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Syncing sound to video files

Editing

Audio post-productions e.g. Foley an ADR

Music and sound effects

Monitor sound levels in relevance to sound effects and background noise

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Pay attention to the acoustics of a location and what external factors could impact filming i.e. wind, traffic, etc., thus contributing to the overall output of the project.

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Annotating the important components of your film script in terms of sound, allowing for notes on location sound for the director and sound crew to refer to these notes when filming, allowing for potential issues to be addressed early on and for a more mindful capture of sound.

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The space in which scenes are shot

The actions that are happening: Whats being moved around, sound effects happening at the same time as dialogue etc.

Recording the room tone

Consider possibility of the need for ADR

Be considerate of silence and space for use of foley

Consider the value of music, including in pre production, good for emotional intention or for effect, intro, outro, underlying tension

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Dialogue capture- Whispers and quiet moments

Sound editing and mixing- Making screams seem all over the school

Foley- Gunshots

Musical soundtracks- Slo mo

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Setting up sound playback equipment

Recording dialogue so that its audible

Recording foley and background noise

Working with director and actors to convey timings for dialogue align with sound affects so post production is more efficient

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Embrace large dynamics and make use of contrast between quiet and loud sounds to maximise their impact

Edit to indicate real world physicality and motion or has a visceral effect on you when you hear it

Layer sounds to fill the frequency spectrum, play with the weight of each sound for each moment

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Record enough room tone so it doesn't sound like it cuts off or loops

Leave spaces before and after any in production sounds or any dialogue hat will have sound affects before or after it

Song for slo mo- Take My Breath Away by Berlin, extracted sound from a screen recording

Record close for breathing moments (when it intensifies or when they stop as a shock reaction to the first gunshot)

Record in post scuffling of feet, moving sounds and doors slamming and opening ec.

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Using round mics

Using lapel mics

Blankets to soften the ground of the space to greate less audible vibrations

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Background noise

Noise from other rooms

Space has a lot echo, clothing and prop noise

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Use blank shots/black screens too create tension and suspense

Switch between different shot types to create a dynamic film

Use breathing sounds as a motif throughout

Open ending for dramatic effect

Remain sensitive to the subject, keep it emotional to educate on realities within the world