# data[].attributes.body
introduction

adapted from the film noir stylized cinematography,

techniques

evocatively lit environments

classic noir style of lighting

subtlety

colour, lighting and framing

lighting choices are loud and stylized, bold hues heighten the drama and the emotion in a scene

it has to be colourful to feel the elevation

primary colours, relying on the orange-blue colour contrast.

uses old school tungesten lights and skypanels, LED

The camera seems to float, giving it an ethereal quality

philosophy

making the internal external, even if it didn't adhere to physical realism

external manifestation of the story

achieving an emotional realism

"How can we create a world that reveals the hopes and wishes of the characters that exist within it?"

film noir

A style of cinematography tied to the golden age of Hollywood

German expressionist movement in film

aesthetics date to German horror films in the 1920s

expressionist film makers adopted a volatile feel to encompass stories about insanity, madness and betrayal which were translated into lighting and set design.

revolutionary because it became embedded into the film industry, and is seen as a universal technique

the context for this particular scene

"Trouble Don't Last Always"

Jules analyses her own gender performance and femininity

She tells her therapist that she wants to go off hormones

she's not scared of the "broadening, deepening and thickening"

"i want to be as beautiful as the ocean", "the ocean's strong...feminine... both are what make the ocean the ocean

# data[].attributes.body
transform the conventional use of watercolor panting

paints by intuition, reverse archaeology

ability to convey the universal structure from something deeply personal