the more computer-generated 3D world opens up. "I created loosely sketched forms as three-dimensional structures to travel through, emitting motes of colour that advect through simulations of swirling fluid and smoke movement," he explains. "The flow of colourful specks reflect the seeping of the watercolours in the earlier sections, but now moving in depth as well."

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Stephen McNally teams up with Jon Hopkins to create a flowing animation for a song with no beat

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For Jon’s latest track, Music for Psychedelic Therapy, the Blinkink director and animator produces a trippy video using artworks by Eileen Hall.

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I worked in the Accounting & Management Team with Torfon and San for the degree show.

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At first, we talked about what my team had to do.

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Then talking with the book+exhibition+web design teams about their budget then we talked to P'Air and P'Nong.

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Write the rough budget using the previous year as an example.

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Try to put all the scene together to see the overall look

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Try to put all the scene together to see the overall look

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I can't add the video here, the file is too big

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Maybe I’ll print this as postcards for my degree show.

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Using Procreate and Brush called Inka, which has a rough line stroke, refers to the grunge style; follow the inner voice, Breaking the rule. Then I draw & animate it frame by frame.

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The Full sentence is Little by little, day by day, positive or negative, depending on the values and why I added texts to my animation. It will help make the animation message more transparent.

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Lastly, after talking to P'Nong and P'Air, we needed some help with the web design budget. P'Air said it was too expensive, then she helped us talk to the web designer, and then I wrote the Proposal and budget document together with Torfon and San. So far, our group has been helping each other and had no problems.

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บันทึกขออนุมัติงบและโครงการศิลปนิพนธ์ .comm 2023.docx (1)

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From my opinion, for the first try vid, it's a little bit boring.

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WORKSHOP 6: UNINSPIRED BY CURRENT EVENTS

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WORKSHOP 1: SOMETHING BEYOND PRINTING

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WORKSHOP 2 : CREATIVE WATERCOLOUR

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WORKSHOP 3 : HOW TO CREATE AN IMPACT DESIGN THAT EFFECT COMMERCIAL PRODUCT AND BRANDING