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William Shakespeare's work has been analyzed for hundreds of years for the hidden meanings in his work. Personally, I don't think it's that deep. He left a very impactful legacy known as one of the most well-known writers in current-day society.  Logan Shakespeare made 39 plays in his life.

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The first Globe was built in 1599 but destroyed by fire in 1613 and it got reconstructed and the second Globe was completed in 1614 and closed in 1642. It was very successfull because of the artificial light along with the sun light.

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The Globe theater was created by Shakespeare's play company in London where people could watch his plays. It featured a 360 degree design with the pit being designed for the common folk and upper levels for people with more money.

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Queen Elizabeth's early life Born on September 7, 1533, at Greenwich Palace, Elizabeth I was the daughter of Henry and Anne Boleyn. Her early life was defined by being declared and removed from the succession at age three after her mother’s execution; she was later restored to the line. Despite these challenges, she received a stellar, rigorous humanist education, becoming proficient in multiple languages.

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william shakespear has lack of personal documentation . There is limited evidence directly linking William Shakespeare with some of he plays.

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Globe's layout. The evidence story is 100ft wide, an open amphitheater, and it has 20 sides. The globe is a contemporary engraving of the globe. At the base of the stage, there was a pit for the spectators, called the groundlings, where they would eat hazelnuts and oranges. There was also a rectangular stage known as the apron stage. The stage was 43ft wide and raised 5ft off the ground. Below it was a four-trapped doors which was called "Hell". Large columns on each side of the stage supported the weight of it. In that same room, the ceiling is called "heavens". The back had three doors first door was the tiring house backstage.

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The design of the original Theatre responded to a mix of traditions. Its name, which up to then had been used for atlases (such as Mercator's) rather than for playhouses, drew attention to the Roman theatre tradition. Its circular shape, though, reflected not the D-shape of a Roman amphitheatre but the gatherings of crowds in a circle around the actors in town marketplaces, where all the players of 1576 got their training. The concept of building a scaffold with three levels of galleries surrounding a circular yard mimicked the arrangement for audiences of existing bearbaiting and bullbaiting houses. The stage, a platform mounted in the yard, was the kind of thing that traveling companies set up in inn yards.

The old Theatre was a 20-sided structure, as near to a circle as Elizabethan carpentry could make it. It stood more than 30 feet (9 metres) high, with three levels of seating in its galleries. Audience access was either through two narrow passageways under the galleries into the standing room of the yard around the stage or up two external stair towers into the rear of the galleries. Five of the 20 bays of the galleries were cut off by the frons scenae, or tiring-house wall, behind which the actors kept their store of props, costumes, and playbooks and prepared themselves for their performances. The stage was a 5-foot- (1.5-metre-) high platform protruding from the tiring-house into the middle of the yard. Two posts upheld a cover over the stage that protected the players and their expensive costumes from rain. The audience standing in the yard had no cover, though when it rained they could pay more and take shelter in the lowest gallery.

The Globe reproduced this old shape, with a few innovations mainly in the fresh painting and decoration of the stage area. Each of the four London amphitheatres that scholars know most about, the Rose, the Swan, the Globe, and the Fortune, had auditorium bays of a certain size, about 10 feet 6 inches (roughly 3 metres) from front to back and an average width of 14 feet (about 4 metres). The Globe and Fortune, and probably the Swan, had 20 bays in all, while the smaller Rose had 14. Seating in the form of degrees (wooden benches raked upward to the rear), along with the roofing over the topmost gallery, provided all the comfort short of a cushion that Elizabethans expected. A few rooms were reserved for the most privileged on the stage balcony itself. Including the space for nearly a thousand customers to stand in the yard around the stage, the small Rose had a total capacity of about 2,400 people, while contemporary estimates of total audience capacity at the Swan and the Globe claimed 3,000.

The stage was large, 43 or 44 feet (about 13 metres) across and 27 or more feet (some 8 metres) deep. The two stage posts were substantial, since they had to uphold the large cover, or heavens, which had a trapdoor in it with a windlass for winding boys playing gods down onto the stage. Below the heavens trapdoor was one in the stage, which served as the entry point for King Hamlet's ghost and the grave for Ophelia. The tiring-house wall had two doors on its flanks for entrances and exits and a central opening, normally covered by a set of hangings (Polonius's arras) that concealed the caskets in The Merchant of Venice and Hermione's statue in The Winter's Tale. Above the three openings, a balcony ran the width of the stage wall, the central room of which was used for scenes that required an upper window or balcony or the walls of a town.

Playing at the Globe

The experience of watching a performance at the Globe was radically different from that of viewing modern Shakespeare on-screen. The plays were staged in the afternoons, using the light of day, and the audience surrounded the stage on all sides. No scenery was used, except for occasional emblematic devices such as a throne or a bed. It was almost impossible not to see the other half of the audience standing behind the players. Consequently, much of the staging was metatheatrical, conceding the illusory nature of the game of playing and making little pretense of stage realism. (For more on this subject, see Sidebar: Performance in Shakespeare's Theatre.)

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The design of the original Theatre responded to a mix of traditions. Its name, which up to then had been used for atlases (such as Mercator's) rather than for playhouses, drew attention to the Roman theatre tradition.

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Queen Elizabeth I became known as the "Virgin Queen" by not marrying to maintain her political power. By avoiding a royal marriage, she prevented foreign interference and stayed focused on her independence, famously claiming she was "married" to her kingdom. This unique status allowed her to rule as the sole authority, turning her single life into a powerful symbol of national stability.

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The Globe was built to Elizabeth's plans. The architect was Theo Crosby of Pentagram. Buro Happold was a structural and services engineer, and the quantity surveyors were Boyden & Compony. The Modern Globe opened up in 1997 and was called the "Shakesphere's Globe Theatre." The first appointed as the first director of the modern globe was Mark Rylance in 1995. Dominic Dromgoole took over and tried to make an exact replica of the original globe. The replica was 200 yards from the original site. This Theatre is open to the sky and has a large stage, a circular yard, and a ticket stand in the yard.

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She is known as the Virgin Queen because of her choice to never marry, and she instead chose to "marry" her kingdom. She never married or gave birth during her 44 years as queen. She wanted to be known as solely married to her kingdom, and that's all.

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The original globe was an Elizabethan theater that opened in 1599 in Southwark. It was built in 1599 using wood from another theater that had been built 20 years earlier. After the English Civil War began, the Globe got destroyed and its exact location was forgotten until the remnants of its foundation were discovered in 1989.

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The reason it ended was because of a lot of things. The main reason was because there was a lot of war and they limited the amount of money so they couldn't use it.

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William shakespeare was an influential writer. he not only wrote plays but he wrote 154 inspirational poems that range from intimacy and emotional poetry.Shakespeare’s poetic work goes far beyond his famous sonnets, featuring deeply experimental and sometimes mysterious pieces that reveal a more private side of the playwright.

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Many scholars view the Renaissance as a unique and exciting time in European history, but other scholars believe that the time period wasn't very different from the Middle Ages, and both of these eras overlap more than the traditional accounts suggest. Also, there are some modern historians who believe that the Middle Ages had a cultural identity that was downplayed throughout history and had been overshadowed by the Renaissance era. Although there is little dispute over the events of the period, ultimately leading to advances that changes the way people understood the world around them

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Renaissance exploration

Europeans took to the seas to learn more about the world around them in this time several important explorations were made as well traveling the entire globe some examples are Ferdinand Magellan, Christopher Columbus, Amerigo Vespucci Marco Polo, Ponce de Leon, Vasco Núñez de Balboa, Hernando De Soto.

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William Shakespeare's plays - Bella Clabo

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William Shakespeare's plays - Bella Clabo

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Shakespeare wrote many different plays during his lifetime. He did many genres from comedies, history, and tragedies. Some of the comedies he made were As You Like It, Merchant of Venice, and Tempest. Three of the historical plays he wrote were King John, Henry V, and Pericles. A few tragedies he made were Hamlet, Julius Caesar, Romeo and Juliet, and Anthony and Cleopatra. William Shakespeare has had a very large impact on the literature world and how it has developed into modern writing.

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Queen Elizabeth became the queen of England in 1559. she became the queen after her Catholic sister Mary died in 1558. Elizabeth became queen at only the age of 25.

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The original Globe theatre was built in 1599 and belonged to Shakespeare. Unfortunately, the theatre burnt down in a fire and was rebuilt and completed in June of 1614. It was later closed in 1642. The Globe was three stories high with a diameter of 100 feet. Plays were performed on the rectangular stage, which very likely had trap doors and overhead rigging to create various stage effects.

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There is, in the modern era a group of people known as anti-stratfordians that do not believe that all of Shakespeare´s works were his own. They believe instead that while he may have been a prominant poet and playwrite, not all of his more famous creations belong to him. There proof? There are no surviving manuscripts, letters, or direct evidence linking Shakespeare of Stratford to a literary career. His will detailed his assets but mentioned no books, plays, or manuscripts, another theory being ¨William Shakespeare¨ is a pseudonym for a high courtier or someone of immense wealth whom actually wrote the plays. Although many other modern scholarsm maintain the evidence—including name attributions on published plays, contemporary testimonies, and legal records—sufficiently proves that the man from Stratford wrote the works, noting that the demand for "biographical evidence" is a modern expectation.

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Sophie Rollenhagen - The Renaissance Begins

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Sophie Rollenhagen - The Renaissance Begins

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During a period of time in the beginning of the 14th century science and art had advanced. This era was also known as the "Dark Ages" as there was war, pandemics, famine, and it was also a time of ignorance as ancient Greek and Roman philosophies had very little regard for learning. Although many historians think the grief of the middle ages was greatly exaggerated.

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Art, science, and architecture were closely related subjects during the Renaissance. It was a unique time where the arts almost synced together and came as one. Architects would study mathematics to accurately engineer and design buildings with domes. While artists put scientific principles like anatomy into their work.

Scientific discoveries led to people's thoughts shifting to the new view of anatomy and mathematics set by people like Descartes and Galilieo, and even scientists proposing the sun was the center of the solar system. Artists during this period worked to show people and objects in a way that was true to life, since, as a whole, Renaissance art was characterized by realism and natural settings.

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About-

Queen Elizabeth 1st, she ruled England most of Shakespeare's life. She was born September 7th, 1533 in Greenwich and died March 24, 1603 in Richmond and she was queen for 45 years.

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at the time the British fleet was significantly weaker then the Spanish armadas but the British victory's gave them recognition.

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The Renaissance Religion is about the main religions were Catholic and Humanistic thought Catholic is about getting closer with God and Humanistic is about it's a mix of Catholic devotion and new humanistic thought.

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Leonardo da Vinci was known for the Mona Lisa, and contributions to science. Michelangelo was a sculptor and painter. Raphael was famous for The School of Athens and his work in the Vatican. Sandro Botticelli painted the birth of Venus and Primavera.